The Canadian Short Story Interpretations
The Canadian Short Story Interpretations Edited by Reingard M. Nischik CAMDEN HOUSE Rochester, New York Contents Preface ix The Canadian Short Story: Status, Criticism, Historical Survey 1 Reiujjard M. Nischik 1: Canadian Animal Stories: Charles G. D. Roberts, "Do Seek Their Meat from God" (1892) 41 Martina Seifert 2: Tory Humanism, Ironic Humor, and Satire: Stephen Leacock, "The Marine Excursion of the Knights of Pythias" (1912) 53 Heinz Antor 3: The Beginnings of Canadian Modernism: Raymond Knister, "The First Day of Spring" (written 1924/25) 67 Julia Breitbach 4: From Old World Aestheticist Immoralist to Prairie Moral Realist: Frederick Philip Grove, "Snow" (1926/1932) 83 Konrad Grqfs 5: Psychological Realism, Immigration, and City Fiction: Morley Callaghan, "Last Spring They Came Over" (1927) 95 Paul Goetscb 6: Modernism, Prairie Fiction, and Gender: Sinclair Ross, "The Lamp at Noon" (1938) 105 Dieter Meindl 7: "An Artful Artlessness": Ethel Wilson, "We Have to Sit Opposite" (1945) 117 Nina Kiick 8: Social Realism and Compassion for the Underdog: Hugh Garner, "One-Two-Three Little Indians" (1950) 129 Stefan Ferguson vi • CONTENTS 9: The Perils of Human Relationships: Joyce Marshall, "The Old Woman" (1952) Rudolf Bader 10: The Social Critic at Work: Mordecai Richler, "Benny, the War in Europe, and Myerson's Daughter Bella" (1956) Fabienne C. Quennet 11: Myth and the Postmodernist Turn in Canadian Short Fiction Sheila Watson, "Antigone" (1959) Martin Kuester 12: The Modernist Aesthetic: Hugh Hood, "Flying a Red Kite" (1962) Jutta Zimmermann 13: Doing Well in the International Thing?: Mavis Gallant, 'T"he Ice Wagon Going Down the Street" (1963) Silvia Mergenthal 14: (Un-)Doing Gender: Alice Munro, "Boys and Girls" (1964) Reiugard M.
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