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Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams. -
Mary Wells, the 42Nd and First African American National President, with the Mary W
MAY 2009 ISSUE Dianne S. Lennon (NJ), Past National President, 1995 Geraldine "Gerri" Peeples, Minority Network Committee Chair, 1990-91 NEAFCS now pays tribute to Mary Wells, the 42nd and first African American National President, with the Mary W. Wells Memorial Diversity Award, given annually to recognize outstanding efforts and accomplishments of individuals and/or teams in diversity and pluralism in Extension education programming. Dianne Lennon provided these cherished thoughts of Mary Wells. "In 1992, Mary recruited me to travel with her to Germany to attend the International Federation for Home Economics. Mary was inquisitive about global cultures as she strongly promoted the progress of humanity. Sessions of the Congress enriched us professionally while a visit to a family farm left us amazed upon seeing the cattle housed in a structure attached to the house, thus the German way of life. Our tour guide advised against travelling with too much luggage. Mary kept it simple with one huge piece, a few millimeters smaller than a trunk. That seemed like an okay idea until it was time for us to transport our luggage across the city, then numerous flights of stairs to board the train to Berlin for a post tour. The struggle was tremendous; however, Mary persevered, laughing and tugging. It was necessary to turn back and help her down the final 20-step staircase as we had only 10 minutes to board the train. Mary never discussed her health challenges with cancer which claimed her life at the young age of 60. I learned about them following her death on March 25, 1996. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
Singer Mary Wells to Perform at Homecoming
Page 3 The Decref- Kiiday. December 9, 1966 ,v<.' Singer Mary Wells To -'% & ■:■ ■■ Perform At Homecoming Mary Wells, nationally known recording artist, will provide the entertainment for the First Annual Homecoming Dance to be held at Tarrytow'n Mall December 17 at 9:30 p. m. Miss Wells, with her scintillating style of com bining blues and mellow ballads with a strong vibrancy, now has developed into one of the nation’s better nightclub performers and has become one of the more sought after performers for personal ap pearances on college campuses throughout the na tion. She has had many top selling The overwhelming results of records in her short six-year her records and her “ My Guy” career. She wrote and record album induced 20th Century- ed her first song, “Bye, Bye, Fox to a keener look at the Baby” , at age 15. The record talented songstress and a four- swept the nation for eight year recording contract result months on the top of the nation ed. al charts. Miss Wells began singing Seven months later, Mary re early in her life. Although corded “ I Don’t Want To Take she had never studied music, A Chance,” which stayed on the she sang in the Junior High charts for four months, and her School choir of 70 students album. “ My Guy,” has been where her musical talents were one of the all-time best sellers first discovered. She went on since its release. to Detroit’s Northwestern High Miss Wells career had an in School, noted for its outstand teresting beginning. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
Class of 1966 Memory Book Table of Contents
CLASS OF 1966 MEMORY BOOK TABLE OF CONTENTS Memories Year in Review Necrology Class Biographies MEMORIES MEMORIES MEMORIES MEMORIES 1966 IN REVIEW Top Pop Hits of 1966 The Ballad of the Green Berets by Sgt. Barry Sadler Cherish by The Association You're My Soul and Inspiration by The Righteous Brothers Reach Out I'll Be There by The Four Tops 96 Tears by ? and The Mysterians Last Train to Clarksville by The Monkees Monday, Monday by The Mama's and The Papa's You Can't Hurry Love by The Supremes The Poor Side of Town by Johnny Rivers California Dreamin' by The Mama's and The Papa's Summer In the City by The Lovin' Spoonful Popular Films of 1966 Born Free by Roger Williams The Bible: In The Beginning... These Boots Are Made for Walkin' by Nancy Sinatra Hawaii What Becomes of the Brokenhearted by Jimmy Ruffin Who’s Afraid of Virginia Strangers In the Night by Frank Sinatra Woolf? We Can Work It Out by The Beatles The Sand Pebbles Good Lovin' by The Young Rascals A Man for All Seasons Winchester Cathedral by The New Vaudeville Band The Good, the Bad, and the Hanky Panky by Tommy James and The Shondells Ugly When a Man Loves a Woman by Percy Sledge Lt. Robin Crusoe, U.S.N. The Russians Are Coming, the Russians Are Coming Grand Prix Alfie 1966 IN REVIEW In the News… Supreme Court decided Miranda v. Arizona, protecting rights of the accused. Insulin was first synthesized in China. Ronald Reagan entered politics and became the governor of California. -
Check out 8 Songs Musical Artists Have
Search TRAILBLAZERS IN MUSIC: CHECK OUT SONGS MUSICAL ARTISTS HAVE SAMPLED FROM WOMEN OF MOTOWN By Brianna Rhodes Photo: Classic Motown - Advertisement - The Sound Of Young America wouldn’t be known for what it is today without the trailblazing Women of Motown. Throughout its 60-year existence, Motown Records made an impact on the world thanks to music genius and founder, Berry Gordy. It's important to note though, that the African- American owned label wouldn’t have reached so many monumental milestones without The Supremes, Martha Reeves & The Vandellas, Mary Wells, The Marvelettes, Tammi Terrell and Gladys Knight. The success of these talented women proved that women voices needed to be heard through radio airwaves everywhere. As a kid, you were probably singing melodies created by these women around the house with family members or even performing the songs in your school’s talent show, not even realizing how much of an impact these women made on Black culture and Black music. This is why it’s important to acknowledge these women during the celebration of the label’s 60th anniversary. The legendary reign of the Women of Motown began back in 1960, with then 17-year-old musical artist Mary Wells with her debut single, “Bye Bye Baby.” Wells, who wrote the song herself, helped Motown attain its first Top 10 R&B hit ever. Wells continued to make history with her chart-topping single, “My Guy” becoming Motown’s fourth No. 1 hit on the Billboard Hot 100 and the company’s first major U.K. single. -
Mary Wells the One Who Really Loves You / I'm Gonna Stay Mp3, Flac, Wma
Mary Wells The One Who Really Loves You / I'm Gonna Stay mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The One Who Really Loves You / I'm Gonna Stay Country: Canada Released: 1962 Style: Soul MP3 version RAR size: 1645 mb FLAC version RAR size: 1523 mb WMA version RAR size: 1925 mb Rating: 4.2 Votes: 944 Other Formats: AA AIFF DTS FLAC MP4 MP3 MOD Tracklist Hide Credits The One Who Really Loves You A 2:26 Producer – Smokey*Written-By – William Robinson* I'm Gonna Stay B 2:40 Written-By, Producer – Berry Gordy, Jr.* Companies, etc. Published By – Jobete Barcode and Other Identifiers Matrix / Runout (A side etched runout): ZTSC84729 Matrix / Runout (A side label): ZTSC.84729 (Motown 1024) Matrix / Runout (B side etched runout): ZTSC-82203 Matrix / Runout (B side label): ZTSC.82203 (Motown 1024) Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The One Who Really Loves You / M 1024 Mary Wells Motown M 1024 US 1962 I'm Gonna Stay (7") The One Who Really Loves You / M 1024 Mary Wells Motown M 1024 US 1962 I'm Gonna Stay (7", Single) The One Who Really Loves You / M-1024 Mary Wells Motown M-1024 US 1962 I'm Gonna Stay (7") The One Who Really Loves You / M 1024 Mary Wells Motown M 1024 US 1962 I'm Gonna Stay (7", Promo) MOTOWN The One Who Really Loves You MOTOWN Mary Wells Motown US 1962 1024 (7", Single) 1024 Related Music albums to The One Who Really Loves You / I'm Gonna Stay by Mary Wells Mary Wells - You Beat Me To The Punch / Old Love (Let's Try It Again) Mary Wells - Laughing Boy / Two Wrongs Don't Make A Right Marvin Gaye & Mary Wells - Together Mary Wells - Greatest Hits The Celibate Rifles - The Turgid Miasma Of Existence Smokey Robinson & The Miracles - Who's Gonna Take The Blame Mary Wells - Two Lovers Mary Wells - My Guy. -
1 Stairway to Heaven Led Zeppelin 1971 2 Hey Jude the Beatles 1968
1 Stairway To Heaven Led Zeppelin 1971 2 Hey Jude The Beatles 1968 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Jailhouse Rock Elvis Presley 1957 5 Born To Run Bruce Springsteen 1975 6 I Want To Hold Your Hand The Beatles 1964 7 Yesterday The Beatles 1965 8 Peggy Sue Buddy Holly 1957 9 Imagine John Lennon 1971 10 Johnny B. Goode Chuck Berry 1958 11 Born In The USA Bruce Springsteen 1985 12 Happy Together The Turtles 1967 13 Mack The Knife Bobby Darin 1959 14 Brown Sugar Rolling Stones 1971 15 Blueberry Hill Fats Domino 1956 16 I Heard It Through The Grapevine Marvin Gaye 1968 17 American Pie Don McLean 1972 18 Proud Mary Creedence Clearwater Revival 1969 19 Let It Be The Beatles 1970 20 Nights In White Satin Moody Blues 1972 21 Light My Fire The Doors 1967 22 My Girl The Temptations 1965 23 Help! The Beatles 1965 24 California Girls Beach Boys 1965 25 Born To Be Wild Steppenwolf 1968 26 Take It Easy The Eagles 1972 27 Sherry Four Seasons 1962 28 Stop! In The Name Of Love The Supremes 1965 29 A Hard Day's Night The Beatles 1964 30 Blue Suede Shoes Elvis Presley 1956 31 Like A Rolling Stone Bob Dylan 1965 32 Louie Louie The Kingsmen 1964 33 Still The Same Bob Seger & The Silver Bullet Band 1978 34 Hound Dog Elvis Presley 1956 35 Jumpin' Jack Flash Rolling Stones 1968 36 Tears Of A Clown Smokey Robinson & The Miracles 1970 37 Addicted To Love Robert Palmer 1986 38 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 39 Layla Derek & The Dominos 1972 40 The House Of The Rising Sun The Animals 1964 41 Don't Be Cruel Elvis Presley 1956 42 The Sounds Of Silence Simon & Garfunkel 1966 43 She Loves You The Beatles 1964 44 Old Time Rock And Roll Bob Seger & The Silver Bullet Band 1979 45 Heartbreak Hotel Elvis Presley 1956 46 Jump (For My Love) Pointer Sisters 1984 47 Little Darlin' The Diamonds 1957 48 Won't Get Fooled Again The Who 1971 49 Night Moves Bob Seger & The Silver Bullet Band 1977 50 Oh, Pretty Woman Roy Orbison 1964 51 Ticket To Ride The Beatles 1965 52 Lady Styx 1975 53 Good Vibrations Beach Boys 1966 54 L.A. -
2017 Proceedings
St. Petersburg, Florida 2017 Proceedings Motown Style and the American Dream Monica Sklar, PhD and Oloni Binns University of Georgia, USA Keywords: music, costume, Motown, 1960s The challenges of the dress styles of the record label Motown were a symbol of the shifting American Dream of the 1960s. This research evaluates two aspects of the dress history of Motown: the garments’ design and their social context. During Motown’s beginnings in the early 1960’s the glamorous image portrayed by its artists was deemed socially progressive by highlighting African American’s inclusion into American upper echelon status. Yet as the decade evolved Motown’s dress became out of step with the prevailing styles of social movements. The American dream was expanding to focus on civil rights, war, and the environment, thus Motown’s wigs, matching velvet suits, and sequined dresses were contrasting the messaging of the new styles of the era. This research documents the design development process including how the clothing was selected, produced, and where existing pieces are archived. The image making transitioned from do-it-yourself creations to a highly manipulated process of wardrobe stylists, finishing schools, and designer labels. Costumes were homemade such as men’s pants split open to make a matching women’s outfit for the Miracles, and evolved to the use of hip pads and wigs to create an ideal female form (Posner, 2005). By the time Motown reached its prime success, musical acts like the Supremes received an open clothing budget and department stores such as Saks Fifth Avenue were shut down for their shopping sprees.