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ASC History Timeline 1919-2019
American Society of Cinematographers Historical Timeline DRAFT 8/31/2018 Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized. Each consists of cinematographers who shared ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity. They both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer magazine is published. Volume One, #1, consists of four pages and mostly reports news and assignments of ASC members. It is published twice monthly. 1922 — Guided by ASC members, Kodak introduced panchromatic film, which “sees” all of the colors of the rainbow, and recorded images’ subtly nuanced shades of gray, ranging from the darkest black to the purest white. The Headless Horseman is the first motion picture shot with the new negative. The cinematographer is Ned Van Buren, ASC. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
CAMERIMAGE 2017 25Th INTERNATIONAL FILM FESTIVAL of the ART of CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER
CAMERIMAGE 2017 25th INTERNATIONAL FILM FESTIVAL OF THE ART OF CINEMATOGRAPHY, BYDGOSZCZ, 11 – 18 NOVEMBER as of Nov. 4th, 2017 OPERA NOVA Festival Center - Main Screening Room Time: SATURDAY, 11.11 SUNDAY, 12.11 MONDAY, 13.11 TUESDAY, 14.11 WEDNESDAY, 15.11 THURSDAY, 16.11 FRIDAY, 17.11 SATURDAY, 18.11 9.00 9.30 10.00 10:00 10:00 10:00 10:00 10:00 10:00 HOCHELAGA, - BLACK HOURS - LÉO - COME OUT OF THE WOODS 10.30 LAND OF SOULS - HEIMAT - BENNY GOT SHOT - A CAR CALLED VICTORY SPOOR ON BODY - THE CHOCOLATE SOLDIER - DREAMING OF WARSAW - ALL OF US Sweden, Switzerland, Canada - ROCCO - SÄDE - MANNERS OF DYING AND SOUL 11.00 100’ - A CRAFTSMAN - FROM MARS AND VENUS - TIME TO GO Poland, Germany, Hungary C SC - EARTHLY PEOPLE - ORIGIN Czech Republic 116’ 11.30 128’ SC C SC P 12.00 12:15 12:15 12.30 THE RECONCILIATION THE DAMNED ONE 12:45 12:45 13:00 13:00 13.00 Poland Poland I’M A KILLER 87’ 105’ WONDERSTRUCK BIRDS ARE SINGING SWEET COUNTRY Poland 13.30 P USA P IN KIGALI Australia 112’ 14.00 117’ Poland 110’ 113’ P 14.30 14:30 C C THE BUTCHER, 14:45 P THE WHORE AND 15.00 15:15 THE ONE-EYED MAN MOTHER! 15:30 15:30 15.30 Hungary USA TWIN PEAKS 15:45 LET’S TALK ABOUT WONDER WHEEL 100’ 121’ 16.00 C Part 1 & 2 - WE TAKE YOU SENSE8 USA - HAREVAN panel discussion with USA - LIKE FATHER, LIKE SON 100’ 16.30 C - LUCHA: FIGHT, WRESTLE, Lana Wachowski 120’ C 17:00 STRUGGLE and John Toll, ASC 17.00 17:00 S - ACROSS THE STREET SC 17:00 ART OF LOVING, THE STORY OF 17:30 17:30 17.30 OPENING Q&A 17:45 CEREMONY MICHALINA AMOK WITH DAVID LYNCH 18:00 18:00 18.00 -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
'Fiesta Latina' Celebrated in Honor of Hispanic Heritage Month
Artist profile: From Students unite SENIORS PROPEL buttons to strings and dance to SOCCER PAGE 8 Columbian music PAGE 9 PAGE 4 WWW.THESOUTHERNNEWS.ORG SEPTEMBER 27, 2017 VOL. 55— ISSUE 4 State budget Southern hits two year mark of being tobacco-free crisis puts Southern at risk By Josh LaBella A Republican state budget, which passed on Sept. 15, would see massive cuts to higher education. Gov. Malloy has vowed to veto the bill once it gets to his office. Connecticut State Colleges and Universities President Mark Ojakian said the cuts would have a “profound impact on CSCU students.” According to Ojakian, the cuts will have a lasting damage to their ability to serve students and, if the trend of less funding from the state persists, will only put more burdens on their shoulders. “If we continue on this path, any options we consider to sustain our system in the future will include significant increases to tuition and fees that our students don’t deserve and cannot afford,” said Ojakian. Jonathon Wharton, a professor of political science at Southern Connecticut State University, said the bill will most likely get vetoed by Gov. Malloy unless it gets amended to his liking. If this doesn’t happen, he said, once Oct. 1 comes around PHOTO | PALMER PIANA the state budget will be in the Students, who asked not to be named, using tobacco products in front of Engleman . governor’s hands. “That’s disconcerting,” Wharton said. “We’re gonna allow the exec- utive branch to lead this and the related illnesses,” said Rosenthal. -
100 Years Inspiring Your Vision Editorial
NEWS IBC ISSUE 2017 100 YEARS INSPIRING YOUR VISION EDITORIAL DEAR FRIENDS AND COLLEAGUES Happy 100th birthday, ARRI! Not every company can claim such a long and For this centenary issue of ARRI News, we have rich history, and we are humbled and thrilled by this collected stories from around the world that milestone. Since its founding on September 12, showcase ARRI products and the talent who put 1917, ARRI has been creating quality products and their faith in our equipment. Our popular SkyPanel offering services to support and advance the art family is growing in number and in size, and it now of filmmaking. These 100 years have only been features a wireless communication component. achievable through the unwavering patronage and ARRI is also dedicated to keeping the legacy of film critical advice of industry professionals, as well as alive and well. As a gift to the Murnau Foundation our partners, customers, and friends. Thank you to and the global film community, our ARRI Media all those who have contributed over the years! services division took on a special project to restore Personal thanks must go out to the 1,500 current the historical German film, Münchhausen. employees worldwide, as well as those who have Above all, ARRI is committed to inspiring and worked for ARRI over the past 100 years. Without enabling professionals to reach their goals. This was our talented and devoted staff, none of this would the ambition of our founders, and it will continue to have been possible. drive us in the future. Thank you for taking this To mark its 100th year, ARRI is hosting various journey with us; there are sure to be exciting times celebrations around the world and launching a ahead. -
Policies and Procedures Handbook 2021-2023
FELLOW POLICIES AND PROCEDURES HANDBOOK 2021-2023 Updated August 2021 WELCOME The AFI Conservatory is dedicated to training and nurturing tomorrow’s storytellers in the global film and television professions. Talented people from all over the world come together to train with master filmmakers who are dedicated to passing along their expertise and the highest professional standards of excellence. The program is all-consuming, at times exhausting and often exhilarating. Lives are changed at the AFI Conservatory. Skills and talents are tested, weaknesses and strengths identified, and young artists are pushed to heights they never Your best work imagined. starts here. Vision and responsibility are key components of the experience. The AFI Conservatory expects excellence in all endeavors; it depends on the artists engaged in its programs to recognize their responsibility both to collaborators and the audience. The moving image arts are powerful means of human expression. AFI Fellows learn to wield their skills and talents with humanity and global consciousness. All of us here at AFI look to the Fellows as the best and brightest hope for the future of the art and profession to which we have all dedicated our lives. Welcome to the AFI Conservatory. FELLOW POLICIES AND PROCEDURES HANDBOOK | 1 PROVISIONAL ADMISSION .........................................................................................................................20 TABLE OF CONTENTS WAIT LIST ........................................................................................................................................................ -
ENS Louis-Lumière La Cité Du Cinéma – 20, Rue Ampère BP 12 – 93213 La Plaine Saint-Denis Tel. 33 (0) 1 84 67 00 01
ENS Louis-Lumière La Cité du Cinéma – 20, rue Ampère BP 12 – 93213 La Plaine Saint-Denis Tel. 33 (0) 1 84 67 00 01 www.ens-louis-lumiere.fr Mémoire de master Spécialité cinéma, promotion 2017-2019 Soutenance de juin 2019 La lumière dans de grands décors Cyprien Mur Ce mémoire est accompagné de la partie pratique intitulée : Sorcières Directeur de mémoire : Pascal Lagriffoul, chef opérateur Présidente du jury cinéma et coordinatrice des mémoires : Giusy Pisano !1 ENS Louis-Lumière La Cité du Cinéma – 20, rue Ampère BP 12 – 93213 La Plaine Saint-Denis Tel. 33 (0) 1 84 67 00 01 www.ens-louis-lumiere.fr Mémoire de master Spécialité cinéma, promotion 2017-2019 Soutenance de juin 2019 La lumière dans de grands décors Cyprien Mur Ce mémoire est accompagné de la partie pratique intitulée : Sorcières Directeur de mémoire : Pascal Lagriffoul, chef opérateur Présidente du jury cinéma et coordinatrice des mémoires : Giusy Pisano !2 Remerciements : Amandine Boquet Bruno Warembourg Bureau des tournage de la mairie de Paris Christophe Duroyaume Christophe Salleron Compagnie du costumes Daniel Sardet Ecole de la Cité Eglise Saint Sulpice Emmanuel de Chauvigny Fondation des apprentis d’Auteuil, village éducatif Saint Philippe Francoise Baranger Jean-Marie Dreujou Jean-Marie Dreujou Jean-Michel Moret John Lvoff Julien Hirsch La FEMIS Laurent Dailland Luc Pourrinet Manu Dacosse Marc Nové Next Shot Notre-Dame du Rosaire Saint Ouen Pascal Lagriffoul Pascal Mur Paul Bydlowsky Puzzle Vidéo Rémy Chevrin Sophie Jeudy Studios de Paris Stéphane Gassion Stéphanie Pouech Valérie Venetz Vincent Matthias Yono’s Bar Yves Angelo Toute l’équipe technique et artistique de ma PPM L’ENS Louis Lumière !3 Résumé en français : Ce mémoire vise à étudier différentes méthodes contemporaines pour éclairer une scène qui se déroule dans un grand décor. -
ARRI ALEXA Brochure
THE MOST COMPLETE DIGITAL CAMERA SYSTEM EVER BUILT WELCOME TO THE FAMILY Where it all began: ALEXA is compact and The ALEXA Plus upgrade adds built-in affordable, with ultra-fast workflows and image wireless controls, expanded connectivity and the quality akin to 35 mm film ARRI Lens Data System 2 ALEXA is more than just a camera; it is a system platform, a family. From its very beginnings, the ALEXA family has adapted and expanded. Just as the initial model was a studied reaction to the needs of the Combining technical innovations with methodical logic, it has grown into industry, subsequent models and features have evolved in response a complete production system that can accommodate all types of to the changing landscape of digital production. workflows and all styles of filmmaking. With the camera head separated from The flagship of the range: the body, ALEXA M is optimized for 3D rigs and ALEXA Studio features an optical viewfinder, action or aerial shots a 4:3 sensor and a spinning mirror shutter 3 ALEXA IS A “I’VE BEEN A CAMERAMAN FOR MORE THAN 30 YEARS AND THIS IS THE FIRST QUANTUM LEAP IN FILMMAKING TECHNOLOGY I’VE SEEN SINCE I STARTED OUT - EVERY OTHER CHANGE HAS BEEN INCREMENTAL.” Cinematographer Robert McLachlan, CSC, ASC 4 A camera that changed everything Since the moment it was launched, ALEXA has had a profound impact on the industry, redefining the limits of digital motion picture capture with efficient workflows and incredible image quality. Adoption of the system has been widespread and swift, with the cameras in use on every possible type of production, from episodic TV shows, documentaries and high-end commercials to big- budget feature films and prestigious, international drama series. -
Rick Joaquim – Dop / Cinematographer
Rick Joaquim – DoP / Cinematographer BIOGRAPHY: Rick Joaquim is an award-winning Cinematographer who is constantly in demand. From short films and music videos for South Africa's leading artists to Commercials for clients including the Last Week Tonight with John Oliver on HBO, KIA Cars, Doritos, Castle Beer, BMW and Virgin shooting for Sir Richard Branson. “When you see Rick’s work, it takes a minute for you to put your finger on why you simply can’t look away. Soon you get it. There’s a kind of magic holding your gaze in every frame. For sure all the technical genius is present, but it’s his empathy with the subject matter that keeps you riveted. His love and respect for narrative is what drove him to film in the first place, but his dedication to each story - is what makes each picture a joy to watch. “If the composition and lighting don’t bring the audience closer in, I’ve missed the point.” Says Rick. “Telling every part of a story beautifully is why I am here.” Rick is generous, determined and focused on bringing the heart of the piece into the light. He is also one of the best humans you’ll ever meet. Which is probably why he finds the kind of moments ordinary people overlook.” – Dani Hynes, Egg Films Director Rick has been fortunate enough to travel the world for his work and win a few awards along the way including "Best Film" at the 48 Hour Film Project Johannesburg both in 2014 and 2016 respectively, “Best Short Film” at the Silwerskerm Festival 2018 Awards for a film he shot titled “Axis Mundi”. -
ASC History Timeline
American Society of Cinematographers Historical Timeline Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized by their respective members. Each consists of cinematographers who sought to share ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity, but they both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. Philip E. Rosen is elected be the first president of the ASC. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer is published. Volume One, #1 consists of just four pages, reporting on news and assignments of ASC members. The newsletter is published twice monthly. October 1, 1921 — American Cinematographer becames a genuine magazine — boasting 16 pages — and is published every month since. Over the decades and under the guidence of several editors, AC grows into the leading professional cinematography publication of the world and earns multiple awards for excellence. -
Magazin DER Unabhängigen BERLINER Lichtspielhäuser D 40 D SEPTEMBER 2017 Indiekinoberlin
D TANGERINE DREAM – CONNY PLANK – SLEAFORD MODS Experimenteller Pop. Drei Dokus D EINE FANTASTISCHE FRAU Merkwürdig allein D MR. LONG Reise ins Totenreich D ON THE MILKY ROAD Erotik, Tragik, Leichtigkeit D ALL THESE SLEEPLESS NIGHTS Schlaflos in WarschauD RADIANCE Aggregatzustände D SCHLOSS AUS GLAS Kindheit on the road D ABLUKA – JEDER MISSTRAUR JEDEM Eskalierende Paranoia D KÖRPER UND SEELE Zarte Liebesgeschichte D MAGICAL MYSTERY Gutgelaunte Nummernrevue D LOGAN LUCKY Geschmeidige Gaunerkomödie D VON SÄNGERN UND MÖRDERN Den Schmerz singen D BARFUSS IN PARIS Pantomime goes Film D MEIN LEBEN – EIN TANZ Königin des Flamenco MAGAZin DER UNABHÄNGIGen BERLINER LICHTSPielHÄUSER D 40 D SEPTEMBER 2017 indiekinoBERLIN VICTORIA & ABDUL – START AM 28.9. 2017 RICHARD LIOR HANK STEVE CHARLOTTE MICHAEL DAN JOSH GERE ASHKENAZI AZARIA BUSCEMI GAINSBOURG SHEEN STEVENS CHARLES NORMAN Der bescheidene Aufstieg und tragische Fall eines New Yorker Geschäftsmanns AB 21. SEPTEMBER IM KINO www.NormanFilm.de #NormanFilm A US-ISRAELI CO-PRODUCTION © 2016 OPPENHEIMER STRATEGIES LLC NOR_Anzeige_INDIEKINO BERLIN 190 x 269_RZ_korr.indd 1 21.08.17 14:04 DIE INDIEKINOS D ACUD KINO D B-WARE!LADENKINO D BALI KINO D D D Offi cial Selection Wettbewerb BROTFABRIK KINO BUNDESPLATZ KINO CITY KINO WEDDING INTERNATIONAL FILM FILMFESTIVAL MAX FESTIVAL ROTTERDAM OPHÜLS PREIS D EISZEIT KINO D EVA-LICHTSPIELE D FILMKUNST66 D FILMRAUSCH- 2017 2017 PALAST D FSK-KINO AM ORANIENPLATZ D HACKESCHE HÖFE KINO D IL KINO D INTIMES D KROKODIL D KLICK KINO D SPUTNIK KINO AM SÜDSTERN D TILSITER LICHTSPIELE D UNION FILMTHEATER D XENON KINO D WOLF KINO D Z-INEMA D ZUKUNFT D B-WARE! OPEN AIR D FLB WEISSENSEE D FLK FRIEDRICHSHAGEN D FLK HASENHEIDE D FLK INSEL D FLK POMPEJI D FLK „UMSONST & DRAUSSEN“ IM FILMRAUSCHPALAST Tagebuch einer Begegnung EDITORIAL EIN FILM VON JAKOB PREUSS Der September ist reich an Metaphern.