Ars Moriendi and Society

Total Page:16

File Type:pdf, Size:1020Kb

Ars Moriendi and Society FALL 2019 FEATURE ARTICLE chausa.org/hceusa Ars Moriendi and Society Ars Moriendi and Society Nathaniel Blanton Hibner, Ph.D. As states continue to pass legislation legalizing of these bills argue for and that have resonated physician-assisted suicide (PAS), it becomes in our society. ever more pressing to get to the heart of what is driving this movement. We have seen in A major critique of this autonomy approach surveys from the early adopter states some of emerges when outsiders question whether the main reasons the terminally ill seek out PAS in fact promotes these desired outcomes. PAS prescriptions. This is included in a variety Cathleen Kaveny’s use of political philosopher of publications and will not be examined in Joseph Raz’s version of autonomy calls into depth in this paper. I wish to focus on three question the desired effect of these laws. She underlying forces that unfortunately fuel rightly picks up the cry of most PAS supporters society’s drive towards the suicide solution. that these laws provide more autonomy for the Then I will examine our faith community’s terminally ill. However, she shows the ways response, seeking out areas for further that death with dignity legislation actually development. I hope that this article will decreases a person’s autonomy. The inclusion continue the conversation regarding the ways of PAS as part and parcel of patient treatment the church and its members can assist those choice could lead to the underdevelopment who are near the end of the earthly journey. of other treatments, especially palliative care or hospice services: “The change in law might AUTONOMY abate the urgency of providing other forms of 2 Autonomy in our society usually upholds one’s end-of-life assistance.” It also inherently places independence and freedom to choose. We see a value judgment on those who choose to die this understanding being used by politicians naturally, or in this debate, “without dignity.” and media activists who promote PAS All of this could lead a person to choose death legislation. An editorial by the New York Times prematurely, therefore, undermining the state’s in September 2015 urged Governor Brown interest in protecting the vulnerable from to sign the California End of Life Option coercion or manipulation. With autonomy Act. In this article, the editorial board praised as a rallying cry for pro-PAS activists, it is the ability of taking “control of the timing mandatory that any plan of action to counter of [one’s] death.” This line sounds familiar PAS legislation address this concern. to the mission of the pro-PAS organization Compassion and Choices, which seeks to THE FAMILY “increase patient control” and “access to all end- Autonomy and family go hand in hand in of-life options.”1 Control and access, power this debate. David McCarthy speaks about and options — these are the values promoters the economic forces affecting the modern 15 Copyright © 2019 CHA. Permission granted to CHA-member organizations and Saint Louis University to copy and distribute for educational purposes. FALL 2019 FEATURE ARTICLE chausa.org/hceusa Ars Moriendi and Society family and the way in which society puts a resources in the community as a whole; for high value on the independence of the family individuals, it can also be exacerbated by unit: “Rather than household management communal expectation that the welfare of one or filial duties, modern families have political should give way to the needs of the family.”5 This and market relations at their center.”3 The communal expectation is similar to the personal wage earner is the spokesperson for the family autonomy situation, where the need to ask for since it is this individual who is the provider. help, even from one’s family, is seen as a loss of The economic character of the family defines independence — loss that is undesirable. its relationship to society. Therefore, a family that does not seek welfare assistance and can CHRISTIAN DUTY TOWARDS BURDEN contribute to the market is valued and upheld The Catholic tradition has tended to place as an exemplary model. McCarthy even dives a high value on bearing suffering for others. into the current family structure to show that The obvious example is that of Christ who, children must also have a level of independence, according to some Christologies, took upon learning “the standards of conduct,” and himself the sins of the world. In one way, contributing to the betterment of the family 4 Jesus’ example can be viewed as a person itself. who conscientiously chose to suffer rather than take the “easy” way out. However, in a These observations on the family reveal another more inherent way, Jesus reveals the model layer of unconscious support for PAS at the end of alleviating others’ pain through personal of life. Terminally ill patients already fear being suffering, through personal choice. By a burden to their family. However, families extension, it is possible that dying patients themselves may desire to avoid being a burden could then find value in making the decision to society, and therefore, decide to keep the to end their lives deliberately, as if this would situation internal. I believe that this could lead eliminate the burden on their family members. them to find solutions that would require the “I will choose when to end my life, so my family least assistance from the greater community, does not have to.” avoiding costly alternative options. Asking for financial support for hospice or long-term We can see this idea borne out in Catholic palliative care would reveal a weakness in the writings on motherhood and the expectations autonomous and independent family unit of a dutiful wife. JoAnne Marie Terrell, for valued in contemporary society. instance, writes a chapter titled, “Our Mothers’ Gardens.” In it she describes the way that Lisa Cahill recognizes this dilemma as a failure certain Christologies have sadly fueled the of social justice for all, which especially affects continued oppression of black women in poor communities. She observes: “The health America. She concludes her reflections on the care situation for disadvantaged populations power of this tradition by relaying the story of is worsened by poverty and constraints on her mother: 16 Copyright © 2019 CHA. Permission granted to CHA-member organizations and Saint Louis University to copy and distribute for educational purposes. FALL 2019 FEATURE ARTICLE chausa.org/hceusa Ars Moriendi and Society Although I may never be required to give up my life for the sake of my ultimate Cardinal Bernardin chose to claims, the peculiar efficacy of my see his death as another leg of mother’s sacrifice as well as the Christian story prevent me from discarding the the trip, extending “beyond idea altogether, particularly the notion of mortal existence to eternal sacrifice as the surrender or destruction of something prized or desirable for the sake of life.” something with a higher claim …6 This pairing of the two “arts” stems from the These models of virtue indirectly promote teaching of virtue ethics. Virtue ethics promotes the idea that women in particular ought to the idea that all actions have a shaping effect on sacrifice their own bodies and dreams for the the actor’s character. Therefore, virtuous actions betterment of the family. Could then the create a virtuous person, sinful actions create a church’s upholding of such behavior promote sinful person. To become a virtuous person “it the ultimate sacrifice of a terminally ill patient is necessary to engage consciously in practices for the sake of their family? Could these that concretize the good in order to … move Christian models actually increase Christian oneself closer to embracing the good life.”8 willingness to actively embrace and pursue a Vogt and the tradition understand that to help kind of martyrdom? people face death they must have the virtues of hope, compassion, and patience.9 These SOLUTIONS three virtues provide the individual the proper Ars Moriendi inherent disposition to see death not as mere Many theologians draw upon the tradition of suffering, but as a part of our Christian journey. ars moriendi to address the social promotion of It is a personal development that hopefully will PAS legislation. One such author is Christopher reap rewards at the end of our days. Vogt, who devotes an entire book to the subject. In it, Vogt highlights certain virtues in the Cathleen Kaveny offers a similar solution. She tradition that one must develop in their lives draws upon an exemplar of a good Christian in order to face death in a correctly Christian death — Cardinal Joseph Bernardin — to way. He sees a strong connection between ars reveal to the world the power of faith and an moriendi (the art of dying) and ars vivendi alternate approach to death. Using his last book, (the art of living). Vogt writes, “It is by a The Gifts of Peace, in which the Cardinal reflects lifelong effort to nurture faith, hope, patience, on his diagnosis, treatment, remission, and then compassion, and all the virtues of the good the return of cancer, Kaveny wants to show a Christian life that we best prepare ourselves for truly Christian manner of dying. She argues the time of dying.”7 that Cardinal Bernardin’s example can serve as a “framework [that] can facilitate the exercise of 17 Copyright © 2019 CHA. Permission granted to CHA-member organizations and Saint Louis University to copy and distribute for educational purposes. FALL 2019 FEATURE ARTICLE chausa.org/hceusa Ars Moriendi and Society Razian autonomy on the part of dying patients, and solidarity on the part of those surrounding them.”10 Cardinal Bernardin chose to see his Personal fortitude at death death as another leg of the trip, extending can only lead us so far.
Recommended publications
  • Performance Research Tissue to Text: Ars Moriendi and the Theatre
    This article was downloaded by: [Swansea Metropolitan University] On: 10 May 2010 Access details: Access Details: [subscription number 917209572] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK Performance Research Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t716100720 Tissue to Text: Ars moriendi and the theatre of anatomy Karen Ingham Online publication date: 06 May 2010 To cite this Article Ingham, Karen(2010) 'Tissue to Text: Ars moriendi and the theatre of anatomy', Performance Research, 15: 1, 48 — 57 To link to this Article: DOI: 10.1080/13528165.2010.485763 URL: http://dx.doi.org/10.1080/13528165.2010.485763 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material.
    [Show full text]
  • Modern Teachers of Ars Moriendi
    religions Article Modern Teachers of Ars moriendi Agnieszka Janiak 1 and Marcin Gierczyk 2,* 1 Department of Media and Communication, University of Lower Silesia, 53-611 Wrocław, Poland; [email protected] 2 Faculty of Social Sciences, Institute of Pedagogy, University of Silesia in Katowice, 40-007 Katowice, Poland * Correspondence: [email protected] Abstract: It is evident that a change is happening, a breakthrough, in perceptions of death; the next episode is being unveiled. After the stages Philippe Aries named death of the tame and then death of the wild, people today are finally experiencing the humanizing of death, which we call sharing death, whose influence is worth deep analysis. Our hypothesis is that today, Ars moriendi, meeting the needs of the dying, may be learned from the so-called death teachers, whose message is growing noticeably in society. This research shows a certain reversal of social roles that are worth noting and accepting. In the past, a priest was a guide and a teacher in the face of dying and death; today, he has the opportunity to learn Ars moriendi from contemporary teachers of dying, to imagine an empty chair standing by a dying person. Keywords: priest; Ars moriendi; sharing death; death teacher 1. Introduction One of religion’s fundamental functions is the existential one. Each religious system Citation: Janiak, Agnieszka, and facilitates facing existential dilemmas and provides tools to deal with the most incompre- Marcin Gierczyk. 2021. Modern Teachers of Ars moriendi. Religions 12: hensible and tragic aspects of human existence. J.M. Yinger, the American psychologist of 695.
    [Show full text]
  • Developing an Ars Moriendi (The Art of Dying) for the 21 Century
    Developing an Ars Moriendi (The Art of Dying) for the 21st Century Study Leave Project for the Kaimai Presbytery August to September 2018 By Rev Donald Hegan Dedication Dedicated to the memory of a dear friend and mentor Pastor Jim Hurn. What sweet fellowship I enjoyed with you and your lovey wife Kaye in your dying days. Jim was determined to commit his dying days into the hands of a living and loving God. He trusted that God would take him on his last great journey. For Jim death was not the opposite of life but just the anaesthetic that God used to change his body. Please be there to greet me at those “Pearly Gates” my dear friend. Rest in Peace. Index I. Introduction page 1-2 1.Let us speak of Death pages 3-9 2.Current Attitudes towards Death pages 10-21 3.Portraits of a Good Death from Scripture and History pages 22-37 4.Developing a Healthy View of Death/ Memento Mori pages 38-42 5.The Churches Traditional Response to Death and Dying pages 43-51 6.Current Societal Trends in Death and Dying pages 52-64 II. Adieu page 65 III. Appendices 1. Short Stories page 66-68 2. Web Resources Worthy of Note page 69 3. Last Rites pages 70-71 4. Printed Resources -Christian Reflection, A series in Faith and Ethics, Study Guides for Death pages 72-93 -My Future Care Plan pages 94-103 IV. Bibliography pages 104-108 Introduction My first encounter with death was when I was eight years old.
    [Show full text]
  • Introduction: Traveling to Meet the Dead
    Notes Introduction: Traveling to meet the Dead 1. See Woodbridge on the background for Godwin’s thought: “the Reformation’s desire not to speak with the dead [manifested by its destruction of old churches and funeral monuments] was a profoundly antihistorical moment .... If the dead make up the original imagined community ... Renaissance Europe founded a living imagined community, the nation, on the desecrated graves of a dead medieval community” (599). Aware of what had been lost, many thinkers of the Romantic era took special interest in the dead of pre-Reformation times. 2. As Godwin surely knew, agitators in France had decided to clear all of Paris’s ancient burying-grounds, effectively erasing “the human debris of the ancien régime” (Brooks 7). 3. Notable critics have written on “romantic death”—the effort to rescue indi- vidual death from the anonymity of mass carnage. See Kelly’s introduction to Felicia Hemans (26–28). For representative images of the apocalyptic floods, see Hemans’s “A Thought of the Sea,” the famous inundation of Wordsworth’s Prelude V, or any of myriad complaints about the “deluge of print.” 4. A comparable account from the period’s fiction appears in Mary Lamb’s Mrs. Leicester’s School: “I was born in the parsonage-house, which joins the church- yard. The first thing I can remember was my father teaching me the alphabet from the letters on a tombstone that stood at the head of my mother’s grave. ... in this manner, the epitaph on my mother’s tomb being my primmer and my spelling-book, I learned to read” (9–10).
    [Show full text]
  • Performing the Good Death: the Medieval Ars Moriendi and Contemporary Doctors K Thornton,1 C B Phillips2
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE mh1693 Module 1 Medical Humanities 25/9/09 19:41:36 Topics: provided by The Australian National University Ethics Performing the good death: the medieval Ars moriendi and contemporary doctors K Thornton,1 C B Phillips2 1 Medical School, Australian ABSTRACT The medieval Ars moriendi is structured around National University, Canberra, 2 Death is inevitable, but dying well is not. Despite the role inspirations (illustrations of the good death) and Australia; Social Foundations of 8 Medicine, Medical School, of medical professionals as overseers of dying in temptations (illustrations of the bad death). Leget Australian National University, contemporary society, there is comparatively little has suggested that a modern Ars moriendi would Canberra, Australia discourse among doctors about the constituents of a include consideration of key concepts such as death good death. In the 15th century, by contrast, the Ars and the afterlife, autonomy and self, pain control Correspondence to: moriendi portrayed normative medieval ideas about good and medical intervention, attachment and rela- Christine B Phillips, Social Foundations of Medicine, and bad deaths. At a time when dying could be viewed as tions, and guilt and life balance. These do not map Medical School, Australian a performed battle against damnation, the Ars moriendi exactly onto the inspiration/temptation approach National University, Canberra codified a set of moral precepts that governed the of the medieval Ars moriendi, though they do 2602, Australia; Christine. [email protected] expression of autonomy, relations between the dying and represent modern preoccupations.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher qualify 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA UMI800-521-0600 THE CONTAGION OFLIFE: ROSSETTI, PATER, WILDE, AND THE AESTHETICIST BODY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen Weninger, MA., M A., M Phil. ***** The Ohio State University 1999 Dissertation Committee: Approved By: Professor David G.
    [Show full text]
  • Teaching Doctor Faustus Through the Ars Moriendi Tradition
    The CEA Forum Winter/Spring 2008: 37.1 Next: What's on the Menu in the Poetry Classroom? TEACHING DOCTOR FAUSTUS THROUGH THE ARS MORIENDI TRADITION Matthew Fike The rough edges in Christopher Marlowe's intellectual life serve as a foil to the mainstream Christianity in Doctor Faustus: the playwright had a reputation for atheism or at least for unorthodox opinions; papers allegedly found in a writing room that he shared with Thomas Kyd denied the deity of Christ; and twelve days before he was fatally stabbed through the eye in a bar fight, the Privy Council had arrested him for heresy (Gill 214). Some readers of Marlowe believe that it is hard to tell if the smoke of bad reputation signifies the fire of actual heresy, but there is little doubt that he qualified as an “atheist,” one who disbelieves in God and is unfettered by “moral obligation” (“Atheist”) [1]. Marlowe's reputation for making controversial religious statements is partly due to Kyd, who, under duress, attributed a heretical document to him; and the “ascription may well have been correct” (Kuriyama 125). And yet, “however scornfully Marlowe rejected the [Christian] system intellectually, it still had a powerful hold of some sort on his imagination and emotions” (Kocher 118-19). Although Marlowe may not have had a Christian spirit, Doctor Faustus clearly shows that he had a Christian intelligence; for the play is built around an element of mainstream Christianity, the ars moriendi tradition or the art of dying well. This fact has been part of the criticism for over a half century, most helpfully in Beach Langston's hard-to-find but excellent article, “Marlowe's Faustus and the Ars Moriendi Tradition” (1952).
    [Show full text]
  • A Collection of Works Illustrative of the Dance of Death in the Library Of
    PLATE I. FROM Chertabloris “La Maniere de se bien Preparer a la Mart." Anvers, 1740. G. E. SEARS LIBRARY. A Collection of Works Illuftrative of Hi)? Ilanrp of LA DANSE MACABRE LES IMAGES DE LA MORT IMAGINES MORTIS LE TRIOMPHE DE LA MORT ICONES MORTIS DER TODTEN TANZ. IN THE LIBRARY OF GEORGE EDWARD SEARS With Photographic Reproductions of Rare and Curious Title-Pages and Plates Selected Therefrom HeU) STortt PRIVATELY PRINTED 1889 artists antt Snoraaers WHO ARE KNOWN TO HAVE DELINEATED THE SUBJECT. Hans Holbein, Hans Lutzelberger, H. Aldegrever, David Denecker, Eberh. Kieser, Jobst Denecker, Jobst Amman, Anton Sylvius, Wenceslas Hollar, Otho \Cenius, Ch. de Mechel, Matt. Merian, Andre Trost, M. Rentz, Rudolph Meyer, Conrad Meyer, I. R. SCHELLENBERG, Callot, Chodowiecki, Geo. Cruikshank, Grandville, D. Deuchar, T. Rowlandson, Thos. Bewick, R. Dagley, M. Frenzel, J. SCHLOTTHAUER, Byfield, Bonner, Alex. Anderson. ®anc£ of NAME given to a certain class of allegorical representations, illustrative of the universal power of Death, and dating from the fourteenth century. When the introduction of Christianity a first banished the ancient Germanic conception of a future state, a new description of death mythology arose, partly out of Biblical sources, partly out of the popular character itself, wherein the Last Enemy was represented under simple and majestic images, such as that of a husband- man watering the ground with blood, plowing it with swords, rooting out weeds, plucking up flowers, or felling trees, sowing it with corpses ; or, of a monarch assembling his armies, making war, taking prisoners, inviting his subjects to a festival, or citing them to judgment.
    [Show full text]
  • Domestic Devotions in the Early Modern World
    Domestic Devotions in the Early Modern World Marco Faini and Alessia Meneghin - 978-90-04-37588-8 Downloaded from Brill.com03/21/2019 09:35:27AM via free access Intersections Interdisciplinary Studies in Early Modern Culture General Editor Karl A.E. Enenkel (Chair of Medieval and Neo-Latin Literature Westfälische Wilhelms-Universität Münster e-mail: kenen_01@uni_muenster.de) Editorial Board W. van Anrooij (University of Leiden) W. de Boer (Miami University) Chr. Gottler (University of Bern) J.L. de Jong (University of Groningen) W.S. Melion (Emory University) R. Seidel (Goethe University Frankfurt am Main) P.J. Smith (University of Leiden) J. Thompson (Queen’s University Belfast) A. Traninger (Freie Universität Berlin) C. Zittel (University of Stuttgart) C. Zwierlein (Otto-Friedrich-Universität Bamberg) VOLUME 59/2 – 2019 The titles published in this series are listed at brill.com/inte Marco Faini and Alessia Meneghin - 978-90-04-37588-8 Downloaded from Brill.com03/21/2019 09:35:27AM via free access Domestic Devotions in the Early Modern World Edited by Marco Faini Alessia Meneghin LEIDEN | BOSTON Marco Faini and Alessia Meneghin - 978-90-04-37588-8 Downloaded from Brill.com03/21/2019 09:35:27AM via free access This is an open access title distributed under the terms of the prevailing CC-BY- NC-ND License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. This edited collection forms part of the project funded by the European Research Council, under the European Union’s Seventh Framework Programme (FP7/2007–2013) / ERC grant agreement n° 319475 and hosted by the University of Cambridge, Domestic Devotions: The Place of Piety in the Renaissance Italian Home, 1400–1600, directed by Abigail Brundin, Deborah Howard and Mary Laven.
    [Show full text]
  • Thomas Dacosta Kaufmann 146 Mercer Street Princeton, N.J
    Thomas DaCosta Kaufmann 146 Mercer Street Princeton, N.J. 08540 Tel: 609-921-0154 ; cell : 609-865-8645 Fax: 609-258-0103 email: [email protected] CURRICULUM VITAE Education Collegiate School, New York, valedictorian Yale University, B.A., summa cum laude with exceptional distinction in History, the Arts and Letters, 1970 Yale University, M.A., with Honors, in History, 1970 Warburg Institute, University of London, M.Phil. Dissertation: Theories of Light in Renaissance Art and Science (Advisor: E. H. Gombrich), 1972 Harvard University, Ph. D., in Fine Arts Dissertation: “Variations on the Imperial Theme; Studies in Ceremonial Art, and Collecting in the Age of Maximilian II and Rudolf II” (Advisor: J. S. Ackerman), 1977 Employment Princeton University, Department of Art and Archaeology Frederick Marquand Professor of Art and Archaeology, 2007- Assistant Professor, 1977-1983; Associate Professor, 1983-1989; Professor, 1989-; Junior Advisor, 1978-1980; Departmental Representative (i.e., vice-chair for Undergraduate Studies, and Senior Advisor), 1983-1987, 1990-1991 Chairman, Committee for Renaissance Studies, 1990-93 University of San Marino, History Department, Professor, Lecture Cycle, 2010 Summer Art Theory Seminar, Globalization, School of Art Institute of Chicago, 2008, Professor Forschungsschwerpunkt Geschichte und Kultur Ostmitteleuropa (former Academy of Sciences, Berlin; Max-Planck-Gesellschaft), Visiting Professor, 1994 Herzog Anton Ulrich Museum, Braunschweig, Stiftung Niedersachsen, Summer Course, Visiting Professor, 1994 University of Pennsylvania, Department of Art History Visiting Professor, 1980 Awards, Fellowships, and other Distinctions Elected Member, Latvian Academy of Sciences, 2020 Honorary Doctorate (Doctor historiae artrium, h.c.), Masaryk University, Brno, 2013 Wissenschaftlicher Gast, Kunsthistorisches Institut in Florenz, 2013 Nina Maria Gorissen Fellow in History (Berlin Prize Fellowship), American Academy in Berlin, 2013 Honorary Doctorate (Doctor phil.
    [Show full text]
  • Shakespeare's Treatment of Elizabethan Ideas About Death / By
    THE RICE INSTITUTE SHAKESPEARE'S TREATMENT OF ELIZABETHAN IDEAS ABOUT DEATH by Loris Elaine Seibert A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts Houston, Texas April 1958 I vd.sk to express my appreciation to Professor Carroll Camden for kis continuing encouragement and guidance during my two years of graduate study at d?ke Rice Institute and for kis assistance in tke preparation of tkis tkesis. CONTENTS Chapter Page I. Introduction .....1 II. Elizabethan Attitudes toward Life and Death ....11 III. Preparation for Death 49 IV. Life After Death 81 Notes 104 Bibliography 113 1 Chapter One Introduction In the great burst of energy and imagination in the sixteenth century that is called the English Renaissance, there appears an element conspicuous in its evident opposition to this new worldliness and love of life: namely, the constant preoccupation with death during the Elizabethan period. Ideas about death are expressed in all kinds of literature, and often most vividly in the drama. A whole body of death literature grew up and flourished, especially in the second half of the sixteenth century and first half of the seventeenth. Some of these Elizabethan treatises on death were among the most popular reading material in the age. There were those that taught the reader the art of dying well: Thomas Becon's The Sicke Mans Salve; William Perkins* Salve for a Sicke Man; and Christopher Sutton's Disce Mori: Learne to Pie, are three of the most important of these. There were also books of consolation for death> such as Cardanus Comforte and Robert Southwell’s Triumphs Over Death.
    [Show full text]
  • The Rise of Spiritualism in Nineteenth-Century America
    Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, Master's Theses and Doctoral Dissertations and Graduate Capstone Projects 2019 The American phantasmagoria: The rise of spiritualism in nineteenth-century America Daniel Bowlin Follow this and additional works at: https://commons.emich.edu/theses Part of the History Commons The American Phantasmagoria: The Rise of Spiritualism in Nineteenth-Century America by Daniel Bowlin Thesis Submitted to the Department of History and Philosophy Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Thesis Committee: John McCurdy, Ph.D., Chair Richard Nation, Ph.D. James Egge, Ph.D. September 12, 2019 Ypsilanti, Michigan Acknowledgements More than a few people have aided in the writing of this thesis. Out of those, I would like to thank Professor John McCurdy for his patience, devotion, and indispensable help in the writing and reading of the various drafts which were sent. Even while writing a book, Professor McCurdy was always able to help graciously. Drs. Richard Nation and James Egge have also been of great help in this process, and I am indebted to them for their time and assistance during the writing process. Our conversations were not only very informative, but, above all, an enjoyable experience that led to my personal growth. Most importantly, however, I would like to thank my wife, Shannon, for putting up with me during this entire process. Countless nights have been spent locked away reading and writing, and Shannon has always been understanding. Above all, Shannon has supported this thesis and was my rock as I have spent almost a year and a half stressing over the completion of this work.
    [Show full text]