Fiona Apple (1999) Published May 3Rd, 2020 Listen Here at Themcelroy.Family
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
The Key to Staying Committed
THE KEY TO STAYING COMMIttED Special thanks to the Simply Music team, Stephanie Iadanza, Jose Rivera and Cheri Schulzke for their brilliant work on project management, design and editing. © 2018 Neil Moore, for The Piano Coach, LLC. No part of this work may be reproduced in any form or by any means whatsoever, without written permission from Neil Moore, except in the case of brief quotations embodied in articles and reviews. ISBN: 978-0-9800326-2-8 If you would like more information about the Simply Music Piano program or other Simply Music programs & services please visit: simplymusic.com or call +1 800 746 7597 Contents I - Foreword 7 II - Introduction 11 1 - Sticking with Music Lessons 15 2 - Challenging Our Assumptions 19 3 - Our Objective: Establishing a Foundation 25 4 - Distinguishing the Method from the Relationship 31 5 - The Six Components of All Long-Term Relationships 35 6 - Recognizing the Long-Term Relationship 41 7 - What Seems Wrong is Actually Right! 45 8 - The Opportunity 53 9 - Why Music? 59 10 - About Parents Being Involved 63 11 - Method Coach & Life Coach 67 12 - Being Aligned 71 13 - Your Long-Term Relationship 75 14 - The Choice 77 I have been closely connected with Simply Music since its inception in 1998, and have known Neil Moore as a friend for much longer. In this long association with teachers, students and others impacted by Neil’s work, I have listened to countless stories of the ways its influence stretches far beyond the realm of music. Over and over, people find that the things they learn from Simply Music affect their broader lives in numerous ways, some surprising and profound. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Journey Don't Stop Believin' / the Journey Story (An Audio Biography) Mp3, Flac, Wma
Journey Don't Stop Believin' / The Journey Story (An Audio Biography) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Non Music Album: Don't Stop Believin' / The Journey Story (An Audio Biography) Country: UK Released: 1982 Style: Pop Rock, Spoken Word, Classic Rock MP3 version RAR size: 1303 mb FLAC version RAR size: 1911 mb WMA version RAR size: 1118 mb Rating: 4.6 Votes: 412 Other Formats: MOD MP4 MP1 AAC MIDI TTA XM Tracklist Hide Credits Don't Stop Believin' A Producer – Kevin Elson, Mike StoneWritten-By – J. Cain*, N. Schon*, S. 4:08 Perry* The Journey Story (An Audio Biography) In The Morning B1 Written-By – G. Rolie*, R. Valory* To Play Some Music B2 Written-By – G. Rolie*, N. Schon* Saturday Nite B3 Written-By – Gregg Rolie Wheel In The Sky B4 Written-By – D. Valory*, Schon*, Fleischman* Feeling That Way B5 Written-By – Dunbar*, Rolie*, Perry* Anytime B6 Written-By – Rolie*, N. Schon*, Fleischman*, Silver*, R. Valory* Lovin' Touchin' Squeezin' B7 Written-By – S. Perry* When You're Alone (It Ain't Easy) B8 Written-By – N. Schon*, S. Perry* Someday Soon B9 Written-By – G. Rolie*, N. Schon*, S. Perry* Any Way You Want It B10 Written-By – N. Schon*, S. Perry* Stone In Love B11 Written-By – J. Cain*, N. Schon*, S. Perry* Who's Crying Now B12 Written-By – J. Cain*, S. Perry* Mother Father B13 Written-By – J. Cain*, N. Schon*, S. Perry* Don't Stop Believin' B14 Written-By – J. Cain*, N. Schon*, S. Perry* Companies, etc. Phonographic Copyright (p) – CBS Records Copyright (c) – CBS Records Pressed By – Orlake Records Published By – Screen Gems-EMI Music Ltd. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Artemis Fowl! 00:00:04 Elliott Kalan Host the Movie That Dares to Raise
00:00:00 Dan McCoy Host On this episode, we discuss: Artemis Fowl! 00:00:04 Elliott Kalan Host The movie that dares to raise the question—why is this movie named after an entirely nondescript, personality-less cipher who spends the entire movie inside his own house? 00:00:13 Music Music Light, up-tempo, electric guitar with synth instruments. 00:00:40 Dan Host Hey, everyone, and welcome to The Flop House! I’m Dan McCoy. 00:00:43 Stuart Host Hey, Dan! It’s me! Stuart Wellington! Wellington 00:00:45 Dan Host Oh hi! [Laughs.] 00:00:47 Elliott Host Guys, guys! What a coincidence! I’m Elliott Kalan and I’m here! All three hosts of The Flop House! We’re here! Together! On The Flop House! 00:00:53 Stuart Host Uh-huh. 00:00:54 Elliott Host But—we’re not alone, are we, Dan? 00:00:55 Stuart Host Uh-uh. 00:00:56 Dan Host No we’re not. We are joined by our guest Scott Weinberg, whom I did not write down how he wanted to be introduced— 00:01:05 Crosstalk Crosstalk Dan: —because I thought you were doing it, Elliott. Elliott: Oh, boy. Oh, wow. Stuart: He said it three or four times! 00:01:07 Elliott Host He said it twice, Dan. I’ll say it. Film critic. Filmmaker. Podcaster. Cat lover. Horror nerd. Scott Weinberg—and I will add in a personal—personal endorsement of his podcast, Science vs. Fiction, in which they talk about the real-life science—or fake-life science and quality—of your favorite science fiction films. -
Gospel with a Groove
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach Autumn E. Gillen Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Liturgy and Worship Commons, Marketing Commons, Music Commons, and the Practical Theology Commons Recommended Citation Gillen, Autumn E., "Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach" (2017). Selected Honors Theses. 76. http://firescholars.seu.edu/honors/76 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. GOSPEL WITH A GROOVE: A HISTORICAL PERSPECTIVE ON THE MARKETING STRATEGIES OF CONTEMPORARY CHRISTIAN MUSIC IN RELATION TO ITS EVANGELISTIC PURPOSE WITH RECOMMENDATIONS FOR FUTURE OUTREACH by Autumn Elizabeth Gillen Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 GOSPEL WITH A GROOVE 2 Copyright by Autumn Elizabeth Gillen 2017 GOSPEL WITH A GROOVE 3 Abstract Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
SHAKE YOUR FAITH Diamond Day Records Is Very Excited to Announce the Release of the Steepwater Band’S 6Th Full-Length Studio Album SHAKE YOUR FAITH
THE STEEPWATER BAND : SHAKE YOUR FAITH Diamond Day Records is very excited to announce the release of The Steepwater Band’s 6th full-length studio album SHAKE YOUR FAITH. The LP features 11 brand new TSB tracks, and is slated for release on Friday, April 1st via Double 180 Gram Vinyl, Compact Disc and Digital Download. The album was recorded last winter at Crushtone Studios, in the shadows of the Rock & Roll Hall of Fame, in Cleveland, Ohio. Shake Your Faith was produced by the band along with seasoned rock studio veteran Jim Wirt, who has also worked with the likes of Fiona Apple, Incubus and the Buffalo Killers. As with most TSB albums, the sound and songwriting on Shake Your Faith has grown and expanded, yet retained the true nature of the band. It’s the first TSB studio record in over 4 years and the first to include “new” guitarist Eric Saylors. "SHAKE YOUR FAITH is a stomping, seductive cry that real rock 'n' roll is alive and well in a band with the swagger, justified confidence, and badass tunes of a modern classic, a collection with all the heart and hips of 70s Stones and serious competition to contemporaries like The Black Keys, Ben Harper, and Jack White." - Dennis Cook {Dirty Impound} • Their song “Dance Me a Number” from Revelation Sunday receives nearly 10,000 spins on Pandora daily, on such channels as The Black Keys, Alabama Shakes, White Stripes, Led Zeppelin, and more. • Their 2010 single The Stars Look Good Tonight reached # 109 on the Triple A radio charts and it was featured during the June 29, 2010, WGN-TV (nationally syndicated) broadcast of the Chicago Cubs Major League Baseball game. -
By Fiona Apple)
April 15, 2021 For Immediate Release Sharon Van Etten Reveals “Love More” (By Fiona Apple) epic Ten Out Tomorrow on Ba Da Bing; Anniversary Double Album Featuring Covers by Fiona Apple, Lucinda Williams, Big Red Machine (Aaron Dessner & Justin Vernon), Courtney Barnett . Vagabon, IDLES, Shamir, and St. Panther epic Ten: the documentary and concert Benefiting Zebulon Streaming April 16th & April 17th Sharon Van Etten live from Zebulon in LA / Photo Credit: still taken from the epic Ten documentary and concert Tomorrow, Sharon Van Etten will release epic Ten via Ba Da Bing (physical copies will be available June 11th). Today, she reveals its last cover, “Love More” (By Fiona Apple). epic Ten is a double LP of the original epic album from 2010 and a new album of epic covers by Fiona Apple, Lucinda Williams, Courtney Barnett . Vagabon, Big Red Machine (Aaron Dessner & Justin Vernon), IDLES, Shamir and St. Panther. Each Thursday leading up to its release, Van Etten has been sharing the album’s consecutive cover songs, culminating into today’s cover -- “Love More” (By Fiona Apple). Ahead of tomorrow’s epic Ten release, read Adrianne Lenker’s wonderful liner notes, included below. Listen to “Love More” (By Fiona Apple) epic Ten: the accompanying documentary and concert will stream starting tomorrow through April 17th (stream times are below). Van Etten and her band will perform epic in its entirety from Zebulon LA, the venue that played a crucial role in her early career, with profits benefiting Zebulon. A short documentary on the making of epic and the significance of Zebulon as a haven for Van Etten and many other musicians will be presented before the concert. -
An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2008 Interest, Convenience, or Necessity? An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership Glenn Thomas Hubbard University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Communication Commons Recommended Citation Hubbard, Glenn Thomas, "Interest, Convenience, or Necessity? An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/551 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Glenn Thomas Hubbard entitled "Interest, Convenience, or Necessity? An Experimental Study of Listener Responses to Localism in Radio Programming and Ownership." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Communication and Information. Benjamin J. Bates, Major Professor We have read this