Unit 2: Section C |A1 Notes
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What Is a Totem Pole?
What is a totem pole? A totem is an emblem of A totem pole is a monument a family or clan. This of a single log of red cedar that emblem can feature a is carved by First Nations natural object, an animal peoples of the Pacific Northwest or a spirit being. Coast. A pole includes an arrangement of several totems. What is it used for? A totem pole can be used for different purposes: to welcome visitors, as a memorial for important members of the tribe, as a tomb Sisiutl, a double-headed or headstone, to celebrate a special occasion, serpent, one of the many crests of the Hunt family. or as a supporting column inside houses. What figures are displayed on a totem pole? A totem pole typically features symbolic and stylized human, animal, and supernatural forms. They are visual representations of family stories and ancestry. Families acquire the rights to display specific figures, or crests, over many generations. These Henry Hunt totem pole crests can be acquired through supernatural encounters that Photo by Mark Davidson, 2019 ancestors had and were handed down to their descendants, through marriage, or in a potlatch. A potlatch was a ceremony to mark important life events, including the new use of a family crest. Some common figures are: Human figures Sky elements Animals of the forest and mountains Chief Sun, moon Bear, wolf Sea beings Sky beings Supernatural Seal, whale, salmon Eagle, raven, owl Thunderbird, Sisiutl (double-headed serpent) How are they designed? Figures are characterized by two elements: Formline Basic colors A combination of thin and thick Black - Used for the formline lines that help to divide figures Red – Adds detail and structure the design. -
Some Considerations Concerning Rites of Passage and Modernity VIBRANT - Vibrant Virtual Brazilian Anthropology, Vol
VIBRANT - Vibrant Virtual Brazilian Anthropology E-ISSN: 1809-4341 [email protected] Associação Brasileira de Antropologia Brasil DaMatta, Roberto Individuality and liminarity: some considerations concerning rites of passage and modernity VIBRANT - Vibrant Virtual Brazilian Anthropology, vol. 14, núm. 1, 2017, pp. 149-163 Associação Brasileira de Antropologia Brasília, Brasil Available in: http://www.redalyc.org/articulo.oa?id=406952169009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Déjà Lu Individuality and liminarity: some considerations concerning rites of passage and modernity Roberto DaMatta Departamento de Ciências Sociais, Pontifícia Universidade Católica do Rio de Janeiro - PUC-RJ, Rio de Janeiro/RJ, Brazil Abstract This article explores a critical link between two concepts which are central to the social sciences: the idea of liminarity, engendered by the anthropological tradition of self-centred and self-referred monographic studies; and the idea of individuality, a key concept within the classical tradition of the socio-historical studies of great civilizations (as well as being the crucial and familiar category of our civil and political universe). The author seeks to show how a bridge can be established between these two concepts, which may at first appear distant, by focusing on certain under-discussed aspects of rites of passage. He argues that the ‘liminal’ phase of rites of passage is tied to the ambiguity brought about through the isolation and individualization of the initiate. -
1 Unit 4 Theories of the Origin of Religion
UNIT 4 THEORIES OF THE ORIGIN OF RELIGION -II Contents 4.0 Objectives 4.1 Introduction 4.2 The Primitive Religious Consciousness 4.3 The Experience of the Holy 4.4 Critical Remarks 4.5 Let Us Sum Up 4.6 Key Words 4.7 Further Readings and References 4.8 Answers to Check Your Progress 4.0. OBJECTIVES The main objective of this Unit is to describe the main features of the religious consciousness as found in the experience of the religious persons. In spite of the secularism that has influenced so many, religious thought continues to be vigorous. It gives every sign that it will not cease to be so. Very many thinkers consider man as an unfinished product. As an unfinished product continuously he is going out beyond himself. He is a being who carries within himself some clues to the meaning of transcendence and mystery. Here we will study about the primitive religious consciousness as found in the theory of Robert Ranulph Marett and the description of the experience of holy found in the thought of Schleiermacher and Otto. And finally, a critical evaluation of their thinking. Thus by the end of this Unit you should be able: • to have a basic understanding of philosophy of Marett; • to have an understanding of the phenomenological description of human beings’ experience of holy according to the thought of Schleiermacher; 1 • to have an understanding of the theory of numinous feeling and its relation of the experience of holy. 4.1. INTRODUCTION The group of thinkers that we are going to see in this unit try to explore and describe the main features of the religious consciousness as found in the experience of the religious persons. -
Some Totem Poles Around Juneau Can You Find These Poles? Check Them Off When You’Ve Seen Them! Downtown
Some Totem Poles around Juneau Can you find these poles? Check them off when you’ve seen them! Downtown Four Story Totem Location: Outside Juneau-Douglas City Museum, Fourth and Main Streets Carver: Haida carver John Wallace of Hydaburg, 1940. Harnessing the Atom Totem Location: Outside Juneau-Douglas City Museum, Calhoun and Main Streets Carver: Tlingit master carver Amos Wallace of Juneau, 1967, installed 1976 The Wasgo Totem Pole or Old Witch Totem Location: State Office Building, Main lobby, Eighth Floor, Fourth and Calhoun Streets Carver: Haida carver Dwight Wallace, 1880, installed 1977 Friendship Totem Location: Juneau Courthouse Lobby, on Fourth Street between Main and Seward Carver: Tlingit carver Leo Jacobs of Haines, in association with carvers from the Alaska Indian Arts Inc. of Port Chilkoot, mid-1960s. The Family Location: Capital School Playground, Seward and 6th Streets Carver: Tlingit artist Michael L. Beasley, 1996 Box of Daylight and Eagle/Bear Totems Location: Sealaska Corp. Building, One Sealaska Plaza Carver: Box of Daylight: Tlingit carvers Nathan Jackson and Steven Brown, 1984. Eagle/ Bear: Haida artist Warren Peele,1984. Raven and Tl'anax'eet'ák'w (Wealth Bringer) Totem Location; Mount Roberts Tramway, 490 S. Franklin St. Carver: Tlingit carver Stephen Jackson of Ketchikan, raised in 2000 Aak'w Tribe Totem Location: Juneau Douglas High School commons, 1639 Glacier Ave. Carver: Tlingit carver Nathan Jackson, with the assistance of Steven C. Brown, 1980-81 Legends and Beliefs, Creation of Killer Whale and Strongman Totems Location: Goldbelt Place, 801 10th St. Carvers: Tlingit carvers Ray Peck and Jim Marks, 1981 Raven and Eagle Totem Location: Federal building lobby, 709 W. -
THE KWAKIUTL TOTEM POLE and ITS SYMBOLIC VALUE Redacted for Privacy Abstract Approved: (John A
AN ABSTRACT OF THE THESIS OF Marie Mauzefor the degree of Master of Arts Interdisciplinary Studies: in Anthropology, History, Education, Art presented on August 18, 1975 Title: THE KWAKIUTL TOTEM POLE AND ITS SYMBOLIC VALUE Redacted for Privacy Abstract approved: (John A. Dunn) The antiquity of the Northwest Coast Indian pole is the subject of a great deal of controversy. A few viewpoints referring to that topic are given. The symbolic value of the Kwakiutl totem pole is examined with respect to art, style and culture; more generally "primitive" art is considered as being completely integrated with the major aspects of human existence. Theories concerning totemism are described here and totemism among the Kwakiutl is examined with re- spect to the social structure, mythology, the poles, and their inter- relationships. The Kwakiutl Totem Pole and Its Symbolic Value by Marie - France Mauze A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies Completed August 18, 1975 Commencement June 1976 APPROVED: Redacted for Privacy Associate( ofessor of Anthropology for Privacy (Redacted Chairman and Professor History Redacted for Privacy Professor of Education Redacted for Privacy Dean ;t College of Liberal Ar s Redacted for Privacy Chairman of Orrisciplinary Studies Redacted for Privacy Dian of 13raduate5Xchoot Date thesis is presented August 18, 1975 Typed by Secretarial Services for Marie Mauze TABLE OF CONTENTS Introduction 1 I. Northwest Coast Pole Antiquity 5 II. Iconography 11 Social Analysis 11 Art and Material Symbolism 13 Toward a Definition 15 Technique 17 Organization of Spaces and Forms 19 Material Symbolism 22 III. -
Totem Poles of Alert Bay Located Near BC Ferry Terminal Was Carved by Chief Doug Cranmer in the What Is a Totem Pole? 19 Early 1970’S
19 Pole-Eagle, Killer Whale located at current ‘Namgis Burial Grounds carved by Don Svanvik Bert Svanvik, Sean Whonnock, Johnathan Henderson in 2005. Memorial for Grandparents 25 Gideon and Edith Whonnock 20 Sisiyutl ‘Namgis Welcome Archway Totem Poles of Alert Bay located near BC Ferry Terminal was by Chief Doug Cranmer in the What is a Totem Pole? carved 19 early 1970’s. Relocated summer 2000 Totem poles are primarily visual statements about the ceremonial privileges and from Port Hardy when gifted by Finning identity of those who erected them. The figures represented on totem poles are Tractor to the ‘Namgis First Nation. those beings from mythical times who became, or were encountered by, the ancestors of the group that later took them as crests. For instance, some Kwakwaka'wakw families claim as a crest the Thunderbird, who descended 20 from the sky and took off his regalia and became their human ancestor. Others claim crests on the basis of encounters their ancestors had with supernatural 21 Pole-Thunderbird, Man holding beings. The erection of a totem pole would usually be celebrated by a potlatch. At this time, the stories pertaining to the crests they displayed were shown, and Copper, ‘Namxxelagiyu located near the rights of the family to claim the privileges were publicly witnessed. ‘Namgis First Nation Office carved Especially important totem poles were those raised in honour of Chiefs by their by Stephen Bruce in 2000 21 successors. When a totem pole was commissioned, the artist was told which 22 23 crest it was to show, but there is considerable evidence that he was given some degree of freedom as to how he chose to portray them. -
Missiological Dilemma of Sorcery and Divination to African Christianity By
The Missiological Dilemma of Sorcery and Divination to African Christianity Kelvin Onongha ABSTRACT—Even after conversion to Christianity two pre-Christian practices that hold attraction to some African converts are sorcery and divination. These practices, which served a function in the lives of the people, met needs and dealt with fears in their previous lives, pose present missiological challenges to the church. This paper aims at understanding what these needs and fears are in the African experience, and to find scriptural responses that are contextually relevant while avoiding the pitfall of syncretism. Keywords: Sorcery, Divination, Worldview I. Introduction Sorcery and divination presents a serious challenge to Christian missions in the African continent. This is primarily because of the niche they fill, the function they perform, and the worldview yearnings they satisfy in the lives and experiences of the people. In order to respond to this challenge they pose, it is imperative not to merely dismiss these practices as superstitious. Rather than approaching the problem from a purely anthropological perspective, appropriate theological and missiological interventions ought to be developed to respond to this issue. This is extremely vital due to indications that there may presently exist a resurgence of these practices, even among several professed African Christians. Manuscript received Dec. 21, 2012; revised Feb. 10, 2013; accepted Feb. 15, 2013. Kelvin Onongha ([email protected]) is a post-doctoral student, and an adjunct lecturer at the Department of World Missions, Andrews University Theological Seminary, USA. AAMM, Vol. 7, 47 At a pastoral retreat a few years ago, a couple shared the story of a harrowing experience in their ministry. -
Mana Leo Project
Proposal under the Native Hawaiian Education Program CFDA Number: 84.362A United States of America Department of Education MANA LEO PROJECT Submitted By: Mana Maoli 501(c)3 1903 Palolo Ave Honolulu, HI 96816 Telephone: 808-295-626 February 11, 2020 Part 1: Forms Application for Federal Assistance (form SF 424) ED SF424 Supplement Grants.gov Lobbying Form Disclosure of Lobbying Activities U.S. Department of Education Budget Information Non-Construction Programs ED GEPA427 Form Part 2: ED Abstract Form Part 3: Application Narrative Section A - Need for Project…………………………………………………………… 1 Section B - Quality of the Project Design…………………………………………….. 6 Section C - Quality of the Project Services………………………………………….. 13 Section D - Quality of the Project Personnel…………………………………………. 17 Section E - Quality of Management Plan…………………………………………….. 21 Section F - Quality of the Project Evaluation…………………………………………. 26 Section G - Competitive Preference Priorities……………………………………….. 29 Part 4: Budget Summary and Narrative Part 5: Other Attachments Attachment A: Partner School Contributions: Summary Chart and Letters of Support Attachment B: Additional Partner Contributions: Summary Chart and Letters of Support Attachment C: Letters of Support: Charter School Commission and DOE Complex Area Superintendent Attachment D: Mana Leo Project Organization Chart Attachment E: Bios and Resumes for Key Project Staff Attachment F: Job Description for Key Project Staff Attachment G: Curriculum Summary and Sample Lessons Attachment H: Stakeholder Testimonials Attachment I: Bibliography Attachment J: Indirect Cost Rate Agreement Attachment K: Letter from LEA - Hawaii State Department of Education SECTION A - NEED FOR PROJECT “Na wai hoʻi e ʻole, he alanui i maʻa i k a he le ʻi a e oʻu mau m ākua?” – W ho s hall object t o the path I choose when it is well-traveled by my parents? S o s poke Liholiho (Kamehameha II), in a declaration that has become a prove rb for steadfast pride rooted in humility at the vastness of knowledge and accomplishments of one’s ancestors. -
Flags, Totem Bodies, and the Mean- Ings of 9/11: a Durkheimian Tour of a September 11Th Ceremony at the Flight 93 Chapel
FLAGS, TOTEM BODIES, AND THE MEAN- INGS OF 9/11: A DURKHEIMIAN TOUR OF A SEPTEMBER 11TH CEREMONY AT THE FLIGHT 93 CHAPEL ALEXANDER RILEY Abstract. Some four miles as the crow flies from the site at which United 93, which was the fourth plane involved in the 9/11/2001 terrorist attack on the United States, struck ground, there sits a small chapel dedicated to the passen- gers and crew. The Thunder on the Mountain Chapel is considerably less well known than the Parks Department memorial a few hundred yards from the crash site, but it is, arguably at least, equally important in the cultural production of the Flight 93 myth. This article draws from Durkheim’s The Elementary Forms of Religious Life as well as other theoretical sources to look closely at the chapel. I argue that what is going on at the Chapel contributes to a totemic myth that turns the American flag into a representation of the dead national hero and then places the totem object into the beliefs and rituals of an American civil religion. Keywords: Durkheim, culture, civil religion, cultural sociology Résumé. Quelque six kilomètres du site où le quatrième avion impliqué dans l’attaque de l’onze septembre, United 93, s’est écrasé, il existe une petite cha- pelle consacré aux passagers. La Chapelle “Tonnerre sur la Montagne” est beau- coup moins connu que le mémorial official situé quelques centaines de mètres du lieu de l’accident, mais il est sans doute au moins aussi important dans la produc- tion de la mythologie culturelle de l’United 93. -
THE POWER of POWDER: LIFE-FORCE and MOTILITY in CUBAN DIVINATION Martin Holbraad ANA and Transgres- Cal Propositions’ (156)
THE POWER OF POWDER: LIFE-FORCE AND MOTILITY IN CUBAN DIVINATION Martin Holbraad ANA and Transgres- cal propositions’ (156) . If mana consists of a ‘series of Such a move is possible just because the ‘universality’ concrete senses of ‘aché’ come together most clearly. sion fluid notions which merge into each other’ (134), that of mana cuts systematically across this distinction: it is Asked how aché relates to divination, babalawos’ ini- can only be because, taken in itself, it has no meaning both a thing and a concept (e.g. see Mauss 2001: 134- Along with ‘totem’ and tial response is most often that aché is the power or at all. A ‘symbol in its pure state, [and] therefore li- 5). So, the question is this. If, as was so widely com- ‘taboo’, the Ocean- capacity (in Spanish usually ‘poder’ or ‘facultad’) that able to take on any symbolic content whatever’ (Lévi- mented in the literature, mana is both, say, a stone and ian term ‘mana’ is one enables them to divine in the first place: ‘to divine Strauss 1987: 64), mana is the ‘floating signifier’ par ritual efficacy—both thing and concept, as we would of the few words to have you must have aché’, they say. In fact, conducting the excellence. In this sense, says Lévi-Strauss, terms like say—then might thinking through it provide us with crossed over from the séance, as well as other rituals, such as consecration, mana are analogous to words such as ‘thing’ or ‘stuff’ an analytical standpoint from which we would no language of ethnographic report to the vocabulary of is also said to ‘give’ the babalawo aché, which he may M – contentless forms that allow us to speak of things longer need to make this distinction? Might there be anthropological analysis – and, partly by that virtue, also ‘lose’ if he uses his office to trick people or do about which we may know little (see also Sperber a frame for analysis in which mana does not register as has also managed to lodge itself in the general lexicon gratuitous evil through sorcery. -
The Rite of Initiation in Pinter's the Birthday Party
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 The Rite of Initiation in Pinter's The irB thday Party Richard C. Slocum Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Slocum, Richard C., "The Rite of Initiation in Pinter's The irB thday Party" (1978). Masters Theses. 3228. https://thekeep.eiu.edu/theses/3228 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPJ<:R CERTIFICATE #Z TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved. we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm THE RITE OF INITIATION IN PINTER'S THE &IRTHDAY PARTY (TITLE) BY RICHARD C. -
The Golden Bough (Vol. 1 of 2) by James George Frazer
The Project Gutenberg EBook of The Golden Bough (Vol. 1 of 2) by James George Frazer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Golden Bough (Vol. 1 of 2) Author: James George Frazer Release Date: October 16, 2012 [Ebook 41082] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN BOUGH (VOL. 1 OF 2)*** The Golden Bough A Study in Comparative Religion By James George Frazer, M.A. Fellow of Trinity College, Cambridge In Two Volumes. Vol. I. New York and London MacMillan and Co. 1894 Contents Dedication. .2 Preface. .3 Chapter I. The King Of The Wood. .8 § 1.—The Arician Grove. .8 § 2.—Primitive man and the supernatural. 13 § 3.—Incarnate gods. 35 § 4.—Tree-worship. 57 § 5.—Tree-worship in antiquity. 96 Chapter II. The Perils Of The Soul. 105 § 1.—Royal and priestly taboos. 105 § 2.—The nature of the soul. 115 § 3.—Royal and priestly taboos (continued). 141 Chapter III. Killing The God. 198 § 1.—Killing the divine king. 198 § 2.—Killing the tree-spirit. 221 § 3.—Carrying out Death. 233 § 4.—Adonis. 255 § 5.—Attis. 271 § 6.—Osiris. 276 § 7.—Dionysus. 295 § 8.—Demeter and Proserpine. 304 § 9.—Lityerses. 334 Footnotes . 377 [Transcriber's Note: The above cover image was produced by the submitter at Distributed Proofreaders, and is being placed into the public domain.] [v] Dedication.