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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Montana Kaimin, May 4, 1979 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-4-1979 Montana Kaimin, May 4, 1979 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, May 4, 1979" (1979). Montana Kaimin, 1898-present. 6834. https://scholarworks.umt.edu/studentnewspaper/6834 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Aber Day Kegger picket proposed by labor council By MARK ELLSWORTH Max Weiss, a legal counselor at Lawry said there would be no Montana Kalmfn Reporter the University of Montana, said the "line to cross" that could cause problem with a secondary boycott trouble. He said the picket is a A meeting Wednesday night is that those involved can be held potentially "explosive issue," but between the Aber Day Kegger liable for any loss of business by the group is “trying to keep it as promoters and the Missoula the third party. cool as it can." Trades and Labor Council took But in some instances, Weiss Amid all the rising sentiment place to discuss a possible picket said, if the boycott is “in against Coors, there is still no at the kegger site to protest formational in nature, and peace word that MLAC is planning to serving Coors beer. -
UW System Requests $30 Surcharge
Inside Block that sun P.3 Yoko is surprise P.4 Women's buckets win opener * .. P.5 Unique gift guide special insert Vol. 25, NO. 30, December 2,1980 UW System requests $30 surcharge by James E. Piekarski not seek a general tax increase when the The letter also cited the "uncertain ofThePoststaff legislature reconvenes in January. ties" caused by litigation challenging the 4.4 percent budget cutback to muni The UW Board of Regents is expected Committee referral cipalities and school districts. The State to approve a $30 surcharge for the second If the Regents approve the $30 sur Supreme Court has ordered the return semester at its meeting this week, ac charge, it must then be approved by Of almost $18 million to municipali cording to UW System Vice President the legislature's Joint Committee on ties, and the school district case, which Reuben Lorenz. Finance. At a November meeting, the seeks the return of $29 million, is still The surcharge, which would raise tui Regents approved a resolution, with only pending. - tion for a semester to $516 for a full- one objection, that authorized UW Sys Chancellor Frank Horton, who will time resident undergraduate student, is tem President Robert O'Neil to file a attend the Board of Regents meeting in based on the anticipation of no further request with the Joint Committee on Madison on Thursday and Friday, said budget cutbacks, despite the state's wor Finance for the surcharge by its Nov. that based on the experience of the first sened financial forecast for the biennium 10 deadline. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Renoff, Greg. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal
Book Reviews Renoff, Greg. Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal. Toronto: ECW Press, 2015. 272 Pp. Greg Renoff makes significant contributions to several historical subfields with his second book, Van Halen Rising. This well-written and well-researched book focuses on the band’s rarely discussed journey during the 1970s from the keg party and dive bar circuits of suburban Los Angeles to the top of the popular music charts. Renoff constructs a narrative that is exciting and accessible, yet also scholarly. He builds it on a foundation of oral history interviews he conducted with dozens of people familiar with the band’s early years: friends, fans, members of rival bands, concert promoters, and music industry insiders. The result is a unique work of scholarship that converges with not only the popular memoirs of David Lee Roth and Gene Simmons, but also the historiographies of suburbanization, working class culture, and the Sunbelt. For scholars of business history, Renoff provides invaluable insight into the microeconomics of the late 20th century music industry through the prism of Van Halen. When Warner Brothers released Van Halen’s self-titled debut album in February 1978, Renoff asserts, heavy metal’s appeal had been fading for several years. Its best-known acts from earlier in the decade, such as Deep Purple, Black Sabbath, and Kiss, were either breaking up or facing declining record sales, and music industry insiders in Los Angeles had deemed the genre passé. The major Hollywood clubs, which served as gateways to record deals, shut out groups such as Van Halen in favor of others with the popular country rock or soft rock sounds, or those who played punk rock, which industry insiders believed would soon be as popular in the United States as it was in Great Britain. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Commencement Concert 2018
Commencement Concert 2018 Wittenberg Collegiate Center Auditorium Friday, May 11, 2018 4:00 and 7:30 pm Please turn off cell phones and other electronic devices before the concert. The United States copyright law prohibits audio and/or video recording of this concert by individuals. PROGRAM Wind Symphony Prof. Miles Wurster, conductor In This Broad Earth Steven Bryant Symphonic Suite from Robin Hood: Prince of Thieves Michael Kamen Arranged by Paul Lavender Hosanna Ringers Prof. Craig Hirschmann, conductor The Bare Necessities (from Disney’s The Jungle Book) Arranged by Kevin McChesney Over the Rainbow Music by Harold Arlen Lyrics by E.Y. Harburg Arranged by Tammy Waldrop Audience led in singing by Jennifer Haugen Somewhere Over the Rainbow, way up high, There’s a land that I heard of once in a lullaby. Somewhere Over the Rainbow skies are blue, And the dreams that you dare to dream really do come true. Someday I’ll wish upon a star and Wake up where the clouds are far behind me. Where troubles melt like lemon drops, Away above the chimney tops, that’s where you’ll find me. Somewhere Over the Rainbow bluebirds fly, Birds fly Over the Rainbow, Why then, oh why can’t I? Baby Elephant Walk Henry Mancini Arranged by Sondra K. Tucker An offering designated for student financial assistance will be taken. Thank you for your generous support. Alumni Recognition Mr. Stephen Balza, director of alumni relations Männerchor Prof. Craig Hirschmann, conductor Shenandoah Scottish Lullaby Arranged by Alice Parker and Robert Shaw Oh, Shenandoah, I long to hear you, Oh, Shenandoah, I’m bound to leave you, Way-hay, you rolling river, Way-hay, you rolling river, Oh, Shenandoah, I long to hear you, Oh, Shenandoah, I’ll not deceive you, Away we’re bound to go, Away we’re bound to go, ‘Cross the wide Missouri. -
October 2019
OCTOBER 2019 OFFICERS President George Walsh Vice President Jeff Mumford Treasurer Neil Leary Secretary Paula Anderson Ex Officio Frank Vallese DIRECTORS AT LARGE Bill Clarke Dave Coll COMMITTEES GOLF Kent Sanderson-Chairman [email protected] Paula Anderson Sue Bennett 5:00 pm | $24 per person Adele Fronczek CCWGA Pres.(Cynthia Hunsberger) Paul Schaffran Chuck Widder FINANCE Neil Leary-Chairman [email protected] Bill Clarke Dave Coll Tom Creager Tom Hunsberger Jay Middleton William Mumford MEMBERSHIP Phil Barton-Chairman [email protected] Bill Clarke Music by Rick Artz Sign up by emailing David Dabney Eddie Ghabour [email protected] Steve Morgan From Tappy Phillips Dan Simmons Love Seed Mama Jump or call 302.539.1446 ext. 2 GREENS Frank Vallese-Chairman [email protected] Jeff Baxter Richard Corrigan Mark Decker Cynthia Hunsberger Carolyn Pesce Tom Pomilla Harry Steele Dave Wheeler Adopt-a-hole (Sue Bennett) HOUSE Donna Villani-Chairman [email protected] Pam Browne Gloria Farrar BJ Hildebrand Jan Parsons Donna Tanguay Brenda Thompson Cripple Creek Golf & Country Club | 29494 Cripple Creek Drive | Dagsboro, Delaware 19939 302.539.1446 | www.cripplecreekgolf.com Page 2 GREENS COMMITTEE REPORT by Frank Vallese General Manager Head PGA Professional I would like to take this opportunity to thank Pete Fronczek for his Brian Trout above and beyond service to Cripple Creek. Pete, was Chairman of [email protected] the Greens Committee for the last ten years! Over that time he worked hand in hand with Glen MacDonald to make so many of Assistant Golf Professional the magnificent changes to our golf course that we are enjoying Ryan Diehl today. -
FOR IMMEDIATE RELEASE 2008 Last Fling Announces Dennis
FOR IMMEDIATE RELEASE 2008 Last Fling Announces Dennis DeYoung and the Doobie Brothers, Friday and Saturday Night Headliners NAPERVILLE, Ill. – June 3, 2008 – This Labor Day weekend Rotary Hill, in Naperville, will be filled with the unique musical stylings of the Doobie Brothers and Dennis DeYoung. Dennis DeYoung, former lead singer of Styx, takes the Last Fling main stage on Friday, August 29, at 8 p.m. and will play the music of Styx. DeYoung is a Chicago native and a founding member of the famous rock group. DeYoung wrote eight of their nine top ten singles. Styx sold 35 million albums worldwide and was the only band to ever record four consecutive triple platinum albums. For more than four decades, DeYoung has been a singer, songwriter, keyboardist and record producer. He wrote and sang several classics including: “Lady”, “Come Sail Away”, “Best of Times”, “Mr. Roboto”, “Show Me the Way”, “Desert Moon”, “Don't Let It End”, and the 1979 Peoples Choice Award winner, “Babe”. DeYoung has also recorded seven solo albums including “Desert Moon”, whose title track achieved top ten status. “Dennis has a huge catalog of hits and is among Chicagoland’s most relevant artists, both in the past and currently,” says John Wrona, Last Fling co-executive director. The Doobie Brothers perform at the Last Fling on Saturday August 30, at 8 p.m. on the main stage. Over the years, The Doobie Brothers’ music has evolved from a country/blues base into a sound emphasizing everything from R&B and Jazz elements, from guitar fueled rockers like “China Grove” and “Long Train Running,” to the folky chart topper “Black Water.” Other hits include “Listen to the Music” and “Rockin’ Down the Highway.” Combined with their consistent appeal on the road, the Doobies have earned a fanatical loyalty for their high-energy shows, and are truly one of America's most loved rock and roll bands. -
1 Stairway to Heaven Led Zeppelin 1971 2 Hey Jude the Beatles 1968
1 Stairway To Heaven Led Zeppelin 1971 2 Hey Jude The Beatles 1968 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Jailhouse Rock Elvis Presley 1957 5 Born To Run Bruce Springsteen 1975 6 I Want To Hold Your Hand The Beatles 1964 7 Yesterday The Beatles 1965 8 Peggy Sue Buddy Holly 1957 9 Imagine John Lennon 1971 10 Johnny B. Goode Chuck Berry 1958 11 Born In The USA Bruce Springsteen 1985 12 Happy Together The Turtles 1967 13 Mack The Knife Bobby Darin 1959 14 Brown Sugar Rolling Stones 1971 15 Blueberry Hill Fats Domino 1956 16 I Heard It Through The Grapevine Marvin Gaye 1968 17 American Pie Don McLean 1972 18 Proud Mary Creedence Clearwater Revival 1969 19 Let It Be The Beatles 1970 20 Nights In White Satin Moody Blues 1972 21 Light My Fire The Doors 1967 22 My Girl The Temptations 1965 23 Help! The Beatles 1965 24 California Girls Beach Boys 1965 25 Born To Be Wild Steppenwolf 1968 26 Take It Easy The Eagles 1972 27 Sherry Four Seasons 1962 28 Stop! In The Name Of Love The Supremes 1965 29 A Hard Day's Night The Beatles 1964 30 Blue Suede Shoes Elvis Presley 1956 31 Like A Rolling Stone Bob Dylan 1965 32 Louie Louie The Kingsmen 1964 33 Still The Same Bob Seger & The Silver Bullet Band 1978 34 Hound Dog Elvis Presley 1956 35 Jumpin' Jack Flash Rolling Stones 1968 36 Tears Of A Clown Smokey Robinson & The Miracles 1970 37 Addicted To Love Robert Palmer 1986 38 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 39 Layla Derek & The Dominos 1972 40 The House Of The Rising Sun The Animals 1964 41 Don't Be Cruel Elvis Presley 1956 42 The Sounds Of Silence Simon & Garfunkel 1966 43 She Loves You The Beatles 1964 44 Old Time Rock And Roll Bob Seger & The Silver Bullet Band 1979 45 Heartbreak Hotel Elvis Presley 1956 46 Jump (For My Love) Pointer Sisters 1984 47 Little Darlin' The Diamonds 1957 48 Won't Get Fooled Again The Who 1971 49 Night Moves Bob Seger & The Silver Bullet Band 1977 50 Oh, Pretty Woman Roy Orbison 1964 51 Ticket To Ride The Beatles 1965 52 Lady Styx 1975 53 Good Vibrations Beach Boys 1966 54 L.A. -
Doobie Bros. Incident
These labels are designed to print on the NEATO 180955 pre-perforated cd labels & card stock! They include appoximately 1/4 inch extra “bleed” around the perforations, in order to account for small differences in printers and software issues. If you print these labels on PLAIN PAPER, you will need to trim the extra bleed area away or they will not fit. Additionally, you should print these with Adobe Acrobat 7 (older versions may not produce the correct results), and you MUST make sure that the PAGE SCALING option is set to “NONE”. If you have PAGE SCALING set to “Fit To Printer Margins” or “Reduce to Printer Margins”, the graphics will not print at the correct size for the standard jewel case. This is the most common problem people have when they complain about the artwork not fitting the jewel case! You can order Neato Labels from www.neato.com! |<<<<<<<<<<TRIM LINE TRIM LINE>>>>>>>>>>| 09.11. 15 ARRINGTON, VA DISC ONE SET ONE - Doobie Brothers Incident* 01 ROCKIN’ DOWN THE HIGHWAY 3:31 02 TAKIN’ IT TO THE STREETS 5:51 THE STRING CHEESE INCIDENT 03 SOMETIMES A RIVER 7:56 Jason Hann 04 BLACK WATER 7:20 percussion, vocals 05 LONG TRAIN RUNNIN’> 3:35 Kyle Hollingsworth 06 TEXAS> 5:51 keyboards, vocals Michael Kang 07 LONG TRAIN RUNNIN’ 2:43 mandolin, violin, vocals 08 DRUMS> 2:20 Keith Moseley 09 JESUS IS JUST ALRIGHT 5:40 bass, vocals 10 CHINA GROVE 6:36 Billy Nershi 1 1 LISTEN TO THE MUSIC** 5:18 guitar, vocals Michael Travis DISC TWO drums, percussion, vocals SET TWO - SCI Set 01 INTRO JAM> 4:35 02 COME AS YOU ARE 10:32 03 LITTLE HANDS> 9:22 04 OAK RIDGE JAM> 6:30 SCI ROAD CREW Perry Abbott, JC Barber, Chelsea 05 SWEET SPOT> 10:06 Boisen, Dan Butcher, Andrew Cass, 06 ROSIE 9:47 Chris Chierello, Kevin Gregory, 07 CLOSE YOUR EYES> 14:47 Michael Leikvold, Andrew ‘Dros’ Liposcak, Dave Miles, Cassady 08 COLORADO BLUEBIRD SKY 9:48 Miller-Halloran, Brook ‘Boogie’ Parlow, Cassie Siegel, Chuck Totlis, *Set one is the "Doobie Bros.