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PEDAGOGICKÁ FAKULTA Katedra Výtvarné Výchovy

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PEDAGOGICKÁ FAKULTA Katedra Výtvarné Výchovy MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA Katedra výtvarné výchovy Forma lity Diplomová práce Brno 2014 Vedoucí práce: Autor práce: doc. ak. soch. Jiří Sobotka Bc. Martin Joja Prohlášení „Prohlašuji, že jsem závěrečnou diplomovou práci vypracoval samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů.“ Text diplomové práce má rozsah 62 stran, tj. 94047 znaků. Bibliografický záznam JOJA, Martin. Forma lity: diplomová práce. Brno: Masarykova univerzita, Fakulta pedagogická, Katedra výtvarné výchovy, 2014. 62 l. s. příl. Vedoucí diplomové práce doc. ak. soch. Jiří Sobotka Anotace Cílem mé diplomové práce s názvem ,,Forma lity“ bylo pomocí literárních zdrojů přiblížit vývoj otisku lidského těla od druhé poloviny 20. století. V teoretické části mé práce zachycuji umělce, kteří na mne v tomto ohledu měli nějaký vliv a kteří mne inspirovali. V praktické části pak popisuji samotnou tvorbu mého otisku, vytvoření formy ze sádry a následné převedení do betonu. Abstract The aim of this thesis "Forma lity" was to describe - with a help of literary sources- the evolution of the print of human body since the second half of the twentieth century. In the theoretic part of the thesis I notice the artists who influenced and inspired me. In the practical part I describe the ceration of my print itself,the creation of the form from plaster and the follow-up formation to concrete. Klíčová slova Tělo, otisk, okamžik, forma, reliéf Keywords Body, print, moment, form, relief Poděkování Na tomto místě bych rád poděkoval panu doc. ak. soch. Jiřímu Sobotkovi za jeho ochotu a vstřícnost. Dále děkuji rodině, přátelům a přítelkyni za podporu a inspiraci v mé tvorbě. Obsah 1. Úvod .......................................................................................................................... 7 2. Cíle diplomové práce ................................................................................................. 8 2.1. Teoretický cíl ................................................................................................................ 8 2.2. Praktický cíl .................................................................................................................. 8 3. Předmluva .................................................................................................................. 9 4. Nový přístup, aktivace smyslů ................................................................................ 10 4.1. Orgánem hmatu je celé tělo ......................................................................................... 10 4.2. Počátek nové cesty umění ........................................................................................... 11 4.3. Konzum je populární ................................................................................................... 12 4.4. Všednodennost a samota ............................................................................................. 14 4.6. Otisk v prostoru ........................................................................................................... 17 4.7. Tělo jako prostředek .................................................................................................... 19 4.8. Malba jako cesta k tělu ................................................................................................ 21 4.9. Hranice těla za oponou ................................................................................................ 24 4.10. Tělesnost, intimita ................................................................................................... 29 4.11. Novodobý otisk ....................................................................................................... 31 5. Myšlenka ................................................................................................................. 34 5.1. Koncept ....................................................................................................................... 34 5.2. Realizace ..................................................................................................................... 34 5.2.1. Otisk jako variabilní reliéf .................................................................................. 34 5.2.2. Recyklace a vznik nového díla ............................................................................ 39 6. Pedagogické využití ................................................................................................. 41 6.1. Využití otisku jako zážitku .......................................................................................... 41 6.2. Falešné stopy ............................................................................................................... 42 6.3. Vytvoření betonového objektu ................................................................................ 42 7. Závěr ........................................................................................................................ 44 8. Resumé .................................................................................................................... 45 Resume ............................................................................................................................ 45 9. Slovníček pojmů ...................................................................................................... 46 10. Slovník umělců .................................................................................................... 47 Brus Günter ............................................................................................................................. 47 Burden Chris ........................................................................................................................... 47 Duchamp Marcel ..................................................................................................................... 48 Emin Tracey ............................................................................................................................ 48 Jůzová Irena ............................................................................................................................ 49 Klein Yves ............................................................................................................................... 49 Kmentová Eva ......................................................................................................................... 49 Miler Karel .............................................................................................................................. 50 Mlčoch Jan .............................................................................................................................. 50 Murakami Saburo .................................................................................................................... 51 Mühl Otto ................................................................................................................................ 51 Nauman Bruce ......................................................................................................................... 52 Nitsch Hermann ...................................................................................................................... 52 Oldenburg Claes ...................................................................................................................... 53 Ruller Tomáš ........................................................................................................................... 53 Segal George ........................................................................................................................... 54 Shiraga Kazuo ......................................................................................................................... 54 Schneemann Carolee ............................................................................................................... 55 Szapocznikow Alina ............................................................................................................... 55 Šimotová Adriena ................................................................................................................... 56 Štembera Petr .......................................................................................................................... 56 11. Jmenný rejstřík ..................................................................................................... 58 12. Literatura a použité zdroje ................................................................................... 59 Literatura: ................................................................................................................................ 59 WEB: ....................................................................................................................................... 60 Další netištěné zdroje: ............................................................................................................. 60 13. Obrazové zdroje: .................................................................................................. 61 Tento text má charakter doprovodné zprávy a slouží k doplnění již vyrobených objektů mé diplomové
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