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We are living in a time of plague. The dark statistics noted and commented on by Daniel Dafoe or the states of mind we know from Albert Camus's novel, and its film adaptation by Luis Puenzo, have become our sad reality. It is up to us if we give in to despair and a sense of insignificance. It is up to us if we accept the alienation. Let us take all the precautions we can, but hygiene should not be limited to the body. Let us oppose the terrifying advent of the plague with a persistent effort to keep our own significance. I would like to invite everyone to the EnergaCAMERIMAGE festival in Toruñ, whichever way you choose to get here. We are waiting in screening rooms, at seminars, and exhibitions, but also online. I do believe this experience will make us stronger, more sensitive, wiser, and better. Marek ¯ydowicz, Festival Director OPENING CEREMONY Saturday, 14th NOV, 17:00, CKK JORDANKI 18:30 FALLING, Canada, UK, 112’ C Viggo Mortensen (director) and Marcel Zyskind (cinematographer) to attend the Ceremony and screening CLOSING CEREMONY Saturday, 21st NOV, 17:00, CKK JORDANKI 19:30 MINAMATA, USA, 115’ S EnergaCAMERIMAGE 2020 HONORARY AWARDS LIFETIME ACHIEVEMENT AWARD Philippe Rousselot, AFC, ASC SPECIAL AWARD TO AN ACTOR WITH UNIQUE VISUAL SENSITIVITY Johnny Depp WELCOME TO THE FESTIVAL You are holding in your hand (or viewing on your smartphone) a special issue of our good old friend – the program booklet. In a year fraught with uncertainty and growing sense of unease, this little publication receives its first ever – online issue – one of the many messengers of change that the year 2020 has already brought to our way of doing things... How is a cinematography festival even possible online? Let's try and figure this out together, shall we? For the first time ever, selected EnergaCAMERIMAGE screenings will be available online on our dedicated festival platform. Please refer to the symbols used throughout this booklet to learn more about the type of screening your chosen films are subject to. More information you should keep in mind about our online screenings: Online screening start times and dates mirror the physical schedule of our festival. Selected films will be available for online viewing for 48h but with a smaller viewing window of 4h from the moment you first click “play”. materials other than film screenings available on our online platform will be provided in English only and will not be translated into Polish depending on our arrangements with distributors, access may be geo- blocked for some online film screenings, as per marking in the schedule access to our online screenings is allowed only for one accredited device at a time (accredited device = one device per holder of our festival entry card) access to online screenings will be time-limited, but all Q&As, talks and seminars will remain available for your viewing pleasure until the end of the online festival, 22 November 2020, 23:59 CET If this is an online version of our program booklet that you are currently going through, it will be periodically updated to reflect any potential program change. Despite the global weirdness, we trust that you will find solace, peace of mind and momentary escape in what we have prepared for you this year. If you are joining us online only this year, feast your eyes and minds and enjoy our 2020 lineup presented below. For all of you being with us together in Toruñ, please spare a moment to see how we can all work towards having a safer, more responsible cinematic experience together: HEALTH AND SAFETY GUIDELINES 25% of audience seats are available Disinfect in the conference and screening rooms your hands Cover your nose Allow us to measure and mouth your temperature Please keep Choose contactless or card a distance of 1.5m payment whenever possible Please follow the instructions and recommendations of the organizer WELCOME TO THE FESTIVAL Time TUMULT CSW CINEMA CITY CET DOCUMENTARY CENTRE SCREENING ROOM SCREENING ROOM No 11 9.00 9.30 10.00 10.30 11.00 11.30 12.00 12.30 13.00 13.30 14.00 14:00 14.30 15.00 15.30 CITY HALL USA 16.00 272’ 16.30 17.00 online only 17.30 18.00 D 18.30 19.00 19.30 20.00 20.30 21.00 21.30 22.00 22.30 23.00 23.30 0.00 0.30 1.00 SATURDAY 14th NOV Time CKK JORDANKI CKK JORDANKI MAIN SCREENING ROOM CHAMBER ROOM Main CET Competition C 9.00 Polish Films 9.30 Competition P 10.00 10:00 EASTERN Cin. Debuts 10:30 CD 10.30 Poland Competition 75’ 11.00 MEETING WITH / SEMINAR Q P (work in progress/TBC) Dir. Debuts 11.30 Competition DD 12.00 Doc. Features DF 12.30 12:45 Competition 13.00 13:30 Doc. Shorts 13.30 THE BANKER Competition DS USA 14.00 120’ VALLEY OF SOULS Doc. Special 14.30 Colombia, Belgium, Screening D Brasil, France 15.00 Q ! C 137’ Student Etudes 15.30 Competition SC DD 16.00 Q&A 16:30 TV Pilots 16.30 Competition TV 17.00 TRUTH Special MAKES FREE S 17.30 Poland 17:45 Screening 18.00 113’ BONE CAGE Contemporary 18.30 Q P Canada World Cinema W 89’ 19.00 CD Baltic Cinema 19.30 Review B Q&A 20.00 20:00 FINA-L Film F 20.30 WHILE AT WAR Restorations Spain 21.00 107’ 21:15 Online 21.30 Screening Q C A RIVER RUNS 22.00 THROUGH IT USA Online 22.30 Screening 123’ in Poland only 23.00 Philippe Rousselot Retrospective 23.30 Geoblocking Information ! 0.00 Q&A with Filmmaker(s) in CKK Jordanki, Press Conference Room, Q also streamed live @ online.camerimage.pl SUNDAY 15th NOV Time TUMULT CSW CINEMA CITY CET DOCUMENTARY CENTRE SCREENING ROOM SCREENING ROOM No. 11 9.00 9.30 10.00 10:00 WALL OF SHADOWS 10.30 Poland, 11.00 Germany, Switzerland 11:00 94’ ATLANTIC CROSSING 11.30 D 1 NORMAL PEOPLE 12:00 12.00 see 2 SCREENING DETAILS TV 12.30 Q&A HOPE 13:00 13.00 Norway, Sweden ALONE TOGETHER 126’ 13.30 Israel 54’ D B 14.00 14:15 14.30 UNDER THE TURQUOISE SKY 15.00 15:15 Mongolia, Japan, France, USA 15:30 15.30 100’ 16.00 HOPPER/WELLES W WENDY USA Q&A USA 16.30 130’ 111’ 17.00 D S 17.30 17:45 18.00 SEMINAR 18:00 18.30 HUNTERS 3 18:45 19.00 see SCREENING DETAILS TV MOTHERLAND Lithuania, Latvia, 19.30 19:45 Q&A Germany, Greece 20.00 97’ 20.30 A ! B see D 21.00 SCREENING DETAILS 21:15 21.30 Q&A 22.00 NETFLIX SEMINAR 22.30 seminar streaming on-site 23.00 23.30 0.00 0.30 1.00 SUNDAY 15th NOV Time CKK JORDANKI CKK JORDANKI MAIN SCREENING ROOM CHAMBER ROOM Main CET Competition C 9.00 Polish Films 9.30 Competition P 10.00 10:00 10:30 Cin. Debuts 10.30 Competition CD PINOCCHIO 11.00 Italy MAGNESIUM 125’ Dir. Debuts 11.30 Poland Competition DD 119’ 12.00 Q C Doc. Features 12.30 CD DD Competition DF 13.00 Q&A Doc. Shorts DS 13.30 13:45 Competition 14.00 THE STORY OF THERESE 14:30 Doc. Special 14.30 France Screening D 91’ ZIZOTEK 15.00 Greece Philippe Rousselot Retrospective ! 68’ Student Etudes 15.30 S Competition SC 16.00 Q&A TV Pilots TV 16.30 16:45 Competition 17.00 17:30 Special 17.30 MAGNESIUM Screening S Poland TWO OF US 18.00 119’ France, Contemporary Luxembourg, Belgium W 18.30 95’ World Cinema Q P 19.00 CD DD Baltic Cinema 19.30 Q&A Review B 20.00 20:15 FINA-L Film 20.30 Restorations F 21.00 NOMADLAND 21:00 USA PICNIC Online 21.30 108’ Screening AT HANGING ROCK 22.00 Australia Q C 107’ Online 22.30 S Screening in Poland only 23.00 23.30 Geoblocking Information ! 0.00 Q&A with Filmmaker(s) in CKK Jordanki, Press Conference Room, Q also streamed live @ online.camerimage.pl MONDAY 16th NOV Time TUMULT CSW CINEMA CITY CET DOCUMENTARY CENTRE SCREENING ROOM SCREENING ROOM No. 11 9.00 9.30 10.00 10:00 BABENCO: TELL ME 10.30 WHEN I DIE Brazil 11:00 11.00 85’ D ZERO ZERO ZERO 11.30 4 12.00 THE GOOD LORD BIRD 12:00 see 5 TV 12.30 12:45 SCREENING DETAILS ÖNDÖG THE WHALE Mongolia Q&A 13.00 FROM LORINO 100’ Poland 13.30 58’ DF W 14.00 Q&A 14.30 14:30 WOJNA ŒWIATÓW 15.00 Poland 15:15 82’ 15.30 15:30 S LONELINESS 16.00 B 16:00 OF THE COUPLE SEMINAR Poland see 16.30 SCREENING DETAILS DS 92’ F 17.00 Q&A 17.30 18.00 18:00 THE UNDOING 18:15 18.30 18:30 6 SJÄLÖ RAISED BY WOLVES ISLAND OF SOULS 19.00 7 TRUTH Finland see 19.30 78’ SCREENING DETAILS TV AND JUSTICE DF Estonia 20.00 Q&A 165’ Q&A 20.30 21.00 B 21:30 21.30 21:45 AFI 22.00 HELMUT NEWTON. STEPHEN LIGHTHILL THE BAD SEMINAR AFI Conservatory 22.30 AND THE BEAUTIFUL Cinematography Germany Programme 23.00 93’ D 23.30 0.00 0.30 1.00 MONDAY 16th NOV Time CKK JORDANKI CKK JORDANKI MAIN SCREENING ROOM CHAMBER ROOM Main CET Competition C 9.00 Polish Films 9.30 Competition P 10.00 10:00 - DIG Cin.
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    varia 269 Dietrich – wchodzi w bezpośredni kontakt padki przełamywania społecznych tabu. Pro- z publicznością, siadając na kolanach jedne- dukcja ta tworzyła swego rodzaju alternatywny mu z mężczyzn, namiętnie całując go w usta, wąski obieg. Jest bowiem rzeczą niezmiernie a w chwilę później zrywając z głowy blond mało prawdopodobną, by podobnie śmiała perukę, aby zaprezentować się widzom jako pod względem obyczajowym scena z przyczyn mężczyzna. Autor etiudy zdokumentował tutaj cenzuralnych mogła się znaleźć w jakimkolwiek coś, co w tamtym czasie mogło funkcjonować ówczesnym fi lmie fabularnym bądź dokumen- jedynie na obrzeżach życia obyczajowego w Pol- talnym w szerokim rozpowszechnianiu. sce, ale – jak widać – torowało już sobie drogę, przynajmniej w widowisku estradowym. Na zakończenie studiów reżyserskich w łódz- Zaskakująca śmiałość opisanej sceny wykra- kiej PWSFTviT Michał Tarkowski zrealizował – cza daleko poza konwencję estradowego spekta- oceniony przez opiekuna pedagogicznego klu erotycznego. Pod tym względem dokument prof. Wojciecha Jerzego Hasa na notę celują- nakręcony przez Tarkowskiego i Szarka stanowi cą – znakomity fi lm absolutoryjny pt. Przerwane niewątpliwy ewenement obyczajowy w kinie śniadanie Braci Montgolfi er (1979–1980). Orygi- polskim dekady lat 70. Obaj ukazali i zanoto- nalność i klasa artystyczna tego utworu, który wali ślad dokonującej się niepostrzeżenie prze- w niczym nie przypomina ćwiczenia warszta- miany obyczajowej. W etiudach powstających towego, będąc pełnoprawnym dziełem sztuki w łódzkiej Szkole
  • Belonging to The

    Belonging to The

    ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| BELONGING TO THE BSC Leading cinematographers reveal what being a member of the BSC means to them, and how they’d ROGER DEAKINS CBE BSC ASC like to see their art and craft unfold in the future. Fargo, O Brother Where Art Thou, Jarhead, Skyfall, Blade Runner 2049 Joined: 1999… I can’t recall how I managed to become a board member, nor eventually the BSC president (2014-17). Doesn’t seem |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| possible, but it was. Joined: 1986… I was blown away when I was asked to join by Alex Thomson BSC, just after I shot 1984. Your BSC inspirations? This one is easy… Chris Menges BSC ASC. I Your BSC inspirations? was always inspired by his documentaries and, Oswald Morris OBE BSC and Chris Menges BSC ASC of course, he shot the film Kes, which literally were the two most inspiring BSC members as I began change my life. He also, in his own quiet way, my life as a cinematographer. Ossie’s body of work led me on to my career as a cinematographer is unsurpassed. The Spy Who Came In From The Cold and introduced me to Ken Loach. remains the greatest B/W photography out there. Chris, a gentleman and a true inspiration, brings quiet Your thoughts about cinematography today? dignity to his images and hence to the subjects that he I’m certain that it’s the art of cinematography has trained his camera on. The subject comes first, not that makes cinema so special. I see new talent the cinematography. coming along all the time.
  • Information on the Projects in the Book of Projects

    Information on the Projects in the Book of Projects

    1 1 KVIFF Eastern Promises Book of Projects 2021 1 1 2 2 2 KVIFF Eastern Promises Works in Development – Feature Launch Works in Progress First Cut+ ALIYA 7 A Long Break 18 The Hatcher 32 Bijuterie 8 An Owl, a Garden and the Writer 19 A Hope 33 The Bomber 9 And His Brothers 20 Metamorphoses 34 Brothers 10 Aurora 21 Narcosis 35 Head Nurse 11 Boney Piles 22 A Piece of Sky 36 Leave the Door Open 12 Destiny 23 Power 37 No Reverse 13 Faggots, Friends 24 Upurga 38 Thinking David 14 In the Name of the Mother and of the Father 25 Valeria Gets Married 39 What It Feels Like For a Girl 15 Lucky Girl 26 Tina & Megi 27 Unwanted 28 Victim 29 2 2 3 3 3 KVIFF Eastern Promises Discover New Talents at KVIFF Eastern Promises 2021 Dear Film Industry Professionals, One-on-one meetings will be held online between the days of July 28–Au­ thank you for picking up the Book of Projects – a compilation of various gust 31. The WYTH online platform will make it easy for you to schedule mutu­ projects that are still in the making and that we at KVIFF believe have strong ally available time slots and enable you to meet virtually, yet directly. potential in the upcoming years. This catalogue presents a selection of 29 film projects which are now in development, production or post-produc­ tion and are expected to be duly noted by the international film commu­ nity. The projects will be introduced by filmmakers and producers at several events throughout our online Industry Days.