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Bootsie Barnes, All About Philly Jazz | Philadelphia Inquirer | 01/15/2011
Bootsie Barnes, all about Philly jazz | Philadelphia Inquirer | 01/15/2011 Sign In Register Mobile Home Delivery Search for : Mob Scene - New flash opera - Jobs Feb 21, 10:25 AM | Traffic News Sports Entertainment Business Restaurants & Food Living Video Classifieds Shopping Video Movies Music/Nightlife The Arts Celebrities Television Horoscopes Comics & Games Contests Event Calendar The Cappies MUSIC/NIGHTLIFE EMAIL PRINT FONT SIZE Recommend 1 pe Posted on Sat, Jan. 15, 2011 Bootsie Barnes, all about Philly jazz By David R. Stampone For The Inquirer Even without the recent passing of several revered Philadelphia jazz artists - pianist Sid Simmons, organist Trudy Pitts, bassist Charles Fambrough - a trek up Germantown Avenue Thursday evening to catch Philly's veteran tenor- sax master Robert "Bootsie" Barnes, 73, seemed Advertise Here like the right idea. Barnes' rich tone, sympathetic ensemble ENTERTAINMENT VIDEOS interplay, and living-legacy status make him a local icon best experienced sooner rather than later. Although he's likened to both Coleman Hawkins and such soul-jazz tenors as Gene Ammons, Barnes' sound entails a classic bop capacity with ample ability to swing or soften as desired. And his gigs showcase an edifying knowledge of Philly jazz, and beyond. Saxophonist Bootsie Barnes played Mount Airy Over 90 minutes, Barnes led a quartet through Presby- terian Church on Thursday. five leisurely paced numbers within the woody confines of Mount Airy Presbyterian Church. It marked the venue's debut hosting a community Neighborhood Concerts Series show presented by Glenside's Jazz Bridge, a nonprofit organization that assists area jazz musicians with their "health, legal, financial, personal, and professional needs." Barnes, of course, has played with a who's who in local jazz over the last half-century, including an aspiring drummer pal with whom he grew up, in North Philadelphia's Richard Allen Homes, named Bill Cosby. -
Victory and Sorrow: the Music & Life of Booker Little
ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P. -
Annual Picnic at Ron Bingaman's Home PAUL-WESLEY BOWEN
************************************************************************************************************** ************************************************************************************************************** Newsletter of the NORCAL THEATRE ORGAN SOCIETY www.theatreorgans.com/norcal PO Box 625, Berkeley, CA 94701-0625 510/644-2707 June 2009 PAUL-WESLEY BOWEN Annual Picnic at San Jose Grace Baptist Church Ron Bingaman’s Home Sunday, June 14, 2009 – 1 PM NorCal’s annual picnic (with Sierra Followed by Open Console Chapter members our guests) will be held Sunday, August 23rd at Ron and orCal’s own P. W. Bowen will be at the Gay Bingaman’s beautiful home in Grass Nconsole of Grace Baptist Church’s Valley. Situated on 10 acres, the house has 3/13 Robert Morton. Originally installed a water powered Allen GW-4 with speakers in San Jose’s Liberty Theater this organ that are way above in an angled ceiling so retains its original theatre organ features. the sound comes down from above. Although a native Californian, ‘PW’ spent The festivities will start around 11 AM 30 years in Minnesota with the Dutch organ and we will eat around noon or thereafter. manufacturer, Eminent Organ Co. Known A grill will be provided for those who wish for his active hand registrations ‘PW’ is at to ‘cook out’ and coffee, tea and soft drinks home with both Theatre and Church organs. will be provided on-site. Please bring your Following the concert, members will have own dishes, silverware and food, and if 10 to 15 minute turns at open console, with desired, beer or wine. repeat turns as time permits. In addition to the organ and the on-site Grace Baptist Church is in downtown hydro-electric power house, Ron and Gay ‘P.W.’ Bowen San Jose at 484 E. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS
BRE CONFERENCE '90 UPDATE! Columbia " 01\ TENTS MAY 18. 1990 VOLUME XV. NUMBER 18 Publisher SIDNEY MILLER Assistant Publisher SUSAN MILLER Editor -in -Chief RUTH ADKINS ROBINSON Managing Editor JOSEPH ROLAND REYNOLDS FEATURES International Editor COVER STORY-BBD 14 DOTUN ADEBAYO STARTALK-The Winans 45 VP/Midwest Editor DOWNLINK 31 JEROME SIMMONS SECTIONS Art Department PUBLISHERS 5 LANCE VANTILE WHITFIELD art director NEWS 6 MARTIN BLACKWELL MUSIC REPORT 8 typography/computers MUSIC REVIEWS 11 Columnists RADIO NEWS 32 LARRIANN FLORES CONCERT REVIEW SPIDER HARRISON 42 JONATHAN KING JAZZ NOTES 43 ALAN LEIGH GRAPEVINE/PROPHET 46 NORMAN RICHMOND CHARTS & RESEARCH TIM SMITH NEW RELEASE CHART 17 ELAINE STEPTER RADIO REPORT 29 Concert/Record Reviews SINGLES CHART LARRIANN FLORES 34 ELAINE STEPTER THE NATIONAL ADDS 37 Reporters PROGRAMMER'S POLL 36 CORNELIUS GRANT JAZZ CHART 43 COY OAKES ALBUMS CHART 44 LANSING SEBASTIAN COLUMNS RACHEL WILLIAMS RAP, ROOTS & REGGAE 10 Production WHATEVER HAPPENED TO? 12 MAXINE CHONG-MORROW GOSPEL LYNETTE JONES 13 FAR EAST PERSPECTIVE Administration 18 ROXANNE POWELL. office mgr. BRITISH INVASION 19 FELIX WHYTE traffic CANADIAN REPORT 20 Media Relations MICHELE ELYZABETH ENT. (213) 276-1067 Printing PRINTING SERVICES. INC. BLACK RADIO EXCLUSIVE USPS 363-210 ISSN 0745-5992 is published by Black Radio Exclusive 6353 Hollywood Blvd.. Hollywood. CA 90028-6363 (2131469-7262 FAX# 213-469-4121 ' MODEM: 213-469-9172 BRE NEWSSTANDS-New York: Penn Book Store. (2121564-6033; Midwest: Ingram Periodicals; Los Angeles: World Book & News; Robertson News & Bookstore. Las Palmas Newsstand. Japan: Tower Records SUBSCRIPTION RATES: 3 Mos.-$90.6 Mos.-5120:9 Mos.-0150. 1 Yr.-S175: 1st Class -$250: Overseas -$250. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Brooklyn College Program
Brooklyn College and Passport to Broadway Present the Premiere Musical Theatre Intensive Final Workshop Showcase Thursday June 25, 2015 – 2:00pm to 4:00pm - Roosevelt Hall Rehearsal Studios Students Adama Jackson – BFA Student Jacob Merwin – BA Student Adolfo "Fito" Alvarado – BFA Student Joseph Masi – MFA Student Alexandra Slater – BFA Student Katherine George – BA Student Carolyn Coppege – MFA Graduate Lisa Campbell – MFA Student Cassandra Borgella – BA Student Natalia Laspina – BA Graduate Chrissy Brinkman – MFA Student Rebecca Shumel – BA Student Conner James Sheridan – BFA Student Stefaniya Makarova – BA Graduate Director/Producer: Amy Weinstein is producer, director, published writer and Adjunct Professor of Acting. Amy is the President, CEO and Founder of StudentsLive, A Global Broadway Education Company for the past 14 years and more recently Artistic Director of Sister Company, Passport to Broadway International. Starting literally with just an idea, StudentsLive grew into one of the world’s most significant theater education programs with an annual budget of over 1 million dollars and annual international programs engaging groups from Brazil, South Korea, Italy, China, Guatemala and Japan. After 15 years of growth, it now boasts partnerships with virtually every single hit Broadway show, endorsements from America’s political, cultural, and artistic leaders, alliances with foreign governments and the highest standards of theater arts education on Broadway today. Most importantly, tens of thousands of young people across the globe have been transformed by StudentsLive programs. Choreographer/Assistant Director: Stephen Brotebeck recently served as the Movement Associate on the Tony Award winning Broadway production of Peter and the Starcatcher both on Broadway and at New World Stages. -
Soul Top 1000
UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J. -
The Singles Chart
ALPHABETICAL LISTING 1 201 SINGLES CHART THE SINGLES CHART PRODUCER, PUBLISHER, LICENSEE AT SEVENTEEN Brooks Arthur (Mine/ MIDNIGHT BLUE Vini Poncia April, ASCAP) 77 (New York Times/Roumanian ATTITUDE DANCING Richard Perry Pickleworks, BMA) 14 15 (C'est/Maya, ASCAP) 47 MISTY Ray Stevens (Vernon, ASCAP) 23 BABY THAT'S BACKATCHA Smokey MORNIN' BEAUTIFUL Hank Medress & Dave Robinson (Bertram, ASCAP) 42 Appell (Apple Cider/Music of the Times, ASCAP; Little Max/New York JULY 5, 1975 BAD LUCK Gamble-Huff (Mighty Three, Times, BMI) 37 BMI) 39 JULY JUNE OLD DAYS James William Guercio BAD TIME Jimmy lenner (Cram Renraff, 5 28 (Make Me Smile/Big Elk, ASCAP) 52 BMI) 31 ONE OF THESE NIGHTS Bill Szymczyk 101 101 FUNNY HOW LOVE CAN BE FIRST CLASS-UK 5N 59033 (London) BALLROOM BLITZ Phil Wainman (Benchmark/Kicking Bear, ASCAP) 12 (Southern, ASCAP) (Chinnichap/RAK, BMI) 93 ONLY WOMEN Bob Ezrin BEFORE THE NEXT TEARDROP FALLS 102 110 DREAM MERCHANT NEW BIRTH-Buddah 470 (Saturday, BMI) (Ezra/Early Frost, BMI) 16 Huey Meaux (Shelby Singleton, BMI) 28 103 107 HONEY TRIPPIN' MYSTIC MOODS-Soundbird 5002 (Sutton Miller) ONLY YESTERDAY Richard Carpenter BLACK FRIDAY Gary Katz (American (Ginseng/Medallion Avenue, ASCAP) (Almo/Sweet Harmony/Hammer & Broadcasting, ASCAP) 43 Nails, ASCAP) 48 104 103 AIN'T NO USE COOK E. JARR & HIS KRUMS-Roulette 20426 BLACK SUPERMAN-MUHAMMAD ALI PHILADELPHIA FREEDOM Gus Dudgeon Robin Blanchflower Boy, BMI) 95 (Adam R. Levy & Father/Missile, BMI) (Drummer (Big Pig/Leeds, ASCAP) 54 105 104 IT'S ALL UP TO YOU JIM CAPALDI-Island D25 (Ackee, ASCAP) BURNIN' THING Gary Klein PLEASE MR. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output.