Nietzsche and the Eternal Return of Sacrifice
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Writings from the Early Notebooks Edited by Raymond Geuss and Alexander Nehamas Copyright Information More Information
Cambridge University Press 978-0-521-67180-4 - Friedrich Nietzsche: Writings from the Early Notebooks Edited by Raymond Geuss and Alexander Nehamas Copyright Information More information FRIEDRICH NIETZSCHE Writings from the Early Notebooks EDITED BY RAYMOND GEUSS University of Cambridge ALEXANDER NEHAMAS Princeton University TRANSLATED BY LADISLAUS LÖB University of Sussex © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-67180-4 - Friedrich Nietzsche: Writings from the Early Notebooks Edited by Raymond Geuss and Alexander Nehamas Copyright Information More information CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi Cambridge University Press The Edinburgh Building, Cambridge CB RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/ The selected material in this volume is used and re-translated from Friedrich Nietzsche, SÄMTLICHE WERKE, edited by Giorgio Colli and Mazzino Montinari, by arrangement with STANFORD UNIVERSITY PRESS © Cambridge University Press, for this edition First published Printed in the United Kingdom at the University Press, Cambridge World English Language rights to the complete critical edition of Friedrich Nietzsche, SÄMTLICHE WERKE, edited by Giorgio Colli and Mazzino Montinari, are owned exclusively by Stanford University Press and the -volume Colli-Montinari Edition is being translated and published by Stanford University -
REVIEWS 393 Writings from the Late Notebooks Friedrich Nietzsche
REVIEWS 393 Writings from the Late Notebooks Friedrich Nietzsche; ed. Rüdiger Bittner, trans. Kate Sturge Cambridge: Cambridge University Press, 2003, xliv + 286 pp. $50 h.c., $18 pbk. 0521008875 DANIEL W. SMITH Nietzsche famously wrote most of his later books while he was out on long walks in the Swiss Alps or in the towns of the French and Italian Riviera. He carried notebooks with him, and would write down his thoughts as they occurred to him, often in an almost illegible handwriting that he (or his amanuensis, Peter Gast) would later have to decipher. These notes would then serve as the basis for his published works. “Give no credence to any thought that was not born outdoors while one moved about freely,” Nietzsche advised in his autobiography, Ecce Homo; “The sedentary life is the real sin against the holy spirit” (“Why I am So Clever,” §1). Many, if not most, of these notebooks have survived, and are currently housed in the Goethe- Schiller archive in Weimar, Germany. The existence of these unpublished notes (the Nachlass), however, has sparked controversy among Nietzsche’s commentators, largely over the question of whether it is legitimate to make use of the notes in interpreting Nietzsche, or whether one should rely exclu- sively on his published texts. In Writings from the Late Notebooks, editor Rüdiger Bittner has pub- lished a generous selection of excerpts (about one third of the total) from the notebooks Nietzsche kept between April 1885 and August 1888, shortly before his collapse in January 1889. In his introduction to the volume, Bittner has provided a persuasive justification for publishing a translation of these selections. -
The Idea of New Middle Ages in the Light of Friedrich Nietzsche’S Nihilism
ROCZNIKI KULTUROZNAWCZE Tom/Vol. XI, numer/number 4 – 2020 DOI: http://doi.org/10.18290/rkult20114-6 PIOTR PASTERCZYK * THE IDEA OF NEW MIDDLE AGES IN THE LIGHT OF FRIEDRICH NIETZSCHE’S NIHILISM What I relate is the history of the next two centuries. I describe what is coming, what can no longer come differently: the advent of nihilism. This history can be related even now; for necessity itself is at work here. This future speaks even now in a hundred signs, this destiny announces itself everywhere; for this music of the future all ears are cocked even now. For some time now, our whole European culture has been moving as toward a catastro- phe, with a tortured tension that is growing from decade to dec- ade: restlessly, violently, headlong, like a river that wants to reach the end, that no longer reflects, that is afraid to reflect. — Friedrich NIETZSCHE, The Will to Power, Preface The historical period of the Middle Ages was a time of enormous change in the heart of European culture, which we can call a catastrophe in the am- bivalent sense of the end and dawn. The Middle Ages was the definitive end of the old Greek–Roman world and, at the same time, it was the definitive dawn of the Christian world preparing the new shape of Western Civilisa- tion. The concept of New Middle Ages refers to the cultural change occurring inside the modern and postmodern world according to Oskar Spengler’s idea of the end of Western Culture and the Nietzschean idea of nihilism. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Jastics Delays' Rsveüge
Jastics Delays’ Rsveüge- . ■ C il 1X1 a i - . : . "Г / с;. Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition A Thesis Submitted to the Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University in Partial Fulfilment of the Requirements for the Degree of Master of Arts in English Language and Literature ta «4^^ by Erhan Kukner September, 1991 PR. Л.65'4 ' S63 è- 3079 We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. Asst.Prof.Dr. Hamit Çalışkan (A d v i s o r ) L y ■'· Prof.Dr. Bülent Bozkurt (Committee Member) ' ^ 1 Dr. Laurence A. Raw Approved for the Institute of Economics and Social Sciences 1 1 Abstract Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition Erhan Kükner M.A. In English Literature Advisor: Asst.Prof-Dr. Hamit Çalışkan September, 1991 The Spanish Tragedv. one of the best examples of English Renaissance drama, contributed towards the establishment of the revenge tragedy genre, which gained popularity in the years to come. Kyd in this play not only indicates that when the law is unjust, man will resort to revenge; but also demonstrates that a citizen should obey the ruler and regard revenge as a revolt against the state. Tl-is play tells the story of Hieronimo, who expects the murderer^ of his son to be punished. However, Hieronimo gradually discovers that the institutions of justice are useless and therefore takes revenge. -
The Dread Taboo, Human Sacrifice, and Pearl Harbor
The Dread Taboo, Human Sacrifice, and Pearl Harbor RDKHennan The word taboo, or tabu, is well known to everyone, but it is especially interesting that it is one of but two or possibly three words from the Polynesian language to have been adopted by the English-speaking world. While the original meaning of the taboo was "Sacred" or "Set apart," usage has given it a decidedly secular meaning, and it has become a part of everyday speech all over the world. In the Hawaiian lan guage the word is "kapu," and in Honolulu we often see a sign on a newly planted lawn or in a park that reads, not, "Keep off the Grass," but, "Kapu." And to understand the history and character of the Hawaiian people, and be able to interpret many things in our modern life in these islands, one must have some knowledge of the story of the taboo in Hawaii. ANTOINETTE WITHINGTON, "The Dread Taboo," in Hawaiian Tapestry Captain Cook's arrival in the Hawaiian Islands signaled more than just the arrival of western geographical and scientific order; it was the arrival of British social and political order, of British law and order as well. From Cook onward, westerners coming to the islands used their own social civil codes as a basis to judge, interpret, describe, and almost uniformly condemn Hawaiian social and civil codes. With this condemnation, west erners justified the imposition of their own order on the Hawaiians, lead ing to a justification of colonialism and the loss of land and power for the indigenous peoples. -
Philosophy and Critical Theory
STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org. -
Judgment, Authority, and the Morality of Justice in Hamlet
Sugrue 1 Maegan Sugrue Judgment, Authority, and the Morality of Justice in Hamlet Shakespeare’s Hamlet, a complex and moving text, asks difficult questions: Is it right to commit an evil act in order to rid the world of a worse evil? Is it damnation to allow evil to remain because one desires to abstain from committing evil? What is the cost of justice? What knowledge can be trusted when determining when to pursue justice? How does one decide when to act? How does one decide when to hold back? These questions are further complicated by the many variants of the text. Quarto 1 (Q1) from 1603 is notoriously known as the “bad quarto.” Because of the many perceived corruptions that exist in the text, it is thought that Q1 is perhaps a reconstruction of the play from memory by some of the members of Shakespeare’s company. Quarto 2 (Q2) from 1604 was likely prepared from Shakespeare’s own handwritten manuscript, but the folio version from 1623 (F) has been accepted by scholars as the control text because it is likely the most true to how the play would have been performed while Shakespeare was alive and active in the company. Although most scholars agree that both Q2 and F come from Shakespeare himself, the two texts differ in many ways confronting editors with the questions of what to keep and what to cut. Two such instances are in 4.4 and 4.7. At the heart of these scenes specifically lie the following questions: Is justice only attainable at the expense of morals and ethics? If it is only attainable at the expense of morals and ethics, is it still justice? Is it revenge instead? In exploring these questions, one must also consider what knowledge should be trusted in making such important decisions. -
Kynomartyrion)
DOG SACRIFICE IN ANCIENT AND MODERN GREECE: FROM THE SACRIFICE RITUAL TO DOG TORTURE (KYNOMARTYRION) Manolis G. Sergis Abstract: The article presents and discusses the custom of kynomartyrion (dog torture) which took place in the Greek lands until the 1980s. In many areas it stopped in the 1930s because of its cruelty. The author begins his discussion with the presentation of some elements that are related to the dog. More spe- cifically, the dog is an animal that entered the humanized environment long ago and belongs to the creatures whose nature is twofold because it is part of the human and the non-human worlds and it has been treated as twofold by at least the Indo-Europeans. It is also maintained that the liminal Hellenistic period was decisive for the formation of folk worship because of the religious syncre- tism and the invasion of demons that dominated in the Eastern Mediterranean. The author points out its remarkable similarities to ancient Greek and Roman (and Indo-European) fertile, cathartic and other sacrificial practices. Due to industrialization of agriculture and rationalization of the magical way of thought of the “traditional” peasant, performance of the custom was transformed into a folkloric, spectacular one with intensely violent and sadistic behaviour on the part of humans in the places where it still took place after 1960. The writer argues that violence was always an inherent characteristic of the custom. None- theless, the archaic, and later folk thinking ritualized the performance and attributed to it a different facet, devoid of any sacred elements, during the 20th century where its inherent violence was manifested in its raw essence. -
Religion and Realpolitik: Reflections on Sacrifice
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 11-2014 Religion and Realpolitik: Reflections on Sacrifice Carolyn Marvin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Communication Commons, Other Religion Commons, Political Science Commons, and the Sociology Commons Recommended Citation Marvin, C. (2014). Religion and Realpolitik: Reflections on Sacrifice. Political Theology, 15 (6), 522-535. https://doi.org/10.1179/1462317X14Z.00000000097 Preprint version. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/375 For more information, please contact [email protected]. Religion and Realpolitik: Reflections on Sacrifice Abstract Enduring groups that seek to preserve themselves, as sacred communities do, face a structural contradiction between the interests of individual group members and the survival interests of the group. In addressing existential threats, sacred communities rely on a spectrum of coercive and violent actions that resolve this contradiction in favor of solidarity. Despite different histories, this article argues, nationalism and religiosity are most powerfully organized as sacred communities in which sacred violence is extracted as sacrifice from community members. The exception is enduring groups that are able to rely on the protection of other violence practicing groups. The argument rejects functionalist claims that sacrifice guarantees solidarity or survival, since sacrificing groups regularly fail. In a rereading of Durkheim’s totem taboo, it is argued that sacred communities cannot survive a permanent loss of sacrificial assent on the part of members. Producing this assent is the work of ritual socialization. The deployment of sacrificial violence on behalf of group survival, though deeply sobering, is best constrained by recognizing how violence holds sacred communities in thrall rather than by denying the links between them. -
Suicide Or Sacrifice?
Suicide or Sacrifice? Dorothy Day The Catholic Worker, November 1965, 1, 7. Summary: Reflects on the self-immolation of Roger LaPorte as a protest against the Vietnam war. Discusses suicide doctrinally, psychologically, and in literature. Tries to understand his intentions and the need for protest in the midst of war and building for war. Speaks of the notion of the victim soul and why she prays for those who kill themselves. (DDLW #834). A Carmelite priest was called to the Emergency Ward of Bellevue Hospital last month where Roger LaPorte lay dying of his self-inflicted-burns which covered ninety-five per-cent of his body. According to the testimony of the priest, Roger having made his confession, made an act of contrition in a loud clear voice. Unless we wish to doubt the integrity of a dying man, we must believe that he knew and realized with the clarity of one who lay dying, that he was wrong in taking his own life, trying to immolate himself, to give his life for the cause of peace. He had said he wanted to “end the war in Vietnam.” He wanted to lay down his life for his brothers, to take his own life instead of taking theirs, to follow the example of the Buddhist monks, and the two other Americans, who had done the same. It has always been the teaching of the Catholic Church that suicide is sin, but that mercy and loving-kindness dictated another judgement: that anyone who took his life was temporarily unbalanced, not in full possession of his faculties, even to be judged temporarily insane, and so absolved of guilt. -
Traces of Friedrich Nietzsche's Philosophy
Traces of Friedrich Nietzsche’s Philosophy in Scandinavian Literature Crina LEON* Key-words: Scandinavian literature, Nietzschean philosophy, Georg Brandes, August Strindberg, Knut Hamsun 1. Introduction. The Role of the Danish Critic Georg Brandes The age of Friedrich Nietzsche in Scandinavia came after the age of Émile Zola, to whom Scandinavian writers such as Henrik Ibsen and August Strindberg were indebted with a view to naturalistic ideas and attitudes. Friedrich Nietzsche appears to me the most interesting writer in German literature at the present time. Though little known even in his own country, he is a thinker of a high order, who fully deserves to be studied, discussed, contested and mastered (Brandes 1915: 1). This is what the Danish critic Georg Brandes asserted in his long Essay on Aristocratic Radicalism, which was published in August 1889 in the periodical Tilskueren from Copenhagen, and this is the moment when Nietzsche became to be known not only in Scandinavia but also in other European countries. The Essay on Aristocratic Radicalism was the first study of any length to be devoted, in the whole of Europe, to this man, whose name has since flown round the world and is at this moment one of the most famous among our contemporaries (Ibidem: 59), wrote Brandes ten years later. The term Aristocratic Radicalism had been previously used by the Danish critic in a letter he wrote to Nietzsche himself, from Copenhagen on 26 November 1887: …a new and original spirit breathes to me from your books […] I find much that harmonizes with my own ideas and sympathies, the depreciation of the ascetic ideals and the profound disgust with democratic mediocrity, your aristocratic radicalism […] In spite of your universality you are very German in your mode of thinking and writing (Ibidem: 63).