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Nietzsche and Aestheticism
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 1992 Nietzsche and Aestheticism Brian Leiter Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Brian Leiter, "Nietzsche and Aestheticism," 30 Journal of the History of Philosophy 275 (1992). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. Notes and Discussions Nietzsche and Aestheticism 1o Alexander Nehamas's Nietzsche: L~fe as Literature' has enjoyed an enthusiastic reception since its publication in 1985 . Reviewed in a wide array of scholarly journals and even in the popular press, the book has won praise nearly everywhere and has already earned for Nehamas--at least in the intellectual community at large--the reputation as the preeminent American Nietzsche scholar. At least two features of the book may help explain this phenomenon. First, Nehamas's Nietzsche is an imaginative synthesis of several important currents in recent Nietzsche commentary, reflecting the influence of writers like Jacques Der- rida, Sarah Kofman, Paul De Man, and Richard Rorty. These authors figure, often by name, throughout Nehamas's book; and it is perhaps Nehamas's most important achievement to have offered a reading of Nietzsche that incorporates the insights of these writers while surpassing them all in the philosophical ingenuity with which this style of interpreting Nietzsche is developed. The high profile that many of these thinkers now enjoy on the intellectual landscape accounts in part for the reception accorded the "Nietzsche" they so deeply influenced. -
False Variety: Plato's Fear of the Mass Media
ISSN: 2519-1268 Issue 4 (Autumn 2017), pp. 9-29 DOI: 10.6667/interface.4.2017.33 False Variety: Plato’s Fear of the Mass Media hua-κuei ho Chinese Culture University Abstract Plato’s criticisms of poetry in the Republic X have been compared by Alexander Nehamas to modern élitist criticisms of television in the 1970s and 80s. In his “Plato and the Mass Media” (1988), Nehamas explained that the poetry attacked by Plato —either Homer’s epics or the celebrated tragedies performed in theatres— was in the form of “popular entertainment” in the cultural context of Athens in the fifth century B.C. The aim of my paper is not to endorse the élitist attitude toward popular entertainment. What I wish to argue is that the variety shown by media does not entail our free choices among the various items. One significant feature of the mass media revealed by Nehamas is that the mimesis (representation/imitation) in it is “transparent.” The “transparent mimesis” is the representation which mirrors things simply according to how they appear to the audience. Due to the transparency, the work of popular entertainment “requires little or no interpretation.” In this paper, I will explore the concept of the “transparent mimesis” in Plato and compare it with some views in contemporary aesthetics. On freedom, I will compare it with Adorno. As for the variety shown in the transparent mimesis, I will challenge the idea that Greek art is “realistic”, by consulting the studies of aesthetics by Gombrich, Wollheim, and Halliwell. Mimesis resembles not simply real things, but things which appear to certain fixed points of views. -
Alexander Nehamas, the Art of Living
Alexander Nehamas, The art of living: Socratic reflections from Plato to Foucault (Sather Classical Lectures volume 61) University of California Press, Berkeley and Los Angeles, 1998. pp. xi + 283. ISBN 0-520-21173-1 John Cottingham, Philosophy and the Good Life: reason and the passions in Greek, Cartesian and psychoanalytic ethics. Cambridge University Press, Cambridge, 1998. pp xiii + 230. ISBN 0-521-47310-1 hardback; 0-521-47890-1 paperback. Jonathan Lear, Open minded: working out the logic of the soul. Harvard University Press, Cambridge MA, 1998. ISBN 0-674-45533-9 The history of Philosophy is spangled with occasional figures who are so fascinating and so irritating that the subject can never let them go: Socrates, Descartes, Nietzsche, Freud, Wittgenstein, Foucault to name but a few. The continuous love-hate relationship that philosophers feel or have felt for these figures is something that perhaps we ought to be able to explain. Indeed, could it not be that what makes us so annoyed or so fascinated is our inability to put our finger on precisely what it is that attracts or repels us about the character in question? Neither Descartes, nor Wittgenstein nor Freud figures in Alexander Nehamas' choice of Socratic disciples—his later chapters select Montaigne, Nietzsche and Foucault for attention—whereas Plato, Aristotle and Freud gain more attention in the explorations of John Cottingham, and Wittgenstein as well as Freud figure prominently in the book by Jonathan Lear: Cottingham and Lear share neither the Socratic focus of Nehamas nor his desire to unpack what accounts for our fascination; but there remains a certain coherence to this otherwise unrelated set of books all of which happened to be published in 1998. -
THE ATROCITY PARADIGM This Page Intentionally Left Blank the Atrocity Paradigm
THE ATROCITY PARADIGM This page intentionally left blank The Atrocity Paradigm A Theory of Evil CLAUDIA CARD 1 2002 3 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2002 by Claudia Card Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Card, Claudia. The atrocity paradigm : a theory of evil / Claudia Card. p. cm. ISBN 0-19-514508-9 1. Good and evil. I. Title. BJ1401 .C29 2002 170—dc21 2001036610 987654321 Printed in the United States of America on acid-free paper To my teachers, whose example and encouragement have elicited my best efforts: Ruby Healy Marquardt (1891–1976) Marjorie Glass Pinkerton Marcus George Singer John Rawls Lorna Smith Benjamin This page intentionally left blank Preface Four decades of philosophical work in ethics have engaged me with varieties of evil. It began with an undergraduate honors thesis on punishment, which was followed by a Ph.D. dissertation on that topic, essays on mercy and retribu- tion, and a grant to study the U.S. -
Albert Camus' Dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky Sean Derek Illing Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Illing, Sean Derek, "Between nihilism and transcendence : Albert Camus' dialogue with Nietzsche and Dostoevsky" (2014). LSU Doctoral Dissertations. 1393. https://digitalcommons.lsu.edu/gradschool_dissertations/1393 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. BETWEEN NIHILISM AND TRANSCENDENCE: ALBERT CAMUS’ DIALOGUE WITH NIETZSCHE AND DOSTOEVSKY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Sean D. Illing B.A., Louisiana State University, 2007 M.A., University of West Florida, 2009 May 2014 ACKNOWLEDGEMENTS This dissertation is the product of many supportive individuals. I am especially grateful for Dr. Cecil Eubank’s guidance. As a teacher, one can do no better than Professor Eubanks. Although his Socratic glare can be terrifying, there is always love and wisdom in his instruction. It is no exaggeration to say that this work would not exist without his support. At every step, he helped me along as I struggled to articulate my thoughts. -
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Qwertyuiopasdfghjklzxcvbnmqw ertyuiopasdfghjklzxcvbnmqwert yuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopa An Investigation of the Parallels between Sartre’s Bad Faith and Nietzsche’s Slave Morality sdfghjklzxcvbnmqwertyuiopasdfMasters Dissertation 1/1/2011 ghjklzxcvbnmqwertyuiopasdfghjStudent: James Speirs Student Number 210553574 Supervisor: Dr. Deepak Mistrey School of Philosophy and Ethics klzxcvbnmqwertyuiopasdfghjklzFaculty of Human Development and Social Sciences Submitted in fulfilment of the requirements for degree of Master of Arts in the programme of xcvbnmqwertyuiopasdfghjklzxcvPhilosophy, University of KwaZulu-Natal, Durban I hereby declare that this work is my own. I have not willingly plagiarised and where I have used another’s work I have stated so. bnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmq____________________________________ wertyuiopasdfghjklzxcvbnmqwe rtyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyui Abstract The following dissertation examines Sartre’s notion of bad faith before identifying parallels found in Nietzsche’s Genealogy of Morals. Bad faith is often construed as lying to oneself; however, this entails an individual being both the deceiver and deceived which presents a number of paradoxes. By reconceptualising bad faith as self-deception rather than lying to oneself these paradoxes are avoided. Nietzsche’s Genealogy examines the development of modern morality and explains its genesis through identifying a specific psychological tendency, namely, ressentiment. Ressentiment -
Heidegger on Ontotheology: Technology and the Politics of Education Iain D
Cambridge University Press 052161659X - Heidegger on Ontotheology: Technology and the Politics of Education Iain D. Thomson Frontmatter More information Heidegger on Ontotheology Technology and the Politics of Education Heidegger is now widely recognized as one of the most influential philosophers of the twentieth century, yet much of his later phi- losophy remains shrouded in confusion and controversy. Restoring Heidegger’s understanding of metaphysics as “ontotheology” to its rightful place at the center of his later thought, this book explains the depth and significance of his controversial critique of technology, his appalling misadventure with Nazism, his prescient critique of the university, and his important philosophical suggestions for the future of higher education. It will be required reading for those seeking to understand the relationship between Heidegger’s philosophy and National Socialism as well as the continuing relevance of his work. Iain D. Thomson is assistant professor of philosophy at the University of New Mexico, where he received the Gunter Starkey Award for Teaching Excellence. His articles on Heidegger have been pub- lished in Inquiry, Journal of the History of Philosophy, the International Journal of Philosophical Studies, and the Journal of the British Society for Phenomenology. © Cambridge University Press www.cambridge.org Cambridge University Press 052161659X - Heidegger on Ontotheology: Technology and the Politics of Education Iain D. Thomson Frontmatter More information Heidegger on Ontotheology Technology and the Politics of Education IAIN D. THOMSON University of New Mexico © Cambridge University Press www.cambridge.org Cambridge University Press 052161659X - Heidegger on Ontotheology: Technology and the Politics of Education Iain D. Thomson Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, S˜aoPaulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521851152 C Iain D. -
Alexander Nehamas.Pdf
Princeton University HONORS FACULTY MEMBERS RECEIVING EMERITUS STATUS May 2021 [ 1 ] The biographical sketches were written by staff and colleagues in the departments of those honored. Published by the Office of the Dean of the Faculty Coordinated by the Office of Communications Copyright © 2021 by The Trustees of Princeton University Printed on recycled paper 121074 In the Nation’s Service and the Service of Humanity 121074 [ 2 ] Contents Faculty Members Honored in 2021 for Receiving Emeritus Status Chih-p’ing Chou ..................................3 Lynn William Enquist .............................7 Edward William Felten ...........................10 Andrew L. Ford .................................12 Olga Peters Hasty ................................ 15 Michael Jennings ................................18 Gerta Keller ....................................21 Sara McLanahan ................................24 Alexander Nehamas ..............................29 Philip Nord.....................................32 James Richardson................................36 Thomas Shenk ..................................38 Yakov Sinai.....................................41 Marta Tienda ...................................43 Robert J. Wuthnow ..............................46 [ 1 ] AleXanDer Nehamas lexander Nehamas was born and raised in Athens, Greece. At A the age of eight, he was sent to Athens College, Greece’s most distinguished boarding school, which was just five miles from his home. His first introduction to philosophy came at boarding school, -
Babette E. Babich NIETZSCHE's IMPERATIVE AS a FRIEND's
Babette E. Babich NIETZSCHE’S IMPERATIVE AS A FRIEND’S ENCOMIUM: ON BECOMING THE ONE YOU ARE, ETHICS, AND BLESSING Es zeiget sich mit einem goldnen Tage Und die Vollkommenheit ist ohne Klage. Hölderlin: Der Herbst In Memoriam Ivan Illich (1926-2002) Among Friends: Between the Imperative and the Encomium Nietzsche’s imperative call, Werde, der Du bist - Become the one you are - is, to say the least, an odd sort of imperative: dissonant and yet intrinsically inspiring. Thus Alexander Nehamas in an essay on this very theme names it the “most haunting of Nietzsche’s haunting aphorisms.”1 Expressed as it is in The Gay Science,“Du sollst der werden, der du bist” (GS 270, KSA 3, p. 519) - Thou shalt - you ought to - you should - become the one you are -, such a command opposes the strictures of Kant’s practical imperatives, offering an assertion that seems to encourage us as what we are. As David B. Allison stresses in his book, Nietzsche’s is a voice that addresses us as a friend would: “like a friend who seems to share your every concern - and your aversions and suspicions as well. Like a true friend, he rarely tells you what you ought to do.”2 But Nietzsche here does tell us what we ought to do, if the coincident or already achieved paradox of his imperative keeps the tone of the command intimate. It is an inside piece of advice perfectly consonant with Allison’s point: Nietzsche takes us as we are. Yet taking his readers as his allies, as so many of his aphorisms seem to place us squarely on his own side, author and reader against the world - why doesn’t he simply come out and express this amiable loyalty to us, his readers, in some less ambiguous and more affirmative fashion? Be just as you are! Perfection! Ordinary, garden-variety, ethical or moral or practical imperatives urge us to alter our lives not to become what we (already) are but as ideal possibilities, contrary to immediate circumstances or fact, the idea is to become what we are not 1 Nehamas, Alexander: How One Becomes What One Is. -
Beauty, Interpretation, and the Everyday: an Interview with Alexander Nehamas Robbie Kubala Columbia University
Postgraduate Journal of Aesthetics, Vol. 9, No. 2, June 2012 BEAUTY , I NTERPRETATION , AND THE EVERYDAY : AN INTERVIEW WITH ALEXANDER NEHAMAS ROBBIE KUBALA COLUMBIA UNIVERSITY I. T HE SEMANTICS AND ONTOLOGY OF BEAUTY ROBBIE KUBALA : Many philosophers of art who identify with the analytic tradition tend today to think of beauty, when they do think of beauty, as one aesthetic quality among others. In a recent book on Functional Beauty , for example, the philosophers Glenn Parsons and Allen Carlson claim that the “avoidance of ‘beauty’ is generally a wise practice because the word is often taken to suggest a somewhat narrower notion than the term ‘aesthetic’ suggests.” 1 Why focus on beauty as opposed to the aesthetic more broadly? ALEXANDER NEHAMAS : I don’t think that beauty is a single specific quality. There may be such a thing – we could call it ‘prettiness’ or ‘good looks’, though such a feature changes with time and culture. Beauty, by contrast, is the most general quality that applies to everything—object or person—to which we are attracted and connects with objects and persons to whom we are attracted, where the attraction can range from a mild appeal to the most passionate love. Beauty, as Plato put it, is the object of love, and I 1 Parsons and Carlson (2008), p. xii. INTERVIEW WITH ALEXANDER NEHAMAS think that the most salient feature of our relationship to the arts and beauty in general is that all of us love something or other in the world. Everything that we love is something we find beautiful, and since what you and I find beautiful is bound to be different, it’s unlikely that beauty represents a single quality. -
Transcript of “The Greeks: Crucible of Civilization” Episode Three: “Empire of the Mind”
Transcript of “The Greeks: Crucible of Civilization” Episode Three: “Empire of the Mind” Transcript of PBS Video - The Greeks: Crucible of Civilization Part III: Empire of the Mind 0:00 – Episode Introduction Athens. The world’s first democracy. The most glorious city in ancient world, a city of wealth and power, center of a mighty naval empire. At the head of the state stood one man, a man who seemed to embody all of the Athenians’ achievements: Pericles. But Pericles now risked everything he and the Athenians had built in one great gamble, a war that he hoped would make Athens the undisputed ruler of the Mediterranean. This conflict would indeed transform Athens, but in a way that Pericles could never have imagined. It would make a common Athenian, Socrates, into the ruler of a new empire, an empire that remains the Greeks’ last great legacy, an empire of the mind A prison cell in the city of Athens. The year, 399 BC. Socrates, the world’s most famous philosopher, prepares for his execution. Around him lies a city ruined by war, a nation stripped of glory and empire, a people who have lost everything. Socrates is perhaps the one man who perhaps could have saved his fellow citizens from the greatest defeat in their history. Instead they have condemned him to death. How could the Athenians come to execute one of their most brilliant minds? How could they lose everything that had made them great? It is a tale that begins three decades before. 3:00 – Pericles’ Strategy for War with Sparta, 431 BC In the year 431 BC the city-state of Athens was the greatest power in the Mediterranean. -
Eternal Recurrence and Nihilism: Adding Weight to the Unbearable Lightness of Action
Eternal Recurrence and Nihilism: Adding Weight to the Unbearable Lightness of Action (Version 2.4) DRAFT: PLEASE DO NOT QUOTE OR ATTRIBUTE WITHOUT PERMISSION Nadeem J. Z. Hussain [email protected] 1. Introduction I have argued elsewhere for ascribing an error theory about all normative and evaluative judgements to Nietzsche.1 Such a nihilism brings with it a puzzle: how could we—or at least the select few of us being addressed by Nietzsche—continue in the face of this nihilism? This is a philosophical puzzle and so, defeasibly, an interpretive puzzle. If there is no theory it would make sense for Nietzsche to have about how the select few could go on, then this is some evidence against the proposed interpretation of him as a nihilist. I defended the interpretation by arguing that Nietzsche’s declarations about creating values point to a practice of generating honest evaluative illusions.2 Such honest evaluative illusions are tricky things, though, and, precisely because they are honest, one might worry that they lack the motivational power of genuine evaluative belief. Can they truly play the role that evaluative beliefs play in our psychological economies? I suspect that Nietzsche does not want the honest illusions to play exactly the role that evaluative beliefs played. The cheerfulness, the playfulness, the lightness 1 Nadeem J. Z. Hussain, "Honest Illusion: Valuing for Nietzsche's Free Spirits", in Nietzsche and Morality, ed. Brian Leiter and Neil Sinhababu (Oxford: Clarendon Press, 2007). 2 Again, Hussain, "Honest Illusion". 1 2 that Nietzsche hopes for are, I have suggested, a function of the shift from belief to pretence, from illusion to honest illusion.