The Ukrainian Weekly 2011, No.19
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Euromaidan Newsletter # 6 CIVIC SECTOR of EUROMAIDAN
CIVIC SECTOR OF EUROMAIDAN GRASSROOTS MOVEMENT EuroMaidan Newsletter # 6 Rise up, Ukraine! Protestors seize state administration buildings all over Ukraine January 25 and 26, 2014 . People all over Ukraine began http://goo.gl/hSnIGA taking over the Oblast (Region) Local State Businessmen of Crimea formed the initiative “For January January 2014 Administration buildings. In Western regions the State Crimea without Dictatorship” and announced their 8 2 Administrations have recognized the authority of the support for Maidan. Read more (in Russian) at - People’s Council created at Maidan in Kyiv. http://goo.gl/3o65u2 Protestors were blocked in their attempts to seize the January 26. Multiple journalists were injured in government buildings in Dnipropetrovsk, Zaporizhzhya, Zaporizhya on Jan. 26 as police cleaned out the square Chernihiv, and Kherson oblasts, while the Sumy and where about 10,000 protesters were trying to seize the #6. 24 Cherkasy districts were occupied for only a short time. oblast government's state administration building. Read In the East – in Zaporizhia, Dnipropetrovsk, Odesa, more details at http://goo.gl/LsaQSO Kharkiv - mass demonstrations are still being held near In Dnipropetrovsk the attempt to seize the state local administrations. See the map for details. Massive administration building was thwarted by police and hired repressions, tortures and arrests have been reported in thugs (“titushki”). In clashes with titushki people were these cities. Watch videos from the seizure of the state beaten, and journalists shot with traumatic weapons. administrations in Rivne, Khmelnytskyi, and Sumy at Watch video at http://goo.gl/E9q6MW Map of NEWSLETTER Ukraine showing: regions where oblast state administration s have been seized by citizens; mass rallies; and attempts at administration building seizure. -
Ukrainian Civil Society from the Orange Revolution to Euromaidan: Striving for a New Social Contract
In: IFSH (ed.), OSCE Yearbook 2014, Baden-Baden 2015, pp. 219-235. Iryna Solonenko Ukrainian Civil Society from the Orange Revolution to Euromaidan: Striving for a New Social Contract This is the Maidan generation: too young to be burdened by the experi- ence of the Soviet Union, old enough to remember the failure of the Orange Revolution, they don’t want their children to be standing again on the Maidan 15 years from now. Sylvie Kauffmann, The New York Times, April 20141 Introduction Ukrainian civil society became a topic of major interest with the start of the Euromaidan protests in November 2013. It has acquired an additional dimen- sion since then, as civil society has pushed for reforms following the ap- pointment of the new government in February 2014, while also providing as- sistance to the army and voluntary battalions fighting in the east of the coun- try and to civilian victims of the war. In the face of the weakness of the Ukrainian state, which is still suffering from a lack of political will, poor governance, corruption, military weakness, and dysfunctional law enforce- ment – many of those being in part Viktor Yanukovych’s legacies – civil so- ciety and voluntary activism have become a driver of reform and an import- ant mobilization factor in the face of external aggression. This contribution examines the transformation of Ukrainian civil society during the period between the 2004 Orange Revolution and the present day. Why this period? The Orange Revolution and the Euromaidan protests are landmarks in Ukraine’s post-independence state-building and democratiza- tion process, and analysis of the transformation of Ukrainian civil society during this period offers interesting findings.2 Following a brief portrait of Ukrainian civil society and its evolution, the contribution examines the rela- tionships between civil society and three other actors: the state, the broader society, and external actors involved in supporting and developing civil soci- ety in Ukraine. -
Yes 2012 Report.Pdf
CONFERENCE OPENING Dear Friends, Today, countries are in a global race that gets faster and faster. I am not a political scientist - as an art collector I like to use art when I speak about global challenges. Let me use the famous photographer Andreas Gursky’s “Boxenstopp” as an analogy. A pit stop in Formula 1. One team is blue and yellow. This is Ukraine; these are Ukraine’s colours. What is the Ukrainian team doing? I believe - reforms. In the global race, reforms are pit stops allowing you to change and speed up. Some countries which were slow before improve their position. Like cars that put on the right new tires and fill up with the right amount of gasoline, they can overtake others. Others put on the wrong equip- ment or lose too much time in the pit stop and fall behind. I hope Ukraine’s team will be successful. And I hope for all of us this conference will be an intellectual pit stop where we refuel and re-equip ourselves, take in new energy and ideas, to help all our respective countries become smarter, better, more productive, more just. For this, we have fantastic speakers with us in Yalta, political leaders, business leaders, social leaders, intellectuals. I look forward to our discussions. Victor Pinchuk, Founder and Member of the Board, Yalta European Strategy 1 AGENDA 9th YALTA ANNUAL MEETING Ukraine and the World: Addressing Tomorrow’s Challenges Together AGENDA Thursday, September 13 21:20 – 21:25 Welcoming Remarks Aleksander Kwasniewski, President of Poland (1995-2005); Chairman of the Board, Yalta European Strategy -
17Th Plenary Session
The Congress of Local and Regional Authorities 20 th SESSION CG(20)7 2 March 2011 Local elections in Ukraine (31 October 2010) Bureau of the Congress Rapporteur: Nigel MERMAGEN, United Kingdom (L, ILDG)1 A. Draft resolution....................................................................................................................................2 B. Draft recommendation.........................................................................................................................2 C. Explanatory memorandum..................................................................................................................4 Summary Following the official invitation from the Minister of Foreign Affairs of Ukraine to observe the local elections on 31 October 2010, the Congress appointed an observer delegation, headed by Gudrun Mosler-Törnström (R, Austria, SOC), Member and Vice-President of the State Parliament of Salzburg. Councillor Nigel Mermagen (L, UK, ILDG) was appointed Rapporteur. The delegation was composed of fifteen members of the Congress and four members of the EU Committee of the Regions, assisted by four members of the Congress secretariat. The delegation concluded, after pre-election and actual election observation missions, that local elections in Ukraine were generally conducted in a calm and orderly manner. It also noted with satisfaction that for the first time, local elections were held separately from parliamentary ones, as requested in the past by the Congress. No indications of systematic fraud were brought -
A President's Portrait in Domestic Protest
A President’s Portrait in Domestic Protest: 133 The Anatomy of Hate A President’s Portrait in Domestic Protest: The Anatomy of Hate Natalia Lysiuk Taras Shevchenko National University of Kiev Kiev, Ukraine Abstract The extreme level of tension during the Euromaidan in Ukraine has caused a real explosion of urban post-folklore creativity. These folklore forms have many distinctive features of traditional folklore, but they are also characterized by their means of transmission. For instance, anonymous inscriptions could appear anywhere. Such texts have their own dramaturgy, and they recreate the development of the Euromaidan events (from simple appeals to give people an opportunity to determine their own destiny to openly hostile discourse that portrayed the former President of Ukraine, Victor Yanukovich, as the main enemy of the Euromaidan). Among those attested: distortions of Yanukovich’s name; demonstration of contempt for his image; insults; mention of his criminal past and ongoing corruption; and prophecies of his fate. One of the defining features of such texts is the violation of prohibitions on the use of dysphemisms and vulgarity as a verbal weapon against an enemy. We will also discuss the basic functions of protest folklore and hate speech. Crowds on the Maidan (author’s photo) The Euromaidan was the second Ukrainian revolution of this century. It was a public protest that took place in the main Kiev’s square Maidan Nezalezhnosti (Maidan) from November 2013 until February 2014. It was characterized by an unprecedented rise of patriotism and strengthening of national identity (as reflected in the wide usage of national colors, symbols, and images). -
Chapter IX: Ukrainian Musical Folklore Discography As a Preserving Factor
Art Spiritual Dimensions of Ukrainian Diaspora: Collective Scientific Monograph DOI 10.36074/art-sdoud.2020.chapter-9 Nataliia Fedorniak UKRAINIAN MUSICAL FOLKLORE DISCOGRAPHY AS A PRESERVING FACTOR IN UKRAINIAN DIASPORA NATIONAL SPIRITUAL EXPERIENCE ABSTRACT: The presented material studies one of the important forms of transmission of the musical folklore tradition of Ukrainians in the United States and Canada during the XX – the beginning of the XXI centuries – sound recording, which is a component of the national spiritual experience of emigrants. Founded in the 1920s, the recording industry has been actively developed and has become a form of preservation and promotion of the traditional musical culture of Ukrainians in North America. Sound recordings created an opportunity to determine the features of its main genres, the evolution of forms, that are typical for each historical period of Ukrainians’ sedimentation on the American continent, as well as to understand the specifics of the repertoire, instruments and styles of performance. Leading record companies in the United States have recorded authentic Ukrainian folklore reconstructed on their territory by rural musicians and choirs. Arranged folklore material is represented by choral and bandura recordings, to which are added a large number of records, cassettes, CDs of vocal-instrumental pop groups and soloists, where significantly and stylistically diversely recorded secondary Ukrainian folklore (folklorism). INTRODUCTION. The social and political situation in Ukraine (starting from the XIX century) caused four emigration waves of Ukrainians and led to the emergence of a new cultural phenomenon – the art and folklore of Ukrainian emigration, i.e. diaspora culture. Having found themselves in difficult ambiguous conditions, where there was no favorable living environment, Ukrainian musical folklore began to lose its original identity and underwent assimilation processes. -
The Ukrainian Weekly 1982, No.34
www.ukrweekly.com ono Published by the Ukrainian National Association Inc., a fraternal non-profit association! rainian Weekly Vol. L No. 34 THE UKRAINIAN WEEKLY SUNDAY, AUGUST 22. 1982 25 cents Bleak prospects International Plast Jamboree opens by Roman Juzeniw "novaky" (boys age 7 -11) is directed by Wsewolod Hnatczuk, commander; for Poland's Taras Kowcz, commander; "novachky" Roman Kopach, first assistant; Oleh EAST CHATHAM, N.Y. - Nearly (girls age 7 - 11) - Sonia Slobodian, Hordienko, second assistant; Andrij 1,500 Phut youths, senior members commander; "yunaky" (boys age 11 - Lastowecky, third assistant; Borys young people and parents were present at the Sun 17) — Petro Sodol, commander; "yu- Loza, "bunchuzhnyi"; Natalie Lon- WARSAW - Soaring unemploy day, August 15, official opening cere nachky" (girls age 11 - 17) - Maria chyna, secretary; the Revs. Bohdan ment, the unavailability of housing monies of the nine-day International Motyl, commander; "starshi plastuny" Smyk and Artemij Selepyna, respective and a creeping disillusionment with Plast Jamboree being held at the (members age 18 - 31) — Christine ly, Catholic and Orthodox chaplains; the Communist system following the Vovcha Tropa (Wolf's Trek) Plast camp Panchuk, commander; seniors (over Ihor Korol, archivist; Dmytro Ko- government crackdown on the Soli site here in upstate New York. age 31) — Theodozij Krupa, comman sovych, treasurer. darity free trade union has alienated The jamboree, the sixth held on the der, and Plastpryiat and guests - Petro In addition, there are over 25 other Poland's young people, leading many North American continent, continues Bokalo, commander. officers assigned various duties during to drop out of society altogether. -
Ukraine's Capital Is Battleground Between Residents and Developers Prime Minister Mykola Azarov Returns Empty-Handed from Mosc
ïêàëíéë ÇéëäêÖë! CHRIST IS RISEN! THEPublished U by theKRA Ukrainian NationalIN AssociationIAN Inc., a fraternal Wnon-profit associationEEKLY Vol. LXXVIII No.14 THE UKRAINIAN WEEKLY SUNDAY, APRIL 4, 2010 $1/$2 in Ukraine Prime Minister Mykola Azarov Ukraine’s capital is battleground returns empty-handed from Moscow between residents and developers by Zenon Zawada projects that they say are ruining residen- Kyiv Press Bureau tial areas, parks and historic structures throughout the capital city. KYIV – Among the biggest challenges Save Old Kyiv has gathered momentum facing the new administration of President and spawned similar organizations, as Viktor Yanukovych will be coping with the more residents have become directly escalating conflicts, sometimes violent, affected by aggressive construction of sky- between Kyiv’s real estate developers, the scrapers, shopping malls and entertain- police and the city’s residents. ment centers in their neighborhoods. Battles raged daily during the Orange The peaceful protest on March 20 era, as a result of a construction boom that turned into a brawl when police officers emerged amidst inadequate laws, courts attempted to stop the activists from acti- and policing to regulate building. vating a megaphone and speakers to enable Developers are widely believed to pay their protests to be heard within the bribes to secure many of the required Cabinet building. Activists said they had building permits, architectural reviews and no choice but to fight the police in order to court rulings. defend their right to free speech. The lack of regulation in the industry “The police can’t forbid us to play has led civic activists to launch both legal music or not play music, to speak into a and illegal avenues of protests to combat microphone or megaphone,” said Web-Portal of Ukraine’s Government what they view as unrestrained illegal con- Oleksander Buntusov, an activist with the struction. -
Верстальщик: Цыбульник 24.09.19 Кол-Во Стр.: 128 С
«Знамениті українці» Ігор Коляда, Юлія Коляда, Павло Юрчишин Квітка Цісик Верстальщик: Цыбульник 24.09.19 Кол-во стр.: 128 с. = 120 + 1сод. + 1вих. + 6 рекл. Кол-во символов: 240,595 Кб УДК 929:784 К 62 Серія «Знамениті українці» заснована у 2009 році Художник-оформлювач О. А. Гугалова-Мєшкова Коляда І. А. та інші К62 Квітка Цісик / Ігор Коляда, Юлія Коляда, Павло Юрчишин; худож.-оформ лювач О. А. Гугалова-Мєшкова. — Харків: Фо- ліо, 2019. — 121 с. — (Знамениті українці). ISBN 978-966-03-5098-4 (Знамениті українці). ISBN 978-966-03-8853-6. Чарівною квіткою України, «легендою за океаном» називають пред- ставницю української діаспори Квітку Цісик, незабутній голос якої про- низує до глибин душі, недарма ж бо весь американський шоу-бізнес захоп- лювався її неповторною манерою, адже з нею працювали Майкл Джексон, Вітні Г’юстон та інші світові зірки. Дивна, багато в чому трагічна доля випала маленькій симпатичній жінці, яку в 1998 році назвали найбільш упізнаваним голосом США: завдав болю ранній розрив із Батьківщиною, який Квітослава гоїла українськими піснями, а невиліковна хвороба при- вела за собою ранню смерть. Однак мрія усього життя чудової квітки, яка могла би стати окрасою будь-якої сцени, все-таки здійснилася. Далекий голос України досі лунає між нас і продовжує зігрівати серця та душі лю- дей на всій планеті. УДК 929:784 © І. А. Коляда, Ю І. Коляда, П. В. Юрчишин, 2019 ISBN 978-966-03-5098-4 © О. А. Гугалова-Мєшкова, художнє оформ лення, 2019 (Знамениті українці) © Видавництво «Фоліо», ISBN 978-966-03-8853-6 марка серії, 2009 Присвячуємо родині, своїм рідним, наставникам і друзям Вона була символом України, нищеної го- лодоморами, депортаціями, розстрілами кращих синів і дочок, замученої колгосп- ним рабством, виселеної в Сибір і Казах- стан, яка постійно боролась за свою волю і на вівтар цієї боротьби клала життя сво- їх синів і доньок. -
Applicants Registry Audiovisual 2019.Xlsx
REGISTRY of received applications for the programme "Strengthening Capacity of Ukrainian Audiovisual Sector" Ukrainian Cultural Foundation Application Contests type. Project type Sector of Culture and Arts Name of the Project Total budget in Requested Name of the applicant N number in UAH grant sum from organization UCF system UCF in UAH audiovisual art (cinema, television, Preproduction. Individual advertising, video art, digital art, FOP Taktamyshev Ruslan 1 320023 Projects new media, video games, VJing) «The Awakening» 1 263 031,00 1 263 031,00 Vadimovich audiovisual art (cinema, television, Preproduction. Individual advertising, video art, digital art, 2 320034 Projects new media, video games, VJing) Halola 1 551 800,00 1 551 800,00 Andriy Suyarko, PE audiovisual art (cinema, television, Preproduction. Individual advertising, video art, digital art, 3 320215 Projects new media, video games, VJing) World of zapoloch 577 829,92 577 829,92 Hrinberh Valentyn audiovisual art (cinema, television, Preproduction. Individual advertising, video art, digital art, Screenplay Right, Wrong and individual entrepreneur 4 320265 Projects new media, video games, VJing) Sword 137 460,00 137 460,00 Yurchenko audiovisual art (cinema, television, Preproduction. Individual advertising, video art, digital art, ALBA FILM INTERTAINMENT 5 320271 Projects new media, video games, VJing) Yakiv 1 996 075,00 1 996 075,00 ltd. audiovisual art (cinema, television, Development of the script and Preproduction. Individual advertising, video art, digital art, visual concept of the feature Individual entrepreneur Bassel 6 320291 Projects new media, video games, VJing) film “Vera” (working title) 858 142,00 858 142,00 Daria Valeriivna audiovisual art (cinema, television, Preproduction. Individual advertising, video art, digital art, Sole proprietor Polikashkin 7 320339 Projects new media, video games, VJing) "Love or Death!" 1 794 085,00 1 794 085,00 Andrii Vitaliovich audiovisual art (cinema, television, Lenda Yevheniia Preproduction. -
Visual Text and Musical Subtext: the Cossacks (George Hill, 1928): a 21St-Century Composer’S Journey in Silent Film Scoring
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel Electronic version URL: http://journals.openedition.org/miranda/38488 DOI: 10.4000/miranda.38488 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Robert Israel, “Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring”, Miranda [Online], 22 | 2021, Online since 23 March 2021, connection on 26 April 2021. URL: http://journals.openedition.org/miranda/38488 ; DOI: https:// doi.org/10.4000/miranda.38488 This text was automatically generated on 26 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Cen... 1 Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel 1 This piece aims to contextualize my contribution as ethnomusicologist, composer, orchestrator, arranger, conductor, choral director, producer, music contractor, and music editor for Turner Classic Movie’s presentation of MGM’s 1928 production of The Cossacks, directed by George Hill, with additional sequences directed by Clarence Brown. Working within a limited budget; doing research into the film’s historical era and the musical practices of the culture in which it takes place; finding source material, ethnic instruments, and musicians specializing in specific ethnic styles of music performance; and, other formidable challenges which I will outline here. -
Pdf [In Ukrainian] Pratsi
МІНІСТЕРСТВО ОСВІТИ І НАУКИ УКРАЇНИ ДРОГОБИЦЬКИЙ ДЕРЖАВНИЙ ПЕДАГОГІЧНИЙ УНІВЕРСИТЕТ ІМЕНІ ІВАНА ФРАНКА MINISTRY OF EDUCATION AND SCIENCE OF UKRAINE DROHOBYCH IVAN FRANKO STATE PEDAGOGICAL UNIVERSITY ISSN 2519-058X (Print) ISSN 2664-2735 (Online) СХІДНОЄВРОПЕЙСЬКИЙ ІСТОРИЧНИЙ ВІСНИК EAST EUROPEAN HISTORICAL BULLETIN ВИПУСК 17 ISSUE 17 Дрогобич, 2020 Drohobych, 2020 Рекомендовано до друку Вченою радою Дрогобицького державного педагогічного університету імені Івана Франка (протокол від 30 листопада 2020 року № 17) Наказом Міністерства освіти і науки України збірник включено до КАТЕГОРІЇ «А» Переліку наукових фахових видань України, в яких можуть публікуватися результати дисертаційних робіт на здобуття наукових ступенів доктора і кандидата наук у галузі «ІСТОРИЧНІ НАУКИ» (Наказ МОН України № 358 від 15.03.2019 р., додаток 9). Східноєвропейський історичний вісник / [головний редактор В. Ільницький]. – Дрогобич: Видавничий дім «Гельветика», 2020. – Випуск 17. – 286 с. Збірник розрахований на науковців, викладачів історії, аспірантів, докторантів, студентів й усіх, хто цікавиться історичним минулим. Редакційна колегія не обов’язково поділяє позицію, висловлену авторами у статтях, та не несе відповідальності за достовірність наведених даних і посилань. Головний редактор: Ільницький В. І. – д.іст.н., проф. Відповідальний редактор: Галів М. Д. – д.пед.н., доц. Редакційна колегія: Манвідас Віткунас – д.і.н., доц. (Литва); Вацлав Вєжбєнєц – д.габ. з іс- торії, проф. (Польща); Дочка Владімірова-Аладжова – д.філос. з історії (Болгарія); Дюра Гарді – д.філос. з історії, професор (Сербія); Дарко Даровец – д. філос. з історії, проф. (Італія); Дегтярьов С. І. – д.і.н., проф. (Україна); Пол Джозефсон – д. філос. з історії, проф. (США); Сергій Єкельчик – д. філос. з історії, доц. (Канада); Сергій Жук – д.і.н., проф. (США); Саня Златановіч – д.філос.