Loosening the Straightjacket
Gene Andrew Jarrett loosening the straightjacket Rethinking Racial Representation in African American Anthologies Right now, I am preparing a major anthology of African American lit- erature spanning from the eighteenth century until the present. To be published by Wiley- Blackwell, the anthology requires the consideration of several intellectual and editorial issues, such as the historical value of certain literary works, their ongoing scholarly relevance, their commer- cial viability, their pedagogic utility, their copyright expenses, and the di- versity of their authors, forms, and themes. While conducting research, I have surveyed the opinions of many teachers, students, and scholars who either specialize in African American literary studies or engage this aca- demic !eld in passing. "e ideas and suggestions they have o#ered are meaningful not only to the anthology itself, but also to the a$rmation— which, personally, I was also seeking— that the texts and contexts of Af- rican American literature remain exciting topics of inquiry. "e Wiley- Blackwell anthology’s scope testi!es, !rst of all, to the re- markable growth of African American literary studies since its academic expansion and institutionalization in the %&'(s and %&)(s. Periodized according to race, ethnicity, politics, history, culture, and methodology, the scope ranges from the literatures of Africa, Middle Passage, slavery, and freedom in the early national and antebellum periods; to the mod- ern period of New Negro aesthetics, culture, and politics between the Civil War and World War II; to the contemporary period in which the canon, tradition, and criticism of African American literature have un- dergone reform. "e scope also incorporates either the reassessment of American canons more broadly or the rediscovery and close reading of texts still absent from them.
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