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Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
72Nd CANNES FILM FESTIVAL « Pierre Angénieux Excellens In
Press Release – April 2019 72nd CANNES FILM FESTIVAL (May 14-25, 2019) « Pierre Angénieux ExcelLens in Cinematography » Tribute to Bruno Delbonnel (A.F.C. and A.S.C.) Friday, May 24, 2019 – 8pm Buñuel Theater, Palais des Festivals Since 2013, as an official partner of the Cannes Film Festival, Angénieux has been paying a tribute to a prominent director of photography during the « Pierre Angénieux ExcelLens in Cinematography » ceremony. This event turns the spotlight on worldwide masters of light, directors of photography, without whom cinema would not exist. After Philippe Rousselot (AFC*, ASC*) in 2013, Vilmos Zsigmond (HSC*, ASC) in 2014, Roger A. Deakins (BSC*, ASC) in 2015, Peter Suschitzky (ASC) in 2016, Christopher Doyle (HKSC*) in 2017 and Edward Lachman (ASC), it is Bruno Delbonnel’s turn to be honored in 2019, at the 72nd Cannes Film Festival, during an exceptional eveninG opened by Thierry Frémaux, presented by French journalist Pierre Zéni and in presence of some of his closest collaborators. Bruno Delbonnel is a world-renowned French director of photography. Born in Nancy in 1957, Bruno Delbonnel first studied philosophy, then graduated from ESEC in the camera and light section, before filming his first and only film at the age of 20 : a short film, Rare Realities. On this film, Jean-Pierre Jeunet was his assistant and Henri Alekan, his DOP… AlonGside the master of black and white photoGraphy, he discovered his passion for liGht was stronGer than directing. He then beGan workinG as a camera assistant during fifteen years for commercials and some feature films, then as a DOP. -
In Cinematography
Sean O’Connor DSG 610 Prof. Hogencamp June 10, 2018 What is Cinematography? In Cinematography: Theory and Practice, Brown defines cinematography simply as the film director and director of photography (DP) collaborating on “the same basic task: storytelling with the camera”1. However, based on further readings in his book and others, as well as the documentary film Visions of Light, cinematography seems much more complicated than that short and simple statement. The medium seems essentially a balancing act, between the artistic and creative aspects of visual storytelling as well as the logistical elements of completing a day’s worth of shooting, getting the light just right, and coordinating several crewmembers operating cameras, lights, and other equipment. Therefore, the duties of a cinematographer range from the creative to the technical, and they are all essential. In terms of creative and artistic choices, Mercado attests that every item contained in the frame, from actors to props, matters: “Anything and everything that is included in the composition of a shot will be interpreted by an audience as being there for a specific purpose that is directly related and necessary to understand the story they are watching.”2 There is no place for arbitrary choices for the cinematographer: every aspect of the framing, lighting, and motion of a shot must have purpose, which that cinematographer must decide creatively based on the story and characters of the film. Because of this, cinematography contributes heavily to story by visually enforcing or affirming the emotions, conflict, and even structure of the story. “There has to be,” continues Mercado, “a direct connection between what takes place in the story and the use of a particular composition.”3 Regarding the notion of visual structure accompanying story structure, Block writes, “Progressions are fundamental to story or musical structure, and they’re fundamental to visual structure. -
Talking Book Topics July-August 2015
Talking Book Topics July–August 2015 Volume 81, Number 4 About Talking Book Topics Talking Book Topics is published bimonthly in audio, large-print, and online formats and distributed at no cost to individuals who are blind or have a physical disability and participate in the Library of Congress reading program. It lists digital audiobooks and magazines available through a network of cooperating libraries and covers news of developments and activities in network library services. The annotated list in this issue is limited to titles recently added to the national collection, which contains thousands of fiction and nonfiction titles, including bestsellers, classics, biographies, romance novels, mysteries, and how-to guides. Some books in Spanish are also available. To explore the wide range of books in the national collection, access the NLS International Union Catalog online at loc.gov/nls or contact your local cooperating library. Talking Book Topics is available online in HTML at www.loc.gov/nls/tbt and in downloadable audio files on the NLS Braille and Audio Reading Download (BARD) service at http://nlsbard.loc.gov/. Library of Congress, Washington 2015 Catalog Card Number 60-46157 ISSN 0039-9183 Where to write Order talking books through your local cooperating library. If you wish to make changes in your current subscription, please also contact your local cooperating library. Patrons who are American citizens living abroad may request delivery to foreign addresses by contacting the overseas librarian by phone at (202) 707-5100 or e-mail at [email protected]. Only send correspondence about editorial matters to: Publications and Media Page 1 of 146 Section, National Library Service for the Blind and Physically Handicapped, Library of Congress, Washington DC, 20542-0002. -
Broadcasting Decision CRTC 2014-71
Broadcasting Decision CRTC 2014-71 PDF version Route reference: 2013-448 Ottawa, 18 February 2014 159272 Canada Inc. Belleville, Hamilton, Kingston, Kitchener, London, Niagara Falls, Oshawa, Ottawa, Sarnia, Sault Ste. Marie, Sudbury, St. Catharines, Toronto (GTA) and Windsor, and surrounding areas, Ontario Application 2013-0631-6, received 23 April 2013 Public hearing in the National Capital Region 5 November 2013 Terrestrial broadcasting distribution undertakings to serve various locations in Ontario The Commission approves an application for a regional broadcasting licence to operate terrestrial broadcasting distribution undertakings to serve various locations in Ontario. The application 1. 159272 Canada Inc. (159272 Canada) filed an application for a regional broadcasting licence to operate terrestrial broadcasting distribution undertakings (BDUs) to serve Belleville, Hamilton, Kingston, Kitchener, London, Niagara Falls, Oshawa, Ottawa, Sarnia, Sault Ste. Marie, Sudbury, St. Catharines, Toronto (GTA) and Windsor, and surrounding areas, Ontario. 2. 159272 Canada is a corporation wholly owned and controlled by Jean Marc Vandette. 3. 159272 Canada requested authorization to distribute, at its option, as part of the basic service, the signals of WBZ-TV (CBS), WHDH-TV (NBC), WCVB-TV (ABC), WFXT (FOX) and WGBH-TV (PBS) Boston, Massachusetts, or alternatively for each signal, the signal of a different affiliate of the same network located in the same time zone as that of the licensed area and included on the List of non-Canadian programming services authorized for distribution, as amended from time to time and approved by the Commission. Interventions and applicant’s reply 4. The Commission received an intervention commenting on the application by the Ontario Ministry of Community Safety and Correctional Services (the Ministry) relating to the broadcast of public safety messages issued by federal and provincial authorities. -
Chapter 6 Resources
Chapter 6 Resources * Resource that includes diversity + Books provided in alternative formats from the National Library Service for the Blind and Physically Handicapped (NLS) ^ Movies/DVDs available with the audio description feature Books *Ada, Alma Flor. The Lizard and the Sun/La lagartija y el sol. Illustrated by Felipe Dávalos. Picture Yearling, 1999. 48 p. (978-0440415312, pap.). Once, a long, long time ago, the sun disappeared from the sky. All the animals went to search for the sun in the rivers and lakes, through the fields and forests, but the sun was nowhere to be found. Little by little all the animals gave up, except for the faithful lizard. Askew, Amanda. The Complete Guide to Space. Sandy Creek, 2015. 144 p. (978-1435161658). Uncover the mysteries of space, from stars and planets to space travel. Explore the International Space Station, meet the Curiosity rover, and learn how to observe the night sky. Ball, Nate. Let’s Investigate with Nate: The Solar System. Illustrated by Wes Hargis. HarperCollins, 2017. 40 p. (978-0062357427, pap.). Ever look up at the sky and wonder how many planets there are? Or want to know how many Earths could fit within the sun? Take a ride 3.6 billion miles away to answer these questions while exploring with a team of adventurous scientists. Bang, Molly, and Penny Chisholm. Rivers of Sunlight: How the Sun Moves Water Around the Earth. Blue Sky, 2017. 48 p. (978-0545805414). From sea to sky, the sun both heats and cools water, ensuring that life can exist on Earth. -
Va# IMAGO 2012 REPORT A
IMAGO 2012 REPORT – BYGDOSZCZ, POLAND I arrived in Bygdoszcz, Poland on a very overcast rainy day on Thursday, November 23, and it remained that way until the day I left, a week later. Primarily I was there to attend the Extraordinary Meeting of IMAGO, but took the opportunity to attend the 20th Anniversary of Camerimage… a true visual feast!! Before I begin, it’s important to remember that the ACS became a part of IMAGO because of the lobbying and the work done by former President, Ted Rayment ACS. It was his “foot in the door” that has made it possible for me to continue and to build on the relationship we have with IMAGO and the member countries, of which there are 47 European countries and 15 Non-European countries. This IMAGO meeting was a non-voting one, and only recommendations from the delegates could be put to the IMAGO Board for further determination, in order to vote on them at the IAGA (AGM) in February. The IMAGO Agenda was a very full one, and we didn’t manage to get through everything that needed to be discussed. I do believe that these meetings need to be scheduled subject to the agenda, and consideration should be given to having a 2-day meeting when required. As former National Secretary, Velinda Wardell ACS was attending Camerimage, I asked her to attend the IMAGO meeting as a second ACS representative. Mark Swadel, who lives and works in the UK, represented the NZCS. There were also around 33 other delegates representing the other Societies, including our very own Peter Hannan ACS BSC who was, on this occasion representing the BSC. -
Creating Video Multimedia-Products
Creating Video and Multimedia Products That Are Accessible to People with Sensory Impairments And How Universal Design Features Benefit Everyone by Sheryl Burgstahler, Ph.D. DVDs, streaming video on the web, and films Access for People Who are Deaf present engaging instructional tools. Everyone Millions of people worldwide experience enough benefits from dynamic visual displays and dialog. hearing loss to affect their ability to watch a Well, not everyone. Viewers who are deaf miss all television program at a standard volume level. audio content not also presented in a visual form. Some people are born deaf or hard of hearing, Those who are blind can access the visual content some experience a hearing loss from an accident also presented in spoken form. It is usually not or illness, and many gradually lose their ability difficult to make video and multimedia accessible to hear. The elderly are the fastest growing group to viewers with sensory impairments, but special of individuals who are deaf or hard of hearing. considerations should be made at the design Captions on videos allow full accessibility to these phase to ensure complete access to everyone. people. It is also easier and less costly than providing accommodations to viewers with sensory To experience watching a multimedia product impairments once they need to access the media. without the ability to hear, turn off the volume during a video presentation. Some programs, Universal Design such as sporting events, are fairly easy to follow Universal design is defined by the Center by watching the visual display. Others, like news for Universal Design at North Carolina State programs, make little sense without access to the University as “the design of products and audio content. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
PRESALES LINE-UP 2021 ©Mastiff
C=0 M=56 Y=75 K=0 reservoir docs PRESALES LINE-UP 2021 ©Mastiff TEASER LEGACY Password: jazz By Manal Masri (filmmaker of the awardedLetters to a Serial Killer) Sweden • 90’ & 6X30’ 1 PRESALES LINE-UP 2021 • RESERVOIR DOCS Legacy The Scandinavian legacy of American jazz musicians Imagine that Drake, Kendrick Lamar, Beyonce and Cardi B all Production: moved to Scandinavia. They played gigs at local clubs and toured Mastiff school auditoriums all over their adopted countries, while finding In coproduction with partners and having children at the same time. SVT, DR, YLE Budget: This did happen, just in a previous era. From the late 1950s up to 591K€ the 1970s, some of the greatest African-American jazz musicians Expected delivery: moved to Sweden/Scandinavia, making new families and a lasting Winter 2021/2022 musical impression on the country. Assets already available: Teaser, Project description with Legacy is an account of their lives, their music and their families comprehensive cast (Quincy and their legacies. We follow their children, now grown, who share Jones, Clint Eastwood, …) their stories for the first time: about growing up with a world-fa- What we are looking for: mous father, yet getting teased at school about their dark skin. Presales (TV and all rights distribution deals), A European coproduction This series is as much a documentary about music as it is a por- partner, trait of how individual experiences of race, visions of society and a passionate US executive artistic dreams intersect, giving rise to an entirely new musical -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
PL 16-17 (Affiche Programme 22/07)
LES JEUDIS CINEPHILIQUES DE PLAN(S) LIBRE(S) 2016-2017 SALLE MELIES SAINT FRANCOIS EVENTS HOR SCENE AUTEUR-TITRE AN DUR COU NAT DIR PHOTO DISTINCTIONS 13/10 MICHAEL CIMINO 2017 : DÉCÈS DE SÉANCE D’OUVERTURE HEAVEN’S GATE 1980 MICHAEL CIMINO HOMMAGE À 20H (La porte du Paradis) Rest 216 COU USA Vilmos Zsigmond réalisateur et Version intégrale 2014 Vilmos ZSIGMOND MICHAEL CIMINO Director’s Cut restaurée chef opérateur du film (1939-2017) FRITZ LANG 10/11 LE SECRET DERRIERE LA PORTE Stanley Cortez JOURNÉE 9H 1947 99 NB ALL (Secret beyond the Door) ELOGE DE L’OMBRE Version numérique restaurée ÉCRANS DÉMONIAQUES Inspiré de la ville futuriste FRITZ LANG d'Antonio Sant'Elia 152 architecte italien futuriste. FRITZ LANG 14H METROPOLIS 1927 NB ALL Günther Krampf I. (rest) 1er film inscrit sur le Version numérique restaurée Registre de la Mémoire du monde de l’Unesco. DAVID LYNCH ERASERHEAD Herbert Cardwell, Antenne d'or au Festival 19H Version numérique restaurée 1977 89 NB USA Frederick Elmes international du film fantastique d’Avoriaz 1978 1er film de David Lynch II. DAVID LYNCH César du meilleur film étranger 1982 DAVID LYNCH Grand Prix du Festival 21H BLUE VELVET 1980 125 NB USA Freddie Francis international du film Version numérique restaurée fantastique d'Avoriaz, 1981. British Academy Film Award du meilleur film Palme d’or M-A ANTONIONI Cannes 1967 19H BLOW UP 1967 112 COU ITA Carlo Di Palma NSFC Award meilleur Version numérique restaurée réalisateur 1967. WHAT IS REAL ? Prix 1968 de la critique 08/12 BRIAN DE PALMA 21H BLOW OUT 1981 107 COU USA Vilmos Zsigmond Version numérique restaurée Grand prix du cinéma ROBERT BRESSON de création au Festival Pasqualino De L’ARGENT de Cannes 1983 (à 19H 1983 85 COU FRA Santis Emmanuel version restaurée l'unanimité et ex æquo Machuel 12/01 Dernier film avec Nostalghia d'Andreï Tarkovski) ARGENT/POUVOIR Meilleur Réalisateur MAINS SALES par le National Society J.C CHANDOR Independent Spirit CERVEAUX CLEAN MARGIN CALL Awards 2012 : Robert 2011 107 COU USA Frank G.