Ghostnotes: Music of the Unplayed

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B+ Ghostnotes: Music Of The Unplayed SOLD OUT - RESTOCK COMING SOON! KEY SELLING POINTS • 336 Page Hardcover Book • Brian “B+” Cross is an assistant professor in the Department of Visual Arts at the University of California San Diego and cofounder of Mochilla Production Company, whose output includes feature-length music documentaries, music videos, advertising, music, and photography • A former student of award-winning author Mike Davis, B+ was the photo editor of the music magazine Wax Poetics from 2004 to 2010, and he has worked in hip-hop culture as a photographer and filmmaker for over twenty years • B+’s 1993 book on the LA hip-hop scene, It’s Not About a Salary, was on “best book of the year” lists for Rolling Stone and NME magazines, and Vibe named it one of the top ten hip-hop books of all time AUTHOR: Brian "B+" Cross DESCRIPTION TITLE: Ghostnotes: Music Of The Unplayed Ghostnotes: Music of the Unplayed is an extended photo essay with CATALOG: MAG-UT001 more than two hundred images that represent a mid-career retrospective LABEL: UT Press of B+’s photography of hip-hop music and its influences. Taking its name GENRE: Book from the unplayed sounds that exist between beats in a rhythm, the book BARCODE: 978147731390 creates a visual music, putting photos next to each other to evoke unseen FORMAT: Hardcover Book images and create new histories. Like a DJ seamlessly overlapping and HOME MARKET: Los Angeles RELEASE: 12/15/2017 entangling disparate musics, Cross brings together LA Black Arts poetry LIST PRICE: $45.00 and Jamaican dub, Brazilian samba and Ethiopian jazz, Cuban timba and Colombian cumbia. He links vendors of rare vinyl with iconic studio wizards, ranging from J Dilla and Brian Wilson to Leon Ware and George Clinton, David Axelrod to Shuggie Otis, Bill Withers to Ras Kass, Biggie Smalls to Timmy Thomas, DJ Shadow to Eugene McDaniels, and DJ Quik to Madlib. In this unique photographic mix tape, an extraordinary web of associations becomes apparent, revealing connections among people, cultures, and their creations. PROUDLY DISTRIBUTED BY FAT BEATS DISTRIBUTION | 8920 ETON AVE. CANOGA PARK, CA 91304 | DISTRIBUTION.FATBEATS.COM.

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Brink, D.H. Van Den 1.Pdf
Daan van den Brink s4369106 16 Aug. 2018 MA Creative Industries Rap Record for Sale - Sampling practice and commodification in Madlib Invazion. Cover image: Trouble Knows Me, Trouble Knows Me. Los Angeles: Madlib Invazion. (MMS-027), 2015. Daan van den Brink (s4369106) Email: [email protected] Rap Record for Sale – Sampling practice and commodification in Madlib Invazion. MA Thesis Creative Industries. Date of submission: 6 Aug. 2018 Supervisor: dr. Vincent Meelberg Email: [email protected] Abstract. Within our capitalistic society, much if not all the music we consume is to be regarded as commodities. Musical products are subject to numerous processes, rules and regulations, one of which being copyright. Essentially, copyright enables the musical product as commodity, and as David Hesmondhalgh puts it, has become the main means of commodifying culture. A musical practice that is particularly at odds with copyright is sampling, which makes use of previously recorded material through recombination and re-contextualisation. For the use of samples, a proper copyright license must be in place, whether the sample-based song is being monetized on or released for free. However, hip hop producers often do not comply in licensing the use of copyrighted material in their music, which challenges not only the copyright regime, but also copyright as a means of commodification. Over the years, copyright has become an extensive set of rights, resulting in the criminalization of unlicensed use of samples, but not in prevention, as technological advancements have made sampling a more widespread and accessible practice. Within this thesis, the sample-based work of Madlib as released on his Madlib Invazion label is used as a case study to map the current copyright regime, the costs of licensing and the risks of unlicensed sampling.
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