The Walk of the Seven Churches of Lendinara
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Il Polesine 02-2015.Pdf
Anno LXXI - N. 3-4 Mar-Apr 2015 Giornale degli agricoltori e degli interessi economici della provincia di Rovigo Rinnovo cariche Attività dell’Anga Sindacato pensionati Casalini sostituisce Visentini tra i promotori Garbellini richiama Nicoli alla presidenza di del seminario Start up e l’attenzione sulle Confagricoltura Rovigo del Road Show in Veneto esigenze della categoria Contiene I.R. - Poste Italiane Spa - Spedizione in abbonamento postale - 70% NE/RO AGRINSIEME■DUE MESI DI PROTESTE IN TUTTA ITALIA. E DI INCONTRI CON LE ISTITUZIONI Non c’è ripresa senza impresa Oltre cento associati di Confagricoltura Rovigo hanno manifestato a Venezia “Insoddisfazione, rabbia, delusione: la politica è distante dagli agricoltori e non comprende gli sforzi quotidiani che facciamo per In questo numero il Paese, per la tutela e salvaguardia del territorio, l’occupazio- ne, la qualità e sicurezza alimentare”: è il pensiero comune degli ■RINNOVO CARICHE agricoltori di Agrinsieme che hanno protestato in tutta l’Italia in febbraio e marzo. In ribasso i prezzi dei prodotti, in rialzo i costi 3 Stefano Casalini torna alla presidenza dei mezzi; redditività a picco; semine incerte per i ritardi della ■MICOTOSSINE Pac e del Psr; competitività inseguita attraverso una qualità che non paga; e l’Imu, la Tasi, il moltiplicarsi dei controlli ambientali 7 Il controllo parte dal campo e sanitari, la difficoltà di avere finanziamenti dalle banche… Mil- ■FUTURPERA le morse che sono state denunciate dal Nord al Sud alle Isole, Un giusto prezzo per una giusta qualità per far capire a politici e amministratori il grande disagio degli 3 agricoltori, esasperati dal gigantismo burocratico e da un’im- ■ANGA posizione fiscale che ha portato alla chiusura di tante aziende anche in Veneto. -
Performance Research Tissue to Text: Ars Moriendi and the Theatre
This article was downloaded by: [Swansea Metropolitan University] On: 10 May 2010 Access details: Access Details: [subscription number 917209572] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK Performance Research Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t716100720 Tissue to Text: Ars moriendi and the theatre of anatomy Karen Ingham Online publication date: 06 May 2010 To cite this Article Ingham, Karen(2010) 'Tissue to Text: Ars moriendi and the theatre of anatomy', Performance Research, 15: 1, 48 — 57 To link to this Article: DOI: 10.1080/13528165.2010.485763 URL: http://dx.doi.org/10.1080/13528165.2010.485763 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Adria, BADIA POLESINE, Lendinara, Loreo, Occhiobello, Porto TOLLE Rosolina, Rovigo Da 29 Anni Il Festival Del Blues in POLESINE
1 GIUGNO - 9 LUGLIO ADRIA, BADIA POLESINE, LENDINARA, LOREO, OCCHIOBELLO, PORTO TOLLE ROSOLINA, ROVIGO DA 29 ANNI IL FESTIVAL DEL BLUES IN POLESINE Mercoledì 1 giugno ore 18.30 Villa Valente Crocco - “Casa della cultura e della legalità” Venerdì 24 giugno ore 21.15 Badia Polesine Parco golenale Il Pontile Anteprima - “Il soffio della libertà: il blues e i diritti S. M. Maddalena - Occhiobello civili” con Fabrizio Poggi e Enrico Polverari Acoustic duo Finale selezione italiana per Ibc 2017 T-Roosters Band Domenica 5 giugno ore 18.30 Vieux Farka Touré Attracco Ca’ Dolfin - Porto Tolle DeltaBlues Cruise con Sabato 25 giugno Ian Siegal & Jimbo Mathus S. M. Maddalena - Occhiobello ore 18.30 Attracco Il Pontile Sabato 11 giugno DeltaBlues Cruise ore 19.00 Riviera Marconi - Loreo con Amanda Tosoni & Andrea Caggiari Duet Blues on the road con ore 21.30 Parco golenale Il Pontile Mr Lucky Blues Band e Il Vecchio Peabody Finale selezione italiana per Ibc 2017 ore 21.30 P.zza Municipio, Loreo King King The Steady Swagger Da venerdì 1 a domenica 3 luglio Venerdì 17 giugno ore 21.00 ore 21.30 P.zza S. Giorgio / P.le Europa Ex Pescheria, Riviera del Popolo - Lendinara Rosolina Mare “Howlin’ Wolf. I’m The Wolf” Miss Kika & The Spometies, di e con Luigi Monge - musiche Big Fat Mama Sandy Lee & The Wantons, Nico Duportal & Rhythm Dudes, Same Old Shoes, Bedhoppers Sabato 18 giugno ore 14.00 Auditorium del Conservatorio, Via Pighin - Rovigo Venerdì 8 luglio - Adria Clinics & Workshops ore 19.00 Osteria il Pozzo dei desideri con Karima, Stefano Onorati, Stefano Paolini The Ukulele Lovers ore 22.00 P.zza del Tribunale Sabato 18 giugno ore 21.30 Matteo Sansonetto Blues Revue Piazza Annonaria - Rovigo feat. -
Modern Teachers of Ars Moriendi
religions Article Modern Teachers of Ars moriendi Agnieszka Janiak 1 and Marcin Gierczyk 2,* 1 Department of Media and Communication, University of Lower Silesia, 53-611 Wrocław, Poland; [email protected] 2 Faculty of Social Sciences, Institute of Pedagogy, University of Silesia in Katowice, 40-007 Katowice, Poland * Correspondence: [email protected] Abstract: It is evident that a change is happening, a breakthrough, in perceptions of death; the next episode is being unveiled. After the stages Philippe Aries named death of the tame and then death of the wild, people today are finally experiencing the humanizing of death, which we call sharing death, whose influence is worth deep analysis. Our hypothesis is that today, Ars moriendi, meeting the needs of the dying, may be learned from the so-called death teachers, whose message is growing noticeably in society. This research shows a certain reversal of social roles that are worth noting and accepting. In the past, a priest was a guide and a teacher in the face of dying and death; today, he has the opportunity to learn Ars moriendi from contemporary teachers of dying, to imagine an empty chair standing by a dying person. Keywords: priest; Ars moriendi; sharing death; death teacher 1. Introduction One of religion’s fundamental functions is the existential one. Each religious system Citation: Janiak, Agnieszka, and facilitates facing existential dilemmas and provides tools to deal with the most incompre- Marcin Gierczyk. 2021. Modern Teachers of Ars moriendi. Religions 12: hensible and tragic aspects of human existence. J.M. Yinger, the American psychologist of 695. -
Developing an Ars Moriendi (The Art of Dying) for the 21 Century
Developing an Ars Moriendi (The Art of Dying) for the 21st Century Study Leave Project for the Kaimai Presbytery August to September 2018 By Rev Donald Hegan Dedication Dedicated to the memory of a dear friend and mentor Pastor Jim Hurn. What sweet fellowship I enjoyed with you and your lovey wife Kaye in your dying days. Jim was determined to commit his dying days into the hands of a living and loving God. He trusted that God would take him on his last great journey. For Jim death was not the opposite of life but just the anaesthetic that God used to change his body. Please be there to greet me at those “Pearly Gates” my dear friend. Rest in Peace. Index I. Introduction page 1-2 1.Let us speak of Death pages 3-9 2.Current Attitudes towards Death pages 10-21 3.Portraits of a Good Death from Scripture and History pages 22-37 4.Developing a Healthy View of Death/ Memento Mori pages 38-42 5.The Churches Traditional Response to Death and Dying pages 43-51 6.Current Societal Trends in Death and Dying pages 52-64 II. Adieu page 65 III. Appendices 1. Short Stories page 66-68 2. Web Resources Worthy of Note page 69 3. Last Rites pages 70-71 4. Printed Resources -Christian Reflection, A series in Faith and Ethics, Study Guides for Death pages 72-93 -My Future Care Plan pages 94-103 IV. Bibliography pages 104-108 Introduction My first encounter with death was when I was eight years old. -
Introduction: Traveling to Meet the Dead
Notes Introduction: Traveling to meet the Dead 1. See Woodbridge on the background for Godwin’s thought: “the Reformation’s desire not to speak with the dead [manifested by its destruction of old churches and funeral monuments] was a profoundly antihistorical moment .... If the dead make up the original imagined community ... Renaissance Europe founded a living imagined community, the nation, on the desecrated graves of a dead medieval community” (599). Aware of what had been lost, many thinkers of the Romantic era took special interest in the dead of pre-Reformation times. 2. As Godwin surely knew, agitators in France had decided to clear all of Paris’s ancient burying-grounds, effectively erasing “the human debris of the ancien régime” (Brooks 7). 3. Notable critics have written on “romantic death”—the effort to rescue indi- vidual death from the anonymity of mass carnage. See Kelly’s introduction to Felicia Hemans (26–28). For representative images of the apocalyptic floods, see Hemans’s “A Thought of the Sea,” the famous inundation of Wordsworth’s Prelude V, or any of myriad complaints about the “deluge of print.” 4. A comparable account from the period’s fiction appears in Mary Lamb’s Mrs. Leicester’s School: “I was born in the parsonage-house, which joins the church- yard. The first thing I can remember was my father teaching me the alphabet from the letters on a tombstone that stood at the head of my mother’s grave. ... in this manner, the epitaph on my mother’s tomb being my primmer and my spelling-book, I learned to read” (9–10). -
Performing the Good Death: the Medieval Ars Moriendi and Contemporary Doctors K Thornton,1 C B Phillips2
View metadata, citation and similar papers at core.ac.uk brought to you by CORE mh1693 Module 1 Medical Humanities 25/9/09 19:41:36 Topics: provided by The Australian National University Ethics Performing the good death: the medieval Ars moriendi and contemporary doctors K Thornton,1 C B Phillips2 1 Medical School, Australian ABSTRACT The medieval Ars moriendi is structured around National University, Canberra, 2 Death is inevitable, but dying well is not. Despite the role inspirations (illustrations of the good death) and Australia; Social Foundations of 8 Medicine, Medical School, of medical professionals as overseers of dying in temptations (illustrations of the bad death). Leget Australian National University, contemporary society, there is comparatively little has suggested that a modern Ars moriendi would Canberra, Australia discourse among doctors about the constituents of a include consideration of key concepts such as death good death. In the 15th century, by contrast, the Ars and the afterlife, autonomy and self, pain control Correspondence to: moriendi portrayed normative medieval ideas about good and medical intervention, attachment and rela- Christine B Phillips, Social Foundations of Medicine, and bad deaths. At a time when dying could be viewed as tions, and guilt and life balance. These do not map Medical School, Australian a performed battle against damnation, the Ars moriendi exactly onto the inspiration/temptation approach National University, Canberra codified a set of moral precepts that governed the of the medieval Ars moriendi, though they do 2602, Australia; Christine. [email protected] expression of autonomy, relations between the dying and represent modern preoccupations. -
Villadose Provincia Di Rovigo
Comune di Villadose Provincia di Rovigo VILLADOSE RAPPORTO COMUNALE SULL’ECONOMIA Anno 2020 Dicembre 2020 Questo Rapporto offre una fotografia sintetica della struttura economica del comune analizzando dati sul mondo imprenditoriale, sul mercato del lavoro e sui redditi dei contribuenti. Per presentare il maggior numero di informazioni sono stati elaborati dati a partire da tre fonti che permettono di analizzare il livello comunale e valorizzano aspetti differenti della situazione economica. Dove possibile sono stati condotti confronti con la zona d’appartenenza del comune e con la provincia. Il rapporto è diviso in sezioni in base all’oggetto dell’analisi: ● Sezione 1. Imprese attive nel comune (Fonte A.S.I.A. - Istat). Analisi delle imprese per macro settore di attività economica e degli addetti, anni dal 2014 al 2018 ………..…………... pag. 3 ● Sezione 2. Localizzazioni attive nel comune (Fonte C.C.I.A.A Delta Lagunare - Infocamere). Analisi delle unità locali attive e degli addetti, anni dal 2015 al 2019 ………………….. pag. 7 ● Sezione 3. Reddito dei contribuenti del comune (Fonte Ministero dell’Economia e delle Finanze). Analisi dei redditi dei contribuenti per tipologia e fascia di reddito, anni dal 2013 al 2018 ……………………………………………………………………………………………. pag. 10 A cura dell’Ufficio di Coordinamento Statistica Provincia di Rovigo via L. Ricchieri (detto Celio), 10 - Rovigo tel. 0425 386261/266; fax 0425 386250 posta elettronica: [email protected] riferimento del Comune: [email protected] La somma delle percentuali in alcuni grafici potrebbe non essere pari a 100 a causa di arrotondamenti automatici del programma. © 2020 Provincia di Rovigo È autorizzata la riproduzione parziale o totale del presente fascicolo con la citazione della fonte. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction Is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher qualify 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA UMI800-521-0600 THE CONTAGION OFLIFE: ROSSETTI, PATER, WILDE, AND THE AESTHETICIST BODY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Stephen Weninger, MA., M A., M Phil. ***** The Ohio State University 1999 Dissertation Committee: Approved By: Professor David G. -
Teaching Doctor Faustus Through the Ars Moriendi Tradition
The CEA Forum Winter/Spring 2008: 37.1 Next: What's on the Menu in the Poetry Classroom? TEACHING DOCTOR FAUSTUS THROUGH THE ARS MORIENDI TRADITION Matthew Fike The rough edges in Christopher Marlowe's intellectual life serve as a foil to the mainstream Christianity in Doctor Faustus: the playwright had a reputation for atheism or at least for unorthodox opinions; papers allegedly found in a writing room that he shared with Thomas Kyd denied the deity of Christ; and twelve days before he was fatally stabbed through the eye in a bar fight, the Privy Council had arrested him for heresy (Gill 214). Some readers of Marlowe believe that it is hard to tell if the smoke of bad reputation signifies the fire of actual heresy, but there is little doubt that he qualified as an “atheist,” one who disbelieves in God and is unfettered by “moral obligation” (“Atheist”) [1]. Marlowe's reputation for making controversial religious statements is partly due to Kyd, who, under duress, attributed a heretical document to him; and the “ascription may well have been correct” (Kuriyama 125). And yet, “however scornfully Marlowe rejected the [Christian] system intellectually, it still had a powerful hold of some sort on his imagination and emotions” (Kocher 118-19). Although Marlowe may not have had a Christian spirit, Doctor Faustus clearly shows that he had a Christian intelligence; for the play is built around an element of mainstream Christianity, the ars moriendi tradition or the art of dying well. This fact has been part of the criticism for over a half century, most helpfully in Beach Langston's hard-to-find but excellent article, “Marlowe's Faustus and the Ars Moriendi Tradition” (1952). -
A Collection of Works Illustrative of the Dance of Death in the Library Of
PLATE I. FROM Chertabloris “La Maniere de se bien Preparer a la Mart." Anvers, 1740. G. E. SEARS LIBRARY. A Collection of Works Illuftrative of Hi)? Ilanrp of LA DANSE MACABRE LES IMAGES DE LA MORT IMAGINES MORTIS LE TRIOMPHE DE LA MORT ICONES MORTIS DER TODTEN TANZ. IN THE LIBRARY OF GEORGE EDWARD SEARS With Photographic Reproductions of Rare and Curious Title-Pages and Plates Selected Therefrom HeU) STortt PRIVATELY PRINTED 1889 artists antt Snoraaers WHO ARE KNOWN TO HAVE DELINEATED THE SUBJECT. Hans Holbein, Hans Lutzelberger, H. Aldegrever, David Denecker, Eberh. Kieser, Jobst Denecker, Jobst Amman, Anton Sylvius, Wenceslas Hollar, Otho \Cenius, Ch. de Mechel, Matt. Merian, Andre Trost, M. Rentz, Rudolph Meyer, Conrad Meyer, I. R. SCHELLENBERG, Callot, Chodowiecki, Geo. Cruikshank, Grandville, D. Deuchar, T. Rowlandson, Thos. Bewick, R. Dagley, M. Frenzel, J. SCHLOTTHAUER, Byfield, Bonner, Alex. Anderson. ®anc£ of NAME given to a certain class of allegorical representations, illustrative of the universal power of Death, and dating from the fourteenth century. When the introduction of Christianity a first banished the ancient Germanic conception of a future state, a new description of death mythology arose, partly out of Biblical sources, partly out of the popular character itself, wherein the Last Enemy was represented under simple and majestic images, such as that of a husband- man watering the ground with blood, plowing it with swords, rooting out weeds, plucking up flowers, or felling trees, sowing it with corpses ; or, of a monarch assembling his armies, making war, taking prisoners, inviting his subjects to a festival, or citing them to judgment. -
Commission Directive 2004/70/EC Amending Council Directive 2000
29.4.2004 EN Official Journal of the European Union L 127/97 COMMISSION DIRECTIVE 2004/70/EC of 28 April 2004 amending Council Directive 2000/29/EC on protective measures against the introduction into the Community of organisms harmful to plants or plant products and against their spread within the Community (Text with EEA relevance) THE COMMISSION OF THE EUROPEAN COMMUNITIES, (6) By the Act of Accession of 2003, Malta was granted the status of a protected zone as regards Citrus tristeza virus (European strains) for a limited period of time expiring Having regard to the Treaty establishing the European on 31 March 2006. It is appropriate to amend the text Community, of Annex IV to reflect the changes made by the Act of Accession. Having regard to Council Directive 2000/29/EC of 8 May 2000 (7) In the interest of clarity it is appropriate to combine in on protective measures against the introduction into the Com- one text some of the amendments made since 1 munity of organisms harmful to plants or plant products and November 2002. An appropriate period should be given against their spread within the Community (1), and in particular for the Member States to implement those provisions of points (c) and (d) of the second paragraph of Article 14 this Directive which do not reflect existing legislation. thereof, (8) Directive 2000/29/EC should, therefore, be amended accordingly. Whereas: (9) The measures provided for in this Directive are in (1) Article 20 of the Act of Accession of 2003, refers to accordance with the opinion of the Standing Committee Annex II to that Act, which contains adaptations to the on Plant Health, acquis required by accession.