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Stuart Chases's Use of Jules Verne's the Mysterious Island, (1874)
University of Rhode Island DigitalCommons@URI Special Collections Publications (Miscellaneous) Special Collections 2006 Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874) Richard Vangermeersch Follow this and additional works at: http://digitalcommons.uri.edu/sc_pubs Part of the Library and Information Science Commons Recommended Citation Vangermeersch, Richard, "Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874)" (2006). Special Collections Publications (Miscellaneous). Paper 6. http://digitalcommons.uri.edu/sc_pubs/6 This Text is brought to you for free and open access by the Special Collections at DigitalCommons@URI. It has been accepted for inclusion in Special Collections Publications (Miscellaneous) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) December 2006 Richard Vangermeersch P.O. Box 338 Kingston, RI 02881 401-783-8853 2 Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) There are two very specific reasons why this piece was researched and written. The first is a continuation of my work done on Stuart Chase (various publications). I am still hopeful my efforts will inspire an historian to do a 1000 page biography on Stuart Chase. The second is further example why my idea of using Verne’s book as the basis for a one-day management seminar is worth trying. I’ve explored this idea with a number of friends and hope that this piece will take at least one of them to try this idea. I am classifying this as a casual piece and have no interest in this being written for a vigorous academic review. -
Captain Nemo/Lt-General Pitt Rivers and Cleopatra's Needle
Free Press. Stocking, G. W. Jr. 1984. Introduction. In G. W. Stocking Jr. (ed.) Functionalism Historicized: Essays on British Social Anthropology. Madison: University of Wisconsin Press. Stocking, G. W. Jr. 1987. Victorian Anthropology. London: Collier Macmillan. Sweet, R. 2004 . Antiquaries: The Discovery of the Past in Eighteenth-Century Britain. London: Hambledon & London. Captain Nemo/Lt-General Pitt Rivers and Cleopatra’s Needle — A Story of Flagships Christopher Evans ([email protected]) Recently re-reading Verne’s 20,000 Leagues Beneath the Sea for our children I was struck by the marked similarities between the novel’s elusive protagonist, Captain Nemo, and the renowned later 19th century British archaeologist, Lt.-General Pitt Rivers. Could they have been the same person? How could something so seemingly blatant have gone unnoticed? These questions are, of course, only raised in a spirit of academic tongue-in-check. Yet, in an ethos of ‘learning through amusement’ (itself directly relevant to the themes of this study), exploring the parallels between these two ‘heroic’ individuals provides insights into the nature of 19th century science, Victorian edification and disciplinary institutionalisation (e.g. Levine 1986). This eclectic contribution will, moreover, be introduced with the third component of its headline title – Cleopatra’s Needle – as this provides an appropriately quasi- nautical parable on the project of 19th century archaeology and the problem of ‘deep time’ (Murray 1993). Cleopatra’s Voyage The transhipment of the -
Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143. -
REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War
Civil War Book Review Spring 2007 Article 4 REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War David Madden Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Madden, David (2007) "REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War," Civil War Book Review: Vol. 9 : Iss. 2 . Available at: https://digitalcommons.lsu.edu/cwbr/vol9/iss2/4 Madden: REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War Feature Essay Spring 2007 Madden, David REDISCOVERING CIVIL WAR CLASSICS: Jules Verne's Civil War. Jules Verne's Civil War The Blockade Runners (1871) by Jules Verne The Mysterious Island (1875) by Jules Verne North Against South (1887) by Jules Verne Do you know where and when Nemo, inventor and captain of the famed Nautilus submarine, died? I suppose I should first answer your own question: What has that question to do with the American Civil War? You probably didn't know, as I didn't know until a few days ago, that Jules Verne wrote two Civil War novels within ten years of the end of the war: The Blockade Runners (1871) and The Mysterious Island (1875), a sequel to Twenty Thousand Leagues Under the Sea (1870). Twelve years later, this French admirer of President Lincoln and General Grant published a third Civil War novel, North Against South. Answer: It was on Mysterious Island that Captain Nemo died. Although it was later published, illustrated, and is even now in print, The Blockade Runners is often not even listed as one of Verne's nearly 100 books, probably because it is really a 76-page novella first published in a book as an add-on to A Floating City (1871). -
Twenty Thousand Leagues Under the Sea
IJ"J " l|g niSlMIII ia Ex Libris C. K. OGDEN " It made the round of the frigate." (Page 29) (Frontispiece 20.000 UagiH-a nmU-r the Sea] TWENTY THOUSAND LEAGUES UNDER THE SEA By JULES VERNE Author of "A Journey into the Interior of the Earth," 11 The Adventures of Captain Hatteras," etc. WARD, LOCK & CO., LIMITED LONDON AND MELBOURNE Printed in Great Britain by Butler & Tanner, Frame and London Stack CONTENTS PART I CHAP. PAGE I A FLOATING REEF 7 II FOR AND AGAINST . .10 III PLEASES . As MONSIEUR . .15 IV NED LAND ........ 19 V Ax RANDOM .......24 VI WITH ALL STEAM ON . .28 VII A WHALE OF AN UNKNOWN SPECIES . - 35 STRANGERS . VIII Two . .40 IX NED LAND'S ANGER ...... 46 THE BOSOM OF THE . X WATERS . .51 XI THE "NAUTILUS" ...... 58 XII EVERYTHING BY ELECTRICITY .... 63 XIII SUBMARINE PALACE ...... 68 XIV THE BLACK RIVER ...... 74 XV A WRITTEN INVITATION . .82 XVI AT THE BOTTOM OF THE SEA .... 88 XVII AFOOT ON THE SEA BED . .92 THE PACIFIC XVIII UNDER ..... 5 97 XIX A CONTINENT IN THE MAKING < * 102 XX STRANDED . f . 107 XXI SOME DAYS ON LAND . , . in XXII CAPTAIN NEMO'S THUNDERBOLT . .121 XXIII CROCODILE WORSHIP . 131 y>XIV THE CORAL KINGDOM . .138 5 6 CONTENTS PART IT CHAP. PAGE I THE INDIAN OCEAN . .146 II A FRESH PROPOSITION. 154 III A PEARL WORTH TEN MILLIONS . .163 IV THE RED SEA 171 V THE ARABIAN TUNNEL . .179 VI THE GRECIAN ARCHIPELAGO . .185 VII THE MEDITERRANEAN . .193 VIII VIGO BAY 196 IX A VANISHED CONTINENT .... -
The Pennsylvania State University
The Pennsylvania State University The Graduate School Department of French TRANSLATING RUSSIA FOR THE FRENCH IMAGINATION, 1856-1894 A Thesis in French by Nanci Christine Brookes © 2004 Nanci Christine Brookes Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2004 The thesis of Nanci Christine Brookes has been reviewed and approved* by the following: Willa Z. Silverman Associate Professor of French and Jewish Studies Thesis Advisor Chair of Committee Vera Mark Assistant Professor of French and Linguistics Allan Stoekl Professor of French and Comparative Literature Adrian J. Wanner Professor of Slavic Languages and Literatures and Comparative Literature Bénédicte Monicat Associate Professor of French and Women's Studies Special Signatory Thomas A. Hale Liberal Arts Professor of African, French, and Comparative Literature Head of the Department of French *Signatures are on file in the Graduate School. iii ABSTRACT Franco-Russian relations in the nineteenth century have been the subject of many studies on both sides of the Atlantic. Though the periods surrounding Napoleon’s invasion of Russia in 1812 and the Crimean War have been studied in detail, the period between the end of the Crimean War (1856) and the beginning of the Franco-Russian alliance (1894) is rarely or summarily treated. This time span, however, marked a critical transition in Franco- Russian relations, as well as changes in French national identity as France passed from the Second Empire to the Third Republic. This dissertation is a study of France’s print culture representations of Russia—with Russia functioning as a prism of sorts through which to see France—that bring to light aspects of France’s construction of itself. -
DISNEY STILLS LIST Last Updated on October 7, 2020 This Is a List of All
DISNEY STILLS LIST Last updated on October 7, 2020 This is a list of all of the extra Disney publicity photos I have available for trade or for sale. They're all Disney originals, not duplicates, and are extra copies of those I have in my own collection. The photos are $3/each unless marked below, plus $7.50 per order for Priority Mail in the United States. Photos marked "Free" are just that - get one free for every photo you buy. I am willing to trade two-for-one for any Disney photos I don't have (which is a lot more than what's on this list!), or for other Disneyana. Please let me know what you have to trade! I have multiple copies of some photos but just one of others, so it's first-come, first-served. If you have any questions or want me to hold photos for you please let me know. $1,000,000 DUCK Cast: Dean Jones (Professor Albert Dooley), Sandy Duncan (Katie Dooley), Joe Flynn (Finley Hooper). 51A-1636 Albert looks at Charley in cage; Hooper looks at both of them 51A-2299 Publicity: Sandy Duncan leaning on Dean Jones, both smiling 20,000 LEAGUES UNDER THE SEA Cast: Kirk Douglas (Ned Land), James Mason (Captain Nemo), Paul Lukas (Professor Pierre Aronnax), Peter Lorre (Conseil), Robert J. Wilke (First Mate). TWC-39 Divers securing coral cross TWC-136 Divers working with net in underwater plants TWC-158 Divers placing coral cross on the underwater grave TWC-196 Behind-the-scenes: Crew members with underwater signal chart TWC-197 Behind-the-scenes: Crew practicing underwater signals TWC-204 Behind-the-scenes: Crew lowers camera into -
A Sailor's Life for Me
qTHE uarto No. 38 THE CLEMENTS LIBRARY ASSOCIATES Fall–Winter 2012 A SAILOR’S LIFE FOR ME hey that go down to the go down to the seas again, to the lonely our holdings of “books on exploration, “ sea in ships” occupy a special sea and the sky, and all I ask is a tall naval tactics, shipbuilding, pirates, sea place in the public consciousness, ship, and a star to steer her by.” * disasters, and, particularly, the life and even for landlubbers who cannot The Clements Library has a won- career of Admiral Lord Nelson” sky- tell a mainmast from a marsupial. derful array of primary sources on early rocketed. As WLCL Director John C. TThe popular, timeless appeal of the maritime history. Mr. Clements collect- Dann wrote in the Fall-Winter 2004 sea is evident in poetry—Samuel T. ed most of the great exploration narra- Quarto, “After the Smith Collection Coleridge’s “Rime of the Ancient tives of the Age of Discovery, and we gift we began . to think of ourselves Mariner,” Henry as a library of naval and Wadsworth maritime materials Longfellow’s specifically.” The gradual “Wreck of the Hesperus,” John and impressive growth in our maritime Sailors pull for shore to enjoy some off- resources is a fine example of the way Masefield’s “Sea Fever”—that many duty recreation. Cover illustration from of us recall from high school and col- Sailors on Shore (Philadelphia, 1835?), a major in-kind donation can strengthen lege. The great characters of maritime a collection of eight lithographs by P.S. -
Between Voyages Guide
BETWEEN VOYAGES GUIDE TABLE OF CONTENTS CREDITS 1. INTRODUCTION (also see the Operations Manual) 2 Game Design Christopher Taylor and Alan Emrich 2. GAME EQUIPMENT (also see the Operations Manual) 2 Documentation & Game System Development Alan Emrich 3. GAME SETUP & RELATED INSTRUCTIONS 4 Graphic Design & Illustration Ian O’Toole, Clark Miller, Dann May, 4-14. CORE GAMEPLAY (see the Operations Manual) 11 and Peter Gifford 15. DEFEAT, VICTORY, AND SCORING 12 Production Tim Schuetz 16. FULLY COOPERATIVE GAMEPLAY VARIANT 14 Publisher Dan Yarrington 17. SEMI-COMPETITIVE GAMEPLAY VARIANT 16 Special Thanks Wes Erni: Mathemagician and Breaker of Games; his 18. COMPETITIVE GAMEPLAY VARIANT: THE IMPERIALIST 17 relentless playtesting and analysis of “the numbers” kept the ship aright. Playtesting Stig Morten Breiland, Vince DeNardo, Taylor Flynn, Kevin Appendix A: NAUTILUS BLUEPRINTS (see the Operations Manual) Fortuna, Nathan Hansen, Joanne Powers, Petra Schlunk, John Smales, Zach VandeKamp, Ian Wakeham Appendix B: MOTIVE RULE CHANGES INDEX (see the Operations Manual) Proofreading (Standard Game) Scott Bowen, Chris Clarke, Linda Dailey Appendix C: OPTIONAL RULES INDEX (see the Operations Manual) Paulson, Rodolphe Duhil, Avalon Emrich, Wes Erni, Jack Francisco, Appendix D: DIFFICULTY LEVELS INDEX (see the Operations Manual) Mike Holzman, Lines Hutter, Simon King, Hans Korting, John LaFief, Kilan Larsen, Noelle Le Bienvenu, Russell Martin, Mo Mozzone, Sam Appendix E: EPILOGUES 23-31 Oppenheim, Rick Partin, Gary Robinson, Matthew Roskam, Ludovic Russo, Paul Scholey, Daan Spitael, Leigh Toms, Emanuele Vicentini, Ian Wakeham, and Karen Wolterman, Robert Zybel Proofreading (Expanded Version) Andreas Brueckner, Albin Chevrel, Jean-Mathias Griessmeier, Charlotte Jones, Seamus Keane, Randy Kwak, Aaron Montgomery, Mikkel Øberg, Lutz Pietschker, Petra Schlunk, Larry Schneider, Justin Swaine, Eric Teoro, Jeffrey Erikson Navies in the 1. -
Adrianne Blackwood, BA a Thesis Submitted in Partial Fulfillment Of
Hearing colors Item Type Thesis Authors Blackwood, Adrianne Download date 02/10/2021 00:54:33 Link to Item http://hdl.handle.net/11122/11258 HEARING COLORS By Adrianne Blackwood, B.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing University of Alaska Fairbanks May 2020 APPROVED: Dr. Gerri Brightwell, Committee Chair Dr. Daryl Farmer, Committee Member Dr. Terry Reilly, Committee Member Dr. Richard Carr, Department Chair Department of English Dr. Todd Sherman, Dean College of Liberal Arts Dr. Michael Castellini, Dean of the Graduate School Abstract This thesis project is the first part of a historical fiction novel. It takes place in the Outer Banks of North Carolina in 1910 and imagines the perspective of a sound-color synesthete named Bert Beasley, who witnessed the Wright brothers complete the first engine-powered flight. Bert wants to leave his home to pursue aviation but is unable to do so because he is needed to help run his family's failing general store. When Elisabeth Lavoie, a French musician, moves to town and buys a dilapidated house, Bert believes he'll be able to solve his problems by earning extra money as her repairman. However, her voice is purple—the only color he's never heard before—and her music changes colors, which shouldn't be possible. As he grows closer to Elisabeth, Bert becomes less sure that he wants to leave, but his decision is complicated once more when he learns that the Wright brothers have opened a flying school. -
Twenty Thousand Leagues Under The
1870 TWENTY THOUSAND LEAGUES UNDER THE SEA Jules Verne Verne, Jules (1828-1905) - French novelist known as “the man who invented the future.” He created a unique blend of science and adventure in his very popu- lar and scientifically prophetic stories. A precursor of modern science fiction, he influenced the work of H.G. Wells, among others. Twenty Thousand Leagues un- der the Sea (1870) - Verne’s remarkable romance about a strange underwater craft piloted by the eccentric Captain Nemo predicted the advent of the deep-sea sub- marine. PART I. CHAPTER I. A SHIFTING REEF. THE year 1866 was signalized by a remarkable incident, a mysterious and in- explicable phenomenon, which doubtless no one has yet forgotten. Not to men- tion rumors which agitated the maritime population, and excited the public mind, even in the interior of continents, seafaring men were particularly excited. Mer- chants, common sailors, captains of vessels, skippers, both of Europe and Amer- ica, naval officers of all countries, and the Governments of several states on the two continents, were deeply interested in the matter. For some time past, vessels had been met by “an enormous thing,” a long ob- ject, spindle-shaped, occasionally phosphorescent, and infinitely larger and more rapid in its movements than a whale. The facts relating to this apparition (entered in various log books) agreed in most respects as to the shape of the object or creature in question, the untiring ra- pidity of its movements, its surprising power of locomotion, and the peculiar life with which it seemed endowed. If it was a cetacean, it surpassed in size all those hitherto classified in science. -
Twenty Thousand Leagues Under the Sea by Jules Verne
Twenty Thousand Leagues Under the Sea by Jules Verne Web-Books.Com Twenty Thousand Leagues Under the Sea Introduction....................................................................................................................... 4 Units of Measure......................................................................................................... 6 PART I ............................................................................................................................... 8 A Runaway Reef............................................................................................................. 8 The Pros and Cons ........................................................................................................ 13 As Master Wishes ......................................................................................................... 18 Ned Land....................................................................................................................... 23 At Random!................................................................................................................... 29 At Full Steam ................................................................................................................ 34 A Whale of Unknown Species...................................................................................... 42 Mobilis in Mobili .......................................................................................................... 49 The Tantrums of Ned Land..........................................................................................