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The Underpainter
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University -
Paying Attention to Public Readers of Canadian Literature
PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Anansi Fall 2011
Karin Altenberg Threes Anna Edem Awumey Peter Behrens Lynn Coady Elena Forbes John Fraser Misha Glenny Adam Gopnik Ian Hamilton Marjorie Harris Jim Harrison Robert Hough Fred Jourdain Stephen Kelman Robert Lepage Roberta Lowing Ai Mi ANANSI Marie Michaud GRANTA • PORTOBELLO Steve Milton FALL 2011/WINTER 2012 Scott Moir Erín Moure Alison Pick Iain Reid Edward Riche Frauke Scheunemann Steve Sem-Sandberg Carrie Snyder Tessa Virtue ISBN: 978-1-77089-060-2 9 7 8 1 7 7 0 8 9 0 6 0 2 Anansi_F11_cover_final_REV.indd 1 11-04-19 2:46 PM • • House of Anansi Press Inc. 110 Spadina Avenue, Suite 801, Toronto, Ontario M5V 2K4 Tel: 416.363.4343 Fax: 416.363.1017 www.anansi.ca recent AWArdS For AnAnSi booKS Ann Abel by KAthleen Winter h oldinG Still For as lonG as PoSSible by • Finalist, Orange Prize for Fiction Zoe WhittAll • Finalist, Scotiabank Giller Prize • Winner, Earla Dunbar Consumer Award • Finalist, Rogers Writers’ Trust Fiction Prize • Finalist, ReLit Award • Finalist, Governor General’s Literary Award: Fiction • Finalist, Lambda Literary Awards: Transgender Fiction • Finalist, Amazon.ca First Novel Award • Finalist, Lambda Literary Awards: Lesbian Fiction • Finalist, Thomas Head Raddall Atlantic Fiction Award • ALA Stonewall Book Awards: Barbara Gittings • Finalist, CBA Libris Awards for Fiction Book of the Year Literature Award Honor Book and Author of the Year t rhe ir AtionAliSt byA SuZ nne buFFAm • Finalist, OLA Evergreen Award • Finalist, CBC Bookies: Best Overall Book • Finalist, Griffin Poetry Prize • #1 National Bestseller oP reS lAndor by erín moure • A New York Times Editors’ Choice • Finalist, A. M. -
Apre.W, Zvols
.-. TOQN and Counlq. Karen Lawance is the winner ot the W.H. SInlWBooks in Canada First Novel Award Fighting Words. John Metcall’s unrsmtttinp standards have madt ! hlm CanLit’s most controversial crittz. By Bmnt LedPErI”. nsath BY mowntng. Was Raymond Kniiter’s dmwdng an scctisnt or &ids? A memoir by Dorothy Live.%y 17 Fuel Foi Loue. Elizabeth Smart’s journals weal a cowsntttnal wman who ~uandared her talent. By Audrey Thomas 19 Je MS Seuuisnr. Gerard PslleVer’s memobs an less cDmpmhensiw than othar books about Ouebac polhlce but more Illumlnatlng. By I.M. Owen 21 Blaming Ihs Vlctlm. Was Marcel Giraud preaching to the ‘indolent’ M&s ha seamed so severely to put down? By Jennifer Brown 23 Brlsf Rwisvvs Short notices on recent liclion and non-Action VIEWS 18 Famll Tour, by Virgil Bumatt 20 Adals al the End et Ihe Day, Ly Tom Marshall 8 Nemsmbedng Summsr. by Hamld tiorwood n The Sell-Co~plstlng Ttisi Selectsd Poems, by Uomthy Livesay 28 The Nadlant Way, by Margaret Dmbble 29 Saulng Chlna: hnadlan AGsslenatiss I” Ihs Mlddls Kingdom 1999.1999. by Alvyn J. Austin 30 Si!IaV~Sg@, by David Margoshes; The U”saNU”g Of tbs Wsst, by Gaq Geddes; LeapIng Up Slldlng Away, by Kant Thompson la Coaur Dltouuark mn~an d’amoun, by Michst Tramblay Gethlc and Ths Animals Wllhln. by David Uay Hsadtng Gut: Ths New Saskatchewan Poets, editsd bv Don Ken Cmog Plays the Aca. bq Jack Batten Hot Monsu and Ihs Pulillcs ol Dabl. bv R.T. Navlor 36 LambIs’s kOCkr, by Louls Uudek _ 36 Nloht Drlulno. -
Goose Lane Editions Fall 2018 Where to Begin? with a Heartbeat
Goose Lane Editions Fall 2018 Where to begin? With a heartbeat. A word. An image. Fall 2018. A season of provocation, of entertainment, of complete absorption. A season of ideas. And of emotion. “This is where the heart of feminism beats.” — Annie Lennox on Powered by Love This fall our selection of new titles includes books destined for everyone’s reading list: a provocative (and yes, decidedly controversial) book on the myths of mammography by investigative journalist Renée Pellerin; a memoir of a river by one of Canada’s best nature writers, Wayne Curtis; and the first of two volumes on the Great Trail by hiker extraordinaire Michael Haynes. “Blunt, honest and well-researched.” — Flurt on F-Bomb Readers will be entranced by fabled lawman Strother Purcell in Ian Weir’s deadpan revisionist western and pulled into the undertow of history in Paul Carlucci’s ravaged high-rise of the north. In icehouse poetry, renowned poet Patricia Young and first-book author Dominque Bernier-Cormier will encourage readers to cast their gaze on a pungent, pulsating universe. Full stop. And then, with much ado, we’ll unveil a dazzling array of illustrated books, including three distinctive books of photography. ...Everything Remains Raw records the evolution of the Toronto hip hop scene through graffiti, magazine shoots, and behind-the-scenes documentary photographs. The Lost City documents the vanished neighbourhoods of Saint John razed by the progress of “urban development” in arresting, black-and-white photographs by Ian MacEachern. In One Wave, Ned Pratt transforms the Newfoundland landscape into distillations of form and colour — without a hint of nostalgia. -
The Canadian Writer & the Iowa Experience
THE CANADIAN WRITER & THE IOWA EXPERIENCE Anthony Bukoski Τ PURPOSE OF THIS PAPER IS TWO-FOLD: to try to piece together from interviewlHsE and correspondence I have had with a number of Canadian authors — twenty-seven to be exact — a sort of general history, a chronological overview of their involvement in the Iowa Writers' Workshop, and to try to assess the significance of that involvement not only to the writers them- selves but to Canadian literature in general. I intend hedging a bit by including some writers who became Canadians only after leaving Iowa.1 Could so many writers have studied at the same institution in the United States without its having left some mark? What attitudes about teaching creative writing or the commitment to the writer's life and craft did they form? Given the method of Workshop investigation, the fragile egos of most young writers, and the fact that the Workshop is in another country, not all of them profited from the experi- ence of studying at Iowa. Speaking of her experiences there in the late 1950's, for instance, Carol Johnson, who teaches at the University of Victoria, noted, "Writ- ers on the whole seem notorious for their unhappiness. Legends of particularly unhappy types prevailed [though not necessarily Canadians]. Since writers are apparently predisposed to neurosis, it would be safe to assume that most of them would be unhappy anywhere."2 Those who were satisfied found the programme valuable, the atmosphere con- ducive to work — though perhaps neither so attractive nor congenial as the main character finds Iowa in W. -
2016 Wordfest Authors – the List
2016 Wordfest authors – The List Meeting an actual person who wrote an Rencontrer LA personne qui a écrit un livre -en actual book -especially one that students particulier celui que les élèves ont lu et apprécié- have read and enjoyed- is a rare, captivating est une expérience relativement rare, captivante and transformative experience. Wordfest et précieuse. Wordfest et le Festival des mots Youth supplies authors from across Canada rassemblent des auteurs et illustrateurs du and around the world to present fun, inspiring Canada du monde entier pour favoriser ces in- and out-of-school events that promote a rencontres entre élèves et auteurs lors love of reading and a deeper appreciation of d’événements en théâtre et en école qui the written word. favorisent un amour de la lecture et une appréciation plus profonde de la littérature. Looking for a book of interest for your Vous cherchez un livre intéressant pour vos students? Look no further! The reading list élèves ? Ne cherchez plus! La liste de livres ci- below, organized by grade level, regroup all dessous, organisée par niveau scolaire, the artists available to visit your school1, from regroupe tous les artistes souhaitant visiter votre Kindergarten to Grade 12. école, de la maternelle à la 12e année. Contact Wordfest to discuss your needs and Contactez Wordfest pour discuter de vos the artist you’d like to meet; depending on besoins et de l'artiste que vous souhaitez their availability, we will definitely work with rencontrer; en fonction de leur disponibilité1, you to create an event that will inspire your nous travaillons avec vous pour créer un students. -
Harp Ollinscanada
linsCanada erCol Harp WINTER 2011 Contents page 2 New Fiction and Non-fiction page 33 Cookbooks page 34 Harper Paperbacks page 57 ChildrenÕ s Books pages 72-73 Index page 74 Key Contacts Please note: Prices, dates and specifications listed in this catalogue are subject to change without notice. The suggested retail prices are in Canadian dollars and do not include GST/HST. All resellers are free to establish their own prices. Consumer prices are suggestions only and do not reflect the prices at which books and other products will be sold. 2 harpercollins nne Blythe is lucky. She’s got a brand new book contract, a great newspaper job and a steadfast best friend, and she canA land just about any man she sets her sights on—and the ones that appeal are typically tall, dark and handsome. If your romantic choices kept ending Problem is, the men she chooses never last. Shortly after yet in heartache, would you let someone another relationship goes down in flames, Anne comes across a card for what she believes is a dating service, and pockets it choose your husband for you? just in case. If she’s so unlucky in love, maybe she could use a little assistance. Then her best friend announces she’s engaged, catherine mckenzie and envy gets the better of Anne. Now’s the time, she decides, to give the service a try—and she is shocked to discover that what the company specializes in are exclusive, and pricey, arranged Arranged marriages. After learning of the company’s success rate, how- ANovel ever, she overcomes her reluctance and signs on. -
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr. -
Peter Gzowski Interviews Thomas King on Green Grass, Running Water
Peter Gzowski Interviews Thomas King o n Green Grass, Running Water* ρ G Over the past couple of years Thomas King has popped up on Morningside fr o m time to time, usually along with a couple of other people, to talk about what's new in fiction by Native authors. This morning he's here to talk about a book of his own. The book is Gr e e n Grass, Running Water. I 've already raved about it today. Thomas King is in our Calgary studio. M o r n in g. τ κ Morning. ρ G Now, yo u wouldn't have heard my opening remarks because it's still too—we haven't crossed into Alberta yet, but boy, I felt like I was talking cover blurb stuff. I love this book. τ κ Oh, wonderful! ρ G Well, who doesn't? I've never seen such reviews, either! τ κ Well, they've been okay so far. I tend to be pragmatic about those things and just sort of hold my breath, bu t so far the reviews have been good. ρ G I have to confess it took me a little while to slide into it, you know, I was warmed up and I said, "Oh no, t h is is another on e—it'll be too compli cated for me—too abstruse and too magical"—and then all of a sudden I sort of glided in and I found myself laughing and having a wonderful time. τ κ Good, we l l , that's partly what the book is supposed to do, I suppose, is to .. -
A Writer-Centered World May 29Th to June 1St Delta St
2014 ONWORDS CONFERENCE AND ANNUAL GENERAL MEETING CENTERING THE MARGINS: A Writer-Centered World May 29th to June 1st Delta St. John’s 120 New Gower Street St. John’s, NL 2 2014 OnWords Conference and Annual General Meeting what’s INSIDE Agenda 04 Chair’s Report 10 Minutes, 2013 11 National Council & AGM Directives, 2013 21 Auditor’s Report 30 Forward, Together: Strategic Plan, 2010-2014 40 Regional Reports 41 Liaison, Task Force, and Committee Reports 46 Executive Director’s Welcome 69 Members and Guests Attending 70 Panelist and Speed Networker Biographies 71 Cover image © MUN, Department of Geography, 2013-80 May 29th – June 1st . Centering the Margins: A Writer-centered World 3 AGENDA Centering the Margins: A Writer-Centered World Hashtag for the weekend is: 2014 OnWords Conference and Annual General Meeting #OnWords Delta St. John’s Hotel and Conference Centre *Please remember to also add 120 New Gower Street, St. John’s, NL @twuc to your tweets as well May 29 – June 1, 2014 Thank to our lead sponsors the Access Copyright Foundation, ACTRA Fraternal Benefit Society, Amazon.ca, Random House of Canada, Mint Literary Agency, and Newfoundland Labrador. Please be aware that the use of spray colognes, hairsprays, and/or air fresheners, may trigger allergic reactions and create health problems for others. THURSDAY, May 29, 2014 2:00 pm – 3:00 pm EXECUTIVE MEETING — Placentia Bay room 3:00 pm – 5:00 pm NATIONAL COUNCIL MEETING — Placentia Bay room 4:00 pm – 6:00 pm REGISTRATION — Main Lobby 6:15 pm – 7:00 pm NEW MEMBER RECEPTION — Rocket Bakery and Fresh Foods, 272 Water Street 7:00 pm – 8:30 pm WELCOME RECEPTION WITH THE WRITERS ALLIANCE OF NEWFOUNDLAND AND LABRADOR — Rocket Bakery and Fresh Foods, 272 Water Street, 3rd floor.