Inclusivism and the Atonement
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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
The Dread Taboo, Human Sacrifice, and Pearl Harbor
The Dread Taboo, Human Sacrifice, and Pearl Harbor RDKHennan The word taboo, or tabu, is well known to everyone, but it is especially interesting that it is one of but two or possibly three words from the Polynesian language to have been adopted by the English-speaking world. While the original meaning of the taboo was "Sacred" or "Set apart," usage has given it a decidedly secular meaning, and it has become a part of everyday speech all over the world. In the Hawaiian lan guage the word is "kapu," and in Honolulu we often see a sign on a newly planted lawn or in a park that reads, not, "Keep off the Grass," but, "Kapu." And to understand the history and character of the Hawaiian people, and be able to interpret many things in our modern life in these islands, one must have some knowledge of the story of the taboo in Hawaii. ANTOINETTE WITHINGTON, "The Dread Taboo," in Hawaiian Tapestry Captain Cook's arrival in the Hawaiian Islands signaled more than just the arrival of western geographical and scientific order; it was the arrival of British social and political order, of British law and order as well. From Cook onward, westerners coming to the islands used their own social civil codes as a basis to judge, interpret, describe, and almost uniformly condemn Hawaiian social and civil codes. With this condemnation, west erners justified the imposition of their own order on the Hawaiians, lead ing to a justification of colonialism and the loss of land and power for the indigenous peoples. -
ABSTRACT the Women of Supernatural: More Than
ABSTRACT The Women of Supernatural: More than Stereotypes Miranda B. Leddy, M.A. Mentor: Mia Moody-Ramirez, Ph.D. This critical discourse analysis of the American horror television show, Supernatural, uses a gender perspective to assess the stereotypes and female characters in the popular series. As part of this study 34 episodes of Supernatural and 19 female characters were analyzed. Findings indicate that while the target audience for Supernatural is women, the show tends to portray them in traditional, feminine, and horror genre stereotypes. The purpose of this thesis is twofold: 1) to provide a description of the types of female characters prevalent in the early seasons of Supernatural including mother-figures, victims, and monsters, and 2) to describe the changes that take place in the later seasons when the female characters no longer fit into feminine or horror stereotypes. Findings indicate that female characters of Supernatural have evolved throughout the seasons of the show and are more than just background characters in need of rescue. These findings are important because they illustrate that representations of women in television are not always based on stereotypes, and that the horror genre is evolving and beginning to depict strong female characters that are brave, intellectual leaders instead of victims being rescued by men. The female audience will be exposed to a more accurate portrayal of women to which they can relate and be inspired. Copyright © 2014 by Miranda B. Leddy All rights reserved TABLE OF CONTENTS Tables -
Theology of Supernatural
religions Article Theology of Supernatural Pavel Nosachev School of Philosophy and Cultural Studies, HSE University, 101000 Moscow, Russia; [email protected] Received: 15 October 2020; Accepted: 1 December 2020; Published: 4 December 2020 Abstract: The main research issues of the article are the determination of the genesis of theology created in Supernatural and the understanding of ways in which this show transforms a traditional Christian theological narrative. The methodological framework of the article, on the one hand, is the theory of the occulture (C. Partridge), and on the other, the narrative theory proposed in U. Eco’s semiotic model. C. Partridge successfully described modern religious popular culture as a coexistence of abstract Eastern good (the idea of the transcendent Absolute, self-spirituality) and Western personified evil. The ideal confirmation of this thesis is Supernatural, since it was the bricolage game with images of Christian evil that became the cornerstone of its popularity. In the 15 seasons of its existence, Supernatural, conceived as a story of two evil-hunting brothers wrapped in a collection of urban legends, has turned into a global panorama of world demonology while touching on the nature of evil, the world order, theodicy, the image of God, etc. In fact, this show creates a new demonology, angelology, and eschatology. The article states that the narrative topics of Supernatural are based on two themes, i.e., the theology of the spiritual war of the third wave of charismatic Protestantism and the occult outlooks derived from Emmanuel Swedenborg’s system. The main topic of this article is the role of monotheistic mythology in Supernatural. -
Supernatural' Fandom As a Religion
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 The Winchester Gospel: The 'Supernatural' Fandom as a Religion Hannah Grobisen Claremont McKenna College Follow this and additional works at: https://scholarship.claremont.edu/cmc_theses Part of the Film and Media Studies Commons Recommended Citation Grobisen, Hannah, "The Winchester Gospel: The 'Supernatural' Fandom as a Religion" (2019). CMC Senior Theses. 2010. https://scholarship.claremont.edu/cmc_theses/2010 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College The Winchester Gospel The Supernatural Fandom as a Religion submitted to Professor Elizabeth Affuso and Professor Thomas Connelly by Hannah Grobisen for Senior Thesis Fall 2018 December 10, 2018 Table of Contents Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family………………………………………………………1 Saving People, Hunting Things. The Family Business: Messages, Values and Character Relationships that Foster a Community……………………………………………........9 There is No Singing in Supernatural: Fanfic, Fan Art and Fan Interpretation….......... 20 Gay Love Can Pierce Through the Veil of Death: The Importance of Slash Fiction….25 There’s Nothing More Dangerous than Some A-hole Who Thinks He’s on a Holy Mission: Toxic Misrepresentations of Fandom……………………………………......34 This is the End of All Things: Final Thoughts………………………………………...38 Works Cited……………………………………………………………………………39 Important Characters List……………………………………………………………...41 Popular Ships…………………………………………………………………………..44 1 Dad’s on a Hunting Trip and He Hasn’t Been Home in a Few Days: My Introduction to Supernatural and the SPN Family Supernatural (WB/CW Network, 2005-) is the longest running continuous science fiction television show in America. -
Wayward Sons: Modern Mythology in Supernatural
Siggard 1 Alison Siggard BYU English Symposium 20 March 2014 Wayward Sons: Modern Mythology in Supernatural “The core notion behind Supernatural was to make a series about urban legends. I think they’re this incredibly rich mythology about the United States,” show creator Eric Kripke said in an interview promoting the show’s two hundredth episode (“Supernatural” at 200”). Since 2005, the cult television show has grown to be something of an underground phenomenon, with legions of dedicated fans. The story of two brothers travelling the country in search of monsters, demons, and ghosts has taken viewers on a ten season long journey of emotional upheavals, social commentary, and dramatic storytelling. As explained by Kripke, the show is set in a world of mythology and urban legends. However, the use of and modification of these motifs leads to something different about Supernatural : it becomes a legend of its own, telling the tale of the Winchester brothers as heroes. Through its use of mythological and folkloric motifs and retellings, Supernatural creates its own mythology, reflecting old archetypes into an epic for a modern age. “Dad wants us to pick up where he left off”: Character Archetypes in Two Heroes’ Journeys Contrary to most heroic stories, the show focuses on two heroes, Sam and Dean Winchester. However, they are two very different types of heroes. Their stories start the same. Twenty-two years before the events of the show begin, the brothers’ mother, Mary, was killed in a mysterious fire in Sam’s nursery. Her death causes John Winchester, the boys’ father, to embark on a journey to discover what killed his wife and to get revenge. -
The Lotus Garland (Padmamālā) and Cord of Power (Śaktitantu): the Brahmayāmala’S Integration of Inner and Outer Ritual
chapter 16 The Lotus Garland (padmamālā) and Cord of Power (śaktitantu): The Brahmayāmala’s Integration of Inner and Outer Ritual Shaman Hatley The significance of the Brahmayāmala to the history of Śaivism was first iden- tified by Alexis Sanderson (1988), who was gracious enough to read a section of this voluminous text with me at Oxford, in 2004, at an early stage of my doctoral research. This was a formative professional experience, and I remain touched by his generous hospitality towards me as an unknown visiting student. In the present essay, I revisit a particular thread which emerged from these reading sessions: the śaktitantu or śaktisūtra, the “thread” (tantu) or “cord” (sūtra) of divine power (śakti). This is a technical term of ritual distinctive to the Bra- hmayāmala to which Professor Sanderson first drew my attention. Inquiry into the Cord of Power leads me to examine the ways in which the Brahmayāmala (hereafter BraYā) integrates meditational discipline with the somatic perfor- mance of ritual, and to query its understanding of the category yoga. In chapter 15 of the Tantrāloka, Abhinavagupta invokes the authority of the BraYā concerning the inseparability of “external” (bāhya) and “inner” or “internal” (adhyātma) worship.The passage (15.43cd–44) reads as follows in the printed (Kashmir Series of Texts and Studies) edition: nādhyātmena vinā bāhyaṃ nādhyātmaṃ bāhyavarjitam ||43|| siddhyej jñānakriyābhyāṃ tad dvitīyaṃ saṃprakāśate | śrībrahmayāmale deva iti tena nyarūpayat ||44|| The fourth verse-quarter (44b) is problematic; following the commentator Jayaratha,1 the passage might be interpreted as meaning, “Not without the inner (adhyātma) would the outer succeed, nor the inner devoid of the outer. -
No More Mr. Nice Angel
Digital Collections @ Dordt Faculty Work Comprehensive List 2016 No More Mr. Nice Angel Scott Culpepper Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Christianity Commons Recommended Citation Culpepper, S. (2016). No More Mr. Nice Angel. The Supernatural Revamped Retrieved from https://digitalcollections.dordt.edu/faculty_work/878 This Book Chapter is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. No More Mr. Nice Angel Abstract Angels have occupied a prominent role in world religions and Western culture for centuries. The existence of multiple supernatural beings with varying degrees of hierarchical standing was a given for the polytheistic cultures that represented the majority of religious expressions in the ancient world. The inclusion of these supernatural beings in the three great monotheistic faiths of Judaism, Christianity, and Islam was significant because these faiths sought in ve ery way to emphasize the supremacy of the one God in contrast to the crowded spiritual field of polytheistic faiths. Angels could be problematic because they potentially provided a host of supernatural entities competing alongside the one God. Keywords angels, supernatural, legends, Paradise Lost, demonology Disciplines Ancient History, Greek and Roman through Late Antiquity | Christianity Comments Chapter from edited book: https://dordt.on.worldcat.org//oclc/934746463 Culpepper, Scott. "No More Mr. -
Super! Drama TV May 2020
Page 1 of 5 Super! drama TV May 2020 ▶ Programs are suspended for equipment maintenance late at night on the 20th, 27th from 3:55 to 4:00 & 1st of June from 1:00 to 7:00 Note: # = serial number [J] = in Japanese [F] = in French (ET) Fri.1 Sat.2 Sun.3 (ET) 6:00 06:00 STAR TREK: DEEP SPACE NINE 06:00 STAR TREK: DEEP SPACE NINE 06:00 STAR TREK: DEEP SPACE NINE 6:00 Season 1 Season 1 Season 1 #18 #19 #20 6:30 「DRAMATIS PERSONAE」 「DUET」 「IN THE HANDS OF THE PROPHETS」 6:30 7:00 07:00 THE BIG BANG THEORY Season 10 07:00 CAPTAIN SCARLET AND THE 07:00 UFO 7:00 #21「The Separation Agitation」 MYSTERONS #19 #6「WHITE AS SNOW」 「ORDEAL」 7:30 07:30 THE BIG BANG THEORY Season 10 07:30 JOE 90 7:30 #22「The Cognition Regeneration」 #6「SPLASHDOWN」 8:00 08:00 SUPERNATURAL Season 12 08:00 THE MYSTERIES OF LAURA 08:00 UFO 8:00 #20 #6 #20 「Twigs & Twine & Tasha Banes」 「The Mystery of the Red Runway」 「COURT MARTIAL」 8:30 8:30 9:00 09:00 information [J] 09:00 information [J] 09:00 information [J] 9:00 9:30 09:30 THE BLACKLIST Season 7 09:30 NCIS: NEW ORLEANS Season 4 09:30 NCIS: NEW ORLEANS Season 5 9:30 #1 #13 #22 「LOUIS T. STEINHIL (NO. 27)」 「Ties That Bind」 「Chaos Theory」 10:00 10:00 10:30 10:30 THE BIG BANG THEORY Season 11 10:30 NCIS: NEW ORLEANS Season 4 10:30 THE MYSTERIES OF LAURA 10:30 #6「The Proton Regeneration」 #14 #6 「A New Dawn」 「The Mystery of the Red Runway」 11:00 11:00 THE BIG BANG THEORY Season 11 11:00 #7「The Geology Methodology」 11:30 11:30 information [J] 11:30 information [J] 11:30 information [J] 11:30 12:00 12:00 SHORT TREKS #1 12:00 DESIGNATED -
A TIDAL WAVE. Anyone with a Little Passion Can Start a Movement in Their Community
AUGUST 12 - 18, 2018 staradvertiser.com SOCAL DRAMEDY When former surfer Dud (Wyatt Russell) fi nds a ring on the beach, it leads him to a rundown fraternal lodge in Lodge 49. Middle-aged plumbing salesman Ernie Fontaine (Brent Jennings) takes him under his wing and welcomes him to the club. Sonya Cassidy also stars in the freshman comedy-drama as Dud’s twin sister, Liz. Airing Monday, Aug. 13, on AMC. Even the tiniest voice can start A TIDAL WAVE. Anyone with a little passion can start a movement in their community. Champion an issue. Cheer an event. Support a cause. ¶ũe^ehbla^k^mh^fihp^krhnpbma the training, equipment and airtime you need so your olelo.org voice can be heard. Visit olelo.org. ON THE COVER | LODGE 49 Fresh start Slacker surfer finds new belly up. While she mostly keeps it together, Liz Benjamin,” 1980) and Kurt Russell (“Escape can sometimes lose it under the pressure of from New York,” 1981) worked his way up purpose in ‘Lodge 49’ modern life. through the entertainment industry after an Their tragic loss and precarious financial injury halted his burgeoning hockey career. By Kyla Brewer situation makes the Dudley twins relatable for He appeared in such films as “Escape from TV Media many, and “Lodge 49” executive producer Jeff L.A.” (1996), “This Is 40” (2012) and “22 Jump Freilich (“Halt and Catch Fire”) is confident that Street” (2014). He also co-starred in the indie s television continues to evolve, some viewers will connect with the characters. film “Folk Hero & Funny Guy” (2016), and has series seem to defy and transcend “Each of the characters in this show are so appeared in the acclaimed British anthology Agenres, mixing elements of comedy and well defined and so real that I know all of them,” series “Black Mirror.” drama in the same hour — sometimes even Freilich said in a promo for the new series. -
Download/Qbell80.Pdf (Accessed on 12 January 2021)
entropy Article Beyond Causal Explanation: Einstein’s Principle Not Reichenbach’s Michael Silberstein 1,2,* , William Mark Stuckey 3 and Timothy McDevitt 4 1 Department of Philosophy, Elizabethtown College, Elizabethtown, PA 17022, USA 2 Department of Philosophy, University of Maryland, College Park, MD 20742, USA 3 Department of Physics, Elizabethtown College, Elizabethtown, PA 17022, USA; [email protected] 4 Department of Mathematical Sciences, Elizabethtown College, Elizabethtown, PA 17022, USA; [email protected] * Correspondence: [email protected] Abstract: Our account provides a local, realist and fully non-causal principle explanation for EPR correlations, contextuality, no-signalling, and the Tsirelson bound. Indeed, the account herein is fully consistent with the causal structure of Minkowski spacetime. We argue that retrocausal accounts of quantum mechanics are problematic precisely because they do not fully transcend the assumption that causal or constructive explanation must always be fundamental. Unlike retrocausal accounts, our principle explanation is a complete rejection of Reichenbach’s Principle. Furthermore, we will argue that the basis for our principle account of quantum mechanics is the physical principle sought by quantum information theorists for their reconstructions of quantum mechanics. Finally, we explain why our account is both fully realist and psi-epistemic. Keywords: EPR correlations; relativity principle; principle explanation; Reichenbach’s Princi- ple; retrocausality; locality; contextuality; no preferred reference frame; causal modelling; no- signalling; quantum information theory; reconstructions of quantum mechanics; Tsirelson bound; realist psi-epistemic Citation: Silberstein, M.; Stuckey, W.M.; McDevitt, T. Beyond Causal 1. Introduction Explanation: Einstein’s Principle Not There is a class of interpretations or accounts of quantum mechanics (QM) called Entropy 2021 23 Reichenbach’s. -
If You Have Issues Viewing Or Accessing This File Contact Us at NCJRS.Gov
If you have issues viewing or accessing this file contact us at NCJRS.gov. \3bBq~ lrv Slott lAY 18 1992 INVESTIGATOR'S GUIDE TO ALLEGATIONS OF "Rl1UAL- CIDLD ABUSE January 1992 Kenneth V. Lanning Supervisory Special Agent Behavioral Science Unit National Center for the Analysis of Violent Crime Federal Bureau of Investigation FBI Academy Quantico, Vllginia 22135 136592 U.S. Department of Justice National Institute of Justice This document has been reproduced exactly as received from the person or organization originating it. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official po~ition or policies of the National Institute of Justice. Permission to reproduce this ." . nn t material has been granted b)/ • ~ub11C DOmaln/FBI u.s. Department ofJustlce to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permis sion of the ~ owner. ACKNOWLEDGEMENTS The author would like to thank Cynthia 1. Lent, Technical Information Specialist, National Center for the Analysis of Violent Crime, and Park Elliott Dietz, M.D., Threat Assessment Group, Inc., for their assistance and guidance in the preparation of this book. TABLE OF CONTENTS AcknowledgeDlents • . • . • . • . • . • . i Table of Contents . .. iii I. Introduction. • 1 n. Historical Overview .....................................................• 3 "Stranger Danger" ...................................................... 3 IntrafamiIial Child Sexual Abuse . 4 Return