Commencement Concert 2018
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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Montana Kaimin, May 4, 1979 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 5-4-1979 Montana Kaimin, May 4, 1979 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, May 4, 1979" (1979). Montana Kaimin, 1898-present. 6834. https://scholarworks.umt.edu/studentnewspaper/6834 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Aber Day Kegger picket proposed by labor council By MARK ELLSWORTH Max Weiss, a legal counselor at Lawry said there would be no Montana Kalmfn Reporter the University of Montana, said the "line to cross" that could cause problem with a secondary boycott trouble. He said the picket is a A meeting Wednesday night is that those involved can be held potentially "explosive issue," but between the Aber Day Kegger liable for any loss of business by the group is “trying to keep it as promoters and the Missoula the third party. cool as it can." Trades and Labor Council took But in some instances, Weiss Amid all the rising sentiment place to discuss a possible picket said, if the boycott is “in against Coors, there is still no at the kegger site to protest formational in nature, and peace word that MLAC is planning to serving Coors beer. -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Greenlight's Complete Song List
Song List CONTEMPORARY DANCE (The) Middle—-Zedd Moves Like Jagger--Adam Levine 24K Magic—Bruno Mars Need Your Love--Calvin Harris Ain’t It Fun--Paramore No Roots—Alice Merton All About That Bass—Meghan Trainor Only Girl--Rihanna American Boy--Kanye West & Estelle Party Rock Anthem--LMFAO Attention—Charlie Puth Poker Face--Lady GaGa Bang, Bang—Jessie J Raise Your Glass—Pink Blurred Lines--Robin Thicke Rather Be—Clean Bandit Born This Way--Lady GaGa Rock Your Body--Justin Timberlake Bright Lights, Bigger City--Cee-Lo Green Rolling In The Deep--Adele Cake by the Ocean--DNCE Safe and Sound--Capitol Cities California Gurls--Katy Perry Shake It Off—Taylor Swift Call Me Maybe--Carly Rae Jepson Shut Up and Dance—Walk The Moon Can’t Stop the Feeling!—Justin Timberlake Stronger--Kelly Clarkson Chicken Fried—Zac Brown Band Sugar—Maroon 5 Cheap Thrills—Sia feat. Sean Paul Suit & Tie--Justin Timberlake Clarity--Zed Summer--Calvin Harris Classic--MKTO Take Back the Night--Justin Timberlake Counting Stars-One Republic This Is How We Do It--Montell Jordan Crazy In Love--Beyonce The Way You Are--Bruno Mars Cruise--Florida Georgia Line That’s What I Like—Bruno Mars DJ Got Us Falling In Love--Usher There’s Nothing Holdin’ Me Back—Shawn Mendes Despacito—Luis Fonsi & Daddy Yankee, feat. Justin Bieber This Is What You Came For—Calvin Harris feat. Rihanna Domino--Jessie J Tightrope--Janelle Monae Don’t Stop The Music--Rihanna Time of My Life—Pitbull feat. NeYo Don’t You Worry Child--Swedish House Mafia Timber--Pitbull feat. -
John Frost and Suzanne Jones Present
JOHN FROST AND SUZANNE JONES PRESENT Follow the yellow brick road, over the rainbow, to see the world’s favourite musical… Developed from the ever-popular MGM screenplay, the Andrew Lloyd Webber London Palladium production of The Wizard of Oz contains the beloved Harold Arlen and E.Y. Harburg songs from the Oscar®-winning movie score, all the favourite characters and iconic moments, plus a few surprises along the way. CHARACTER DOROTHY (Female) 18 to 30 years old. The heroine of our story, whose travels through Oz bring her friendship and adventure. Brave, smart, compassionate, selfless and encouraging to others. Must be no less than 160cm and be able to play 16yo. Dog lovers encouraged! MEZZO AUDITION SELF-TAPE REQUIREMENTS Applicants will be required to submit a video self-tape singing ‘Somewhere Over the Rainbow’, preferably accompanied or to a backing track. Please click here to obtain the score. Please note: this is not for distribution. Email submissions to [email protected] which MUST include the following, to be considered: 1. Pro Forma spreadsheet – completed with all talent submissions. 2. Link to Vimeo, YouTube, or any file sharing platform of the required song. 3. Performance CV (including height and DOB) PDF ONLY 4. Headshot (last 6-12mth) PDF/JPG ONLY APPLICATIONS CLOSE: 12 MIDNIGHT – Sunday 11th June 2017 Successful applicants will receive appointment times no later the 7 days prior to the audition AUDITION DATES Monday 26th June – 7th July 2017 - SYDNEY AND MELBOURNE Rehearsals to commence early October 2017 in Sydney followed by a Brisbane Opening and National Tour. -
Somewhere Over the Rainbow:What a Wonderful World Lyrics and Chords
Somewhere Over the Rainbow/ What a wonderful world Intro: |C / G / |Am / F / |C / G / | |Am (4) |F (4) | C em F C ooo-ooo ooo-ooo ooo-ooo ooo-ooo F E7 am F ooo-ooo ooo-ooo ooo-ooo ooo-ooo C em F C Somewhere over the rainbow, way up high F C G am F And the dreams that you dream of once in a lullaby... C em F C Oh somewhere over the rainbow, blue birds fly F C G And the dreams that you dream of, dreams really do come am F true... C Someday i'll wish upon a star G am F Wake up where the clouds are far behind me C Where trouble melts like lemon drops G am F High above the chimney tops that's where you'll find me C em F C Oh somewhere over the rainbow, blue birds fly F C G And the dreams that you dare to, oh why, oh why can't am F I?... C em F C Well I see trees of green and Red roses too F C E7 am I'll watch then bloom for me and you F G am (4) F(4) And I think to myself: what a wonderful world C em F C Well I see skies of blue and I see clouds of white F C E7 am And the brightness of day, I like the dark F G C F C And I think to myself: what a wonderful world G C The colors of the rainbow so pretty in the sky G C Are also on the faces of people passing bye F C F C See friends shaking hands, saying 'how do you do?' F C dm G They're really saying, I...I love you C em F C I hear babies cry and I watch them grow F C E7 am They'll learn much more than we'll know F (4) G (4) am (4) F(4) And I think to myself: what a wonderful world C Someday i'll wish upon a star G am F Wake up where the clouds are far behind me C Where trouble melts like lemon drops G am F High above the chimney tops that's where you'll find me C em F C Oh somewhere over the rainbow, way up high F C G And the dreams that you dare to, why, oh why can't Am F I?.. -
Understanding Music Past and Present
Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N. -
The Doobie Brothers Best of the Doobies - Volume II Mp3, Flac, Wma
The Doobie Brothers Best Of The Doobies - Volume II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Best Of The Doobies - Volume II Country: US Released: 1981 Style: Pop Rock, Classic Rock MP3 version RAR size: 1693 mb FLAC version RAR size: 1630 mb WMA version RAR size: 1529 mb Rating: 4.4 Votes: 953 Other Formats: AHX MP1 AAC MIDI VOX MP2 MP3 Tracklist Hide Credits Little Darling (I Need You) A1 Written-By – Brian Holland, Lamont Dozier, Edward Holland, Jr.* Echoes Of Love A2 Written-By – Earl Randle, Patrick Simmons, Willie Mitchell You Belong To Me A3 Written-By – Carly Simon, Michael McDonald One Step Closer A4 Written-By – Carlene Carter, John McFee, Keith Knudsen What A Fool Believes A5 Written-By – Kenny Loggins, Michael McDonald Dependin' On You B1 Written-By – Michael McDonald, Patrick Simmons Here To Love You B2 Written-By – Michael McDonald One By One B3 Written-By – Bobby Lakind, Michael McDonald Real Love B4 Written-By – Michael McDonald, Patrick Henderson Minute By Minute B5 Written-By – Lester Abrams, Michael McDonald Companies, etc. Copyright (c) – Warner Bros. Records Phonographic Copyright (p) – Warner Bros. Records Licensed To – Columbia House Manufactured By – Columbia House Credits Bass, Vocals – Willie Weeks Congas, Vocals – Bobby Lakind Drums, Vibraphone, Marimba – Chet McCracken Drums, Vocals – Keith Knudsen Engineer – Donn Landee (tracks: A1 to A3, A5 to B2, B5), Jim Isaacson (tracks: A4, B3, B4) Guitar, Vocals – John McFee, Patrick Simmons Keyboards, Synthesizer, Vocals – Michael McDonald Mastered By – Bobby Hata Producer – Ted Templeman Saxophone, Organ, Vocals – Cornelius Bumpus Notes Timings: Program 1: 17:30 Program 2: 19:17 Other versions Category Artist Title (Format) Label Category Country Year The Doobie Best Of The Doobies Warner Bros. -
Steely Dan & the Doobie Brothers Announce Co
STEELY DAN & THE DOOBIE BROTHERS ANNOUNCE CO-HEADLINE NORTH AMERICAN SUMMER TOUR Citi Presale Begins January 10; General On Sale Starts January 12 at LiveNation.com Los Angeles, CA (January 8, 2018) –Steely Dan and The Doobie Brothers announced today their co-headline North American 2018 summer tour kicking off May 10 in Charlotte, NC and wrapping July 14 in Bethel, NY. Promoted by Live Nation, the legendary bands will travel to 30+ cities across the U.S. and Canada including Los Angeles, Chicago, Houston, Nashville, and Toronto. Tickets for the tour go on sale to the general public beginning Friday, January 12 at 8am local time in most cities on Live Nation.com. Please see below for full tour itinerary and details. Citi® is the official presale credit card for the Steely Dan and The Doobie Brothers tour. As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, January 10 at 10am local time until Thursday, January 11 at 10pm local time through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Founded in 1972, Steely Dan has sold more than 40 million albums worldwide and helped define the soundtrack of the ‘70s with hits such as “Reelin’ in the Years,” “Rikki Don’t Lose That Number,” “F.M.,” “Peg,” “Hey Nineteen,” “Deacon Blues,” and “Babylon Sisters,” from their seven platinum albums issued between 1972 and 1980 – including 1977’s sold-out tours (that continue through today). In 2000 they released the multi-Grammy winning (including “Album of the Year”) Two Against Nature, and released the acclaimed follow- up Everything Must Go in 2003. -
Steely Dan and the Doobie Brothers
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda v.845.583.2193 Photos & Interviews may be available upon request [email protected] STEELY DAN & THE DOOBIE BROTHERS WILL CLOSE NORTH AMERICAN TOUR AT BETHEL WOODS ON JULY 14TH Tickets on sale Friday, January 12th at 10:00 AM Citi Presale Begins January 10; General On Sale Starts January 12 January 8, 2018 (Bethel, NY) – Steely Dan and The Doobie Brothers announced today their co-headline 30+ cities North American 2018 summer tour “The Summer of Living Dangerously,” promoted by Live Nation, will wrap up on Saturday, July 14 at Bethel Woods Center for the Arts. Tickets for the tour go on sale to the general public beginning Friday, January 12 at 10 a.m. at www.BethelWoodsCenter.org, The Bethel Woods Box Office, LiveNation.com, www.Ticketmaster.com, Ticketmaster outlets, or by phone at 1.800.745.3000. Citi® is the official presale credit card for the Steely Dan and The Doobie Brothers tour. As such, Citi® cardmembers will have access to purchase U.S. presale tickets beginning Wednesday, January 10 at 10am until Thursday, January 11 at 10pm through Citi’s Private Pass® program. For complete presale details visit www.citiprivatepass.com. Founded in 1972, Steely Dan has sold more than 40 million albums worldwide and helped define the soundtrack of the ‘70s with hits such as “Reelin’ in the Years,” “Rikki Don’t Lose That Number,” “F.M.,” “Peg,” “Hey Nineteen,” “Deacon Blues,” and “Babylon Sisters,” from their seven platinum albums issued between 1972 and 1980 – including 1977’s sold-out tours (that continue through today). -
'!2G00BJ-Hbfjdh! Guitar and Saxophone Are Welcome Extras That Never Drown out the Impressive Leader of the Group
Minute By Minute Warner BSK 3193 The Doobie Brothers personnel Tom Johnston (voc); Patrick Simmons (g, voc); Michael McDo- nald (keyb, voc); Jeffrey Baxter (g); Norton Buffalo (hca); Tiran Porter (b, voc); John Hartman, Keith Knudsen (dr); Bobby LaKind (cga); a.o. tracks Here To Love You; What A Fool Believes; Minute By Minute; De- pendin' On You; Don't Stop To Watch The Wheels; Open Your Eyes; Sweet Feelin'; Steamer Lane Breakdown; You Never Change; How Do The Fools Survive? How the Doobie Brothers came to form a “family” is not only a fateful event but also a good story. While getting high on a marihuana joint (or doobie) that was passed from one to the other in a practice room, one of the group apparently uttered the following catalogue # momentous words: »We are all Doobie brothers«. Later, when in possession of all his 3193 faculties, the co-founder of the group, Tom Johnston, was thinking along the lines of a Motown sound, with a bass line resembling that of Seals and Crofts, and vocals in the set contents 1 LP / standard sleeve, insert style of Stevie Wonder. That Minute By Minute, the first album to appear in the post- Johnston era, so perfectly reflects the mature style of the group is mostly thanks to the pricecode two experienced former Steely Dan musicians Jeff “Skunk” Baxter and singer Michael SC01 McDonald. Subtle, gently electrified groove epitomizes the main focus of this album. release date Its laid back, colourful and glittering sounds are rounded out with powerful rhythms November 2019 and warm sounds (What A Fool Believes). -
“Tangled up in Blue” (Blood on the Tracks: Dylan 1975; Dylan 2004, 329-47) Is the Image of Medieval Material Made Suddenly Relevant in the Present Day
Bob Dylan’s Ballade At the heart of Bob Dylan’s 1975 song, “Tangled Up in Blue” (Blood on the Tracks: Dylan 1975; Dylan 2004, 329-47) is the image of medieval material made suddenly relevant in the present day. Among lyrics that wander widely throughout space and time, the action stops for a moment of transcendent timelessness: Then she opened up a book of poems and handed it to me Written by an Italian poet from the thirteenth century. And every one of them words rang true And glowed like burnin’ coal Pourin’ off of every page Like it was written in my soul from me to you Tangled up in Blue. (Dylan 2004, 332)1 This book of poems is not the only medievalist element of the song. In “Tangled Up in Blue,” Bob Dylan engages with medievalism in two ways: first, through his play with tropes of courtly- love literature, as popularly understood, including imagery and specific references to medieval literary tradition in the lyrics, and second, through his use of a particular medieval musical form, the ballade. The second type of medievalism in this song, involving the lyrical and musical structure, is less easily noticed than the inclusion of a 13th-century Italian book of poems in the lyrics. Dylan structures “Tangled Up in Blue” in a form used by some troubadours, later named “ballade” in the French poetry and music of the fourteenth and fifteenth centuries (Johnson 1991). A number of pop musicians in the 1970s included medieval references in their songs, through imagery in the lyrics, modal tunes, and “early music” instrumental choices, but these choices are on display, used to establish a mood or medieval flavor for listeners (Sweers 2005; Upton 2012).