Twenty-Five Years of Heroes and Legends
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Requirements James Miyor to Hit a 3-Pointer to Broken Their Five-Game and the Carrier Dome
; 9m '^wrw,' 4fi M' Pag» 24 • THE VILLANOVAN • JwHMry 30, 1$07 Sports I S Wildcats terminate losing streak Vol. 62, Na IS VILLANOVA UNIVER8fTY, VILLANOVA, PA**^» w^ f FetmiaryS, 1987 By STEPHEN J. SCHLAGER stripe. Rony Seikaly hit two from back and forth at each other and Seton Hall's Mark Bryant com- Wilson ended the scoring by ^ the line followed by an eight-foot the first half ended with Villanova mitted his fifth persona] foul and hitting both ends of a one-and-one. The Villanova Wildcat basket- jumper by Coleman to tie the ball up by nine, 42-33. sent Massey to the line. Massey The final score read Villanova 86, ball team ventured on a road trip game at 40. West scored first in second half missed the one-and-one, allowing Seton Hall 82. The WUdcaU had last week to Syracuse University The score was tied again at 42, making two charity points and a finally Requirements James Miyor to hit a 3-pointer to broken their five-game and the Carrier Dome. Villanova 48 and then at 50 before Syracuse 16-foot jumper off a feed from bring the score to a diff-hanging losing streak. came out and put the squeeze on took the lead for good off a Sher- Wilson. By the time the first the Orangemen. man Douglas jumper from 18 feet television timeout rolled along the Villanova controlled the tap and with 3:28 left in the game. Wildcats were still up by nine, 50- and Doug West slammed home the Syracuse took complete control 41. -
Reviews & Previews
Reviews & Previews ARTISTS & MUSIC S P O T L I G H T SPOTLIGHT SPOTLIGHT SPOTLIGHT SARA LEE THE OFFSPRING Make It Beautiful Conspiracy Of One PRODUCERS: Peter Scherer, Harvey Jones PRODUCER: Brendan O'Brien Righteous Babe RBRO21 Columbia CK 61419 British bassist Sara Lee has been ply- On the winning follow -up to its 1995 ing her feisty musical wares since the smash "Americana," the Offspring late '70s. As an in- demand session play- doesn't stray far from the brand of er, Lee has toured and recorded with adrenaline- fueled punk/pop it first numerous high -profile acts, including helped popularize with Green Day Fiona Apple, the B -52's, Indigo Girls, back in the mid -'90s. But "Conspiracy Thompson Twins, Gang Of Four, and Of One" proves the SoCal rock act to Ryuichi Sakamoto. Four years ago, she still be among the top practitioners of accompanied singer/songwriter Ani the genre, which has most recently AI J LA DiFranco on tours of Europe and been owned by another group of 1 North America. With "Make It Beauti- smart-ass punk revivalists, Blink -182. EDITED BY MICHAEL PAOLETTA ful," the ultra- photogenic Lee finally The band roars out of the gates on the PRU delivers her greatly anticipated solo MUSIO SOULCHILD aptly titled track "Come Out Swing- Pru debut. Throughout the set's 10 tracks, Aijuswannasing ing" and blisters through the first 10 PRODUCERS: various funky beats seamlessly collide with PRODUCERS: various songs without looking back. But as P P Capitol 7243 5 23120 0 9 Def Soul/Def Jam 8289 O decidedly pop mannerisms, and new- opposed to Blink, which powers Webster's defines the word "prudent" With a moniker like Musiq Soulchild, * SHAWN LEE as "capable of exercising sound judg- expectations are high for this soul - Monkey Boy ment." Capitol artist Pru (nee Ren- ster's debut. -
Celebrity and Race in Obama's America. London
Cashmore, Ellis. "To be spoken for, rather than with." Beyond Black: Celebrity and Race in Obama’s America. London: Bloomsbury Academic, 2012. 125–135. Bloomsbury Collections. Web. 29 Sep. 2021. <http://dx.doi.org/10.5040/9781780931500.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 05:30 UTC. Copyright © Ellis Cashmore 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 11 To be spoken for, rather than with ‘“I’m not going to put a label on it,” said Halle Berry about something everyone had grown accustomed to labeling. And with that short declaration she made herself arguably the most engaging black celebrity.’ uperheroes are a dime a dozen, or, if you prefer, ten a penny, on Planet SAmerica. Superman, Batman, Captain America, Green Lantern, Marvel Girl; I could fi ll the rest of this and the next page. The common denominator? They are all white. There are benevolent black superheroes, like Storm, played most famously in 2006 by Halle Berry (of whom more later) in X-Men: The Last Stand , and Frozone, voiced by Samuel L. Jackson in the 2004 animated fi lm The Incredibles. But they are a rarity. This is why Will Smith and Wesley Snipes are so unusual: they have both played superheroes – Smith the ham-fi sted boozer Hancock , and Snipes the vampire-human hybrid Blade . Pulling away from the parallel reality of superheroes, the two actors themselves offer case studies. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
African American Historic & Cultural Treasures
AFRICAN AMERICAN HISTORIC & CULTURAL TREASURES JULY 26, 2018 African American Historic & Cultural Treasure 500: Jazz Critics Poll Down Beat Award, 1956 USD 300 - 400 First place awarded to Art Tatum in this wood and metal shield-shaped award. 7 1/2 x 7".Art Tatum is considered one of the world's greatest jazz pianists. Tatum had received some formal musical training but, utilizing his perfect pitch, was mainly self-taught. He was known for his experimental and creative playing, as well as his legendary speed and improvisational skills. Despite being nearly blind, Tatum's dexterity made him an excellent player, as can be heard on the 1933 recording 'Tea for Two,' one of his best known songs.Ahead of his time, Art Tatum's techniques would contribute to the development of modern jazz, with aspects of his technique influencing musicians including Charlie Parker, Bud Powell, and Oscar Peterson. Tatum, after his sadly premature death at age 47, was recognized for his considerable talents and his contributions to the jazz world when he was posthumously inducted into the Down Beat Jazz Hall of Fame, the International Hall of Fame, and awarded a Grammy Lifetime Achievement Award, among other honors.From the Estate of Art Tatum. 501: Stereo Review's Record of the Year Award, 1974 USD 200 - 300 8 x 10" high gloss framed award recognizing Art Tatum's "The Tatum Solo Masterpiece" as the Record of the Year.Art Tatum is considered one of the world's greatest jazz pianists. Tatum had received some formal musical training but, utilizing his perfect pitch, was mainly self-taught. -
Gaslit Nation Transcript 27 July 2021 Art Matters: the Nelson George Interview
Gaslit Nation Transcript 27 July 2021 Art Matters: The Nelson George Interview https://www.patreon.com/posts/art-matters-53743958 Andrea Chalupa: Welcome to Gaslit Nation. I am your host, Andrea Chalupa. We talk a lot on this show about making art and the power of art. This special discussion is about artists. It's for people who want to be artists. It's for artists at all stages of their careers. It's for people who love and consume art. It's a discussion about the value of mentorship as well and why that's important to the whole process of creating art. Andrea Chalupa: The way to get to the heart of being an artist, why that's important, what that means, the practical ins and outs of how to do it, we're going to talk to an artist who believed in me very early on, and that alone helped me learn how to take myself seriously as an artist and bring that out to the world. Here's artist mentorship one-on-one with Gaslit Nation and our very special guest, my longtime friend and mentor, Nelson George. Nelson George: Thank you for having me. Andrea Chalupa: Nelson George is the author of several histories of African-American music, including Where Did Our Love Go, The Rise and Fall of the Motown Sound, The Death Of Rhythm and Blues, and the classic, Hip Hop America. He has published two collections of music journalism; Buppies, B-Boys, Baps & Bohos: Notes on Post-Soul Black America, and the recent, the Nelson George Mixtape, which is available through Pacific Books. -
Black Nights Stars Programme
%ODFN 1RYHPEHU 1LJKWV ,QGXVWU\#7DOOLQQ %DOWLF(YHQW 6WDUV Black Nights Stars is designed to support young actors from ‘It was a tremendously gratifying experience to serve on the the Baltic Sea region, to make their next steps into the in- BLACK NIGHT STARS Jury to select stellar talent from the ternational arena by connecting them to key international Baltics. Though all unique, they share an amazing presence, film professionals, such as casting directors, casting agents, an unexpected force, mystery, soulful beauty, fierce inten- producers and the press and acquire various practical skills sity, intricate sensuality, and deepness which feels unique needed in their future international careers. to their countries and still universal in their sincerity. It is of great value to the film industry to discover these marvellous The five-day online event, highlights the emerging talent of and fresh artists who will shine, not just in their country, but eight young actors and actresses, all selected by an interna- internationally. To bring them to the film industry’s atten- tional jury of experts, based on their first feature films and TV tion so they can further enrich our experience as audiences roles. The program consists of masterclasses, workshops and and bring us closer together is a treasure’. networking events with international casting professionals from Europe and the USA and focuses on the future of cast- Lina Todd, Lina Todd Casting Agency, New York ing and auditioning online, presenting oneself at industry and media events, how to make your best Self Video and about ‘Black Nights Stars is a wonderful way to celebrate local Intimacy in Front of the Camera. -
Saturday and Sunday Movies
The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time. -
The Historymakers: a New Primary Source for Scholars
The HistoryMakers: A New Primary Source for Scholars Julieanna L. Richardson Vernon D. Jarrett Senior Fellow Great Cities Institute College of Urban Planning and Public Affairs University of Illinois at Chicago Great Cities Institute Publication Number: GCP-07-08 A Great Cities Institute Working Paper April 2007 The Great Cities Institute The Great Cities Institute is an interdisciplinary, applied urban research unit within the College of Urban Planning and Public Affairs at the University of Illinois at Chicago (UIC). Its mission is to create, disseminate, and apply interdisciplinary knowledge on urban areas. Faculty from UIC and elsewhere work collaboratively on urban issues through interdisciplinary research, outreach and education projects. About the Author Julieanna Richardson is the Vernon D. Jarrett Senior Fellow at The Great Cities Institute of the University of Illinois at Chicago. She is also founder and Executive Director of The HistoryMakers, an oral history archive founded in 1999. She can be reached at [email protected]. Great Cities Institute Publication Number: GCP-07-08 The views expressed in this report represent those of the author(s) and not necessarily those of the Great Cities Institute or the University of Illinois at Chicago. This is a working paper that represents research in progress. Inclusion here does not preclude final preparation for publication elsewhere. Great Cities Institute (MC 107) College of Urban Planning and Public Affairs University of Illinois at Chicago 412 S. Peoria Street, Suite 400 Chicago IL 60607-7067 Phone: 312-996-8700 Fax: 312-996-8933 http://www.uic.edu/cuppa/gci UIC Great Cities Institute The HistoryMakers: A New Primary Source for Scholars Abstract This paper explores the possibilities of increasing the use and accessibility of The HistoryMakers’ video oral history archive. -
J. Frank Wilson
J. FRANK WILSON J. Frank was born December 11, 1941 in Lufkin, TX. In 1962 J. Frank Wilson, After Being Discharged From Goodfellow Air Force Base, Auditioned For The San Angelo Based Group "The Cavaliers" (Sid Holmes-Lewis Elliott-Bob Zeller-Ray Smith). J. Frank Would Then Be Discovered By Independent Record Producer Sonley Roush Who Had Booked The Band At The Blue Note Club (3rd and Birdwell St) In Big Spring, Texas In 1962. After Signing A 3 Year Manager's Contract With Sid Holmes, In 1963, Frank Took A Leave Of Absents. In 1964 J. Frank Was Re-Instated As The Lead Singer For The Cavaliers Replacing John Maberry. The Cavaliers, J. Frank Wilson, Buddy Croyle, Lewis Elliott, Roland Atkinson, Jim Wynne And A Girl Who Sang In Church (unknown) Went About The Business Of Copying Wayne Cochran's Record In Ron Newdoll's Studio In San Angelo. With J. Frank In Top Form The Record (First Released On Tamara 761 & Le Cam 722) On Josie Started Moving Up The Billboard Charts. It Wasn't Long After This That Contract Disputes, Law Suits, And Greedy Un- Scrupulous Promoters Began Taking Their Toll. After Touring With The Dick Clark Caravan Of Stars The Cavaliers Quit On The Road Returning Back To San Angelo. A Short Time Later Sonley Roush (Road Mgr.) Died In A Car Crash While Touring With J. Frank, Murry Kellum (Long Tall Texan), Travis Wammack (Scratchy), Jerry Graham (Bass), Phil Trunzo (Drums) And Buddy Croyle (Guitar/Sax). The Song, Last Kiss, Had Been Based On An Actual Event That Took The Lives Of 3 Teens In Georgia. -
CHLA 2017 Annual Report
Children’s Hospital Los Angeles Annual Report 2017 About Us The mission of Children’s Hospital Los Angeles is to create hope and build healthier futures. Founded in 1901, CHLA is the top-ranked children’s hospital in California and among the top 10 in the nation, according to the prestigious U.S. News & World Report Honor Roll of children’s hospitals for 2017-18. The hospital is home to The Saban Research Institute and is one of the few freestanding pediatric hospitals where scientific inquiry is combined with clinical care devoted exclusively to children. Children’s Hospital Los Angeles is a premier teaching hospital and has been affiliated with the Keck School of Medicine of the University of Southern California since 1932. Table of Contents 2 4 6 8 A Message From the Year in Review Patient Care: Education: President and CEO ‘Unprecedented’ The Next Generation 10 12 14 16 Research: Legislative Action: Innovation: The Jimmy Figures of Speech Protecting the The CHLA Kimmel Effect Vulnerable Health Network 18 20 21 81 Donors Transforming Children’s Miracle CHLA Honor Roll Financial Summary Care: The Steven & Network Hospitals of Donors Alexandra Cohen Honor Roll of Friends Foundation 82 83 84 85 Statistical Report Community Board of Trustees Hospital Leadership Benefit Impact Annual Report 2017 | 1 This year, we continued to shine. 2 | A Message From the President and CEO A Message From the President and CEO Every year at Children’s Hospital Los Angeles is by turning attention to the hospital’s patients, and characterized by extraordinary enthusiasm directed leveraging our skills in the arena of national advocacy.