The Ukrainian Weekly 1982, No.34
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The Ukrainian Weekly 2007, No.49
www.ukrweekly.com INSIDE: • “Song of Ukraine” heard in California — page 12. • Jack Palance remembered in New York — page 13. • “Holodomor Through the Eyes of Ukrainian Artists” — page 17. HE KRAINIAN EEKLY T PublishedU by the Ukrainian National Association Inc., a fraternal non-profitW association Vol. LXXV No. 49 THE UKRAINIAN WEEKLY SUNDAY, DECEMBER 9, 2007 $1/$2 in Ukraine At emergency meeting, Democratic coalition succeeds in electing Yatsenyuk as Rada chair by Zenon Zawada Ukraine’s elite decries Kyiv Press Bureau KYIV – The newly formed Democratic sorry state of cultural life Forces Coalition on December 4 elected Arseniy Yatsenyuk as the Verkhovna by Zenon Zawada Rada’s new chairman. The 33-year-old is Kyiv Press Bureau known as an independent politician widely KYIV – A tour guide in Ukraine’s expected to neutralize the polarized capital, Tetiana Nechai comes across Parliament and establish compromise daily evidence of Ukraine’s historical between the pro-Western and Russian-ori- inheritance under threat. ented forces. She discovered that an underground Although elected as part of the pro- gym built next to the 11th century St. presidential Our Ukraine – People’s Self- Sophia Cathedral – the center of Defense bloc, Mr. Yatsenyuk is a pragmat- Ukrainian Orthodoxy, actually extends ic centrist with considerable experience in underneath its walls. working with Ukraine’s Russian-oriented “And every day 200 cars safely drive politicians. in and out of an underground garage “President Yushchenko suggested under the walls of St. Sophia Cathedral,” Yatsenyuk himself, knowing he is not she said, addressing what she called politically compromised,” said Kyiv’s cultural ruination. -
A Microhistory of Ukraine's Generation of Cultural Rebels
This article was downloaded by: [Selcuk Universitesi] On: 07 February 2015, At: 17:31 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Nationalities Papers: The Journal of Nationalism and Ethnicity Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/cnap20 The early 1960s as a cultural space: a microhistory of Ukraine's generation of cultural rebels Serhy Yekelchyka a Department of Germanic and Slavic Studies, University of Victoria, Victoria, Canada Published online: 10 Oct 2014. Click for updates To cite this article: Serhy Yekelchyk (2015) The early 1960s as a cultural space: a microhistory of Ukraine's generation of cultural rebels, Nationalities Papers: The Journal of Nationalism and Ethnicity, 43:1, 45-62, DOI: 10.1080/00905992.2014.954103 To link to this article: http://dx.doi.org/10.1080/00905992.2014.954103 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Ukrainian Literature in English: Articles in Journals and Collections, 1840-1965
Research Report No. 51 UKRAINIAN LITERATURE IN ENGLISH: ARTICLES IN JOURNALS AND COLLECTIONS, 1840-1965 An annotated bibliography MARTA TARNAWSKY Canadian Institute of Ukrainian Studies Press University of Alberta Edmonton 1992 Canadian Institute of Ukrainian Studies Press Occasional Research Reports The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies Press, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, Canada T6G2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies Press. This publication was funded by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. PRINTED IN CANADA 1 Occasional Research Reports UKRAINIAN LITERATURE IN ENGLISH: ARTICLES IN JOURNALS AND COLLECTIONS, 1840-1965 An annotated bibliography MARTA TARNAWSKY Research Report No. 5 Canadian Institute of Ukrainian Studies Press University of Alberta Edmonton 1992 TABLE OF CONTENTS Introduction v Journals and Collections Included in this Bibliography ix Bibliography 1 General Index 144 Chronological Index 175 INTRODUCTION The general plan Ukrainian Literature in English: Articles in Journals and Collections. 1840-1965 is part of a larger bibliographical project which attempts, for the first time, a comprehensive coverage of translations from and materials about Ukrainian literature published in the English language from the earliest known publications to the present. After it is completed this bibliographical project will include: 1/books and pamphlets, both translations and literary studies; 2/articles and notes published in monthly and quarterly journals, yearbooks, encyclopedias, symposia and other collections; 3/translations of poetry, prose and drama published in monthly and quarterly journals, yearbooks, anthologies etc.; and 4/ book reviews published in journals and collections. -
Visual Text and Musical Subtext: the Cossacks (George Hill, 1928): a 21St-Century Composer’S Journey in Silent Film Scoring
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel Electronic version URL: http://journals.openedition.org/miranda/38488 DOI: 10.4000/miranda.38488 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Robert Israel, “Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring”, Miranda [Online], 22 | 2021, Online since 23 March 2021, connection on 26 April 2021. URL: http://journals.openedition.org/miranda/38488 ; DOI: https:// doi.org/10.4000/miranda.38488 This text was automatically generated on 26 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Cen... 1 Visual Text and Musical Subtext: The Cossacks (George Hill, 1928): A 21st-Century Composer’s Journey in Silent Film Scoring Robert Israel 1 This piece aims to contextualize my contribution as ethnomusicologist, composer, orchestrator, arranger, conductor, choral director, producer, music contractor, and music editor for Turner Classic Movie’s presentation of MGM’s 1928 production of The Cossacks, directed by George Hill, with additional sequences directed by Clarence Brown. Working within a limited budget; doing research into the film’s historical era and the musical practices of the culture in which it takes place; finding source material, ethnic instruments, and musicians specializing in specific ethnic styles of music performance; and, other formidable challenges which I will outline here. -
THE DEVELOPMENT of BANDURA MUSIC ART BETWEEN the 1920S and 1940S
Journal of Ethnology and Folkloristics 14 (2): 44–66 DOI: 10.2478/jef-2020-0015 THE DEVELOPMENT OF BANDURA MUSIC ART BETWEEN THE 1920s A N D 1940s MARYNA BEREZUTSKA Associate professor Department of Folk Instruments M. Glinka Dnipropetrovsk Academy of Music Lyvarna street 10, 49044 Dnipro, Ukraine e-mail: [email protected] ABSTRACT Bandura art is a unique phenomenon of Ukrainian culture, inextricably linked with the history of the Ukrainian people. The study is dedicated to one of the most tragic periods in the history of bandura art, that of the 1920s–1940s, during which the Bolsheviks were creating, expanding and strengthening the Soviet Union. Art in a multinational state at this time was supposed to be national by form and socialist by content in accordance with the concept of Bolshevik cultural policy; it also had to serve Soviet propaganda. Bandura art has always been national by its content, and professional by its form, so conflict was inevitable. The Bolsheviks embodied their cultural policy through administrative and power methods: they created numerous bandurist ensembles and imposed a repertoire that glorified the Communist Party and the Soviet system. As a result, the development of bandura art stagnated significantly, although it did not die completely. At the same time, in the post-war years this policy provoked the emigration of many professional bandurists to the USA and Canada, thus promoting the active spread of bandura art in the Ukrainian Diaspora. KEYWORDS: bandura art • bandurists • kobzars INTRODUCTION The bandura is a unique Ukrainian folk instrument whose history is closely connected with the Ukrainian nation’s history. -
Becoming Soviet: Lost Cultural Alternatives In
BECOMING SOVIET: LOST CULTURAL ALTERNATIVES IN UKRAINE, 1917-1933 Olena Palko, MA, BA (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of East Anglia School of History December 2016© ‘This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition any quotation or extract must include full attribution.’ Abstract This doctoral thesis investigates the complex and multi-faceted process of the cultural sovietisation of Ukraine. The study argues that different political and cultural projects of a Soviet Ukraine were put to the test during the 1920s. These projects were developed and executed by representatives of two ideological factions within the Communist Party of Bolsheviks of Ukraine: one originating in the pre-war Ukrainian socialist and communist movements, and another with a clear centripetal orientation towards Moscow. The representatives of these two ideological horizons endorsed different approaches to defining Soviet culture. The unified Soviet canon in Ukraine was an amalgamation of at least two different Soviet cultural projects: Soviet Ukrainian culture and Soviet culture in the Ukrainian language. These two visions of Soviet culture are examined through a biographical study of two literary protagonists: the Ukrainian poet Pavlo Tychyna (1891-1967) and the writer Mykola Khvyl'ovyi (1893-1933). Overall, three equally important components, contributing to Ukraine’s sovietisation, are discussed: the power struggle among the Ukrainian communist elites; the manipulation of the tastes and expectations of the audience; and the ideological and aesthetic evolution of Ukraine’s writers in view of the first two components. -
Concert in Support of Peace and Democracy in Ukraine &
Donations can be made to: Donationer kan göras till: Bankgiro 109-9316 Concert in Support of Peace and Democracy in Ukraine & It makes no difference to me Inauguration of the It makes no difference to me, No father will remind his son Ukrainian Institute of Sweden If I shall live or not in Ukraine Or say to him, "Repeat one prayer, Or whether any one shall think One prayer for him; for our Ukraine Of me 'mid foreign snow and rain. They tortured him in their foul lair." It makes no difference to me. It makes no difference to me, UlRIkSDAlS SlOTTSTeATeR In slavery I grew 'mid strangers, If that son says a prayer or not. CONfIDeNCeN Unwept by any kin of mine; It makes great difference to me In slavery I now will die That evil folk and wicked men Sunday, 24 Aug 2014 And vanish without any sign. Attack our Ukraine, once so free, I shall not leave the slightest trace And rob and plunder it at will. Organized by: Upon our glorious Ukraine, That makes great difference to me. The Ukrainian Institute of Sweden Our land, but not as ours known. (Text: Taras Shevchenko) With support from: Kjell och Märta Beijers stiftelse, Anders Walls stiftelse, Confidencen and The Embassy of Ukraine in Sweden Min kära vänner! My dear friends! för några månader sedan lade sig ett A few months ago a dark cloud took transferred to the fund of Ukrainian in - mörkt moln över Ukraina. Hundratals shape over Ukraine. Hundreds of stitute in Sweden. The main aim of människor dog på Maidan, krim an - people died on Maidan, Crimea was which is foremost – promotion and sup - nekterades och nu har ett krig brutit ut annexed and now a war has erupted in port of Ukrainian culture in the world. -
Genocide-Holodomor 1932–1933: the Losses of the Ukrainian Nation”
TARAS SHEVCHENKO NATIONAL UNIVERSITY OF KYIV NATIONAL MUSEUM “HOLODOMOR VICTIMS MEMORIAL” UKRAINIAN GENOCIDE FAMINE FOUNDATION – USA, INC. MAKSYM RYLSKY INSTITUTE OF ART, FOLKLORE STUDIES, AND ETHNOLOGY MYKHAILO HRUSHEVSKY INSTITUTE OF UKRAINIAN ARCHAEOGRAPHY AND SOURCE STUDIES PUBLIC COMMITTEE FOR THE COMMEMORATION OF THE VICTIMS OF HOLODOMOR-GENOCIDE 1932–1933 IN UKRAINE ASSOCIATION OF FAMINE RESEARCHERS IN UKRAINE VASYL STUS ALL-UKRAINIAN SOCIETY “MEMORIAL” PROCEEDINGS OF THE INTERNATIONAL SCIENTIFIC- EDUCATIONAL WORKING CONFERENCE “GENOCIDE-HOLODOMOR 1932–1933: THE LOSSES OF THE UKRAINIAN NATION” (October 4, 2016, Kyiv) Kyiv 2018 УДК 94:323.25 (477) “1932/1933” (063) Proceedings of the International Scientific-Educational Working Conference “Genocide-Holodomor 1932–1933: The Losses of the Ukrainian Nation” (October 4, 2016, Kyiv). – Kyiv – Drohobych: National Museum “Holodomor Victims Memorial”, 2018. x + 119. This collection of articles of the International Scientific-Educational Working Conference “Genocide-Holodomor 1932–1933: The Losses of the Ukrainian Nation” reveals the preconditions and causes of the Genocide- Holodomor of 1932–1933, and the mechanism of its creation and its consequences leading to significant cultural, social, moral, and psychological losses. The key issue of this collection of articles is the problem of the Ukrainian national demographic losses. This publication is intended for historians, researchers, ethnologists, teachers, and all those interested in the catastrophe of the Genocide-Holodomor of 1932–1933. Approved for publication by the Scientific and Methodological Council of the National Museum “Holodomor Victims Memorial” (Protocol No. 9 of 25 September 2018). Editorial Board: Cand. Sc. (Hist.) Olesia Stasiuk, Dr. Sc. (Hist.) Vasyl Marochko, Dr. Sc. (Hist.), Prof. Volodymyr Serhijchuk, Dr. Sc. -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles. -
Concert Program
Oksana Dyka, soprano Angelina Gadeliya, piano • Solomiya Ivakhiv, violin I. Bellini Vincenzo Bellini Casta Diva (1801-1835) from Norma (1831) Program Mozart Wolfgang Amadeus Mozart Porgi, amor, qualche ristoro (1756-1791) from The Marriage of Figaro (1786) Rossini Gioachino Rossini Selva opaca, Recitative and Aria (1792-1868) from Guglielmo Tell (William Tell, 1829) Ms. Dyka • Ms. Gadeliya II. Shchetynsky Alexander Shchetynsky An Episode in the Life of the Poet, (b. 1960) an afterword to the opera Interrupted Letter (2014) World Premiere Ms. Ivakhiv • Ms. Gadeliya III. From Poetry to Art Songs 1: Settings of poems by Taras Shevchenko Shtoharenko Andriy Shtoharenko Yakby meni cherevyky (1902-1992) (If I had a pair of shoes, 1939) Silvestrov Valentin Silvestrov Proshchai svite (b. 1937) (Farewell world, from Quiet Songs, 1976) Shamo Ihor Shamo Zakuvala zozulen’ka (1925-1982) (A cuckoo in a verdant grove, 1958) Skoryk Myroslav Skoryk Zatsvila v dolyni (b. 1938) (A guelder-rose burst into bloom, 1962) Mussorgsky Modest Mussorgsky Hopak (1839-1881) from the opera Sorochynsky Fair (1880) Ms. Dyka • Ms. Gadeliya 2 Program — INTERMISSION — I V. Beethoven Ludwig van Beethoven Allegro vivace (1770-1827) from Sonata in G Major, Op. 30 (1801-1802) Vieuxtemps Henri Vieuxtemps Désespoir (1820-1881) from Romances sans paroles, Op. 7, No. 2 (c.1845) Ms. Ivakhiv • Ms. Gadeliya V. From Poetry to Art Songs 2: Settings of poems by Taras Shevchenko Lysenko Mykola Lysenko Oy, odna ya odna (1842-1912) (I’m alone, so alone, 1882) Rachmaninov Sergei Rachmaninov Poliubila ya na pechal’ svoyu, (1873-1943) Op. 8, No. 4 (I have given my love, 1893) Stetsenko Kyrylo Stetsenko Plavai, plavai, lebedon’ko (1882-1922) (Swim on, swim on, dear swan, 1903) Dankevych Konstantyn Dankevych Halia’s Aria (1905-1984) from the opera Nazar Stodolia (1960) VI. -
Harvard Ukrainian Studies
HARVARD UKRAINIAN STUDIES Volume V Number 2 June 1981 Mi. Ukrainian Research Institute Harvard University Cambridge, Massachusetts Copyright 1981, by the President and Fellows of Harvard College All rights reserved ISSN 0363-5570 Published by the Ukrainian Research Institute of Harvard University, Cambridge, Massachusetts, U.S.A. Printed by the Harvard University Printing Office Typography by Brevis Press, Cheshire, Conn. CONTENTS ARTICLES The Ottoman Crimea in the Sixteenth Century 135 ALAN FISHER Three Perspectives on the Cossack Past: Gogol’, evëenko, Kuli 171 GEORGE G. GRABOWICZ The Stefanyk Library of the Ukrainian Academy of Sciences: A Treasury of Manuscript Collections in Lviv 195 PATRICIA KENNEDY GRIMSTED BIBLIOGRAPHIC STUDIES Two Contributions to the Bibliography of Meletij Smotryc’kyj 230 ROBERT MATHIESEN DOCUMENTS A Contemporary’s Account of the Causes of the Khmel’nyts’kyi Uprising 245 FRANK E. SYSYN REVIEW ARTICLES The Book in Pre-Mongol Rus’ 258 EDWARD KASINEC Polish Problems in the Works of Mykhailo Drahomanov 263 IVAN L. RUDNYTSKY REVIEWS Ludoif MUller, ed., Handbuch zur Nestorchronik Donald Ostrowski 270 V. I. ynkaruk et al., trans. and eds., Feofan Prokopovyc: Fib sofs’ki Ivory v tr’ox tomax. Pereklad z latyns’koji, volume 1: Pro rytoryéne mystectvo James Cracraft 272 Xenia Gasiorowska, The Image of Peter the Great in Russian Fiction Karen Rosenberg 274 Peter J. Potichnyj, ed., Poland and Ukraine: Past and Present Bohdan Budurowycz 276 Jurij Borys, The Sovietization of Ukraine, 1917-1923: The Commu nist Doctrine and Practice of National Self-Determination Kazuo Nakai 278 Miroslawa Papierzyñska-Turek, Sprawa ukraiñska w Drugiej Rzeczypospolitej, 1922-1926 Alexander J. -
STUDENT 1982 December-January
50 cenls CANADA'S NEWSPAPER FOB UKRAINIAN STUDENTS 1 SHOULD .. LtSS0n& FROni RftYStRWYLO'" #435, 10766 — 97 St., Edmonton, Alberta, Canada T5J 2P2 Successful SUSK campaign Roman Waschuk and Nestor Mykytyn Students home free! Carnations, kisses and launching an emergency cam- for assistance. To sensitize com- between 18-25 October. On the Ukrainian Orthodox Church opinion to the plight of first were chocolates greeted the first paign to: i) raise funds to assist munity Sunday, pamphlets Scarborough, St. Basil's Ukr t group of young Ukrainian the Canadian Ukrainian Im- the refugees, the committee distributed wherever nian Catholic Church and n r refugees from Poland upon their migrant Aid Society in its produced 20,000 pamphlets en- organizational inexperience and Ukrainian Baptist Church. ': arrival at Toronto International endeavours to bring these titled Ukrainian Refugees: How clerical reluctance didn't in- York and Waterloo Ukra'r Airport on 14 January — New refugees to Canada; and ) you can help. 9,000 copies were tervene, The following Sunday, Student Clubs organized be" Year's Day according to the publicize the refugees' plight." rrjailed out to Ukrainian donations were accepted. A pub nights for the younc 4 Julian calendar. On hand to meet Accordingly, SUSK Human households across Canada, number of parish priests whole- migrants, and the U of T I Si"* the fourteen immigrants were Rights VP Nestory Mykytyn form- while the remainder was dis- heartedly supported the SUSK came forward with a fihan< representatives of the Canadian ed a committee consisting of tributed by local USC's. The initiative and together with their contribution to the camp^'Q Ukrainian Immigrant Aid Society members of the three Toronto staging area for the operation, St.