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2019 27th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, TORUŃ, 9–16 NOVEMBER last updated on Nov. 7th, 2019 CKK JORDANKI Festival Centre - Main Screening Room Time: SATURDAY, 9.11 SUNDAY, 10.11 MONDAY, 11.11 TUESDAY, 12.11 WEDNESDAY, 13.11 THURSDAY, 14.11 FRIDAY, 15.11 SATURDAY, 16.11 9.00 9.30 10.00 10:00 10:00 10:00 10:00 10:00 10:00 - CHAOS - CRU - BIKE OF A BOY 10.30 MISTER T. AMUNDSEN - WHAT REMAINS - F FOR FREAKS - BITTER HERB ALL FOR MY MOTHER Poland Norway - READING GAOL - TOM - ANIMALS Poland - DAY RELEASE - 17 HOURS - JAKAB 11.00 104’ 120’ - MEMORIES OF TOMORROW - GRENADINE - MARIAM AND NATHAN 104’ - NOVEMBER 1ST - THE LAST CHILDREN - MY WAR 11.30 Q P Q C - LEFTY/RIGHTY IN PARADISE SC - XIAO XIAN Q P - SKIN - ENCAGED FLOWER 12.00 SC 12.30 12:30 12:30 12:30 SC 12:30 ICARUS. DOLCE FINE 13:00 13.00 THE LEGEND BOLDEN GIORNATA USA Poland OF MIETEK KOSZ 13:30 13.30 108’ 96’ Poland 14.00 THE IRISHMAN Q P 122’ SHADOW Q C USA NEVER Q P China, Hong Kong 14.30 209’ LOOK AWAY Germany, Italy 116’ 15:00 15:00 15.00 189’ THE LAST Q C 15:30 15.30 BLACK MAN ARRI CORPUS CHRISTI BIG SCREEN Poland 16.00 Q C IN SAN FRANCISCO EXPERIENCE USA Q C 16:15 115’ 16.30 120’ Q C Q P 17:00 TERMINATOR: 17.00 17:00 MUSIC VIDEOS 17:00 17:15 DARK FATE THE COLDEST GAME COMPETITION 17.30 OPENING 17:45 USA, China Poland ZEISS VALLEY 17:45 CEREMONY SCREENING EVENT 121’ 18.00 100’ OF THE GODS CLOSING with Rodrigo Prieto S 18.30 Q P Poland, Luxembourg MOTHERLESS CEREMONY 131’ BROOKLYN 19.00 USA 19:15 Q S 19:15 19:15 19.30 19:30 19:30 144’ JOKER MR. JONES 20.00 Q C AN OFFICER FORD v FERRARI USA, Canada 20:15 Poland, UK, Ukraine THE PAINTED BIRD 20.30 AND A SPY / LE MANS ‘66 122’ 118’ 20:30 France, Italy Czech Republic USA THE TWO POPES 169’ 21:00 21.00 132’ 152’ Q C UK, Italy, Q C ONCE UPON Argentina, USA A TIME... 21.30 C 125’ BURN YOUR MAPS Q C USA IN HOLLYWOOD 22.00 22:00 Q C Q C 22:00 102’ USA, UK, China 161’ 22:30 AFTER 22.30 John Bailey Retrospective 22:45 THE WEDDING UNCUT GEMS S DEATH 23:00 23:00 23.00 USA USA TO SMOOCHY 135’ UK, Germany, USA THE KING 110’ THE SONG 23:30 23.30 109’ UK, Hungary, Australia OF NAMES S WAVES 133’ Canada, Hungary 0.00 Danny DeVito Retrospective USA S PAIN AND GLORY 113’ 135’ Spain 0.30 W S 113’ 1.00 W W All films are in both Polish and English unless specified otherwise C – Main Competition DS – Documentary Shorts Competition S – Special Screening D – Documentary Special Screening P – Polish Films Competition SC – Student Etudes Competition DF – Documentary Features Competition Q – Q&A with filmmaker(s) W – Contemporary World Cinema CKK Jordanki Press Conference Room 2019 27th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, TORUŃ, 9–16 NOVEMBER HORZYCA THEATRE Documentary Centre Time: SATURDAY, 9.11 SUNDAY, 10.11 MONDAY, 11.11 TUESDAY, 12.11 WEDNESDAY, 13.11 THURSDAY, 14.11 FRIDAY, 15.11 SATURDAY, 16.11 9.00 9.30 10.00 10:00 10:00 10:00 10:00 10:00 10:00 COMPULSORY RENÉ EASY LESSONS TRANSNISTRA THE LAST FIGURES F 10.30 Czech Republic Hungary Sweden, MOUNTAIN 79’ Poland Denmark, Belgium D Poland 11.00 83’ D 72’ D 95’ 83’ Helena Třeštíková Retrospective D D 11.30 Q&A 11:45 12:00 12:00 BY THE NAME 12.00 MAREK EDELMAN 12:15 12:15 WHERE WE BELONG ...AND THERE WAS OF TANIA Switzerland SAKAWA Peru, Belgium IN TOUCH 12.30 12:45 LOVE IN THE GHETTO Poland, Iceland 78’ Poland, Germany Belgium 85’ 13.00 DF 80’ DF 81’ DF 61’ DF HONEYLAND DF 13.30 Macedonia Q&A Q&A Q&A Q&A 87’ Q&A 14.00 DF Q&A 14:30 14:30 14:30 14:30 14.30 14:45 15.00 B C G ALMOST HUMAN D Denmark, 45’ 15.30 15:30 DS DS DS DS HI, AI 16.00 A Q&A Q&A Q&A Q&A Germany, 88’ 16.30 DS D 17.00 Q&A 17:00 17:00 17:00 17:00 MIDNIGHT FAMILY NIGHTINGALES THE NAKED KING LONG DAY 17.30 Mexico, USA HIDE NO SECRETS - 18 FRAGMENTS TOMORROW 17:30 81’ Poland, 58’ DF ON REVOLUTION Poland THE MAGIC 18.00 18:00 DF Switzerland, 80’ DF LIFE OF V Q&A Poland, Germany, Finland, A HOUSE FOR YOU 108’ Denmark, Bulgaria Iran DF Q&A 18.30 87’ 70’ DF 19.00 DF 19:00 Q&A KATKA 19:15 Q&A 19:30 19.30 Q&A Czech Republic LINDA RONSTADT: 92’ THE SOUND SOMEBODY 20.00 OF MY VOICE 20:00 UP THERE LIKES ME USA UK 20:15 20:30 Helena Třeštíková Retrospective FROM WITHIN 71’ 20.30 94’ D Poland D ROLLING THUNDER 21.00 A MARRIAGE STORY Q&A 90’ Q&A REVUE: A BOB DYLAN Czech Republic 21:15 D STORY BY 21.30 102’ FORMAN vs. FORMAN MARTIN SCORSESE Czech Republic, France USA 22:00 22:00 142’ 22.00 Helena Třeštíková Retrospective 78’ 22:15 Helena Třeštíková Retrospective THE LAST SWING MALLORY D Poland 22.30 Q&A Czech Republic 59’ E D 97’ 23.00 D Q&A Helena Třeštíková Retrospective 23.30 0.00 All films are in both Polish and English unless specified otherwise DF – Documentary Features Competition DS – Documentary Shorts Competition D – Documentary Special Screening A THE OPPOSITE OF LOVE IS NOT HATE, Israel, 28’; MAN IN A BOX, Poland, 8’; REFLECTING ICE, Finland, 28’ DS B FAR AWAY, Kyrgyzstan, 20’; POLYFONATURA, Norway, 20’; THE WATCHMAN, Belgium, China, 22’ DS C CITY OF CHILDREN, UK, 16’; KAMALI, India, 24’; MY SLEEPLESS DARKNESS, Poland, 8’; HYDEBANK, Northern Ireland, Scotland, 16’ DS D THE SIX DEGREES OF FREEDOM, Spain, 20’; TAM TAM - OUTSIDE THE LINES, UK, 6’; ONESELF, Netherlands, 30’ DS E WEIRDY, Poland, 29’; GRANDPA FIRE, Spain, 20’; I WAIT, Spain, 16’ D F AMPHI, Denmark, 30’; SIMPLE THINGS, Israel, 31’ D G THEN COMES THE EVENING, Serbia, Bosnia & Herzegovina, 28’; SANATORIUM, Netherlands, 20’; THE TOUGH, Poland, 14’ DS 2019 27th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, TORUŃ, 9–16 NOVEMBER CINEMA CITY Screening Room No. 10 and No. 4 SATURDAY, 9.11 SUNDAY, 10.11 MONDAY, 11.11 TUESDAY, 12.11 WEDNESDAY, 13.11 THURSDAY, 14.11 FRIDAY, 15.11 SATURDAY, 16.11 Time: Screening Room No. 10 Screening Room No. 10 Screening Room No. 4 Screening Room No. 10 Screening Room No. 4 10.30 11.00 11.30 12:00 12:00 12:00 12.00 12:00 HARBOR 12:00 HOMECOMING ARDE MADRID PICTURE COMPANY EUPHORIA IMAGO 12.30 1 5 Cinematographer & Colorist: THE CREATIVE PROCESS 9 DIVERSE VOICES with Bradford Young panel discussion on MY BRILLIANT FRIEND MOTHERFATHERSON & Ed Lachman 13.00 WHEN THEY SEE US the necessity of diversity TV 2 TV 6 10 in film production 13.30 TV Q&A 14:00 Snacks and drinks 14.00 MARIETTE Q&A sponsored by HAWK 14.30 IN ECSTASY 14:45 USA 15.00 15:00 101’ 15:00 15:00 TOY STORY 4 PANAVISION John Bailey Retrospective 100 YEARS OF ASC 15.30 USA A Cinematic CINEMATOGRAPHY THE LION KING Retrospective MEETING WITH 100’ with guest USA with John Bailey JOHN BAILEY, cinematographers 16.00 GERALDINE O’RAWE 118’ S in conversation with and Stephen Pizzello David Heuring & PAUL SAROSSY moderated by 16.30 Benjamin B S 17.00 17:00 17:15 17:15 SEMINAR THE LITTLE 17:30 THE MILL 17:30 Caleb Deschanel & Rob Legato 17.30 & THE CROSS DRUMMER GIRL JUST FOR TODAY THE LION KING Poland, Sweden THE RED SEA from Reality to Virtual to Real! 18.00 3 7 92’ CHERNOBYL Lech Majewski Retrospective DIVING RESORT 18.30 PERPETUAL GRACE Canada 4 TV 8 MEETING WITH 129’ TV 19:00 19.00 LECH MAJEWSKI Q&A W Q&A 19.30 19:45 BIRD TALK PANASONIC Poland 20.00 20:15 SEMINAR on 138’ 2 0 : 3 0 VANTAGE SEMINAR 20:30 THE RED SEA DIVING RESORT 20.30 with ROBERTO SCHAEFER Checco Varese talks MiniHawks S 21.00 with Peter Martin and David Heuring I’LL FIND YOU USA Q&A A HIDDEN LIFE 21:30 21.30 115’ Germany, USA W 173’ 22.00 MARRIAGE STORY 22:15 IT: CHAPTER TWO Q&A USA A REGULAR WOMAN 22.30 USA 136’ Germany 169’ W 23.00 92’ W B 23.30 0.00 W All films are in both Polish and English unless specified otherwise 1 HOMECOMING: MANDATORY, USA, 27’ TV B – Baltic Cinema Review 2 MY BRILLIANT FRIEND: THE DOLLS, Italy, 54’ TV CD – Cinematographers' Debuts Competition 3 THE LITTLE DRUMMER GIRL, USA, UK, 42’ TV D – Documentary Special Screening 4 CHERNOBYL, USA, UK, 57’ TV DD – Directors' Debuts Competition 5 ARDE MADRID, Spain, 30’ TV FA – Films for Art – Art for Films 6 MOTHERFATHERSON, UK, 60’ TV 7 JUST FOR TODAY, Israel, 45’ TV S – Special Screening 8 PERPETUAL GRACE, LTD, USA, 54’ TV TV – First Look – TV Pilots Competition 9 EUPHORIA, USA, 51’ TV W – Contemporary World Cinema 10 WHEN THEY SEE US, USA, 64’ TV 2019 27th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, TORUŃ, 9–16 NOVEMBER CINEMA CITY Screening Room No.
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    1 1 KVIFF Eastern Promises Book of Projects 2021 1 1 2 2 2 KVIFF Eastern Promises Works in Development – Feature Launch Works in Progress First Cut+ ALIYA 7 A Long Break 18 The Hatcher 32 Bijuterie 8 An Owl, a Garden and the Writer 19 A Hope 33 The Bomber 9 And His Brothers 20 Metamorphoses 34 Brothers 10 Aurora 21 Narcosis 35 Head Nurse 11 Boney Piles 22 A Piece of Sky 36 Leave the Door Open 12 Destiny 23 Power 37 No Reverse 13 Faggots, Friends 24 Upurga 38 Thinking David 14 In the Name of the Mother and of the Father 25 Valeria Gets Married 39 What It Feels Like For a Girl 15 Lucky Girl 26 Tina & Megi 27 Unwanted 28 Victim 29 2 2 3 3 3 KVIFF Eastern Promises Discover New Talents at KVIFF Eastern Promises 2021 Dear Film Industry Professionals, One-on-one meetings will be held online between the days of July 28–Au­ thank you for picking up the Book of Projects – a compilation of various gust 31. The WYTH online platform will make it easy for you to schedule mutu­ projects that are still in the making and that we at KVIFF believe have strong ally available time slots and enable you to meet virtually, yet directly. potential in the upcoming years. This catalogue presents a selection of 29 film projects which are now in development, production or post-produc­ tion and are expected to be duly noted by the international film commu­ nity. The projects will be introduced by filmmakers and producers at several events throughout our online Industry Days.
  • Camerimage, the Uniqueness of a Festival Devoted to the Art of Cinematography”

    Camerimage, the Uniqueness of a Festival Devoted to the Art of Cinematography”

    RLCS, Revista Latina de Comunicación Social, 73 – Pages 614 to 632 [Research] | DOI:10.4185/RLCS-2018-1272en | ISSN 1138-5820 | Year 2018 How to cite this article in bibliographies / References L Cortés-Selva, M Jurado-Martín, L Ostrovskaya (2018): “European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography”. Revista Latina de Comunicación Social, 73, pp. 614 to 632. http://www.revistalatinacs.org/073paper/1272/31en.html DOI: 10.4185/RLCS-2018-1272en Camerimage, the uniqueness of a festival devoted to the art of cinematography Laura Cortés-Selva [CV][ ] [ ] Associate Professor. Universidad Católica de Murcia, UCAM, Spain [email protected] Montserrat Jurado-Martín [CV][ ] [ ] Assistant Professor. Universidad Miguel Hernández, UMH, Spain [email protected] Liudmila Ostrovskaya [CV][ ] [ ] Associate Professor. Universidad de Alicante, UA, Spain [email protected] Abstract [ES] Introducción. Camerimage es uno de los escasos festivales especializado en fotografía cinematográfica sobre el que existe una escasa reflexión. Objetivos. Esta investigación aborda sus estrategias para potenciar la fotografía cinematográfica, los estilos fotográficos impulsados y su repercusión en la carrera de los directores de fotografía. Metodología. Se emplea una triangulación metodológica con técnicas cualitativas y cuantitativas: observación participante; análisis de la programación y de los documentos publicados por el festival; análisis de contenido de los filmes galardonados y análisis de la base de datos imdb. Resultados y conclusiones. El festival se centra en los directores de fotografía, las obras audiovisuales de excelencia fotográfica y una audiencia preocupada por la calidad de la imagen. Para ello, premia la excelencia fotográfica, apuesta por la formación continua, el contacto entre creadores y construye una comunidad.
  • Branding Latin America Film Festivals and the International Circulation of Latin American Films

    Branding Latin America Film Festivals and the International Circulation of Latin American Films

    Branding Latin America Film Festivals and the International Circulation of Latin American Films Laura Rodríguez Isaza Submitted in accordance with the requirements for the degree of Doctor in Philosophy The University of Leeds School of Modern Languages and Cultures Centre for World Cinemas October, 2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others . This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement . Except where otherwise noted, t his work is licensed under a Creative Commons Attribution -Non Commercial- Share Alike 2. 0 UK: England & Wales (CC BY -NC-SA 2.0). Full license conditions available at http://creativecommons.org/licenses/by -nc-sa/2.0/uk/ © 2012 The University of Leeds and Laura Rodríguez Isa za Acknowledgements I am indebted to many people for their support and encouragement to go throughout the different stages of this research. First of all, I would like to thank my supervisors at the Centre for World Cinemas of the University of Leeds without whose backing this research would not have been possible. I am especially indebted to Lúcia Nagib for her committed mentorship and encouragement to continue despite my frequent blockages. Her extensive knowledge and academic rigour enriched this research through a constant ex-change of ideas that helped me not only to express my arguments more clearly on paper but to develop further my thinking about the complexities of cinema as an object of study.
  • Penser, Concevoir Et Éclairer Un Plan En Mouvement Justine Passemard

    Penser, Concevoir Et Éclairer Un Plan En Mouvement Justine Passemard

    Penser, concevoir et éclairer un plan en mouvement Justine Passemard To cite this version: Justine Passemard. Penser, concevoir et éclairer un plan en mouvement. Sciences de l’ingénieur [physics]. 2018. dumas-02019306 HAL Id: dumas-02019306 https://dumas.ccsd.cnrs.fr/dumas-02019306 Submitted on 9 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Penser, concevoir et éclairer un plan en mouvement Mémoire de Master professionnel Justine PASSEMARD Travail réalisé sous la direction de Frédéric CELLY Soutenu le 30 mars 2018 Département Sciences Arts et Techniques de l’Image de du Son (SATIS) Aix Marseille Université Justine PASSEMARD Département Sciences Arts et Techniques de l’Image de du Son (SATIS) Aix Marseille Université Mémoire de Master professionnel Penser, concevoir et éclairer un plan en mouvement Travail réalisé sous la direction de Frédéric CELLY Soutenu le 30 mars 2018 REMERCIEMENTS Je tiens particulièrement à remercier André Turpin, Jérôme Sabourin, Geneviève Perron, trois directeurs de la photographie rencontrés lors de mon semestre de Master 2 à Montréal, qui m’ont consacré beaucoup de temps pour répondre à mes questions et ont apporté de nombreuses réponses à ma problématique.