The Trieste of Italo Svevo
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Trieste 2020, the European City of Science Published on Iitaly.Org (
Trieste 2020, the European City of Science Published on iItaly.org (http://www.iitaly.org) Trieste 2020, the European City of Science Roberta Cutillo (January 10, 2020) One of the most important scientific hubs in Europe, the Northeastern Italian city of Trieste is ready to kick off its year as the European City of Science, during which it will host the EuroScience Open Forum, the largest biennial general science meeting in Europe, as well as the The Science in the City Festival, which will be open to the public. Trieste begins its year as the 2020 European City of Science. The Northeastern Italian city was chosen by the European Science Forum (Esof) over fellow finalists Leiden and the Hague, which had partenered up to represent the Netherlands. The nomination is a recognition of the value of the area’s academic and research network comprised of the SISSA (International School for Advanced Studies), the Elettra Sincrotrone research center, the National Institute of Oceanography and Applied Geophysics, and the International Centre for Genetic Engineering and Biotechnology. Page 1 of 2 Trieste 2020, the European City of Science Published on iItaly.org (http://www.iitaly.org) In addition to seminaries, workshops, panels, and other encounters dedicated to discussing and presenting the latest advancements in the fields of technology, innovation, science, and politics, which will take place from July 5-9 during the EuroScience Open Forum, the city will also host a Science Festival from June 27 to July 11. The event will be open to the public and feature notable guests such as Swiss astronomer Didier Queloz, who was awarded the 2019 Nobel Physics Prize along with James Peebles and Michel Mayor, and Scottish biochemist Iain Mattaj. -
Robert Walser, Paul Scheerbart, and Joseph Roth Vi
Telling Technology Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth Vincent Hessling Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Vincent Hessling All rights reserved ABSTRACT Telling Technology Contesting Narratives of Progress in Modernist Literature: Robert Walser, Paul Scheerbart, and Joseph Roth Vincent Hessling Telling technology explores how modernist literature makes sense of technological change by means of narration. The dissertation consists of three case studies focusing on narrative texts by Robert Walser, Paul Scheerbart, and Joseph Roth. These authors write at a time when a crisis of ‘progress,’ understood as a basic concept of history, coincides with a crisis of narra- tion in the form of anthropocentric, action-based storytelling. Through close readings of their technographic writing, the case studies investigate how the three authors develop alter- native forms of narration so as to tackle the questions posed by the sweeping technological change in their day. Along with a deeper understanding of the individual literary texts, the dissertation establishes a theoretical framework to discuss questions of modern technology and agency through the lens of narrative theory. Table of Contents ABBREVIATIONS ii ACKNOWLEDGEMENTS iii INTRODUCTION: Toward a Narratology of Technological Change 1 CHAPTER I: Robert Walser’s Der Gehülfe: A Zero-Grade Narrative of Progress 26 1. The Employee as a Modern Topos 26 2. The Master and the Servant: A Farce on Progress 41 3. Irony of ‘Kaleidoscopic Focalization’ 50 4. The Inventions and their Distribution 55 5. -
Carte Italiane
— —— — La colpa di essere nati: Exile Through the Eyes of Italian Jews Song of Exile Exile is the emptiness—for however much you brought with you, there's far more you've left behind. Exile is the ego that shrinks, for how can you prove what you were and what you did? Exile is the erasure of pride. Exile is the escape that is often worse than the prison. Exile is the xenophobe—for every single one who likes you, you'U find ten in whom there is nothing but hate. Exile is the loneliness in the middle of a crowd Exile is longing never to be fulfilled, it is love unrequited, the loss never replaced the listless, loveless, long wait for the train that never arrives, the piane that never gets off the ground. Exile is the end and never the beginning Exile is the eruption whose lava stream carries you away it is the etemity measured in minutes, the eyes that never enjoy the familiar sight, the ears that listen to alien music. Exile is a song that only the singer can hear. Exile is an illness that not even death can cure—for how can you rest in soil that did not nourish you? Exile is the waming example to those who stili bave their homes, who belong. But will you take heed of the waming? (Cited by labori 14) The Italian writer Primo Levi urges us to answer that questioiì. The danger in viewing another as an Other, of believing that "ogni straniero è nemico" lies 40 LA COLPA DI ESSERE NATI 41 in its overwhelming destructive power, for when this "dogma inespresso diventa premessa maggiore di un sillogismo," Levi wams us, "allora, al termine della catena, sta il Lager" (Se questo è un uomo 9). -
Italo Svevo and His Shakespeare Shakespeare His Italoand Svevo William!” Vecchio Mio “Oh! Oh! Mio Vecchio William! Italo Svevo and His Shakespeare Di Biase
STUDI E TESTI10 “OH! MIO VECCHIO WILLIAM!” SVEVO ANDITALO HIS SHAKESPEARE OH! MIO VECCHIO WILLIAM! ITALO SVEVO AND HIS SHAKESPEARE DI BIASE DI AdI STUDI E TESTI VOLUME 10 EDITED BY CARMINE DI BIASE Studi & Testi 10 _________________________________________________________ directed by DINO S. CERVIGNI ADVISORY BOARD ARMANDO MAGGI, THE UNIVERSITY OF CHICAGO GAETANA MARRONE, PRINCETON UNIVERSITY AUGUSTUS MASTRI, THE UNIVERSITY OF LOUISVILLE THOMAS E. PETERSON, THE UNIVERSITY OF GEORGIA JOHN P. WELLE, THE UNIVERSITY OF NOTRE DAME A COLLECTION OF MONOGRAPHS OF ANNALI D’ITALIANISTICA CHAPEL HILL, NC 27599-3170 A LIST OF BOOKS IN THE SERIES STUDI E TESTI APPEARS AT THE END OF THIS VOLUME “OH! MIO VECCHIO WILLIAM!” ITALO SVEVO AND HIS SHAKESPEARE Edited by CARMINE DI BIASE Annali d’Italianistica, Inc. AdI, Studi & Testi 10 Chapel Hill, North Carolina 27599-3170 Copyright © 2015 Annali d’Italianistica, Inc. All rights reserved Manufactured in the United States of America Cover image courtesy Museo Sveviano, Trieste AdI, Studi & Testi 10 A collection of monographs sponsored by Annali d’Italianistica, Inc. and directed by Dino S. Cervigni Chapel Hill, NC 27599-3170 CARMINE DI BIASE 1. Italo Svevo (1861-1928) 2. William Shakespeare (1564-1616) 3. Literary Criticism 3. European Culture: 16th-17th centuries; 19th-20th centuries Includes bibliographical references Library of Congress Control Number: 0-9657956-9-1 ISBN 978-0-9657956-5-4 Saskia Elizabeth Ziolkowski Dreams and Ambiguity on Svevo’s European Stage: La rigenerazione and A Midsummer Night’s Dream Svevo, the Shakespearean Playwright In 1884 Italo Svevo sent the renowned actress Eleonora Duse an Italian translation of Romeo and Juliet with the note, “Il sottoscritto si permette offrirLe pella rappresentazione questo suo dramma che scrisse proprio pensando a Lei. -
Georg Von Hùtterott, Giapponista E Figura Di Spicco Della Vita Economica E Culturale Triestina E Rovignese
S. ZANLORENZI, G. von Hutterott, giapponista e figura di spicco, Atti, vol. XXXVII, 2007, p. 331-397 331 GEORG VON HÙTTEROTT, GIAPPONISTA E FIGURA DI SPICCO DELLA VITA ECONOMICA E CULTURALE TRIESTINA E ROVIGNESE SILVIA ZANLORENZI CDU 008+ 33:929(Hutterott)(450.361 +497.5Rovigno )"19/20" Trieste Dicembre 2007 Riassunto- Il presente saggio viene inteso come proseguimento di un precedente testo che mirava ad inscrivere la figura del Barone Georg von Hiitterott (Trieste, 1852-1910) in un fenomeno culturale europeo sviluppatosi nella seconda metà del XIX secolo, conosciuto come "Giapponismo". In questo ambito l'indagine verrà circoscritta al solo contesto locale in cui Hiitterott visse e operò, ossia la città di Trieste e l'area del litorale adriatico, e anche per questo saggio l'interesse si focalizza sulla "parte giapponese" ossia incarichi ufficiali e attività culturali che lo coinvolsero relativamente alla carica ricevuta nel1879, di Console Onorario del Giappone a Trieste per l'Austria-Ungheria. "Nell'antico Giappone (io mi dicevo) son gli stessi viali che ho lasciato là, in Europa ... Due passi, e al luogo amato parmi d'essere. E c'ero infatti. Avevo d'esser !ungi sognato". da Viaggio al Giappone, U. Saba, 1917 Al fine di spiegare i legami non solo istituzionali col Giappone di Georg Hi.itterott, nel saggio precedente erano stati forniti i parametri generali del Giapponismo europeo, e si era cercato di sottolineare come, soprattutto per tramite della carismatica figura "orientalista" del principe Massimiliano, il fenomeno continentale avesse avuto risonanza anche a Trieste. In Europa l'interesse per la lontana nazione asiatica si sviluppò in un periodo compreso tra gli anni Sessanta del XIX secolo, fino al primo decennio del XX, e nel capoluogo giuliano pressappoco i limiti cronologici furono gli stessi. -
A LITERARY MODEL in NIEVO, TARCHETTI, and SVEVO By
THE MOTHER, THE BELOVED, AND THE THIRD WOMAN—SYMBOLIC EXCHANGES: A LITERARY MODEL IN NIEVO, TARCHETTI, AND SVEVO by ANGELA POLIDORI-SCORDO-NOYA B.A., Loretto Heights College, 1975 M.A., University of Denver, 1982 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Comparative Literature 2012 This thesis entitled: The Mother, the Beloved, and the Third Woman—Symbolic Exchanges: A Literary Model in Nievo, Tarchetti, and Svevo written by Angela Polidori-Scordo-Noya has been approved for the Department of Comparative Literature Valerio Ferme Dorothea Olkowski Karen Jacobs Eric White Suzanne Magnanini Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above-mentioned discipline. IRB protocol # ____________________ iii Abstract Polidori-Scordo-Noya, Angela (Ph.D., Comparative Literature) The Mother, the Beloved, and the Third Woman—Symbolic Exchanges: A Literary Model in Nievo, Tarchetti and Svevo Thesis directed by Professor Valerio Ferme The process of representation, which has been diagnosed at the root of our Western drive to know, according to modern thinkers, is inseparable from the imperial speaking subject. Such realization has led to a crisis in subjectivity that has forced us to question notions that in the past have anchored our sense of legitimacy. In literature, this crisis has been articulated as the dissolutions of the paternal fiction, understood as the guarantor of our heritage. -
The Provinces of Friuli Venezia Giulia
Spring/Summer 2005 Dante Alighieri Society, Michigan Chapter Message from the President Ecco il vero volto di Dante: non aveva il naso aquilino Two thousand and four was a successful Firenze, 7 marzo 2005 - Dante Alighieri aveva il naso lungo ma non aquilino. Lo year for our Society. In addition to the rivela il più antico volto del Sommo Poeta finora documentato, di cui è stato com- cultural events, we introduced activities pletato da poco il restauro a Firenze. L'intervento sul più antico ritratto dell'autore with new formats to respond to changing della «Divina Commedia», che non doveva essere un bell'uomo, rivela anche la interests. Let us know how you liked carnagione scura e smentisce l'iconografia che si è andata affermando nei secoli, them as we need your input in planning soprattutto le immagini imposte dal Rinascimento, che lo volevano col naso aqui- successful activities. Please remember lino. È il critico d'arte Arturo Carlo Quintavalle - con un articolo sul «Corriere also that our Society offers many della Sera» - ad anticipare gli esiti di un importante restauro che sarà inaugurato volunteer opportunities in all of our fra breve nel capoluogo toscano. Il restauro affidato a Daniela Dini è stato possi- committees and that by participating you bile grazie all'impegno generoso di un privato, Umberto Montano, in accordo con will get to know other members who le soprintendenze, che ha investito 400 mila euro. L'affresco con l'immagine di share your passion for the Italian lan- Dante, risalente intorno al 1375, si trova nell'antica sede dell'Arte dei Giudici e guage and culture. -
Paul K. Saint-Amour
AIR WAR PROPHECY AND INTERWAR MODERNISM Paul K. Saint-Amour The sirens sound. Schoolchildren, factory hands, housewives, office workers, one and all don their gas masks. Whirring planes overhead lay down a blanket of protective smoke. Cellars open to receive their refugees. Red Cross stations to succor the stricken and the wounded are opened at improvised shelters: underground vaults yawn to receive the gold and securities of the banks: masked men in asbestos suits attempt to gather up the fallen incendiary bombs. Presently the anti-aircraft guns sputter. Fear vomits: poison crawls through the pores. Whether the attack is arranged or real, it produces similar psychological effects. Plainly, terrors more devastating and demoralizing than any known in the an- cient jungle or cave have been re-introduced into modern urban existence. Panting, choking, spluttering, cringing, hating, the dweller in Megalopolis dies, by anticipation, a thousand deaths. Fear is thus fixed into routine: the constant anxiety over war produces by itself a collective psychosis comparable to that which active warfare might develop. Waves of fear and hatred rise in the metropolis and spread by means of the newspaper and the newsreel and the radio program to the most distant provinces.1 The above passage, from Lewis Mumford’s The Culture of Cities (1938), describes a sequence of events in what Mumford calls the “war capital” or “war metropolis.” The events constitute an emergency, clearly, but for Mumford they are more importantly a routine: the metropolis, in this ac- count, is a space where the civil defense crisis has become ritualized, quotidien, a general rather than an exceptional case: the city, in other words, COMPARATIVE LITERATURE STUDIES, Vol. -
Eugenio Scomparini
Massimo De Grassi Eugenio Scomparini INIZIATIVE CULTURALI spa Fondazione CRTrieste Utilizzo colori Pantone asterisco rosso: Pantone 187 ic: Pantone 443 Fondazione CRTrieste: Pantone 443 Collana d’Arte della Fondazione CRTrieste Curatore Giuseppe Pavanello MASSIMO DE GRASSI, Eugenio Scomparini Nono volume della collana Prima edizione: dicembre 2007 Volumi pubblicati ANGELA TIZIANA CATALDI, Guido Sambo, 1999 DANIELA MUGITTU, Bruno Croatto, 2000 GIANFRANCO SGUBBI, Adolfo Levier, 2001 NICOLETTA ZAR, Giorgio Carmelich, 2002 CLAUDIA RAGAZZONI, Gino Parin, 2003 GIANFRANCO SGUBBI, Glauco Cambon, 2004 FRANCA MARRI, Vito Timmel, 2005 MATTEO GARDONIO, Giuseppe Barison, 2006 P ROGETTO GRAFICO Portare a termine quest’opera non sarebbe Studio Mark, Trieste stato possibile senza la cortese disponibilità dei proprietari delle opere - molti dei quali F OTOGRAFIE hanno preferito mantenere l’anonimato - Paolo Bonassi e dei responsabili delle istituzioni triestine: S TA M PA Curia Vescovile, Civici Musei di Storia ed Arte, Arti Grafiche Friulane/IMOCO, Feletto Umberto (UD) Civico Museo Revoltella, Biblioteca Civica, per conto di LINT Editoriale, Trieste Archivio Storico del Comune, Dipartimento di Storia e Storia dell’Arte dell’Università degli Studi. Ed inoltre: Musei Provinciali di Gorizia, INAIL sede di Trieste, Assicurazioni Generali, RAS. A tutti, la nostra viva gratitudine. Stampato in Italia / Printed in Italy Il nostro grazie, infine, a quanti hanno È vietata la riproduzione anche parziale dato una mano nelle ricerche: © 2007, Fondazione CRTrieste Marisa Bianco Fiorin, Consuelo Cercenà, Isbn 978-88-901667-8-5 Nicoletta Comar, Franco Firmiani, Matteo Gardonio, Maria Beatrice Giorio, Diego Gomiero, Beatrice Malusà, Furio Princivalli, Laura Safred, In copertina: Melita Sciucca, Serena Skerl Del Conte, E. SCOMPARINI, L’Industria, particolare [cat. -
New York University Spring 2016 CORE-UA 762 EXPRESSIVE
New York University Spring 2016 CORE-UA 762 EXPRESSIVE CULTURES VIVA VERDI: MUSIC, LITERATURE, AND THE ARTS IN ITALY FROM THE RISORGIMENTO TO FASCISM TUESDAY, THURSDAY 2-3:15 Silver 520 Professor Thomas Ertman This course explores the rich artistic live of Italy between the defeat of Napoleon in 1814 and the consolidation of the fascists in power in the 1920’s. During this time the Italian states first experiences a cultural and political “resurgence” (the Risorgimento) and then, in 1861, united to form a single nation, the new Kingdom of Italy. Although the country entered World War I on the side of the Allies and hence belonged to the victors in that conflict, it fell into a severe crisis after the war’s end that culminated in the appointment of Benito Mussolini as prime minister in October 1922. Italy during the course of this century was above all the home of opera, and we will explore both the economic side of the “opera industry” and the most important works of the peninsula’s greatest composers of the day: Rossini, Bellini, Donizetti, Puccini and above all Giuseppe Verdi (1813-1901), the most dominant artistic figure in 19th century Italy. We will follow Verdi’s stylistic development from the “galley years” of the 1840’s through the late masterpieces as well as examine the impact of Italian politics on his operas. The readings for the course will be drawn from the great works of literature of and about 19th and 20th century Italy, beginning with the Frenchman Henri Beyle (Stendhal)’s The Charterhouse of Parma (1839), an unmatched portrayal of love and politics during the early Risorgimento, and Giuseppe di Lampedusa’s The Leopard, a novelistic treatment of Italian unification as experienced by a great southern aristocrat. -
CALIFORNIA STATE UNIVERSITY CSU Virtual International Program Spring Semester VIP 2020
CALIFORNIA STATE UNIVERSITY CSU Virtual International Program Spring Semester VIP 2020 ITL 352 20th and 21st CENTURY ITALIAN AUTHORS AUTORI ITALIANI del 20 e 21 esimo secolo “Italian Identities in context: Culture, Gender, Society between Fiction and Metafiction” Instructor: Prof. Beatrice Fabbri Monday: 4:45-5:45; through March 29 Wednesday: individual sessions by appointment. Monday: 5:45 – 6:45 as of March 30 Office Hours: Thursday/Friday by appointment Credit : 3 units e.mail: [email protected] CSU GE Category: C1, C4 or C Elective This class is conducted in Italian COURSE DESCRIPTION : This course explores the main contemporary Italian authors whose works have defined and/or challenged the Italian cultural and literary identity from the beginning of the 20th century to the beginning of 21th century. Italo Svevo, Luigi Pirandello, Sibilla Aleramo, Primo Levi, Cesare Pavese, Natalia Ginzburg, Italo Calvino some prominent women poets such as Cristina Campo, Antonella Anedda, Patrizia Cavalli and last but not least, the worldwide acclaimed woman author, Elena Ferrante. Also,specific emphasis will be given to the most important cultural and literary movements in European literature such as Decadentism, Neorealism, Magic Realism, Post-modernism so to highlight the debate between Italian literary canon and avant-garde trends. The course also introduces students to the use of gender in contemporary Italian literature. The interdisciplinary approach to literary issues and analysis of various language styles and writing techniques of the works are designed to enhance students’ critical competence as well as their Italian language proficiency. REQUIRED BOOKS: Brand, Peter, Pertile, Lino, The Cambridge History of Italian Literature, London Cambridge, 1999. -
HC 100 Books
Holy Cross 100 Books Holy Cross 100 Books—Texts The Bible Homer, The Odyssey Thucydides, History of the Pelopoennesian Wars, Plato, The Dialogues Vergil, The Aeneid Ovid, Metamorphoses Plutarch, Lives of Greeks and Romans Saint Augustine of Hippo, The Confessions Dante, The Divine Comedy Geoffrey Chaucer, The Canterbury Tales Niccolo Machiavelli, The Prince Erasmus of Rotterdam, The Praise of Folly Martin Luther, To the Christian Nobility of the German Nation Francois Rabelais, Gargantua and Patagruel Montaigne, The Essays The Life of Teresa of Jesus: The Autobiography of St. Teresa of Avila Miguel de Cervantes, Don Quixote The Riverside Shakespeare Daniel DeFoe, Robinson Crusoe Jonathan Swift, Gulliver’s Travels Henry Fielding, Tom Jones Jean-Jacques Rousseau, Confessions Alexander Hamilton, James Madison, and John Jay, The Federalist Jane Austen, Pride and Prejudice Stendhal (Hernii Beyle), The Red and the Black Johann Wolfgang von Goethe, Faust Honore de Balzac, Pere Goriot Alexis de Tocqueville, Democracy in America Soren Kierkegaard, Fear and Trembling Emily Bronte, Wuthering Heights i Karl Marx and Friedrich Engles, The Communist Manifesto Charles Dickens, David Copperfield Nathaniel Hawthorne, The Scarlet Letter Herman Melville, Moby Dick Henry David Thoreau, Walden Gustave Flaubert, Madame Bovary Charles Darwin, On the Origin of Species y Means of Natural Selection Victor Hugo, Les Miserables Leo Nikolayevich Tolstoy, War and Peace George Eliot, Middlemarch: A Study of Provincial Life Fyodor Dostoevsky, The Brothers Karamazov