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A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Midas' Servant, Ceyx, Morpheus As Ceyx, Orpheus, Apollo, A, Philemon
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Playing the Third Man (Midas' Servant, Ceyx, Morpheus as Ceyx, Orpheus, Apollo, A, Philemon) in Mary Zimmerman's Metamorphoses: a production thesis Ronald Ludlow Reeder Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Reeder, Ronald Ludlow, "Playing the Third Man (Midas' Servant, Ceyx, Morpheus as Ceyx, Orpheus, Apollo, A, Philemon) in Mary Zimmerman's Metamorphoses: a production thesis" (2007). LSU Master's Theses. 3653. https://digitalcommons.lsu.edu/gradschool_theses/3653 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PLAYING THE THIRD MAN (MIDAS’ SERVANT, CEYX, MORPHEUS AS CEYX, ORPHEUS, APOLLO, A, PHILEMON) IN MARY ZIMMERMAN’S METAMORPHOSES: A PRODUCTION THESIS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural And Mechanical College In partial fulfillment of the Requirements for the degree of Master of Fine Arts In The Department of Theatre By Ronald Ludlow Reeder B.F.A., University of Texas at Austin, 1991 B.S., University of Texas at Austin, 1994 May, 2007 TABLE OF CONTENTS ABSTRACT……………………………………………………………...………………iii -
The Third Man"
"THE THIRD MAN" by Graham Greene HIGH ANGLE - FULL SHOT - CITY OF VIENNA The title VIENNA SUPERIMPOSED FADES OUT - commentary commences. COMMENTATOR I never knew the old Vienna before the war, with its - MED. SHOT - STATUE OF A VIOLINIST There is snow on it. COMMENTATOR Strauss music, its glamour and easy charm... MED. SHOT - ROW OF STONE STATUES ornamenting the top of a building. In the b.g. the top of a stone archway. They are snow-sprinkled. COMMENTATOR Constantinople suited... MED. SHOT - SNOW-COVERED STATUE Trees in b.g. COMMENTATOR me better. I really got to know it in the... CLOSE SHOT - TWO MEN talking in the street. COMMENTATOR - classic period of the black... CLOSEUP - SUITCASE opens toward camera, revealing contents consisting of tins of food, shoes, etc. The hands of a man come in from f.g. to take something out. COMMENTATOR - market. We'd run anything... CLOSEUP - HANDS OF TWO PEOPLE standing side by side in the street. The person CL running hands through a pair of silk stockings. COMMENTATOR - if people wanted it enough. CLOSEUP - HANDS OF TWO PEOPLE A woman's hands CL wearing a wedding ring - a man's hands CR holding in RH two small cartons - hands them over to her in exchange for some notes which she hands him. COMMENTATOR - and had the money to pay. CLOSE SHOT - FIVE WRIST WATCHES on a man's wrist from which the coat sleeve is turned back. COMMENTATOR Of course a situation like that - LONG SHOT - CAPSIZED SHIP in shallow water with a drowned body floating on the water CR of it. -
Thursday 17 January 2019 National Theatre: February
Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. -
Alfred Hitchcock's the 39 STEPS
Alfred Hitchcock's THE 39 STEPS Play Guide Arizona Theatre Company Play Guide 1 TABLE OF CONTENTS Alfred Hitchcock's THE 39 STEPS 3 WHO WE ARE 19 COMMEDIA DELL’ARTE AND LAZZI 21 PASTICHE CONTENTS 4 INTRODUCTION TO THE PLAY 4 SYNOPSIS 21 DISCUSSION QUESTIONS AND ACTIVITIES 5 THE CHARACTERS 6 JOHN BUCHAN 7 ALFRED HITCHCOCK 8 HOW ALFRED HITCHCOCK'S THE 39 STEPS CAME TO BE 10 RICHARD HANNAY – THE JAMES BOND OF HIS DAY 11 LOCATION, LOCATION, LOCATION 12 BRITAIN IN 1935 13 BRITISH DIALECTS 15 HISTORY OF FARCE It is Arizona Theatre Company’s goal to share the enriching experience of live theatre. This play guide is intended to help you prepare for your visit to Arizona Theatre Company. Should you have comments or suggestions regarding the play guide, or if you need more information about scheduling trips to see an ATC production, please feel free to contact us: Tucson: April Jackson Phoenix: Cale Epps Associate Education Manager Education Manager (520) 884-8210 ext 8506 (602) 256-6899 ext 6503 (520) 628-9129 fax (602) 256-7399 fax Alfred Hitchcock's THE 39 STEPS Play Guide compiled and written by Jennifer Bazzell, Literary Manager and Katherine Monberg, Artistic Intern. Discussion questions and activities prepared by April Jackson, Associate Education Manager and Amber Tibbitts, Education Manager. Layout by Gabriel Armijo. Support for ATC’s Education and Community Programming has been provided by: Organizations Mrs. Laura Grafman Ms. Norma Martens APS Individuals Kristie Graham Hamilton McRae Arizona Commission on the Arts Ms. Jessica L. Andrews and Mr. and Mrs. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
War Horse Joey Puppet Acquisition Press Release
V&A acquires the original Joey puppet from the National Theatre’s West End stage production of War Horse (Head), Stuart(Head), (Hi Angell Thomas (Heart), Goodridge in the V&A Joey John Madejski Garden. The V&A is delighted to announce that Handspring Puppet Company have donated Joey, the original West End horse puppet from the National Theatre’s award-winning stage adaptation of Michael Morpurgo’s novel War Horse. War Horse tells the story of a young boy Albert, and his Nicholas Hart beloved horse Joey, who has been requisitioned by the army to fight in World War I. Caught in enemy crossfire, Joey ends nd). nd). up serving on both sides during the war before landing in No Man’s Land, while Albert, not old enough to enlist, embarks on a treacherous mission to find his horse and bring him home. War Horse , which continues its run at the New London Theatre, has been seen by over 4 million people worldwide and features ground-breaking puppetry by South Africa’s Handspring Puppet Company, which brings breathing and galloping horses to life on stage. Joey has been donated to the V&A by Handspring’s Adrian Kohler and Basil Jones who designed and fabricated the puppets in War Horse . The horse puppet acquired by the V&A made his stage debut at the New London Theatre on Saturday 28 March 2009, and subsequently performed in over 1,640 shows, during that time he was operated by over 20 puppeteers. Joey will go into the V&A’s Theatre and Performance Galleries from 18 October 2013 in a specially created display showing how the life-size puppet is operated on stage. -
The Third Man 2004
Repositorium für die Medienwissenschaft Drew Bassett Rob White: The Third Man 2004 https://doi.org/10.17192/ep2004.2.1856 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Bassett, Drew: Rob White: The Third Man. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 21 (2004), Nr. 2, S. 250– 251. DOI: https://doi.org/10.17192/ep2004.2.1856. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. Fotogrqfie 1111d Film Roh White: The Third Man London: BFI Publishing 2003 (BFI Film Classics). -
THE THIRD MAN Involved in an Opium-Smuggling Operation
CD 7A: “Every Frame Has a Silver Lining” - 10/26/1951 Passing through Iran, Harry becomes THE THIRD MAN involved in an opium-smuggling operation. Lives of Harry Lime CD 7B: “Mexican Hat Trick” - 11/02/1951 Program Guide by Elizabeth McLeod Down on his luck in Mexico, opportunity Orson Welles in The Third Man beckons Harry…thanks to a pickpocket! It’s a hard job being a middle-aged wunderkind, especially in show business -- where you’re only as good as your last big success. And CD 8A: “Art Is Long and Lime Is Fleeting” - 11/09/1951 as Orson Welles moved into his mid-thirties, the triumphs of his youth The painting Harry’s trying to sell isn’t really a Renoir, but does that seemed increasingly remote. The Mercury Theatre was just a memory, really matter? and so was the bold 1930s experimental theatre scene that gave it life. Postwar America, with its increasing restrictions on intellectual freedom CD 8B: “In Pursuit of a Ghost” - 11/16/1951 and its suspicion of anyone who dared to color outside the lines, had Harry is caught up in a rush of events and finds himself in the middle of little use for a superannuated boy wonder…especially one who’d made a banana-republic revolution! a career of antagonizing the Establishment. Orson Welles may have been a genius, but it didn’t take a genius to know that there wasn’t much call anymore for the kind of work that he did so well. He’d burned his Elizabeth McLeod is a journalist, author, and broadcast bridges in Hollywood -- and the radio networks, seeing the approaching historian. -
Warhorse: Teacher Resource Guide
Teacher Resource Guide WarHorseWH Title :Page1.12.12_H4 Teacher title Resource page.qxd 12/29/11 Guide 2:21 PM Page 1 by Heather Lester LINCOLN CENTER THEATER AT THE VIVIAN BEAUMONT under the direction of André Bishop and Bernard Gersten NATioNAL THEATRE of GREAT BRiTAiN under the direction of Nicholas Hytner and Nick Starr in association with Bob Boyett War Horse LP presents National Theatre of Great Britain production based on the novel by Michael Morpurgo adapted by Nick Stafford in association with Handspring Puppet Company with (in alphabetical order) Stephen James Anthony Alyssa Bresnahan Lute Breuer Hunter Canning Anthony Cochrane Richard Crawford Sanjit De Silva Andrew Durand Joel Reuben Ganz Ben Graney Alex Hoeffler Leah Hofmann Ben Horner Brian Lee Huynh Jeslyn Kelly Tessa Klein David Lansbury Tom Lee Jonathan Christopher MacMillan David Manis Jonathan David Martin Nat Mcintyre Andy Murray David Pegram Kate Pfaffl Jude Sandy Tommy Schrider Hannah Sloat Jack Spann Zach Villa Elliot Villar Enrico D. Wey isaac Woofter Katrina Yaukey Madeleine Rose Yen sets, costumes & drawings puppet design, fabrication and direction lighting Rae Smith Adrian Kohler with Basil Jones Paule Constable for Handspring Puppet Company director of movement and horse movement animation & projection design Toby Sedgwick 59 Productions music songmaker sound music director Adrian Sutton John Tams Christopher Shutt Greg Pliska associate puppetry director artistic associate production stage manager casting Mervyn Millar Samuel Adamson Rick Steiger Daniel Swee NT technical producer NT producer NT associate producer NT marketing Boyett Theatricals producer Katrina Gilroy Chris Harper Robin Hawkes Karl Westworth Tim Levy executive director of managing director production manager development & planning director of marketing general press agent Adam Siegel Jeff Hamlin Hattie K. -
Sarah Perry Uk and Us Citizen 4 Somerfield Road, London, N4 2Jj +44 7802709933 [email protected]
SARAH PERRY UK AND US CITIZEN 4 SOMERFIELD ROAD, LONDON, N4 2JJ +44 7802709933 [email protected] WWW.SHAPESINMOTION.COM MOVEMENT DIRECTOR, MOVEMENT & PERFORMANCE COACH AND MOVEMENT TUTOR SARAH PERRY is a movement director, performance coach and practitioner working in Film, TV, Animation and Theatre. She recently worked as movement director for R&D project ‘Creature’ with SDNA.TV. Sarah worked as Movement Coach on ‘Jupiter Ascending’ directed by The Wachowskis and on 'Guardians of the Galaxy', directed by James Gunn, she also worked with one of London's VFX teams on the movements and behaviourisms of one of the leading CG characters; Groot. Sarah is frequently called in to work with various renowned VFX companies to assist their animation teams working on various projects, productions and characters. She specialises in creature performance and characterisation and acting & character movement for animators. Sarah has worked with: Jellyfish Pictures, Framestore, MPC, Double Negative and Aardman. Sarah is a performance coach, workshop facilitator and mentor. She works with professional actors, singers, dancers and stuntmen as well as students and emerging artistes. Her skills range from creature performance research and direction, performance capture movement direction, actor preparation, developing a movement language and style to suit a project, developing an actors’ or characters movement language and vocabulary, posture & movement analysis. Sarah also works as a Yoga Therapist, teaches Movement for Actors and Acting & Character Movement for Animators nationally and internationally. TRAINING: Working in Television – RADA (2006), One Year Acting – The Oxford School of Drama (1997), BA (Hons) Dance and Drama with English Literature – De Montfort University, Bedford (1996). -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind.