DOCSLIB.ORG

CAMERIMAGE 2017 25Th INTERNATIONAL FILM FESTIVAL of the ART of CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CAMERIMAGE 2017 25Th INTERNATIONAL FILM FESTIVAL of the ART of CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER CAMERIMAGE 2017 25th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER as of Nov. 4th, 2017 OPERA NOVA Festival Center - Main Screening Room Time: SATURDAY, 11.11 SUNDAY, 12.11 MONDAY, 13.11 TUESDAY, 14.11 WEDNESDAY, 15.11 THURSDAY, 16.11 FRIDAY, 17.11 SATURDAY, 18.11 9.00 9.30 10.00 10:00 10:00 10:00 10:00 10:00 10:00 HOCHELAGA, - BLACK HOURS - LÉO - COME OUT OF THE WOODS 10.30 LAND OF SOULS - HEIMAT - BENNY GOT SHOT - A CAR CALLED VICTORY SPOOR ON BODY - THE CHOCOLATE SOLDIER - DREAMING OF WARSAW - ALL OF US Sweden, Switzerland, Canada - ROCCO - SÄDE - MANNERS OF DYING AND SOUL 11.00 100’ - A CRAFTSMAN - FROM MARS AND VENUS - TIME TO GO Poland, Germany, Hungary C SC - EARTHLY PEOPLE - ORIGIN Czech Republic 116’ 11.30 128’ SC C SC P 12.00 12:15 12:15 12.30 THE RECONCILIATION THE DAMNED ONE 12:45 12:45 13:00 13:00 13.00 Poland Poland I’M A KILLER 87’ 105’ WONDERSTRUCK BIRDS ARE SINGING SWEET COUNTRY Poland 13.30 P USA P IN KIGALI Australia 112’ 14.00 117’ Poland 110’ 113’ P 14.30 14:30 C C THE BUTCHER, 14:45 P THE WHORE AND 15.00 15:15 THE ONE-EYED MAN MOTHER! 15:30 15:30 15.30 Hungary USA TWIN PEAKS 15:45 LET’S TALK ABOUT WONDER WHEEL 100’ 121’ 16.00 C Part 1 & 2 - WE TAKE YOU SENSE8 USA - HAREVAN panel discussion with USA - LIKE FATHER, LIKE SON 100’ 16.30 C - LUCHA: FIGHT, WRESTLE, Lana Wachowski 120’ C 17:00 STRUGGLE and John Toll, ASC 17.00 17:00 S - ACROSS THE STREET SC 17:00 ART OF LOVING, THE STORY OF 17:30 17:30 17.30 OPENING Q&A 17:45 CEREMONY MICHALINA AMOK WITH DAVID LYNCH 18:00 18:00 18.00 BEYOND WORDS CLOSING WISLOCKA Poland ARRI Poland Poland CEREMONY 18.30 107’ BIG SCREEN EVENT 121’ P MUSIC VIDEOS 90’ 19:00 SONY P 19.00 P PRESENTATION COMPETITION MURDER ON CineAlta VENICE Screening 19.30 THE ORIENT 19:45 19:45 20.00 EXPRESS 20:00 20:00 USA, Malta FIRST 20:15 20.30 114’ THEY KILLED MY THREE BILLBOARDS BRIMSTONE 20:30 LOVELESS VOLHYNIA 20:45 S FATHER OUTSIDE EBBING, Poland Netherlands, Belgium, THE SHAPE 21.00 Russia, France Cambodia, USA MISSOURI STILL LIFE France, Germany, Sweden, OF WATER 127’ 149’ 21.30 136’ USA, UK France UK, USA USA C 115’ 82’ 132’ 119’ 22.00 C C C C S 22:15 C 22.30 22:45 DOWNSIZING 23:00 23:00 23:00 23:00 23:00 23.00 USA OUR SOULS RABBIT-PROOF THE ONLY 23:15 AN ORDINARY MAN BATTLE 23.30 135’ AT NIGHT FENCE LIVING BOY USA ONLY THE BRAVE USA, Serbia IN NEW YORK OF THE SEXES Australia MARSHALL 103’ USA 90’ USA UK, USA 0.00 S 94’ USA S 133’ S S 88’ W 121’ 0.30 118’ W S 1.00 S 1.30 All films are in both Polish and English unless specified otherwise / Wszystkie filmy w polskiej i angielskiej wersji językowej o ile nie zaznaczono inaczej C – Main Competition DS – Documentary Shorts Competition S – Special Screening D – Documentary Special Screening E – European Panorama SC – Student Etudes Competition DF – Documentary Features Competition P – Polish Films Competition W – Contemporary World Cinema CAMERIMAGE 2017 25th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER OPERA NOVA Festival Center - Documentary Screening Room Time: SATURDAY, 11.11 SUNDAY, 12.11 MONDAY, 13.11 TUESDAY, 14.11 WEDNESDAY, 15.11 THURSDAY, 16.11 FRIDAY, 17.11 SATURDAY, 18.11 9.00 9.30 9:45 9:45 9:45 9:45 9:45 9:45 B D BOBBI JENE 10.00 LAW AND ORDER MAKALA CITY OF GHOSTS Q&A Denmark, Sweden, USA PRESS CONFERENCE France USA 10.30 Israel, USA 81’ 96’ E 90’ 94’ D D D 11.00 Frederick Wiseman Retrospective 11:15 Q&A COME BACK FREE 11.30 PRESS CONFERENCE D Estonia, 52’ D 12.00 12:00 12:00 12:00 THE ON YOGA THE NORMAL AUTISTIC 12:30 GOOD POSTMAN 12:30 ARCHITECTURE 12.30 Finland, Bulgaria FILM 12:45 RADIO KOBANÎ OF PEACE Czech Republic KREATURA 82’ DF Netherlands Brazil 13.00 POTENTIAE Germany 87’ Mexico 70’ 86’ DF DF 58’ Q&A 98’ DF DF 13.30 PRESS CONFERENCE Q&A PRESS CONFERENCE DF Q&A Q&A 14.00 PRESS CONFERENCE PRESS CONFERENCE 14:15 14.30 Q&A 14:30 PRESS CONFERENCE 14:45 H 15.00 15:00 D 15:00 G DS 15:30 DS 15.30 C F Q&A DS Q&A PRESS CONFERENCE DS DS 16.00 A PRESS CONFERENCE Q&A Q&A Q&A PRESS CONFERENCE DS 16.30 PRESS CONFERENCE PRESS CONFERENCE 16:45 Q&A 17:00 17.00 PRESS CONFERENCE 17:15 GREY MATTER 17:30 LAST MEN 17:30 THE NEW WILD: LIFE Netherlands 17.30 IN ALEPPO IN THE 90’ 18:00 Denmark, Syria, Germany LIFE IS BE ABANDONED LANDS DF 18.00 Georgia UK, Austria, Italy TO STAY ALIVE: 110’ DF 68’ Q&A A METHOD EX LIBRIS: DF 82’ 18.30 Q&A PRESS CONFERENCE Netherlands NEW YORK DF Q&A PRESS CONFERENCE 70’ DF 19.00 PUBLIC LIBRARY PRESS CONFERENCE Q&A Q&A USA PRESS CONFERENCE 19:30 19.30 PRESS CONFERENCE 197’ 19:45 GRACE JONES: 20:00 OUT OF THE 20.00 BLOODLIGHT WATER AND SUGAR: 20:15 LIMELIGHT 20:30 AND BAMI 20.30 MIFUNE: Frederick Wiseman Retrospective CARLO DI PALMA, GRAY HOUSE Poland THE COLOURS OF LIFE USA 86’ Ireland, UK THE LAST SAMURAI Q&A 115’ 21.00 PRESS CONFERENCE Italy 76’ D Japan 90’ D D D 80’ Q&A 21.30 D Q&A Q&A PRESS CONFERENCE Q&A Q&A PRESS CONFERENCE PRESS CONFERENCE PRESS CONFERENCE 22.00 PRESS CONFERENCE 22.30 23.00 23.30 All films are in both Polish and English unless specified otherwise / Wszystkie filmy w polskiej i angielskiej wersji językowej o ile nie zaznaczono inaczej A LEOCADIA’S DREAM, Poland, 18’; ONE TWO ZERO, Poland, 15’; WATANI: MY HOMELAND, USA, 40’ DS B GREGORY CREWDSON: THERE BUT NOT THERE, USA, 24’ D C OVERPROTECTED. 30 YEARS OF LONELINESS, Ukraine, 37’; ZHALANASH – EMPTY SHORE, Poland, 40’ DS D THE WHITE HELMETS, UK, 40’; THE LAKE, Russia, 30’ DS E POMOR WOMEN, Russia, 26’; NOWHERE, Finland, 22’; COLLECTION, Poland, 19’; DUST, Poland, 25’; VOLTE, Poland, 14’; THE KODACHROME ELEGIES, USA, 11’ D F EDITH+EDDIE, USA, 29’; FIND FIX FINISH, Germany, 20’; SOUKEINA, 4400 DAYS OF NIGHT, Spain, 28’ DS G CUCLI, Spain, 17’; LAND OF THE WIND, UK, Argentina, 19’; THE GOOD FIGHT, Brazil, 16’; SYMBIOPHONY, Poland, 15’; BEDTIME STORIES, Poland, 11’ DS H INNER ME, Democratic Republic of Congo, Italy, 30’; BETWEEN US, Poland, 30’; WORDS OF CARAMEL, Spain, 20’ DS CAMERIMAGE 2017 25th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER MULTIKINO Screening Room no. 6 Time: SATURDAY, 11.11 SUNDAY, 12.11 MONDAY, 13.11 TUESDAY, 14.11 WEDNESDAY, 15.11 THURSDAY, 16.11 FRIDAY, 17.11 SATURDAY, 18.11 10.30 11.00 11.30 11:30 11:30 11:30 11:30 11:30 11:30 11:30 1 THE WIRE (01/01) THE DEUCE MALTESE LEGION THE SOPRANOS 12.00 CONVOY D 4 11 16 21 Poland 8 Q&A 12.30 105’ PRESS CONFERENCE THE WIRE (01/02) TV MEYER’S LAW GOGOL THE SOPRANOS 5 Q&A 12 17 22 13.00 B H PRESS CONFERENCE TV TV H Q&A 13:30 Q&A Q&A 13.30 PRESS CONFERENCE PRESS CONFERENCE PRESS CONFERENCE 14.00 2 14:00 14:00 14:00 SOUTH 14:30 14.30 A Ireland 14:30 14:30 SING STREET THE WHITE GIRL 75’ THE THIN RED LINE THE GARBAGE MENASHE Ireland, UK, USA 15:00 I USA 15.00 Hong Kong Canada, USA HELICOPTER 106’ MATT SKINNER SEMINAR 164’ 82’ 15.30 100’ (IADT) Sweden, Qatar W I S Seeking the visual source 100’ 16:00 Q&A 16.00 B PRESS CONFERENCE 16:15 GAME OF THRONES MEETING WITH Q&A 16:30 16.30 6 John Toll Retrospective PRESS CONFERENCE CHRIS DOYLE, H ED LACHMAN, 17:00 17:00 17:00 HOUNDS OF LOVE 17.00 ANTHONY DOD MANTLE MEETING WITH Australia – “LIKE A VIRGIN” SANCTUARY JOHN TOLL, ASC 17:30 BABYLON BERLIN 17.30 SEMINAR Ireland 17:45 THE 18 108’ 87’ HANDMAID’S TALE 18.00 13 BLACK SPOT W I 19 18.30 7 18:30 TRANSFER TV 18:45 GENIUS Q&A 14 TV 19:00 19.00 COCAINE 9 PRESS CONFERENCE 19:15 A TV GODMOTHER Q&A JULES AND JIM 19.30 3 D USA PRESS CONFERENCE France 20.00 100’ 20:00 105’ W 20:15 THE CHRONICLES 20:30 20:30 OF MELANIE Remembering the Masters: 20.30 20:45 20:45 Raoul Coutard MUSIC VIDEOS GAME OF THRONES Latvia, Czech Republic, MEETING WITH 10 21.00 GUILLERMO NAVARRO SPECIAL D 15 Finland BRAVEHEART H PRESENTATION 107’ 21:30 21.30 USA B 177’ 22.00 22:00 Q&A 22:15 PRESS CONFERENCE SOUL ON A STRING 22:30 22:30 22.30 JUPITER’S MOON ALPHAVILLE China IT COMES AT NIGHT Hungary, Germany Italy, France 141’ GET OUT 23:00 23.00 USA John Toll Retrospective 123’ 99’ USA GAME OF THRONES 91’ Remembering the Masters: 23.30 S 104’ E Raoul Coutard 20 W H 0.00 S All films are in both Polish and English unless specified otherwise / Wszystkie filmy w polskiej i angielskiej wersji językowej o ile nie zaznaczono inaczej 1 LEBENS[T]RAUM: YOUNG REFUGEES IN GERMANY, Germany, 55’ D 10 HOTEL SUNRISE, Slovakia, 49’ D 2 FISHTALE, Ireland, 8’; JUST A LITTLE BIT OF LOVE, Ireland, 5’; FRUIT 15, Ireland, 15’; 11 MALTESE, Italy, 58’ TV FALL INTO HALF – ANGEL, Ireland, 7’; THE TWENTY SECOND PLASTIC LOVE AFFAIR, Ireland, 13’; 12 MEYER’S LAW: SURVIVOR, Netherlands, 48’ TV THE BRAINEATER, Ireland, 10’; THE PAWN, Ireland, 5’; SHRINE “NO ONE KNOWS”, Ireland, 5’; 13 THE HANDMAID’S TALE: OFFRED, USA, 57’ TV THE BOY MURDER, Ireland, 18’; UNDRESSING MY MOTHER, Ireland, 6’ A 14 TRANSFER, France, Belgium, 57’ TV 3 ON THE ROAD, Poland, 29’ D 15 GAME OF THRONES (SEASON 05/08): HARDHOME, USA, 58’ H 4 THE WIRE (SEASON 01/01): THE TARGET, USA, 62’ H 16 LEGION: CHAPTER 1, USA, 64’ TV 5 THE WIRE (SEASON 01/02): THE DETAIL, USA, 55’ H 17 GOGOL: GOGOL, Russia, 53’ TV 6 GAME OF THRONES (SEASON 01/01): WINTER IS COMING, USA, 60’ H 18 BABYLON BERLIN, Germany, 47’ TV 7 THE PUPPET, Ireland, 8’; AUNT, Ireland, 8’; ECHO, Ireland, 15’; SMALL CHANGE, Ireland, 17’; THE SILVER BOW, Ireland, 7’; DIVING WITHIN, Ireland, 10’; HAPPY BIRTHDAY TIMMY, Ireland, 3’; 19 BLACK SPOT: STRANGER COMES TO TOWN, France, Belgium, 55’ TV SKUNKY DOG, Ireland, 5’ A 20 GAME OF THRONES (SEASON 06/09): BATTLE OF THE BASTARDS, USA, 66’ H 8 THE DEUCE: PILOT, USA, 80’ TV 21 THE SOPRANOS (SEASON 01/01): PILOT, USA, 58’ H 9 GENIUS: CHAPTER 1, USA, 64’ TV 22 THE SOPRANOS (SEASON 01/02): 46 LONG, USA, 48’ H CAMERIMAGE 2017 25th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER MULTIKINO Screening Room no.
Load more

Recommended publications
  • AGOSTINIANI 2010 Cinema Sotto Le Stelle
    AGOSTINIANI 2010 Cinema sotto le stelle QUADERNI DELLA CINETECA 37 La manifestazione “Agostiniani: cinema sotto le stelle” è organizzata dalla Cineteca del Comune di Rimini in collaborazione con Notorius Rimini Cineclub AGOSTINIANI 2010: CINEMA SOTTO LE STELLE Responsabile della Cineteca Gianfranco Miro Gori Programmazione Alessandra Fontemaggi, Marco Leonetti, Paolo Pagliarani Segreteria Paolo Pagliarani, Stefano Tonini Redazione quaderno Paolo Pagliarani Impaginazione e grafica Andrea Achilli Amministrazione Cesare Novara, Andrea Cesari, Anna Morri Allestimenti Maurizio Fantini, Nevio Semprini Responsabile dello spazio Paolo Pagliarani Responsabile di cassa Ernesta Ricciotti Hanno collaborato Raffaele e Gigi Felici, Stefano Tonini, Anna Semprini, Ilaria Spada, Luca Benassi, Nicola Guerra Cartoon Club Programmazione a cura di Paolo Pagliarani e Sabrina Zanetti Ufficio Stampa Emilio Salvatori Cineteca del Comune di Rimini Via Gambalunga, 27 – 47921 Rimini Tel. 0541 704302 Fax 0541 704306 www.comune.rimini.it e-mail [email protected] Notorius Rimini Cineclub c/o UNASP ACLI via Circonvallazione Occidentale, 58 Tel. 0541 784193 Fax 0541 780534 www.cinematiberio.it/notorius e-mail [email protected] INDICE Lunedì 5 Luglio La prima cosa bella p. 5 Martedì 6 Luglio A Single Man p. 6 Mercoledì 7 Luglio La regina dei castelli di carta p. 7 Giovedì 8 Luglio Tra le nuvole p. 8 Venerdì 9 Luglio Basta che funzioni p. 9 Sabato 10 Luglio Donne senza uomini p. 10 Domenica 11 Luglio Copia conforme p. 11 Lunedì 12 Luglio Bright Star p. 12 Mercoledì 14 Luglio Il concerto p. 13 Giovedì 15 Luglio Departures p. 14 Venerdì 16 Luglio La nostra vita p. 15 Sabato 17 Luglio Il piccolo Nicolas e i suoi genitori p.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • ASC History Timeline 1919-2019
    American Society of Cinematographers Historical Timeline DRAFT 8/31/2018 Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized. Each consists of cinematographers who shared ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity. They both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer magazine is published. Volume One, #1, consists of four pages and mostly reports news and assignments of ASC members. It is published twice monthly. 1922 — Guided by ASC members, Kodak introduced panchromatic film, which “sees” all of the colors of the rainbow, and recorded images’ subtly nuanced shades of gray, ranging from the darkest black to the purest white. The Headless Horseman is the first motion picture shot with the new negative. The cinematographer is Ned Van Buren, ASC.
    [Show full text]
  • Va# IMAGO 2012 REPORT A
    IMAGO 2012 REPORT – BYGDOSZCZ, POLAND I arrived in Bygdoszcz, Poland on a very overcast rainy day on Thursday, November 23, and it remained that way until the day I left, a week later. Primarily I was there to attend the Extraordinary Meeting of IMAGO, but took the opportunity to attend the 20th Anniversary of Camerimage… a true visual feast!! Before I begin, it’s important to remember that the ACS became a part of IMAGO because of the lobbying and the work done by former President, Ted Rayment ACS. It was his “foot in the door” that has made it possible for me to continue and to build on the relationship we have with IMAGO and the member countries, of which there are 47 European countries and 15 Non-European countries. This IMAGO meeting was a non-voting one, and only recommendations from the delegates could be put to the IMAGO Board for further determination, in order to vote on them at the IAGA (AGM) in February. The IMAGO Agenda was a very full one, and we didn’t manage to get through everything that needed to be discussed. I do believe that these meetings need to be scheduled subject to the agenda, and consideration should be given to having a 2-day meeting when required. As former National Secretary, Velinda Wardell ACS was attending Camerimage, I asked her to attend the IMAGO meeting as a second ACS representative. Mark Swadel, who lives and works in the UK, represented the NZCS. There were also around 33 other delegates representing the other Societies, including our very own Peter Hannan ACS BSC who was, on this occasion representing the BSC.
    [Show full text]
  • Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
    Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • British Society of Cinematographers
    Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC
    [Show full text]
  • Cineuropa 09 TEATRO PRINCIPAL
    Do 4 de novembro ao 2 de decembro de 2009 Santiago de Compostela CONCELLEIRA DE CULTURA TENENTA DE ALCALDE Socorro García Conde DIRECTOR TÉCNICO CINEUROPA José Luis Losa García XERENTE CINEUROPA Luz Guldrís Iglesias AUDITORIO DE GALICIA DIRECTOR-XERENTE Paulo Rodríguez Domínguez SUBDIRECTORA Silvia Modia Ferreiro ADMINISTRADORA Ana Parga Salgado GABINETE DE COMUNICACIÓN Míriam Fernández Louzao GABINETE TÉCNICO TEATRO PRINCIPAL Montse Cillero Montes e Xesús Amado Reino DESEÑO GRÁFICO uqui I IIII cebra D.L.: C TEATRO PRINCIPAL | SALÓN TEATRO AULA SOCIOCULTURAL DE CAIXA GALICIA SEDE FUNDACIÓN CAIXA GALICIA XXIII Con novembro chega Cineuropa. Todos os composteláns e compostelás amantes do cinema esperamos ansiosos este mes do ano. E aquí está de novo cumprindo xa 23 edicións. Tráenos máis de 160 filmes que poderemos ver desde o 4 de novembro ata o 2 de decembro en catro salas diferentes da cidade. Cinema chegado desde todas as partes do mundo e cinema feito aquí, no noso país. E sempre cinema de calidade, independente, comprometido. Cinema que SOCORRO GARCÍA CONDE non nos deixa indiferentes, que nos fai mergullarnos Tenenta de Alcalde do Concello de Santiago. Concelleira de noutras culturas, coñecer de preto outras realidades e así, Cultura e Centros Socioculturais ter unha visión máis ampla do mundo. Ademais, como cada ano premiamos a dous persoeiros relevantes no mundo do cinema internacional. Fernando Trueba, gañador dun Oscar e que este ano repite nesa cerimonia co filme «O baile da vitoria», que estrearemos en Cineuropa, e Mabel Rivera, actriz galega comprometida, valente e preocupada polas situacións inxustas que percibe ao seu redor. Eles representan o que significa Cineuropa e, así, homenaxearémolos en sendas galas os días 16 e 19.
    [Show full text]
  • Job Description
    JOB DESCRIPTION CHIEF ADVANCEMENT OFFICER AMERICAN FILM INSTITUTE LOS ANGELES, CA COOK SILVERMAN SEARCH 336 Bon Air Center, Suite 300 Greenbrae, CA 94904 www.cooksilverman.com COOK SILVERMAN SEARCH IS A RETAINED EXECUTIVE SEARCH FIRM SERVING THE NONPROFIT COMMUNITY ABOUT the AMERICAN FILM INSTITUTE (AFI) Established in 1967, the American Film Institute is the nation’s nonprofit organization dedicated to educating and inspiring artists and audiences through initiatives that champion the past, present and future of the moving image. The AFI Conservatory — the Institute’s world-renowned filmmaker training program — opened its doors in 1969 to an inaugural class that included Terrence Malick, Caleb Deschanel and Paul Schrader. Today, the Conservatory offers a two-year MFA degree in six disciplines: Cinematography, Directing, Editing, Producing, Production Design and Screenwriting. AFI Fellows learn by doing in a collaborative production environment, creating over 150 films a year. Alumni of this elite program – ranked as the #1 film school in the world by the Hollywood Reporter – include Andrea Arnold, Darren Aronofsky, Ari Aster, Sam Esmail, Brad Falchuk, Carl Franklin, Patty Jenkins, Janusz Kamiński, Matthew Libatique, David Lynch, Melina Matsoukas and Rachel Morrison, among others. AFI’s enduring traditions include the AFI Life Achievement Award, which honors the masters for work that has stood the test of time; AFI AWARDS, which celebrates the creative ensembles of the most outstanding screen stories of the year; and scholarly efforts such as the AFI Catalog of Feature Films and the AFI Archive that preserve film history for future generations. AFI exhibition programs include AFI FEST, AFI DOCS and year-round exhibition at the AFI Silver Theatre and Cultural Center in Maryland.
    [Show full text]
  • Story Development in Cinematography. In: Talking Shop, July 4-5, 2011, BFI Southbank, London, UK
    Citation: Anderson, L (2011) Story Development in Cinematography. In: Talking Shop, July 4-5, 2011, BFI Southbank, London, UK. Link to Leeds Beckett Repository record: https://eprints.leedsbeckett.ac.uk/id/eprint/726/ Document Version: Conference or Workshop Item (Accepted Version) The aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law. The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team. We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis. Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on [email protected] and we will investigate on a case-by-case basis. Story Development in Cinematography Larra A. Anderson Leeds Metropolitan University, United Kindgom Section: How do we Frame it? Teaching Camera & Production Design Abstract First off, I’ve got to argue for the use of the word “cinematography” over “camera”. One is to utilize a word I would like to further unpack. Another is to utilize a word that simply implies a relationship to another art form entirely – photography.
    [Show full text]
  • Camerimage W Łodzi
    Camerimage w Łodzi Teatr Wielki w Łodzi – festiwalowe centrum fot. Paweł Herzog W 2000 roku Fundacja Tumult przeniosła Międzynarodowy Festiwal Sztuki Autorów Zdjęć Filmowych CAMERIMAGE do Łodzi. Projekcje i spotkania z gwiazdami odbywają się w Teatrze Wielkim, ale festiwalem żyje całe miasto. Późnym wieczorem imprezy przenoszą się do klubu festiwalowego i do łódzkich pubów, gdzie studenci szkół filmowych i sami filmowcy bawią się do białego rana. Festiwalowi goście w wolnych chwilach – których niestety jest za mało – zwiedzają Łódź, stare pałace i fabryki, muzea, szkołę filmową, ale przede wszystkim rozmawiają o kinie. Łódź na te kilka dni staje się światowym centrum filmu. 11 vacat 12 2000 2 – 9 grudnia Filmy konkursowe oceniało jury w składzie: Michael Cimino (przewodniczący), Peter Suschitzky, Yorgos Arvanitis, Mahmoud Kalari, Wolfgang Treu, Alex Thomson, Paul Sarossy, Jacek Petrycki. W konkursie głównym startowało 18 filmów: „Oniegin”, reż. Martha Fiennes, zdj. Remi Adefarasin (Wlk. Brytania) „Eureka”, reż. Shinji Aoyama, zdj. Tamra Masaki (Japonia) „Amores Perros”, reż. Alejandro Gonzales Inarritu, zdj. Rodrigo Prieto (Meksyk) „Prymas. Trzy lata z tysiąca”, reż. Teresa Kotlarczyk, zdj. Piotr Wojtowicz (Polska) „A Place Nearby”, reż. Kaspar Rostrup, zdj. Eric Kress (Dania) „Daleko od okna”, reż. Jan Jakub Kolski, zdj. Arkadiusz Tomiak (Polska) „American Psycho”, reż. Mary Harron, zdj. Andrzej Sekuła (USA) „Million Dollar Hotel”, reż. Wim Wenders, zdj. Phedon Papamichael (USA) „Tańcząc w ciemnościach”, reż. Lars von Trier, zdj. Robby Muller (Dania/Szwecja) „Księżniczka i wojownik”, reż. Tom Tykwer, zdj. Frank Griebe (Niemcy) „Abredeen”, reż. Hans Petter Moland, zdj. Philip Ogaard (Norwegia) „Oi! Warning”, reż. Dominik i Benjamin Reding, zdj. Axel Henschel (Niemcy) „Kod nieznany“, reż.
    [Show full text]
  • 100 Years Inspiring Your Vision Editorial
    NEWS IBC ISSUE 2017 100 YEARS INSPIRING YOUR VISION EDITORIAL DEAR FRIENDS AND COLLEAGUES Happy 100th birthday, ARRI! Not every company can claim such a long and For this centenary issue of ARRI News, we have rich history, and we are humbled and thrilled by this collected stories from around the world that milestone. Since its founding on September 12, showcase ARRI products and the talent who put 1917, ARRI has been creating quality products and their faith in our equipment. Our popular SkyPanel offering services to support and advance the art family is growing in number and in size, and it now of filmmaking. These 100 years have only been features a wireless communication component. achievable through the unwavering patronage and ARRI is also dedicated to keeping the legacy of film critical advice of industry professionals, as well as alive and well. As a gift to the Murnau Foundation our partners, customers, and friends. Thank you to and the global film community, our ARRI Media all those who have contributed over the years! services division took on a special project to restore Personal thanks must go out to the 1,500 current the historical German film, Münchhausen. employees worldwide, as well as those who have Above all, ARRI is committed to inspiring and worked for ARRI over the past 100 years. Without enabling professionals to reach their goals. This was our talented and devoted staff, none of this would the ambition of our founders, and it will continue to have been possible. drive us in the future. Thank you for taking this To mark its 100th year, ARRI is hosting various journey with us; there are sure to be exciting times celebrations around the world and launching a ahead.
    [Show full text]