Macpherson's Ossian and the Ossianic Controversy : A
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
The Book of Mormon in the English Literary Context of 1837
BYU Studies Quarterly Volume 27 Issue 1 Article 5 1-1-1987 The Book of Mormon in the English Literary Context of 1837 Gordon K. Thomas Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Thomas, Gordon K. (1987) "The Book of Mormon in the English Literary Context of 1837," BYU Studies Quarterly: Vol. 27 : Iss. 1 , Article 5. Available at: https://scholarsarchive.byu.edu/byusq/vol27/iss1/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Thomas: The Book of Mormon in the English Literary Context of 1837 the book of mormon in the english literary context of 1837 gordon K thomas do you know anything of a wretched set of religionists in your country superstitionists I1 ought rather to say called mennonitesmormonitesmonnonitesMonnoMormonites or latter day saints so wrote the great english poet william wordsworth to his american editorhenryeditorhenry reed early in 1846 this is the only reference to mormonism in wordsworthsWord sworths surviving letters or other writings and it may come as a shock to modem latter day saints to find such anger and hostility towards us in a poet of whom we so often think as our poet one who believed much ofwhat we believe knew what we know and did not mind any more than we do defying the orthodox establishment of church and state -
Les Poésies D'ossian, Livre De Chevet De
Livres de chevet de Montaigne à Mitterrand Convegno internazionale di studi Gargnano - Palazzo Feltrinelli 15-17 giugno 2017 A cura di Alessandra Preda e Eleonora Sparvoli ISSN 2281-9290 ISBN 978-88-7916-856-4 Copyright 2018 Via Cervignano 4 - 20137 Milano Catalogo: www.lededizioni.com I diritti di riproduzione, memorizzazione elettronica e pubblicazione con qualsiasi mezzo analogico o digitale (comprese le copie fotostatiche e l’inserimento in banche dati) e i diritti di traduzione e di adattamento totale o parziale sono riservati per tutti i paesi. Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume/fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. 68, commi 4 e 5, della legge 22 aprile 1941 n. 633. Le riproduzioni effettuate per finalità di carattere professionale, economico o commerciale o comunque per uso diverso da quello personale possono essere effettuate a seguito di specifica autorizzazione rilasciata da: AIDRO, Corso di Porta Romana n. 108 - 20122 Milano E-mail [email protected] <mailto:[email protected]> sito web www.aidro.org <http://www.aidro.org/> La realizzazione e la pubblicazione di questo volume sono state finanziate dal Dipartimento di Lingue e Letterature Straniere dell’Università degli Studi di Milano In copertina: Georg Pauli, The Reading Light (1884) Videoimpaginazione: Paola Mignanego Stampa: Digital Print Service Livres de chevet de Montaigne à Mitterrand - A cura di A. Preda e E. Sparvoli - Milano, LED, 2018 ISBN 978-88-7916-856-4 - http://www.ledonline.it/ledonline/856-livres-de-chevet.html Sommario Introduzione 9 Alessandra Preda I LIBRI PREDilETTI TESTIMONIANZE S’endormir en lisant. -
The Dial and the Transcendentalist Theory of Reading
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2008 The Dial and the Transcendentalist Theory of Reading Emily A. Cope University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Cope, Emily A., "The Dial and the Transcendentalist Theory of Reading. " Master's Thesis, University of Tennessee, 2008. https://trace.tennessee.edu/utk_gradthes/348 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Emily A. Cope entitled "The Dial and the Transcendentalist Theory of Reading." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Dawn Coleman, Major Professor We have read this thesis and recommend its acceptance: Janet Atwill, Martin Griffin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Emily Ann Cope entitled “The Dial and the Transcendentalist Theory of Reading.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. -
Poems of Ossian
0/», IZ*1. /S^, £be Canterbury fl>oets. Edited by William Sharp. POEMS OF OSSIAN. SQ OEMS OF CONTENTS. viii CONTENTS. PAGE Cathlin of Clutha: a Poem . .125 sub-malla of lumon : a poem . 135 The War of Inis-thona : a Poem 4.3 The Songs of Selma . 151 Fingal: an Ancient Epic Poem- I. Book . .163 Book II. 183 Book III. .197 Book IV. .... 213 Book V. 227 Book VI. ..... 241 Lathmon : a Poem .... 255 \Dar-Thula : a Poem . .271 The Death of Cuthullin : a Poem . 289 INTRODUCTION. ROM the earliest ages mankind have been lovers of song and tale. To their singers in times of old men looked for comfort in sorrow, for inspiration in battle, and for renown after death. Of these singers were the prophets of Israel, the poets and rhapsodes of ancient Greece, the skalds of the Scandinavian sea-kings, and the bards of the Celtic race. The office was always most honour- able, the bard coming next the hero in esteem ; and thus, first of the fine arts, was cultivated the art of song. Down to quite a recent time the household of no Highland chief was complete without its bard, to sing the great deeds of the race's ancestors. And to the present day, though the locomotive and the printing press have done much to kill these customs of a more heroic age, it is not difficult to find in the Highland glens those who can still recite a " tale of the times of old." x INTRODUCTION. During the troubles of the Reformation in the sixteenth century, of the Civil Wars .and Revolu- tion in the seventeenth, and of the Parliamentary Union and Jacobite Rebellions in the early part of the eighteenth, the mind of Scotland was entirely engrossed with politics, and the Highlands them- selves were continually unsettled. -
Ossian: Past Present and Future Mitchell, Sebastian
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Ossian: Past Present and Future Mitchell, Sebastian License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Mitchell, S 2016, 'Ossian: Past Present and Future', Journal for Eighteenth-Century Studies, vol. 39, no. 2. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 08/03/2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Amédée Pichot and Walter Scott's Parrot
Studies in Scottish Literature Volume 44 Article 12 Issue 2 Reworking Walter Scott 12-31-2018 Amédée Pichot and Walter Scott’s Parrot: A Fabulous Tale of Parroting and Pirating Céline Sabiron Université de Lorraine (Nancy) Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Comparative Literature Commons, French and Francophone Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Sabiron, Céline (2019) "Amédée Pichot and Walter Scott’s Parrot: A Fabulous Tale of Parroting and Pirating," Studies in Scottish Literature: Vol. 44: Iss. 2, 119–130. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/12 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. AMÉDÉE PICHOT AND WALTER SCOTT’S PARROT: A FABULOUS TALE OF PARROTING AND PIRATING Céline Sabiron We have been now, for some years, inundated with showers of Scottish novels thicker than the snow you now see falling; and Alice, who is now in her nineteenth year, has read them all, or rather skimmed them over, merely to say she has read them; … she tells her companions, with an air of consequence, that she never reads any other novels than Walter Scott’s; though no one, but herself, seems really to know who the deuce it is that scribbles so fast. Sarah Green, Scotch Novel Reading (1824).1 In the nineteenth -
The Great Samuel Johnson and His Opposition to Literary Liars Thomas M
Bridgewater Review Volume 28 | Issue 2 Article 6 Dec-2009 The Great Samuel Johnson and His Opposition to Literary Liars Thomas M. Curley Bridgewater State College Recommended Citation Curley, Thomas M. (2009). The Great Samuel Johnson and His Opposition to Literary Liars. Bridgewater Review, 28(2), 7-10. Available at: http://vc.bridgew.edu/br_rev/vol28/iss2/6 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Great Samuel Johnson and His Opposition to Literary Liars Thomas M. Curley A close friend said of Samuel Johnson (1709–1784) that When speech is employed as the vehicle of falsehood, “no man had a more scrupulous regard for truth; from every man must disunite himself from others, inhabit which, I verily believe, he would not have deviated to his own cave, and seek prey only for himself.” Because save his life.” No writer angered Johnson more than did we see as through a glass darkly, frauds of any type only James Macpherson (1736–1796) for perpetrating the worsened the already clouded maze of human meaning most successful literary fraud in modern history. with truth-seeming unrealities and consequently weak- Macpherson’s notorious fraud, beginning in the 1760s, ened trust in ourselves and others. involved publishing his own made-up poems as transla- My interest in Johnson the tions of genuine Gaelic writings English truth-teller and in by an ancient Scots bard Macpherson the Scottish known as Ossian. This year literary liar began in gradu- marks the three-hundreth ate school at Harvard anniversary of Johnson’s birth, University and led to some generating celebrations around early articles on the phony the world and warranting here Ossian poems. -
The Genius of the Italian Language Politics and Poetics*
John Benjamins Publishing Company This is a contribution from Historiographia Linguistica 39:2/3 © 2012. John Benjamins Publishing Company This electronic file may not be altered in any way. The author(s) of this article is/are permitted to use this PDF file to generate printed copies to be used by way of offprints, for their personal use only. Permission is granted by the publishers to post this file on a closed server which is accessible to members (students and staff) only of the author’s/s’ institute, it is not permitted to post this PDF on the open internet. For any other use of this material prior written permission should be obtained from the publishers or through the Copyright Clearance Center (for USA: www.copyright.com). Please contact [email protected] or consult our website: www.benjamins.com Tables of Contents, abstracts and guidelines are available at www.benjamins.com Review article / Rapport critique Forschungsbericht The Genius of the Italian Language Politics and Poetics* John E. Joseph University of Edinburgh The word ‘Renaissance’ is a stunningly successful piece of 19th-century pro- paganda. By embedding the idea of the classical age reborn, it offered a reassur- ing sense of long-term cultural continuity to a Europe in the midst of ongoing revolutions, whilst reaffirming the legitimacy of 300 years of mass transference of identity, allegiance and power from the triad of Church–Dynasties–Latin to that of Churches–Nations–National Languages. It was in the context of co-legitimizing the new European nations and national languages — not least by denying their newness — that the notion of the ingenium, the ‘genius of the language’, came to centre stage, along with debates about its link to the nation which carry on to the present day. -
James Macpherson : an Episode in Literature
Works on Ossian and Ossianic Literature published by David Nutt WAIFS AND STRAYS OF CELTIC TRADITION. Inedited Scotch-Gaelic Texts, with accompanying English Translations and Explanatory Notes. Argyllshire Series. 8vo. Cloth. Net prices. Vol. II. FOLK AND HERO TALES. Collected, edited (in Gaelic), and translated by the Rev. D. MacInnes ; with a Study on the Development of the Ossianic Saga and copious Notes by Alfred Nutt. 1890. xxiv, 497 pp. Portrait of Campbell of Islay, and two Illustrations by E. GRISET. 12s. 6d. [Nearly out ofprint. # *» The Study forms the first attempt to give a survey of the entire mass of Ossianic literature, and a scientific account of the origin and development of the Ossianic legend. Vol. III. FOLK AND HERO TALES. Collected, edited, translated, and annotated by the Rev. J. MacDougall ; with an Introduction by Alfred Nutt. 1891. xxx, 311 pp. 7s. 6d. Vol. IV. THE FIANS ; OR, STORIES, Poems, and Tra- ditions of Fionn and his Warrior Band. Collected entirely from oral sources by the Rev. J. G. Campbell ; with Introduction and Bibliographical Notes by Alfred Nutt. 1891. xxxviii, 292 pp. 7s. 6d. Vol. V. POPULAR TALES AND TRADITIONS. Collected in the Western Highlands by the late Rev. J. G. Campbell of Tiree ; with Portrait and Memoir of the Author, and Illustrations by E. Griset. 8vo. 1895. xx, 150 pp. 5s. [Nearly out ofprint. #% These volumes form the fullest and most valuable collection of Scotch-Gaelic traditional lore save Campbell of Islay's " Popular Tales." OSSIAN AND THE OSSIANIC LITERATURE. By Alfred Nutt. (Popular Studies, No. 3.) i6mo. -
James Macpherson's Ossian Poems, Oral Traditions, and the Invention Of
Oral Tradition, 24/2 (2009): 393-414 James Macpherson’s Ossian Poems, Oral Traditions, and the Invention of Voice James Mulholland The Invention of Voice and the Intimacy of the Oral Text When James Macpherson’s Fragments of Ancient Poetry, Collected in the Highlands of Scotland, and Translated from the Galic or Erse Language appeared in 1760, it was greeted with widespread approval. Macpherson’s collection purported to translate the work of Ossian, a semi- mythical third-century C. E. Scottish bard in the mold of Homer, who preserved his culture’s traditions in song. The claim that this collection was the “genuine remains of ancient Scottish poetry” attracted passionate adherents (Macpherson 1966:A2). For nationalistic Scots, Ossian provided a tantalizing image of an advanced culture comparable to and contemporaneous with those of classical Greece and Rome. For many English authors, Ossian served as an example of native British creativity that superseded the neoclassicism of the early eighteenth century.1 Thomas Gray declared, for example, that he was in “extasie” after reading the Ossian poems and characterized Macpherson as a thrilling “demon” of poetry (Gray 1935:ii, 680). This “extasie” partly inspired Gray to compose his own imitations of Norse and Celtic folktales. Ossian’s popularity traveled widely outside of Great Britain; prominent literary and political figures, including the German author Johann Wolfgang von Goethe, Thomas Jefferson, and Napoleon Bonaparte offered enthusiastic assessments of the sentimentality and humanity that they saw in the poems. The fervor of such readers was met with equally forceful skepticism. Many critics suggested that Macpherson fabricated Ossian and forged his poems to succeed in a literary marketplace that had largely ignored his earlier publications.2 Samuel Johnson unequivocally asserted that the poems cannot be “genuine remains” because, he believed, it was impossible for oral transmission to preserve poetry of any considerable length or cultural traditions of any complexity (Johnson and Boswell 1984:113-14). -
Scholar Adventurers Also by Richard D
ichard THE SCHOLAR ADVENTURERS ALSO BY RICHARD D. ALTICK Preface to Critical Reading The Cowden Clarkes The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 The Art of Literary Research Lives and Letters: A History of Literary Biography in England and America Browning's Roman Murder Story: A Reading of The Ring and the Book (with James F. Loucks II) To Be in England Victorian Studies in Scarlet Victorian People and Ideas The Shows of London Paintings from Books: Art and Literature in Britain, 1760-1900 Deadly Encounters: Two Victorian Sensations EDITIONS Thomas Carlyle: Past and Present Robert Browning: The Ring and the Book THE Scholar Adventurers RICHARD D. ALTICK Ohio State University Press, Columbus Copyright ©1950, 1987 by Richard D. Altick. All rights reserved. Library of Congress Cataloging-in-Publicatlon Data Altick, Richard Daniel, 1915- The scholar adventurers. Reprint. Originally published: New York : Macmillan, 1950. With new pref. Bibliography: p. Includes index. 1. English literature—Research. 2. Learning and scholarship—History. 3. Great Britain—Intellectual life. I. Title. P56.A7 1987 820'.72'0922 87-11064 ISBN O-8142-O435-X CONTENTS Preface to the Ohio State University Press Edition vii Introduction: The Unsung Scholar 1 I. The Secret of the Ebony Cabinet 16 II. The Case of the Curious Bibliographers 37 III. The Quest of the Knight-Prisoner 65 IV. Hunting for Manuscripts 86 V. Exit a Lady, Enter Another 122 VI. A Gallery of Inventors 142 VII. The Scholar and the Scientist 176 VIII. Secrets in Cipher 200 IX. The Destructive Elements 211 X.