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November '92 Sound
mb Nove er ’92 . 2 , NoSS UUNN DD HHHH, YOU DON’T know the shape I’m “O in,” Levon Helm was wailing plaintively over the P.A. as the lights came up at Off Broad- way, a St. Louis nightclub. The DJ’s choice of that particular Band normally prohibits). Brian McTavish of the number couldn’t have been more Star’s “Nighthawk” column was on assign- relevant. Four days on the road ment, so no luck there. A television spot with the Tom Russell Band were wasn't in the budget, so we'd have to rely coming to a close, leaving me primarily on word of mouth for ticket sales. fatigued and exhilarated at the same time. Day 1 – Kansas City The show had run late, and The Tom Russell Band, standin’ on the corner: Barry the management was doing its Ramus (bass), Fats Kaplin (accordion, pedal steel, Waiting at the Comfort Inn for the band harmonica, and more), Tom Russell (guitar, vocals), to roll in to town provided a chance to see a best to herd patrons out the Mike Warner (drums, backing vocals), Andrew Hardin door. As the crowd congratulat- (guitar, harmony vocals). prima donna in action. A member of Lash ing the band dispersed, S LaRue’sband was pressuring the desk clerk staff cartoonist Dug joined me in ap- to change his room assignment, first to down the hall, then, deciding that wasn’t proaching Tom, and in our best Wayne and up a request for an interview left on his toll good enough, to a different floor. -
Our County, Our Story; Portage County, Wisconsin
Our County Our Story PORTAGE COUNTY WISCONSIN BY Malcolm Rosholt Charles M. White Memorial Public LibrarJ PORTAGE COUNTY BOARD OF SUPERVISORS STEVENS POINT, \VISCONSIN 1959 Copyright, 1959, by the PORTAGE COUNTY BOARD OF SUPERVISORS PRINTED IN THE UNITED STATES OF AMERICA AT WORZALLA PUBLISHING COMPANY STEVENS POINT, WISCONSIN FOREWORD With the approach of the first frost in Portage County the leaves begin to fall from the white birch and the poplar trees. Shortly the basswood turns yellow and the elm tree takes on a reddish hue. The real glory of autumn begins in October when the maples, as if blushing in modesty, turn to gold and crimson, and the entire forest around is aflame with color set off against deeper shades of evergreens and newly-planted Christmas trees. To me this is the most beautiful season of the year. But it is not of her beauty only that I write, but of her colorful past, for Portage County is already rich in history and legend. And I share, in part, at least, the conviction of Margaret Fuller who wrote more than a century ago that "not one seed from the past" should be lost. Some may wonder why I include the names listed in the first tax rolls. It is part of my purpose to anchor these names in our history because, if for no other reas on, they were here first and there can never be another first. The spellings of names and places follow the spellings in the documents as far as legibility permits. Some no doubt are incorrect in the original entry, but the major ity were probably correct and since have changed, which makes the original entry a matter of historic significance. -
State of the World's Minorities and Indigenous Peoples 2016 (MRG)
State of the World’s Minorities and Indigenous Peoples 2016 Events of 2015 Focus on culture and heritage State of theWorld’s Minorities and Indigenous Peoples 20161 Events of 2015 Front cover: Cholitas, indigenous Bolivian Focus on culture and heritage women, dancing on the streets of La Paz as part of a fiesta celebrating Mother’s Day. REUTERS/ David Mercado. Inside front cover: Street theatre performance in the Dominican Republic. From 2013 to 2016 MRG ran a street theatre programme to challenge discrimination against Dominicans of Haitian Descent in the Acknowledgements Dominican Republic. MUDHA. Minority Rights Group International (MRG) Inside back cover: Maasai community members in gratefully acknowledges the support of all Kenya. MRG. organizations and individuals who gave financial and other assistance to this publication, including the Ministry for Foreign Affairs of Finland. © Minority Rights Group International, July 2016. All rights reserved. Material from this publication may be reproduced for teaching or other non-commercial purposes. No part of it may be reproduced in any form for Support our work commercial purposes without the prior express Donate at www.minorityrights.org/donate permission of the copyright holders. MRG relies on the generous support of institutions and individuals to help us secure the rights of For further information please contact MRG. A CIP minorities and indigenous peoples around the catalogue record of this publication is available from world. All donations received contribute directly to the British Library. our projects with minorities and indigenous peoples. ISBN 978-1-907919-80-0 Subscribe to our publications at State of www.minorityrights.org/publications Published: July 2016 Another valuable way to support us is to subscribe Lead reviewer: Carl Soderbergh to our publications, which offer a compelling Production: Jasmin Qureshi analysis of minority and indigenous issues and theWorld’s Copy editing: Sophie Richmond original research. -
The Body As Artist's Palette Planning Board Trio Resigns
* Winner: 13 Better Newspaper Contest Awards *New York Press Association, 2013 & 2014 FREE! Rick Moody at Chapel Series See Page 7 FRIDAY, NOVEMBER 13, 2015 161 MAIN ST., COLD SPRING, N.Y. | philipstown.info The Body as Artist’s Palette Veterans Day Marked in Cold Spring Tattoos tell people’s stories espite overcast skies and a light rain, World War I at the 11th hour of the 11th Dmore than 60 veterans, residents day of the 11th month in 1918. America and local leaders came out on Nov. observed Armistice Day until the holiday 11 to honor those who have served in was renamed Veterans Day in 1954. the U.S. Armed Forces as part of Cold Local veteran Francis (Terry) Lahey (left) Spring’s 2015 Veterans Day ceremony at led Wednesday’s memorial service. Matt Montleon, tattoo artist and owner of Honorable Ink Photo by M. Turton the war memorial below St. Mary-in-the- Cold Spring Mayor Dave Merandy read Highlands Episcopal Church. Celebrated a proclamation from U.S. Rep. Sean By Michael Turton To many, tattooing the face may seem as Armistice Day and Remembrance Patrick Maloney. extreme. “I’ll do facial tattoos depending Day in several other countries, Veterans Photo by Michael Turton he idea of getting a tattoo is any- on the circumstance, usually a very avid Day marks the anniversary of the end of thing but new. The tattooed “ice- client with many tattoos,” he said. “But Tman” discovered in the Alps in never someone getting their first tattoo.” 1991 dates back some 5,200 years. -
WCXR 2004 Songs, 6 Days, 11.93 GB
Page 1 of 58 WCXR 2004 songs, 6 days, 11.93 GB Artist Name Time Album Year AC/DC Hells Bells 5:13 Back In Black 1980 AC/DC Back In Black 4:17 Back In Black 1980 AC/DC You Shook Me All Night Long 3:30 Back In Black 1980 AC/DC Have a Drink on Me 3:59 Back In Black 1980 AC/DC Dirty Deeds Done Dirt Cheap 4:12 Dirty Deeds Done Dirt… 1976 AC/DC Squealer 5:14 Dirty Deeds Done Dirt… 1976 AC/DC Big Balls 2:38 Dirty Deeds Done Dirt… 1976 AC/DC For Those About to Rock (We Salute You) 5:44 For Those About to R… 1981 AC/DC Highway to Hell 3:28 Highway to Hell 1979 AC/DC Girls Got Rhythm 3:24 Highway to Hell 1979 AC/DC Beating Around the Bush 3:56 Highway to Hell 1979 AC/DC Let There Be Rock 6:07 Let There Be Rock 1977 AC/DC Whole Lotta Rosie 5:23 Let There Be Rock 1977 Ace Frehley New York Groove 3:04 Ace Frehley 1978 Aerosmith Make It 3:41 Aerosmith 1973 Aerosmith Somebody 3:46 Aerosmith 1973 Aerosmith Dream On 4:28 Aerosmith 1973 Aerosmith One-Way Street 7:02 Aerosmith 1973 Aerosmith Mama Kin 4:29 Aerosmith 1973 Aerosmith Rattkesnake Shake (live) 10:28 Aerosmith 1971 Aerosmith Critical Mass 4:52 Draw the Line 1977 Aerosmith Draw The Line 3:23 Draw the Line 1977 Aerosmith Milk Cow Blues 4:11 Draw the Line 1977 Aerosmith Livin' on the Edge 6:21 Get a Grip 1993 Aerosmith Same Old Song and Dance 3:54 Get Your Wings 1974 Aerosmith Lord Of The Thighs 4:15 Get Your Wings 1974 Aerosmith Woman of the World 5:50 Get Your Wings 1974 Aerosmith Train Kept a Rollin 5:33 Get Your Wings 1974 Aerosmith Seasons Of Wither 4:57 Get Your Wings 1974 Aerosmith Lightning Strikes 4:27 Rock in a Hard Place 1982 Aerosmith Last Child 3:28 Rocks 1976 Aerosmith Back In The Saddle 4:41 Rocks 1976 WCXR Page 2 of 58 Artist Name Time Album Year Aerosmith Come Together 3:47 Sgt. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Meher Baba, and the Post-Psychedelic Spirituality of Pete Townshend Holland Hall University of Florida April 1, 2016
The Pinball Wizard and the Miracle Cure: Reflections on Tommy (1969), Meher Baba, and the Post-Psychedelic Spirituality of Pete Townshend Holland Hall University of Florida April 1, 2016 ii Abstract This project utilizes The Who’s rock opera Tommy (1969) to illustrate the ways in which spiritual seekers navigated the psychedelic era of the late 1960s. Tommy tells the narrative of a “deaf, dumb, and blind” boy’s spiritual journey, which is a semi- biographical account of the group’s primary songwriter, Pete Townshend. By portraying the history of post-psychedelic religious movements through Townshend’s own involvement with the spiritual master Meher Baba, I demonstrate that countercultural members did not use psychedelic drugs merely for recreational purposes. Rather, this project illuminates how some countercultural members who experimented with psychedelic drugs sought to expand their spiritual perception—oftentimes with promising results. Although psychedelic drugs opened a door to a richer spiritual experience for many, they typically failed to provide a permanent pathway to enlightenment. This essay focuses on the narrative of Tommy to show how Westerners began exploring Indian religious practices as an alternative for their psychedelic experiences. iii Table of Contents A Dedication: Dear Prudence……………………………………………………………. i Prelude: A Weekend at the Meher Spiritual Center, 2015………………………………. ii Introduction: Historiography of Music and Indian Spirituality; Music Criticism and Musicological Evaluations of Tommy…………………………………..… 1 Chapter 1: Tommy as the “Normal Post-War Child”: Navigating the Aftermath of World War II and the Psychedelic Era…………………………………...……..... 7 Chapter 2: Rejecting the Psychedelic (and Christian) Gospel: Western Responses to South Asian Religious Movements…………………………….………... 20 Conclusion……………………………………………………………………………… 29 List of Figures………………………………………………………………………….. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S. -
Seasonal Roads Lynn K
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 8-2014 Seasonal Roads Lynn K. Fay Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Fiction Commons Recommended Citation Fay, Lynn K., "Seasonal Roads" (2014). All NMU Master's Theses. 34. https://commons.nmu.edu/theses/34 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. SEASONAL ROADS By Lynn Kimball Fay THESIS Submitted To Northern Michigan University In partial fulfillment of the Requirements For the degree Of MASTER OF FINE ARTS Office of Graduate Education and Research 2014 SIGNATURE APPROVAL FORM Title of Thesis: Seasonal Roads This thesis by Lynn Kimball Fay is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Assistant Provost of Graduate Education and Research. Committee Chair: Associate Professor Jennifer A. Howard Date First Reader: Professor John Smolens Date Second Reader: Assistant Professor Matthew Bell Date Department Head: Dr. Ray Ventre Date Dr. Brian D. Cherry Date Assistant Provost of Graduate Education and Research ABSTRACT SEASONAL ROADS By Lynn Kimball Fay (L. E. Kimball) Lynn Kimball Fay has been publishing for twenty-five years under the pen-name L. E. Kimball. As a writer, I’m interested in the way Truth seems to me—intuitively—nonlinea. -
The Band Hints at Dylan Tour Kinks Ray Davies
Cat Stevens' 'Catch Bull At Four* Alice For President? The Unexpected Cooper Caper The Band Hints i At Dylan Tour r EMI q: LAKE& FREEC POSTER! Kinks Ray Davies And 'Everybody's In Showbizj Why Bill Cosby Couldn't Circus Top Twenty — Quit Readers Pick Month's Hottest LP's ..u rack boogie. In ^I^Onto the blues. The band ^RBstyearor so. And now they want to ^^Wnefeeling they got from their audiences .The •infire guitar of Kim fnonds sets the mood for le really fine hard rock blues. IS SHARE” is a new Savoy aS n LP. And one that will |e everyone. w1 A Wi L tit trc RECC Pluc platfc The 1 O’Suh ON TH. Captai} bump ii bust a s record Twcnty-f best albui THE PICK The hottes HOT WAX The Circus gives Circus favorite albu LETTERS . A Jersey fan ° puts up his duK NATIONAL sc Tull skulks onsi and the Moody/ calendar of ? ode; dizzy your duo MOV1ES rsM 01 reviews FROM POETRY FROM the St The groupie an TABLE OF CONTENTS REPORTS FROM BACKSTAGE “WHO CAME FIRST’’ — A QUIET TOWNSHEND ROARS TO THE SURFACE 4 The four-year story behind the music Pete has been concocting single-handedly in the privacy of his home studio. “ROCK OF AGES” — THE BAND BREAKS ITS LEAFY SILENCE 20 The Band is mulling over a Dylan plan that could trigger the biggest stage comeback since Harrison’s Bangla Dcsh. HEAD KINK UNBUTTONS HIS MIND 30 The new LP,-Everybody’s In Showbiz, is like a three AM trip through the brooding amusement park of Ray Davies’ private world. -
The Barbershop Quartet Other Than the Familiar Sheriff Andy and Howard Who Are These People?
The Official Publication of the Barbershop Harmony Society’s Historical Archives Volume 3, No. 2 Living In The Past - And Proud Of It! April 2012 TheThe FIRSTFIRST GoldGold In This Issue Pages Who Was First? 3 Minneapolis Salutes The Hut 4 10-12 VGHall of Fame Stayin’ Alive 20-22 Remembering Jim Gentil 23-26 SeeSee pagePage 2727 Remembering Howard Rinkel 29-30 AH Doc Gets a New Audience 31-32 All articles herein - unless otherwise credited - were written by the editor 2 Volume 3, No. 2 April 2012 Original Sullivan Show Footage Found Published by the Society Archives Committee of the Barbershop Harmony Society for all those interested in preserving, promoting and educating others as to the rich history of the Barbershop music genre and the organization of men that love it. Society Archives Committee Grady Kerr - Texas (Chairman) Bob Sutton - Virginia The Orphans Live - Nationwide Steve D'Ambrosio - Tennessee Recently Lori Kay Dickason, the daughter Bob Davenport - Tennessee Bob Coant - New York of Bud Bigham, donated to the Society Patty Leveille - Tennessee (BHS Staff Liaison) Archives a historic video of The Orphans’ Society Historian / Editor / Layout June 1954 appearance on the The Ed Grady Kerr Sullivan Show 9498 East Valley Ranch Pkwy #1107 Irving, Texas 75063 214 57 GKERR (214.574.5377) Bud was the tenor of our 1954 quartet [email protected] champs. The day after they won, they were Proofreaders & Fact Checkers flown from Washington, DC (site of the Bob Sutton, Ann & Brad McAlexander convention) directly to New York City for this live nationwide appearance broadcast on CBS. -
Singer | Songwriter
SINGER | SONGWRITER REVIEWED BY TOM WILK Dave Alvin and Jimmie Dale tual focus in a more relaxed setting. The jangly pop of “Umbrella,” sung by Gilmore HHHH “Content” and “Parvardigar” re- Maura and inspired by a dream of a Downey to Lubbock flect his following of the Indian reli- spinning quarter, is a celebration of Yep Roc gious leader Meher Baba and function the Kennedys’ 25 years together. In their careers, Dave Alvin and as prayers set to music. Solo versions The uplifting “Is Anybody Listen- Jimmie Dale Gilmore collectively have of “Pure and Easy” and “Let’s See Ac- ing?” and “Sing the Chorus” provide a played music professionally for more tion,” songs also recorded by The message of hope in trying times. The than three quarters of a century. Alvin, Who, show Townshend fully capable latter uses music as a metaphor for 62, and Gilmore, 73, have joined of working as a one-man band. The ex- daily living. “Sing the chorus strong forces for Downey to Lubbock, their panded edition of the album features and loud/When your world’s gone first album as a duo. It’s an inspired 17 bonus tracks and demonstrates wrong,” she declares. “Sing the chorus exploration of American roots music Townshend’s abilities as a multi-instru- loud and strong/And put your hope- that mixes original tunes with well- mentalist from the peaceful instru- lessness back where it belongs.” chosen covers. “Union,” written by British songwriter The title track, which refers to Andrea Glass, mines a similar theme in their hometowns, is an energetic re- urging couples to find strength in each counting of their musical lives from other.