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Nietzsche and Aestheticism
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 1992 Nietzsche and Aestheticism Brian Leiter Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Brian Leiter, "Nietzsche and Aestheticism," 30 Journal of the History of Philosophy 275 (1992). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. Notes and Discussions Nietzsche and Aestheticism 1o Alexander Nehamas's Nietzsche: L~fe as Literature' has enjoyed an enthusiastic reception since its publication in 1985 . Reviewed in a wide array of scholarly journals and even in the popular press, the book has won praise nearly everywhere and has already earned for Nehamas--at least in the intellectual community at large--the reputation as the preeminent American Nietzsche scholar. At least two features of the book may help explain this phenomenon. First, Nehamas's Nietzsche is an imaginative synthesis of several important currents in recent Nietzsche commentary, reflecting the influence of writers like Jacques Der- rida, Sarah Kofman, Paul De Man, and Richard Rorty. These authors figure, often by name, throughout Nehamas's book; and it is perhaps Nehamas's most important achievement to have offered a reading of Nietzsche that incorporates the insights of these writers while surpassing them all in the philosophical ingenuity with which this style of interpreting Nietzsche is developed. The high profile that many of these thinkers now enjoy on the intellectual landscape accounts in part for the reception accorded the "Nietzsche" they so deeply influenced. -
A Moderately Ironic Reading of Xenophon's Oeconomicus
David M. JOHNSON Ischomachus the Model Husband? A Moderately Ironic Reading of Xenophon's Oeconomicus Xenophon's Oeconomicus is usually considered a treatise on household management masquerading as a Socratic dialogue (Pomeroy). But for others the reverse is true (Strauss and the Straussians; see also Mackenzie and Nails in EMC 1985, Too's review of Pomeroy in CR 1995, and the less orthodox Straussian Stevens). How one comes down on this issue will obviously affect one's evaluation of Ischomachus' relationship with his wife, and of Xenophon as a Socratic writer. I argue that the Oeconomicus is both Socratic and economic, both didactic and ironic. Xenophon chose Ischomachus because both his virtues and his vices have much to teach Critobulus, Socrates' immediate interlocutor, and Xenophon's readers. Our Ischomachus is probably the man whose wife went on to become the Chrysilla who would marry and bear a son to her son-in-law Callias, driving her daughter to attempt suicide (Andocides 1.124-127). There may be evidence for this in Oeconomicus itself. Callias would fall for Chrysilla again when she was "an old battleaxe" (Andocides 1.127); Ischomachus promises his wife that she can maintain her status even in old age (Oec. 7.20). The scandals which would beset Chrysilla and her children may shed light on Ischomachus' otherwise odd failure to say much about children to the wife he had married in large part for the sake of children. There are other ironies. Ischomachus hardly shares Socrates' understanding of property as that one knows how to use. Critobulus, in fact, is evidently already rich enough in conventional terms: he needs another sort of help. -
Oikos and Economy: the Greek Legacy in Economic Thought
Oikos and Economy: The Greek Legacy in Economic Thought GREGORY CAMERON In the study of the history of economic thought, there has been a tendency to take the meaning of the term “economics” for granted. As a consequence, when considering economic thought in ancient Greece, we turn to what the Greeks said about wealth, about money or about interest. This seems relatively straightforward. Problems emerge when we consider that the term “economics” had a different meaning in ancient Greece than it does today. As a rule, we project back onto history what we mean by “economics” and more or less ignore what it meant during the period in question. On one level, there is nothing wrong with this way of proceeding; after all we have no choice, ultimately, but to study the past with the concepts that are at our disposal. But the procedure can have certain drawbacks. The tendency of positive investigations is that they risk overlooking the kinds of transformations that give rise to our own concerns and even what is essential to our own thought and assumptions. The term “economics” has a long and varied history; the following is a brief attempt to turn things on their head and consider the history of economics not from the perspective of the modern notion of economics, but from the perspective of its ancient Greek ancestor and to begin to indicate the non-obvious ways in which the Greek legacy continues to inform even our most recent economies. As such, while brief mention is made of some modern economic historians, the primary focus is on the meaning of PhaenEx 3, no. -
False Variety: Plato's Fear of the Mass Media
ISSN: 2519-1268 Issue 4 (Autumn 2017), pp. 9-29 DOI: 10.6667/interface.4.2017.33 False Variety: Plato’s Fear of the Mass Media hua-κuei ho Chinese Culture University Abstract Plato’s criticisms of poetry in the Republic X have been compared by Alexander Nehamas to modern élitist criticisms of television in the 1970s and 80s. In his “Plato and the Mass Media” (1988), Nehamas explained that the poetry attacked by Plato —either Homer’s epics or the celebrated tragedies performed in theatres— was in the form of “popular entertainment” in the cultural context of Athens in the fifth century B.C. The aim of my paper is not to endorse the élitist attitude toward popular entertainment. What I wish to argue is that the variety shown by media does not entail our free choices among the various items. One significant feature of the mass media revealed by Nehamas is that the mimesis (representation/imitation) in it is “transparent.” The “transparent mimesis” is the representation which mirrors things simply according to how they appear to the audience. Due to the transparency, the work of popular entertainment “requires little or no interpretation.” In this paper, I will explore the concept of the “transparent mimesis” in Plato and compare it with some views in contemporary aesthetics. On freedom, I will compare it with Adorno. As for the variety shown in the transparent mimesis, I will challenge the idea that Greek art is “realistic”, by consulting the studies of aesthetics by Gombrich, Wollheim, and Halliwell. Mimesis resembles not simply real things, but things which appear to certain fixed points of views. -
Agorapicbk-17.Pdf
Excavations of the Athenian Agora Picture Book No. 17 Prepared by Mabel L. Lang Dedicated to Eugene Vanderpool o American School of Classical Studies at Athens ISBN 87661-617-1 Produced by the Meriden Gravure Company Meriden, Connecticut COVER: Bone figure of Socrates TITLE PAGE: Hemlock SOCRATES IN THE AGORA AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS PRINCETON, NEW JERSEY 1978 ‘Everything combines to make our knowledge of Socrates himself a subject of Socratic irony. The only thing we know definitely about him is that we know nothing.’ -L. Brunschvicg As FAR AS we know Socrates himselfwrote nothing, yet not only were his life and words given dramatic attention in his own time in the Clouds of Ar- istophanes, but they have also become the subject of many others’ writing in the centuries since his death. Fourth-century B.C. writers who had first-hand knowledge of him composed either dialogues in which he was the dominant figure (Plato and Aeschines) or memories of his teaching and activities (Xe- nophon). Later authors down even to the present day have written numerous biographies based on these early sources and considering this most protean of philosophers from every possible point of view except perhaps the topograph- ical one which is attempted here. Instead of putting Socrates in the context of 5th-century B.C. philosophy, politics, ethics or rhetoric, we shall look to find him in the material world and physical surroundings of his favorite stamping- grounds, the Athenian Agora. Just as ‘agora’ in its original sense meant ‘gathering place’ but came in time to mean ‘market place’, so the agora itself was originally a gathering place I. -
The Historicity of Plato's Apology of Socrates
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1946 The Historicity of Plato's Apology of Socrates David J. Bowman Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Classical Literature and Philology Commons Recommended Citation Bowman, David J., "The Historicity of Plato's Apology of Socrates" (1946). Master's Theses. 61. https://ecommons.luc.edu/luc_theses/61 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1946 David J. Bowman !HE HISTORICITY OP PLATO'S APOLOGY OF SOCRATES BY DA.VID J. BOWJWf~ S.J• .l. !BESIS SUBMITTED Ilf PARTIAL FULFILIJIE.NT OF THB: R}gQUIRE'IIENTS POR THE DEGREE OF IIA.STER OF ARTS Ill LOYOLA UlfiVERSITY JULY 1946 -VI'fA. David J. Bowman; S.J•• was born in Oak Park, Ill1no1a, on Ma7 20, 1919. Atter b!a eleaentar7 education at Ascension School# in Oak Park, he attended LoJola AcademJ ot Chicago, graduat1DS .from. there in June, 1937. On September 1, 1937# he entered the Sacred Heart Novitiate ot the SocietJ ot Jesus at Milford~ Ohio. Por the tour Jear• he spent there, he was aoademicallJ connected with Xavier Univeraitr, Cincinnati, Ohio. In August ot 1941 he tranaterred to West Baden College o.f Lorol& Universit7, Obicago, and received the degree ot Bachelor o.f Arts with a major in Greek in Deo.aber, 1941. -
Plato Apology of Socrates and Crito
COLLEGE SERIES OF GREEK AUTHORS EDITED UNDER THE SUPERVISION OF JOHN WILLIAMS WHITE, LEWIS R. PACKARD, a n d THOMAS D. SEYMOUR. PLATO A p o l o g y o f S o c r a t e s AND C r i t o EDITED ON THE BASIS OF CRON’S EDITION BY LOUIS DYER A s s i s t a n t ·Ρι;Οχ'ε&^ο^ ι ν ^University. BOSTON: PUBLISHED BY GINN & COMPANY. 1902. I P ■ C o p · 3 Entered, according to Act of Congress, in the year 1885, by J o h n W il l ia m s W h i t e a n d T h o m a s D. S e y m o u r , In the Office of the Librarian of Congress, at Washington. J . S. C u s h in g & Co., P r i n t e r s , B o s t o n . PREFACE. T his edition of the Apology of Socrates and the Crito is based upon Dr. Christian Cron’s eighth edition, Leipzig, 1882. The Notes and Introduction here given have in the main been con fined within the limits intelligently drawn by Dr. Cron, whose commentaries upon various dialogues of Plato have done and still do so much in Germany to make the study of our author more profitable as well as pleasanter. No scruple has been felt, how ever, in making changes. I trust there are few if any of these which Dr. Cron might not himself make if he were preparing his work for an English-thinking and English-speaking public. -
Socrates and Democratic Athens: the Story of the Trial in Its Historical and Legal Contexts
Princeton/Stanford Working Papers in Classics Socrates and democratic Athens: The story of the trial in its historical and legal contexts. Version 1.0 July 2006 Josiah Ober Princeton University Abstract: Socrates was both a loyal citizen (by his own lights) and a critic of the democratic community’s way of doing things. This led to a crisis in 339 B.C. In order to understand Socrates’ and the Athenian community’s actions (as reported by Plato and Xenophon) it is necessary to understand the historical and legal contexts, the democratic state’s commitment to the notion that citizens are resonsible for the effects of their actions, and Socrates’ reasons for preferring to live in Athens rather than in states that might (by his lights) have had substantively better legal systems. Written for the Cambridge Companion to Socrates. © Josiah Ober. [email protected] Socrates and democratic Athens: The story of the trial in its historical and legal contexts. (for Cambridge Companion to Socrates) Josiah Ober, Princeton University Draft of August 2004 In 399 B.C. the Athenian citizen Socrates, son of Sophroniscus of the deme (township) Alopece, was tried by an Athenian court on the charge of impiety (asebeia). He was found guilty by a narrow majority of the empanelled judges and executed in the public prison a few days later. The trial and execution constitute the best documented events in Socrates’ life and a defining moment in the relationship between Greek philosophy and Athenian democracy. Ever since, philosophers and historians have sought to -
Alexander Nehamas, the Art of Living
Alexander Nehamas, The art of living: Socratic reflections from Plato to Foucault (Sather Classical Lectures volume 61) University of California Press, Berkeley and Los Angeles, 1998. pp. xi + 283. ISBN 0-520-21173-1 John Cottingham, Philosophy and the Good Life: reason and the passions in Greek, Cartesian and psychoanalytic ethics. Cambridge University Press, Cambridge, 1998. pp xiii + 230. ISBN 0-521-47310-1 hardback; 0-521-47890-1 paperback. Jonathan Lear, Open minded: working out the logic of the soul. Harvard University Press, Cambridge MA, 1998. ISBN 0-674-45533-9 The history of Philosophy is spangled with occasional figures who are so fascinating and so irritating that the subject can never let them go: Socrates, Descartes, Nietzsche, Freud, Wittgenstein, Foucault to name but a few. The continuous love-hate relationship that philosophers feel or have felt for these figures is something that perhaps we ought to be able to explain. Indeed, could it not be that what makes us so annoyed or so fascinated is our inability to put our finger on precisely what it is that attracts or repels us about the character in question? Neither Descartes, nor Wittgenstein nor Freud figures in Alexander Nehamas' choice of Socratic disciples—his later chapters select Montaigne, Nietzsche and Foucault for attention—whereas Plato, Aristotle and Freud gain more attention in the explorations of John Cottingham, and Wittgenstein as well as Freud figure prominently in the book by Jonathan Lear: Cottingham and Lear share neither the Socratic focus of Nehamas nor his desire to unpack what accounts for our fascination; but there remains a certain coherence to this otherwise unrelated set of books all of which happened to be published in 1998. -
Walter Kaufmann
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Introduction walter kaufmann was born in Freiburg in Breisgau, Germany, on July 1, 1921, and died in Princeton, New Jersey, on September 4, 1980, far too young, at fifty‑nine, for someone of his vitality.1 His colleague, the Princeton histo‑ rian Carl Schorske, remained lucid until his death in 2015, after having cel‑ ebrated his one‑hundredth birthday.2 Arthur Szathmary, who together with Walter Kaufmann joined Princeton’s Department of Philosophy in 1947, died in 2013 at ninety‑seven; and Joseph Frank, emeritus professor of compara‑ tive literature at Princeton, with whom Walter debated an understanding of Dostoevsky’s Notes from Underground, passed away in 2013 at ninety‑four, some months after publishing his last book.3 It is hard to imagine Kaufmann’s sudden death at that age arising from an ordinary illness, and in fact the cir‑ cumstances fit a conception of tragedy—if not his own. According to Walter’s brother, Felix Kaufmann, Walter, while on one of his Faustian journeys of exploration to West Africa, swallowed a parasite that attacked his heart. In the months following, Walter died of a burst aorta in his Princeton home. His death does not fit his own conception of tragedy, for his bookThe Faith of a Heretic contains the extraordinary sentences: When I die, I do not want them to say: Think of all he still might have done. -
Sophrosyne in Xenophon’S Oeconomicus
166 ECONOMIC SELF- RESTRAINT An interpretation of Ischomachus’ use of sophrosyne in Xenophon’s Oeconomicus MA Thesis Classics and Ancient Civilizations Supervisor: Dr. T.A. van Berkel Second reader: Dr. A.M. Rademaker Word count: 16.494 Date of submission: 12-08-2019 Aniek Vink s1665235 [email protected] Contents Introduction ............................................................................................................................................. 2 Chapter 1: a semantic study of sophrosyne ............................................................................................. 4 1.1. General uses ................................................................................................................................. 4 1.2. Plato’s philosophical uses ............................................................................................................ 8 1.3. Relation to enkrateia .................................................................................................................... 9 Chapter 2: Socrates’ sophrosyne ........................................................................................................... 11 2.1. Good sense to avoid harming others .......................................................................................... 11 2.1.1. Xenophon’s apologetic definition ....................................................................................... 11 2.1.2. Socrates’ philosophical definition ...................................................................................... -
Heidegger on Ontotheology: Technology and the Politics of Education Iain D
Cambridge University Press 052161659X - Heidegger on Ontotheology: Technology and the Politics of Education Iain D. Thomson Frontmatter More information Heidegger on Ontotheology Technology and the Politics of Education Heidegger is now widely recognized as one of the most influential philosophers of the twentieth century, yet much of his later phi- losophy remains shrouded in confusion and controversy. Restoring Heidegger’s understanding of metaphysics as “ontotheology” to its rightful place at the center of his later thought, this book explains the depth and significance of his controversial critique of technology, his appalling misadventure with Nazism, his prescient critique of the university, and his important philosophical suggestions for the future of higher education. It will be required reading for those seeking to understand the relationship between Heidegger’s philosophy and National Socialism as well as the continuing relevance of his work. Iain D. Thomson is assistant professor of philosophy at the University of New Mexico, where he received the Gunter Starkey Award for Teaching Excellence. His articles on Heidegger have been pub- lished in Inquiry, Journal of the History of Philosophy, the International Journal of Philosophical Studies, and the Journal of the British Society for Phenomenology. © Cambridge University Press www.cambridge.org Cambridge University Press 052161659X - Heidegger on Ontotheology: Technology and the Politics of Education Iain D. Thomson Frontmatter More information Heidegger on Ontotheology Technology and the Politics of Education IAIN D. THOMSON University of New Mexico © Cambridge University Press www.cambridge.org Cambridge University Press 052161659X - Heidegger on Ontotheology: Technology and the Politics of Education Iain D. Thomson Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, S˜aoPaulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521851152 C Iain D.