Mary Wells Éÿ³æ¨‚Å°ˆè¼¯ Ä¸²È¡Œ (Ä¸“È¾‘ & Æ—¶É—´È¡¨)

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Mary Wells éŸ³æ¨‚å°ˆè¼¯ ä¸²è¡Œ (ä¸“è¾‘ & æ—¶é—´è¡¨) Together https://zh.listvote.com/lists/music/albums/together-3512440/songs Servin' Up Some Soul https://zh.listvote.com/lists/music/albums/servin%27-up-some-soul-17060963/songs Keeping My Mind on Love https://zh.listvote.com/lists/music/albums/keeping-my-mind-on-love-6383254/songs Mary Wells - Greatest Hits https://zh.listvote.com/lists/music/albums/mary-wells---greatest-hits-5601203/songs Two Lovers and Other Great Hits https://zh.listvote.com/lists/music/albums/two-lovers-and-other-great-hits-7859072/songs Vintage Stock https://zh.listvote.com/lists/music/albums/vintage-stock-7932848/songs Mary Wells Sings My Guy https://zh.listvote.com/lists/music/albums/mary-wells-sings-my-guy-6780946/songs Love Songs to the Beatles https://zh.listvote.com/lists/music/albums/love-songs-to-the-beatles-6691321/songs The Two Sides of Mary Wells https://zh.listvote.com/lists/music/albums/the-two-sides-of-mary-wells-7770952/songs Recorded Live On Stage https://zh.listvote.com/lists/music/albums/recorded-live-on-stage-7302877/songs The One Who Really Loves You https://zh.listvote.com/lists/music/albums/the-one-who-really-loves-you-7755071/songs Bye, Bye Baby, I Don't Want To https://zh.listvote.com/lists/music/albums/bye%2C-bye-baby%2C-i-don%27t-want-to-take- Take A Chance a-chance-5004011/songs Mary Wells https://zh.listvote.com/lists/music/albums/mary-wells-6780943/songs In and Out of Love https://zh.listvote.com/lists/music/albums/in-and-out-of-love-6011530/songs Easy Touch https://zh.listvote.com/lists/music/albums/easy-touch-5331168/songs I'm a Lady: The Old, New & Best of https://zh.listvote.com/lists/music/albums/i%27m-a-lady%3A-the-old%2C-new-%26-best- Mary Wells of-mary-wells-5966971/songs.

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“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (Guest Post)*
“My Girl”—The Temptations (1964) Added to the National Registry: 2017 Essay by Mark Ribowsky (guest post)* The Temptations, c. 1964 The Temptations’ 1964 recording of “My Girl” came at a critical confluence for the group, the Motown label, and a culture roiling with the first waves of the British invasion of popular music. The five-man cell of disparate souls, later to be codified by black disc jockeys as the “tall, tan, talented, titillating, tempting Temptations,” had been knocking around Motown’s corridors and studio for three years, cutting six failed singles before finally scoring on the charts that year with Smokey Robinson’s cleverly spunky “The Way You Do the Things You Do” that winter. It rose to number 11 on the pop chart and to the top of the R&B chart, an important marker on the music landscape altered by the Beatles’ conquest of America that year. Having Smokey to guide them was incalculably advantageous. Berry Gordy, the former street hustler who had founded Motown as a conduit for Detroit’s inner-city voices in 1959, invested a lot of trust in the baby-faced Robinson, who as front man of the Miracles delivered the company’s seminal number one R&B hit and million-selling single, “Shop Around.” Four years later, in 1964, he wrote and produced Mary Wells’ “My Guy,” Motown’s second number one pop hit. Gordy conquered the black urban market but craved the broader white pop audience. The Temptations were riders on that train. Formed in 1959 by Otis Williams, a leather-jacketed street singer, their original lineup consisted of Williams, Elbridge “Al” Bryant, bass singer Melvin Franklin and tenors Eddie Kendricks and Paul Williams.
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Mary Wells, the 42Nd and First African American National President, with the Mary W
MAY 2009 ISSUE Dianne S. Lennon (NJ), Past National President, 1995 Geraldine "Gerri" Peeples, Minority Network Committee Chair, 1990-91 NEAFCS now pays tribute to Mary Wells, the 42nd and first African American National President, with the Mary W. Wells Memorial Diversity Award, given annually to recognize outstanding efforts and accomplishments of individuals and/or teams in diversity and pluralism in Extension education programming. Dianne Lennon provided these cherished thoughts of Mary Wells. "In 1992, Mary recruited me to travel with her to Germany to attend the International Federation for Home Economics. Mary was inquisitive about global cultures as she strongly promoted the progress of humanity. Sessions of the Congress enriched us professionally while a visit to a family farm left us amazed upon seeing the cattle housed in a structure attached to the house, thus the German way of life. Our tour guide advised against travelling with too much luggage. Mary kept it simple with one huge piece, a few millimeters smaller than a trunk. That seemed like an okay idea until it was time for us to transport our luggage across the city, then numerous flights of stairs to board the train to Berlin for a post tour. The struggle was tremendous; however, Mary persevered, laughing and tugging. It was necessary to turn back and help her down the final 20-step staircase as we had only 10 minutes to board the train. Mary never discussed her health challenges with cancer which claimed her life at the young age of 60. I learned about them following her death on March 25, 1996.
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Singer Mary Wells to Perform at Homecoming
Page 3 The Decref- Kiiday. December 9, 1966 ,v<.' Singer Mary Wells To -'% & ■:■ ■■ Perform At Homecoming Mary Wells, nationally known recording artist, will provide the entertainment for the First Annual Homecoming Dance to be held at Tarrytow'n Mall December 17 at 9:30 p. m. Miss Wells, with her scintillating style of com bining blues and mellow ballads with a strong vibrancy, now has developed into one of the nation’s better nightclub performers and has become one of the more sought after performers for personal ap pearances on college campuses throughout the na tion. She has had many top selling The overwhelming results of records in her short six-year her records and her “ My Guy” career. She wrote and record album induced 20th Century- ed her first song, “Bye, Bye, Fox to a keener look at the Baby” , at age 15. The record talented songstress and a four- swept the nation for eight year recording contract result months on the top of the nation ed. al charts. Miss Wells began singing Seven months later, Mary re early in her life. Although corded “ I Don’t Want To Take she had never studied music, A Chance,” which stayed on the she sang in the Junior High charts for four months, and her School choir of 70 students album. “ My Guy,” has been where her musical talents were one of the all-time best sellers first discovered. She went on since its release. to Detroit’s Northwestern High Miss Wells career had an in School, noted for its outstand teresting beginning.
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Check out 8 Songs Musical Artists Have
Search TRAILBLAZERS IN MUSIC: CHECK OUT SONGS MUSICAL ARTISTS HAVE SAMPLED FROM WOMEN OF MOTOWN By Brianna Rhodes Photo: Classic Motown - Advertisement - The Sound Of Young America wouldn’t be known for what it is today without the trailblazing Women of Motown. Throughout its 60-year existence, Motown Records made an impact on the world thanks to music genius and founder, Berry Gordy. It's important to note though, that the African- American owned label wouldn’t have reached so many monumental milestones without The Supremes, Martha Reeves & The Vandellas, Mary Wells, The Marvelettes, Tammi Terrell and Gladys Knight. The success of these talented women proved that women voices needed to be heard through radio airwaves everywhere. As a kid, you were probably singing melodies created by these women around the house with family members or even performing the songs in your school’s talent show, not even realizing how much of an impact these women made on Black culture and Black music. This is why it’s important to acknowledge these women during the celebration of the label’s 60th anniversary. The legendary reign of the Women of Motown began back in 1960, with then 17-year-old musical artist Mary Wells with her debut single, “Bye Bye Baby.” Wells, who wrote the song herself, helped Motown attain its first Top 10 R&B hit ever. Wells continued to make history with her chart-topping single, “My Guy” becoming Motown’s fourth No. 1 hit on the Billboard Hot 100 and the company’s first major U.K. single.
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Mary Wells the One Who Really Loves You / I'm Gonna Stay Mp3, Flac, Wma
Mary Wells The One Who Really Loves You / I'm Gonna Stay mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: The One Who Really Loves You / I'm Gonna Stay Country: Canada Released: 1962 Style: Soul MP3 version RAR size: 1645 mb FLAC version RAR size: 1523 mb WMA version RAR size: 1925 mb Rating: 4.2 Votes: 944 Other Formats: AA AIFF DTS FLAC MP4 MP3 MOD Tracklist Hide Credits The One Who Really Loves You A 2:26 Producer – Smokey*Written-By – William Robinson* I'm Gonna Stay B 2:40 Written-By, Producer – Berry Gordy, Jr.* Companies, etc. Published By – Jobete Barcode and Other Identifiers Matrix / Runout (A side etched runout): ZTSC84729 Matrix / Runout (A side label): ZTSC.84729 (Motown 1024) Matrix / Runout (B side etched runout): ZTSC-82203 Matrix / Runout (B side label): ZTSC.82203 (Motown 1024) Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The One Who Really Loves You / M 1024 Mary Wells Motown M 1024 US 1962 I'm Gonna Stay (7") The One Who Really Loves You / M 1024 Mary Wells Motown M 1024 US 1962 I'm Gonna Stay (7", Single) The One Who Really Loves You / M-1024 Mary Wells Motown M-1024 US 1962 I'm Gonna Stay (7") The One Who Really Loves You / M 1024 Mary Wells Motown M 1024 US 1962 I'm Gonna Stay (7", Promo) MOTOWN The One Who Really Loves You MOTOWN Mary Wells Motown US 1962 1024 (7", Single) 1024 Related Music albums to The One Who Really Loves You / I'm Gonna Stay by Mary Wells Mary Wells - You Beat Me To The Punch / Old Love (Let's Try It Again) Mary Wells - Laughing Boy / Two Wrongs Don't Make A Right Marvin Gaye & Mary Wells - Together Mary Wells - Greatest Hits The Celibate Rifles - The Turgid Miasma Of Existence Smokey Robinson & The Miracles - Who's Gonna Take The Blame Mary Wells - Two Lovers Mary Wells - My Guy.
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Idioms-And-Expressions.Pdf
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Date of Event Name - Venue - Event Type
Jay's Disco's Playlist Request Form Date Of Event Name - Venue - Event Type - Please either E-mail this form back to [email protected] 2 weeks before your event or Send it to Jay's Disco's, 72 Alexandra Road, Walsall, WS1 4DX 3 weeks before your event. If you havent had a reply from ourselves then please call us on 07919921430 at least 2 days before your event Also if you are sending a copy via post then please keep a copy as I would hate it to get lost in the post. "DO" Play "DON'T PLAY 1 I Heard It Through The Grapevine - Marvin Gaye 2 My Girl - Temptations 3 Reach Out I'll Be There - Four Tops 4 Where Did Our Love Go? - Supremes 5 What's Goin' On? - Marvin Gaye 6 Dancing in the Street - Martha & The Vandellas 7 I Want You Back - Jackson 5 8 Superstition - Stevie Wonder 9 Please Mr. Postman - Marvelettes 10 My Guy - Mary Wells 11 (Love Is Like a) Heat Wave - Martha & The Vandellas 12 Do You Love Me? - Contours 13 Let's Get It On - Marvin Gaye 14 Ain't No Mountain High Enough - Marvin Gaye & Tammi Terrell 15 The Tracks of My Tears - Smokey Robinson & The Miracles 16 Shotgun - Jr. Walker & The All Stars 17 I'll Be There - Jackson 5 18 Baby Love - Supremes 19 Papa Was a Rollin' Stone - Temptations 20 Uptight (Everything's Alright) - Stevie Wonder 21 I Can't Help Myself (Sugar Pie Honey Bunch) - Four Tops 22 The Tears of a Clown - Smokey Robinson & The Miracles 23 Stop! In the Name of Love - Supremes 24 You've Really Got a Hold On Me - Miracles 25 Just My Imagination (Running Away With Me) - Temptations 26 Baby I Need Your
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Biographical Description for the Historymakers® Video Oral History with Mickey Stevenson
Biographical Description for The HistoryMakers® Video Oral History with Mickey Stevenson PERSON Stevenson, Mickey, 1937- Alternative Names: Mickey Stevenson; Life Dates: January 4, 1937- Place of Birth: Detroit, Michigan, USA Residence: West Hollywood, CA Work: CA Occupations: Music Executive Biographical Note Music executive Mickey Stevenson was born on January 4, 1937, in Detroit, Michigan, and raised by his mother, blues singer Kitty “Brown Gal” Stevenson, and stepfather Ted Moore. From the age of eight, Stevenson performed in a singing trio with his younger brothers. In 1950, the group won ﬁrst place at Amateur Night at the Apollo Theater in New York City. However, Stevenson’s musical career halted in 1953 when his mother, the group’s coach and producer, when his mother, the group’s coach and producer, passed away from cancer. Stevenson attended Detroit’s Northeastern High School. Stevenson joined the U.S. Air Force in 1956, where he was part of a special unit that organized entertainment for the troops. While on furlough in 1958, Stevenson saw a performance by the Four Aims—later known as the Four Tops—which inspired him to leave the military and pursue a career in music. Stevenson joined the Hamptones, touring with famed bandleader Lionel Hampton. Upon his return to Detroit, Stevenson met Berry Gordy, who told him of his plans to start a record label. Stevenson brieﬂy worked as a producer and songwriter for Carmen Carver Murphy’s gospel label, HOB Records, until 1959, when Gordy hired him to head the artists and repertoire department at Motown Records. As Motown’s A&R executive, Stevenson was responsible for talent scouting, auditions, and managing the artistic development of recording artists and songwriters.
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Mary Wells Vintage Stock Mp3, Flac, Wma
Mary Wells Vintage Stock mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Vintage Stock Country: US Style: Soul MP3 version RAR size: 1737 mb FLAC version RAR size: 1543 mb WMA version RAR size: 1499 mb Rating: 4.3 Votes: 477 Other Formats: ADX AHX MOD VQF DXD XM APE Tracklist A1 The One Who Really Loves You A2 When I'm Gone A3 He's The One I Love A4 Two Lovers A5 Guarantee (For A Lifetime) A6 Honey Boy B1 My Guy B2 Every Body Needs Love B3 You Beat Me To The Punch B4 I'll Be Available B5 One Block From Heaven B6 Goodbye And Good Lock Notes No track times given, spelling errors copied from labels, see scans. Barcode and Other Identifiers Matrix / Runout (A): SLW-1586-A, HS-1432, TR4S -0431-1-A Matrix / Runout (B): SLW-1586-B, HS-1433, TR4S -0432-1-A Other versions Category Artist Title (Format) Label Category Country Year Vintage Stock (LP, MT 653 Mary Wells Motown MT 653 US 1966 Album, Comp, Mono) Vintage Stock (LP, M 653 Mary Wells Motown M 653 Canada 1966 Album, Comp) Vintage Stock (LP, MS 653 Mary Wells Motown MS 653 US 1966 Album, Comp) Vintage Stock (LP, Motown, MS-653, 653 Mary Wells MS-653, 653 US 1966 Comp) Motown Motown, 653, MT653, Vintage Stock (LP, 653, MT653, Mary Wells Motown, US 1966 MT 653 Comp, Mono, Roc) MT 653 Motown Related Music albums to Vintage Stock by Mary Wells Mary Wells - Recorded Live On Stage Mary Wells - The One Who Really Loves You / I'm Gonna Stay Four Tops - Motown Vintage Gold Various - A Package Of Original 16 Big Hits Marvin Gaye & Mary Wells - Together Mary Wells - You Beat Me To The Punch / Old Love (Let's Try It Again) Mary Wells - Mary Wells Mary Wells - Super Hits Various - Top 10 With A Bullet - "Motown Girl Groups" Various - A Package Of 16 Big Hits Mary Wells - Bye Bye Baby / The One Who Really Loves You Mary Wells - My Guy.
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The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music.
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Deal Signed by Jagger& Richard •••Mathews Runs Date* CBS France Records Go Behind Iron Curtain
Senator Dirksen: Artist With A Bullet • • • Wolpin Exits Famous Jan. 1 • • Bell To Handle New Greene- Stone Labels* $1 Mil Writer Deal Signed By Jagger& Richard •••Mathews Runs Date* CBS France Records Go Behind Iron Curtain Int'l Section FRONT COVER: AND ALONG CAME THE ASSOCIATION Begins Pg. 55 p All the dimensions of a#l smash! *smm 1 4-439071 P&ul Revere am The THE single of '66 B THE SPIRIT OP *67 from this brand PAUL REVERE tiIe RAIDERS INCLUDING: HUNGRY THE GREAT AIRPLANE new album— STRIKE GOOD THING LOUISE 1001 ARABIAN NIGHTS CL2595/CS9395 (Stereo) Where the good things are. On COLUMBIA RECORDS ® "COLUMBIA ^MAPCAS REG PRINTED IN U SA GashBim Cash Bock Vol. XXVIII—Number 22 December 17, 1966 (Publication Office) 1780 Broadway New York, N. Y. 10019 (Phone: JUdson 6-2640) CABLE ADDRESS: CASHBOX, N. Y. JOE ORLECK Chairman of the Board GEORGE ALBERT President and Publisher NORMAN ORLECK Executive Vice President MARTY OSTROW Vice President LEON SCHUSTER Disk Industry—1966 Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Associate Editor RICK BOLSOM ALLAN DALE EDITORIAL ASSISTANTS MIKE MARTUCCI JERRY ORLECK BERNIE BLAKE The past few issues of Cash Box Speaking of deals, 1966 was marked Director Advertising of have told the major story of 1966. by a continuing merger of various in- ^CCOUNT EXECUTIVES While there were other developments dustry factors, not merely on a hori- STAN SO I PER BILL STUPER of considerable importance when the zontal level (label purchases of labels), Hollywood HARVEY GELLER, long-range view is taken into account, but vertical as well (ABC's purchase of ED ADLUM the record business is still a business a wholesaler, New Deal).
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