THE FUTURE" to Celebrate 25Th Anniversary of Iconic Film from Universal Pictures

Total Page:16

File Type:pdf, Size:1020Kb

THE FUTURE AMC Theatres® Goes "BACK TO THE FUTURE" to Celebrate 25th Anniversary of Iconic Film From Universal Pictures Tickets on Sale Now for Special Showings on Oct. 23 and 25 Kansas City, Mo. (Sept. 28, 2010) - AMC Theatres (AMC), a leading theatrical exhibition and entertainment company, is proud to partner with Universal Pictures to offer guests the chance to see the timeless film BACK TO THE FUTURE for a limited time, exclusively in more than 150 theatres spanning 40 markets. Together with Universal, AMC will celebrate the 25th anniversary of this phenomenally popular movie, which was originally released on July 3, 1985 and spent 11 weeks as the #1 movie in the United States. "We are pleased to offer guests a convenient time for families to enjoy this ageless PG-rated movie, creating not only nostalgia for parents but also a new family sharing experience for children," said Robert J. Lenihan, president of programming at AMC. "A quarter century after its initial release, BACK TO THE FUTURE remains a beloved cultural touchstone for a generation of moviegoers all over the world," said Craig Kornblau, president of Universal Studios Home Entertainment. "We are thrilled to offer new audiences the opportunity to enjoy this timeless, fun-filled action-adventure, with its iconic characters and prolific storytelling, on the big screen with these very special showings." "BACK TO THE FUTURE is a beloved family classic and this is a great opportunity to allow families to come back to the theatre to see this iconic film," said Nikki Rocco, president of distribution at Universal. "For our 25th anniversary, BACK TO THE FUTURE has been restored and remastered, and it now looks and sounds even better than it did in 1985," said Bob Gale, co-creator/co-writer/co-producer of BACK TO THE FUTURE. "In a word, it's glorious! If you've never experienced it on the big screen with an audience, then you absolutely must attend this special event!" Showings will be at 12:30 p.m. local time on Saturday, Oct. 23 and 7 p.m. local time on Monday, Oct. 25, the same night that main character Marty McFly (portrayed by Michael J. Fox) went "back in time." Guests who attend these showings will enjoy a free, full-sized, 25th anniversary BACK TO THE FUTURE poster to commemorate the event (while supplies last.) Plus, guests who "like" AMC Theatres on Facebook or who are members of the MovieWatcher™ network will be eligible to win a BACK TO THE FUTURE Blu-ray Disc or DVD trilogy set. The newly restored 25th anniversary BACK TO THE FUTURE trilogy will be available on both Blu-ray Disc and DVD nationwide on Oct. 26. Tickets for this limited-time, special event are now available online at www.AMCTheatres.com/bttf or at participating theatres. For participating markets and theatres, please visit www.AMCTheatres.com/bttf. About Universal Studios Home Entertainment Universal Studios Home Entertainment is a unit of Universal Pictures, a division of Universal Studios (www.universalstudios.com). Universal Studios is a part of NBC Universal, one of the world's leading media and entertainment companies in the development, production, and marketing of entertainment, news, and information to a global audience. Formed in May 2004 through the combining of NBC and Vivendi Universal Entertainment, NBC Universal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, and world-renowned theme parks. NBC Universal is 80%-owned by General Electric, with 20% owned by Vivendi. About AMC Entertainment Inc. Headquartered in Kansas City, Mo., AMC Entertainment Inc. is a leading theatrical exhibition and entertainment company. With a history of industry leadership and innovation dating back to 1920, the company today serves hundreds of millions of guests annually through interests in 380 theatres with 5,325 screens in five countries. www.AMCTheatres.com. MEDIA CONTACT Justin Scott, (816) 480-2548 [email protected] .
Recommended publications
  • Digital Dialectics: the Paradox of Cinema in a Studio Without Walls', Historical Journal of Film, Radio and Television , Vol
    Scott McQuire, ‘Digital dialectics: the paradox of cinema in a studio without walls', Historical Journal of Film, Radio and Television , vol. 19, no. 3 (1999), pp. 379 – 397. This is an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio and Television is available online at http://www.informaworld.com/smpp/title~content=g713423963~db=all. Digital dialectics: the paradox of cinema in a studio without walls Scott McQuire There’s a scene in Forrest Gump (Robert Zemeckis, Paramount Pictures; USA, 1994) which encapsulates the novel potential of the digital threshold. The scene itself is nothing spectacular. It involves neither exploding spaceships, marauding dinosaurs, nor even the apocalyptic destruction of a postmodern cityscape. Rather, it depends entirely on what has been made invisible within the image. The scene, in which actor Gary Sinise is shown in hospital after having his legs blown off in battle, is noteworthy partly because of the way that director Robert Zemeckis handles it. Sinise has been clearly established as a full-bodied character in earlier scenes. When we first see him in hospital, he is seated on a bed with the stumps of his legs resting at its edge. The assumption made by most spectators, whether consciously or unconsciously, is that the shot is tricked up; that Sinise’s legs are hidden beneath the bed, concealed by a hole cut through the mattress. This would follow a long line of film practice in faking amputations, inaugurated by the famous stop-motion beheading in the Edison Company’s Death of Mary Queen of Scots (aka The Execution of Mary Stuart, Thomas A.
    [Show full text]
  • System Safety Engineering: Back to the Future
    System Safety Engineering: Back To The Future Nancy G. Leveson Aeronautics and Astronautics Massachusetts Institute of Technology c Copyright by the author June 2002. All rights reserved. Copying without fee is permitted provided that the copies are not made or distributed for direct commercial advantage and provided that credit to the source is given. Abstracting with credit is permitted. i We pretend that technology, our technology, is something of a life force, a will, and a thrust of its own, on which we can blame all, with which we can explain all, and in the end by means of which we can excuse ourselves. — T. Cuyler Young ManinNature DEDICATION: To all the great engineers who taught me system safety engineering, particularly Grady Lee who believed in me, and to C.O. Miller who started us all down this path. Also to Jens Rasmussen, whose pioneering work in Europe on applying systems thinking to engineering for safety, in parallel with the system safety movement in the United States, started a revolution. ACKNOWLEDGEMENT: The research that resulted in this book was partially supported by research grants from the NSF ITR program, the NASA Ames Design For Safety (Engineering for Complex Systems) program, the NASA Human-Centered Computing, and the NASA Langley System Archi- tecture Program (Dave Eckhart). program. Preface I began my adventure in system safety after completing graduate studies in computer science and joining the faculty of a computer science department. In the first week at my new job, I received a call from Marion Moon, a system safety engineer at what was then Ground Systems Division of Hughes Aircraft Company.
    [Show full text]
  • The Back to the Future Trilogy Available for the Very First Time on Dvd
    CONSUMER MEDIA RELEASE MAY 2002 GREAT SCOTT! THE BACK TO THE FUTURE TRILOGY AVAILABLE FOR THE VERY FIRST TIME ON DVD PLANNED RELEASE DATE - AUGUST 21, 2002 Michael J Fox, Christopher Lloyd, Thomas F. Wilson, Lea Thompson, Crispin Glover One of the most eagerly awaited DVD and video collections is almost here. Presented by Steven Spielberg and Robert Zemeckis the legendary 'Back to the Future Trilogy' will be available August 21, 2002 on VHS and for the first time ever, on DVD with over 10 hours of special features including deleted scenes, outtakes, music videos and much, much more! Since it's original cinema release in the 80's, The Back to the Future Trilogy has amassed a staggering worldwide box office revenue of US$926 million. In fact, 'Back to the Future' was the worldwide highest grossing film of 1985. For generations time travel has captivated readers and movie-goers alike, and this August the most revered series of films in this genre will not only be re-lived by those who treasured the original cinema releases - but will be introduced to a whole new generation on DVD. It doesn't matter if you are a fan of the 80's, Michael J Fox, or the technology of DVD - this is an event not to be missed, being one of the most anticipated DVD releases of all-time. Back to the Future follows the amazing adventures of Marty McFly (Michael J Fox), a high-school student in the small Northern California town of Hill Valley. The fun begins when Marty’s friend and mentor, crazed scientist Doc Brown (Christopher Lloyd), invents a time machine in the form of a nuclear-powered DeLorean.
    [Show full text]
  • Imagining a Multiracial Future Author(S): Leilani Nishime Source: Cinema Journal, Vol
    Society for Cinema & Media Studies The Mulatto Cyborg: Imagining a Multiracial Future Author(s): LeiLani Nishime Source: Cinema Journal, Vol. 44, No. 2 (Winter, 2005), pp. 34-49 Published by: University of Texas Press on behalf of the Society for Cinema & Media Studies Stable URL: http://www.jstor.org/stable/3661093 Accessed: 18-09-2016 02:53 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/3661093?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Society for Cinema & Media Studies, University of Texas Press are collaborating with JSTOR to digitize, preserve and extend access to Cinema Journal This content downloaded from 128.210.126.199 on Sun, 18 Sep 2016 02:53:57 UTC All use subject to http://about.jstor.org/terms The Mulatto Cyborg: Imagining a Multiracial Future by LeiLani Nishime Abstract: Applying the literature of passing to cyborg cinema makes visible the politics of cyborg representations and illuminates contemporary conceptions of mixed-race subjectivity and interpolations of mixed-race bodies. The passing nar- rative also reveals the constitutive role of melancholy and nostalgia both in creat- ing cyborg cinema and in undermining its subversive potential.
    [Show full text]
  • INSIGHT: Even Without Marty Mcfly Powers, Antitrust Regulators Generally Get It Right by Kristen Limarzi January 3, 2020
    INSIGHT: Even Without Marty McFly Powers, Antitrust Regulators Generally Get It Right By Kristen Limarzi January 3, 2020 Antitrust agencies don’t have a back to the whether an independent Instagram or Waze future time machine like Marty McFly’s, but would provide more competition today, they generally do a good job assessing the future but whether there would have been more impact of global mergers, writes Gibson Dunn’s competition absent the mergers. The antitrust Kristen Limarzi. She looks at the Facebook- agencies don’t have a time machine like Instagram and Google-Waze cases and says Marty’s to test the counterfactual. But they the remedy of unwinding long-consummated do have skilled investigators and economists, mergers should be reserved for cases where the and there’s no evidence they are systematically Kristen C. Limarzi loss of competition is clear, and not based on waving through anticompetitive mergers. Partner speculative counterfactuals. Potential Competition Doctrine More than 100 global competition authorities met Dec. 5-6, 2019, in Paris for the OECD Merger review under the Clayton Act is Global Forum on Competition. On the always a forward-looking exercise. The agenda: How best to assess likely future effects statute prohibits mergers the effect of which of mergers in rapidly changing industries. “may be substantially to lessen competition.” As the U.S. Supreme Court observed, the This discussion comes when many are very wording “requires a prognosis of the criticizing the U.S. antitrust agencies for failing probable future effects of the merger.” to block acquisitions of nascent competitors Sometimes merging firms already compete, by large tech platforms.
    [Show full text]
  • Classrooms of the Future Marty Mcfly and Dr Emmett Brown Managed To
    Classrooms of the Future Marty McFly and Dr Emmett Brown managed to do it. They transported themselves through time in the film Back to the Future and its sequels. In the second film, on October 26, 1985, Dr. Emmett Brown arrived in the DeLorean time machine and persuaded Marty McFly and his girlfriend, Jennifer Parker, to travel to the future with him and help their forthcoming children. They travelled thirty years ahead to October 26, 2015. The film was actually made in 1989, some 26 years before the futuristic date in the film. The screenwriters, Robert Zemeckis and Bob Gale, attempted to predict the future. According to Zemeckis, the 2015 depicted in the film was not meant to be an accurate representation of the future. However, the film did correctly predict a number of technological and sociological changes that occurred by 2015, including: the rise of ubiquitous cameras; the use of unmanned flying drones for newsgathering; widescreen flat-panel television sets mounted on walls with multiple channel viewing; video chat systems; hands-free video games; talking hologram billboards; wearable technology; tablet computers with fingerprint scanners; and head-mounted displays. Payment on personal portable devices was also depicted. I am also trying to predict a future: that of education, yet I am not looking 26 years hence. Rather I am looking at five to seven years and the change is likely to be just as impressive as in the film, only achieved in fewer years. This is due to the exponential growth in IT and the impact it is likely to have on education.
    [Show full text]
  • Back to the Future: the Implications of Service and Problem-Based Learning in the Language, Literacy, and Cultural Acquisition of ESOL Students in the 21St Century
    The Reading Matrix: An International Online Journal Volume 18, Number 2, September 2018 Back to the future: The implications of service and problem-based learning in the language, literacy, and cultural acquisition of ESOL students in the 21st century Margaret Aker Concordia University, Chicago Luis Javier Pentón Herrera University of Maryland, Baltimore County (UMBC) Lynn Daniel Concordia University, Chicago ABSTRACT Research has identified the essential proficiencies students should possess to be successful, but they are often not incorporated in the ESOL classroom. As a result, many teachers lack access to adequate instructional strategies to guide ELs to academic success. We argue in this article that, to provide a strong foundation and a bright future for ESOL students, problem-based learning and service-learning (PBSL) should be combined to activate the skills identified by the Partnership for 21st Century Skills (2011). For this, we reflect on the 21st century skills and the implications for teaching today’s students—the Millennials and GenZs—keeping in mind the professionals they will become tomorrow. Reflecting a student-centered approach, we incorporate practice into the research process by illustrating a successful integration of PBSL into an ESOL learning environment in higher education and then highlight additional curricular opportunities for synthesizing PBSL at the elementary, middle, and high school levels. INTRODUCTION “Education is for improving the lives of others and for leaving your community and world better than you found it” (Edelman, 1993, pp. 9-10). Inspired by a call for research in the Teaching English to Speakers of Other Languages (TESOL) field (Wurr, 2013), we seek to contribute by proposing a model that guides the larger discourse on service-learning, civic engagement, and language learning for minority students.
    [Show full text]
  • 'The Coolest Way to Watch Movie Trailers in the World': Trailers in the Digital Age Keith M. Johnston
    1 This is an Author's Accepted Manuscript of an article published in Convergence: The International Journal of Research into New Media Technologies 14, 2 (2008): 145- 60, (c) Sage Publications Available online at: http://con.sagepub.com/content/14/2/145.full.pdf+html DOI: 10.1177/1354856507087946 ‘The Coolest Way to Watch Movie Trailers in the World’: Trailers in the Digital Age Keith M. Johnston Abstract At a time of uncertainty over film and television texts being transferred online and onto portable media players, this article examines one of the few visual texts that exists comfortably on multiple screen technologies: the trailer. Adopted as an early cross-media text, the trailer now sits across cinema, television, home video, the Internet, games consoles, mobile phones and iPods. Exploring the aesthetic and structural changes the trailer has undergone in its journey from the cinema to the iPod screen, the article focuses on the new mobility of these trailers, the shrinking screen size, and how audience participation with these texts has influenced both trailer production and distribution techniques. Exploring these texts, and their technological display, reveals how modern distribution techniques have created a shifting and interactive relationship between film studio and audience. Key words: trailer, technology, Internet, iPod, videophone, aesthetics, film promotion 2 In the current atmosphere of uncertainty over how film and television programmes are made available both online and to mobile media players, this article will focus on a visual text that regularly moves between the multiple screens of cinema, television, computer and mobile phone: the film trailer. A unique text that has often been overlooked in studies of film and media, trailer analysis reveals new approaches to traditional concerns such as stardom, genre and narrative, and engages in more recent debates on interactivity and textual mobility.
    [Show full text]
  • All the Things That Back to the Future Got Right (And Wrong)
    All the things that Back to the Future got right (and wrong) Posted 7 days ago by i100 staff in ents Upvote Wednesday 21st October 2015 marks the date that Marty McFly and Doc Brown flew through time to visit in the 1989 classic Back to the Future II. While the film, directed by Robert Zemeckis and starring Michael J Fox and Christopher Lloyd, made many fanciful predictions which we're still waiting for, it was surprisingly correct in some aspects. Here's what it got right and what it got wrong about the world we live in, in 2015: Right Fingerprint scanners Fingerprint recognition, like that used to pay for a taxi in the film, can be found on the latest iPhones and at US passport control. Fuelling cars on rubbish While you can't exactly scavenge through a wheelie-bin and force feed it through your car's petrol cap (as Doc does to the DeLorean), using waste as a fuel - in the form of biogas, is something we use in 2015. There's even a bus in Bristol that runs entirely on human and food waste. Hoverboard transportation The kind with wheels may be banned on British streets, but inventors in the US have managed to create a real hoverboard using powerful electromagnets and a metal course. The Hendo II, fronted by renowned skateboarder Tony Hawk will be launched on Wednesday. Hands-free games A young Elijah Wood and his pal denounce Marty for using a video game that needs a handset in the film, suggesting that by 2015 hands-free computer games would be mainstream.
    [Show full text]
  • Ovul Durmusoglu
    !By Ovul Durmusoglu ! “…the archive […] determines that all these things said do not accumulate endlessly in an amorphous mass, nor are they inscribed in an unbroken linearity, nor do they disappear at the mercy of chance external accidents; but they are grouped together in distinct figures, composed together in accordance with multiple relations, maintained or blurred in accordance with specific regularities.” - Michel Foucault, The Archaeology of Knowledge, 1972, London: Tavistock, and New York: !Pantheon, 128. “History is hysterical: it is constituted only if we consider it, only if we look at it – and in order to look at it, we must be excluded from it.” - Roland Barthes, Camera Lucida: Reflections on Photography, 1981, New York: Hill and Wang, !65. !“Nothing Is.” - Sun Ra ! !I. We were able to experience cinematic spectacle in the cinemas that hadn’t yet been tucked inside shopping malls. I remember taking in the catchy iconography of the science fiction comedy Back to the Future (1985) starring Michael J. Fox in a popular cinema in Ankara where I grew up. A crazy professor named Doc Brown transforms a DeLorean DMC-12 into a time machine. The main protagonist Marty McFly finds himself instantaneously transported from 1985 to 1955 shortly after being introduced to the time machine by his friend. Marty spends his time in 1955 to better his family history – ultimately, in order to better his present. No wonder it was a favorite of the US president at the time, Ronald Reagan: the film’s message is typical of 1980s Hollywood, espousing a good, happy American family and the preservation of social values based on that good !family.
    [Show full text]
  • The Missouri Stories Scriptwriting Fellowship Is an International Competition for Screenplays and Television Pilot Scripts with Story Lines Set in Missouri
    The Missouri Stories Scriptwriting Fellowship is an international competition for screenplays and television pilot scripts with story lines set in Missouri. Three scripts will be chosen from all submissions. The winning writers will receive an all expenses paid trip to our concentrated fellowship experience, held in Missouri in February 2020. The writers will be joined by accomplished industry mentors who will work with each fellow. In addition to workshop time and one-on-one mentor time, we will organize a day trip to visit the area of the state where the scripts are set, for added inspiration. Past industry mentors include: Bob Gale, best known for co-writing films in the “Back to the Future” trilogy; Angelo Pizzo, who wrote among others, Hoosiers and Rudy; Valerie Woods, currently working on OWN’s Queen Sugar; Philip LaZebnik who wrote the screenplays for Mulan and The Prince of Egypt; and Kathleen McGee Anderson, noted for a variety of television credits including ABC Family’s “Lincoln Heights.” A separate committee of industry reading judges will read, score and determine the semifinalists, finalists, and winners of the fellowship competition. Scripts will be evaluated on a ten-point scale for each of six categories: Presentation/Format; Premise/Concept; Structure/Plot/Pacing; Characters/Dialogue; Theme/Style/Tone; and Missouri Relevance. Writers will receive copies of their scoresheets. TIMELINE Nov. 1 - submissions open Nov. 15 - submissions close December- reading judge committee read and score scripts Jan. 3 - fellows chosen/notified and finalist scripts given to mentors Feb. 2-5 - fellowship (three nights, four days) Please visit www.MoFilm.org/MoStories for updates.
    [Show full text]
  • Back to the Future: Continuum Conundrum Free
    FREE BACK TO THE FUTURE: CONTINUUM CONUNDRUM PDF Marcelo Ferreira,John Barber,Bob Gale | 136 pages | 25 Oct 2016 | Idea & Design Works | 9781631407277 | English | San Diego, United States Back to the Future #7 - Comics by comiXology in | Back to the future, Future memes, Bttf When Robert Zemeckis' classic begins, the opening scenes are dedicated towards establishing the friendship between Michael J. Fox 's high school teenager and Christopher Lloyd's endearing mad scientist. Back To The Future 's story begins proper when Doc, who Marty hasn't seen for a week, instructs his young friend to meet him at the Twin Pines Mall later that night. In a conversation that has since been indoctrinated into movie legend, Doc Brown reveals that he built a time machine out of a DeLorean and the duo need to take this contraption for a test drive while avoiding a band of angry Libyan terrorists. As anyone would be in his Nike sneakers, Marty is shocked at Doc's time-bending breakthrough, and even more surprised that journeys through the continuum will be Back to the Future: Continuum Conundrum in such style. Marty and Jennifer investigate in and it's actually Jennifer who deducts that if Marty didn't see Emmett building the DeLorean, he must have a secret lab tucked away somewhere. Marty's girlfriend is proven right when the duo discover a building registered under Doc Brown's birth name, "Von Braun. Furthermore, Bob Gale's involvement in the comic project ensures that Doc Brown's second lab is entirely canon. Craig first began contributing to Screen Rant inBack to the Future: Continuum Conundrum years after graduating college, and has been ranting ever since, mostly to himself in a darkened room.
    [Show full text]