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The American Ceramic Society 25Th International Congress On
The American Ceramic Society 25th International Congress on Glass (ICG 2019) ABSTRACT BOOK June 9–14, 2019 Boston, Massachusetts USA Introduction This volume contains abstracts for over 900 presentations during the 2019 Conference on International Commission on Glass Meeting (ICG 2019) in Boston, Massachusetts. The abstracts are reproduced as submitted by authors, a format that provides for longer, more detailed descriptions of papers. The American Ceramic Society accepts no responsibility for the content or quality of the abstract content. Abstracts are arranged by day, then by symposium and session title. An Author Index appears at the back of this book. The Meeting Guide contains locations of sessions with times, titles and authors of papers, but not presentation abstracts. How to Use the Abstract Book Refer to the Table of Contents to determine page numbers on which specific session abstracts begin. At the beginning of each session are headings that list session title, location and session chair. Starting times for presentations and paper numbers precede each paper title. The Author Index lists each author and the page number on which their abstract can be found. Copyright © 2019 The American Ceramic Society (www.ceramics.org). All rights reserved. MEETING REGULATIONS The American Ceramic Society is a nonprofit scientific organization that facilitates whether in print, electronic or other media, including The American Ceramic Society’s the exchange of knowledge meetings and publication of papers for future reference. website. By participating in the conference, you grant The American Ceramic Society The Society owns and retains full right to control its publications and its meetings. -
Broadway-Our-Way-2015.Pdf
Our Mission Rainbow Women’s Chorus works together to develop musical excellence in an atmosphere of mutual support and respect. We perform publicly for the entertainment, education and cultural enrichment of our audiences and community. We sing to enhance the esteem of all women, to celebrate diversity, to promote peace and freedom, and to touch people’s hearts and lives. Our Story Rainbow Women’s Chorus is a nonprofit corporation governed by the Action Circle, a group of women dedicated to realizing the organization’s mission. Chorus members began singing together in 1996, presenting concerts in venues such as Christ the Good Shepherd Lutheran Church, Le Petit Trianon Theatre, the San Jose Repertory Theater and Triton Museum. The chorus also performs at church services, diversity celebrations, awards ceremonies, community meetings and private events. Rainbow Women’s Chorus is a member of the Gay and Lesbian Association of Choruses (GALA). In 2000, RWC proudly co-hosted GALA Festival in San Jose, with the Silicon Valley Gay Men’s Chorus. Since then, RWC has participated in GALA Festivals in Montreal (2004), Miami (2008), and Denver (2012). In February 2006, members of RWC sang at Carnegie Hall in NYC with a dozen other choruses for a breast cancer and HIV benefit. In July 2010, RWC traveled to Chicago for the Sister Singers Women’s Choral Festival. But we like it best when we are here at home, singing for you! Support the Arts Rainbow Women’s Chorus and other arts organizations receive much valued support from Silicon Valley Creates, not only in grants, but also in training, guidance, marketing, fundraising, and more. -
Vitreous Enamel: Mycenæan Period Jewelry to First Period Chemistry
Vitreous Enamel: Mycenæan Period Jewelry to First Period Chemistry Date : 17/10/2018 More durable than glass and just as beautiful, vitreous enamel, also known as porcelain enamel, offers a non-porous, glass-like finish created by fusing finely ground colored glass to a substrate through a firing process. Adding to its strength and durability, the substrate used is always a metal, whether precious or non-precious, for its stability and capacity to withstand the firing process. Origins It is unknown who first developed enamelling and when the process was first used, but the most historic enameled artifacts were discovered in Cyprus in the 1950s dating as far back as the 13th Century BC. Scientists have determined the set of six rings and an enameled golden scepter found belonged to the craftspeople of Mycenaean Greece. Enamelling Evolution Metalsmiths first used enamel to take the place of gems in their work, and this was the earliest example of “paste stones,” a common element in both precious and costume jewelry today. In © 2019 PolyVision. is the leading manufacturer of CeramicSteel surfaces for use in whiteboards, chalkboards and an array of architectural applications. Page 1 of 6 this technique, enamel is placed in channels set that have been soldered to the metal. Meaning “divided into cells,” Cloisonné refers to this earliest practiced enameling technique. Champlevé, or raised fields, differs from Cloisonné in the way the space for the enamel is created. Unlike Cloisonné, the Champlevé technique requires carving away the substrate instead of setting forms onto the metal base for the enamel to fill. -
Views of the Borax Industry, Ca
http://oac.cdlib.org/findaid/ark:/13030/tf0n39n8j3 Online items available Views of the Borax Industry, ca. 1898-ca. 1915 Processed by Katherine Ruiz. The Bancroft Library, University of California, Berkeley Berkeley, California 94720-6000 1997 Views of the Borax Industry, ca. BANC PIC 1905.17174--PIC 1 1898-ca. 1915 Views of the Borax Industry, ca. 1898-ca. 1915 BANC PIC 1905.17174--PIC The Bancroft Library University of California Berkeley, California1997 Finding aid and digital representations of archival materials funded in part by a grant from the National Endowment for the Humanities. Processed and encoded by: California Heritage Digital Image Access Project staff in The Bancroft Library and The Library's Electronic Text Unit Digital images processed by: The Library Photographic Service Finding aid completed: December 1996 © 1997 The Regents of the University of California Collection Summary Collection Title: Views of the Borax Industry, Date: ca. 1898-ca. 1915 Collection Number: BANC PIC 1905.17174--PIC Creator: Pacific Coast Borax Company Extent: 49 photographic prints ; 20 x 25 cm.49 digital objects Repository: The Bancroft Library. University of California, Berkeley. Berkeley, California 94720-6000 Languages Represented: English Access Collection is available for use. Publication Rights Copyright has not been assigned to The Bancroft Library. All requests for permission to publish photographs must be submitted in writing to the Curator of Pictorial Collections. Permission for publication is given on behalf of The Bancroft Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the reader. -
The California Desert CONSERVATION AREA PLAN 1980 As Amended
the California Desert CONSERVATION AREA PLAN 1980 as amended U.S. DEPARTMENT OF THE INTERIOR BUREAU OF LAND MANAGEMENT U.S. Department of the Interior Bureau of Land Management Desert District Riverside, California the California Desert CONSERVATION AREA PLAN 1980 as Amended IN REPLY REFER TO United States Department of the Interior BUREAU OF LAND MANAGEMENT STATE OFFICE Federal Office Building 2800 Cottage Way Sacramento, California 95825 Dear Reader: Thank you.You and many other interested citizens like you have made this California Desert Conservation Area Plan. It was conceived of your interests and concerns, born into law through your elected representatives, molded by your direct personal involvement, matured and refined through public conflict, interaction, and compromise, and completed as a result of your review, comment and advice. It is a good plan. You have reason to be proud. Perhaps, as individuals, we may say, “This is not exactly the plan I would like,” but together we can say, “This is a plan we can agree on, it is fair, and it is possible.” This is the most important part of all, because this Plan is only a beginning. A plan is a piece of paper-what counts is what happens on the ground. The California Desert Plan encompasses a tremendous area and many different resources and uses. The decisions in the Plan are major and important, but they are only general guides to site—specific actions. The job ahead of us now involves three tasks: —Site-specific plans, such as grazing allotment management plans or vehicle route designation; —On-the-ground actions, such as granting mineral leases, developing water sources for wildlife, building fences for livestock pastures or for protecting petroglyphs; and —Keeping people informed of and involved in putting the Plan to work on the ground, and in changing the Plan to meet future needs. -
2008 Trough to Trough
Trough to trough The Colorado River and the Salton Sea Robert E. Reynolds, editor The Salton Sea, 1906 Trough to trough—the field trip guide Robert E. Reynolds, George T. Jefferson, and David K. Lynch Proceedings of the 2008 Desert Symposium Robert E. Reynolds, compiler California State University, Desert Studies Consortium and LSA Associates, Inc. April 2008 Front cover: Cibola Wash. R.E. Reynolds photograph. Back cover: the Bouse Guys on the hunt for ancient lakes. From left: Keith Howard, USGS emeritus; Robert Reynolds, LSA Associates; Phil Pearthree, Arizona Geological Survey; and Daniel Malmon, USGS. Photo courtesy Keith Howard. 2 2008 Desert Symposium Table of Contents Trough to trough: the 2009 Desert Symposium Field Trip ....................................................................................5 Robert E. Reynolds The vegetation of the Mojave and Colorado deserts .....................................................................................................................31 Leah Gardner Southern California vanadate occurrences and vanadium minerals .....................................................................................39 Paul M. Adams The Iron Hat (Ironclad) ore deposits, Marble Mountains, San Bernardino County, California ..................................44 Bruce W. Bridenbecker Possible Bouse Formation in the Bristol Lake basin, California ................................................................................................48 Robert E. Reynolds, David M. Miller, and Jordon Bright Review -
Glass and Glass-Ceramics
Chapter 3 Sintering and Microstructure of Ceramics 3.1. Sintering and microstructure of ceramics We saw in Chapter 1 that sintering is at the heart of ceramic processes. However, as sintering takes place only in the last of the three main stages of the process (powders o forming o heat treatments), one might be surprised to see that the place devoted to it in written works is much greater than that devoted to powder preparation and forming stages. This is perhaps because sintering involves scientific considerations more directly, whereas the other two stages often stress more technical observations M in the best possible meaning of the term, but with manufacturing secrets and industrial property aspects that are not compatible with the dissemination of knowledge. However, there is more: being the last of the three stages M even though it may be followed by various finishing treatments (rectification, decoration, deposit of surfacing coatings, etc.) M sintering often reveals defects caused during the preceding stages, which are generally optimized with respect to sintering, which perfects them M for example, the granularity of the powders directly impacts on the densification and grain growth, so therefore the success of the powder treatment is validated by the performances of the sintered part. Sintering allows the consolidation M the non-cohesive granular medium becomes a cohesive material M whilst organizing the microstructure (size and shape of the grains, rate and nature of the porosity, etc.). However, the microstructure determines to a large extent the performances of the material: all the more reason why sintering Chapter written by Philippe BOCH and Anne LERICHE. -
Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, Piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (Guest Post)*
“Fascinating Rhythm”—Fred and Adele Astaire; George Gershwin, piano (1926) Added to the National Registry: 2004 Essay by Kathleen Riley (guest post)* George Gerswhin Fred Astaire Adele Astaire In 1927 George Gershwin told an interviewer that, in order to achieve truth or authenticity, music “must repeat the thoughts and aspirations of the people and the time.” “My people are Americans,” he said, “My time is today.” In London the previous year, Gershwin and the stars of “Lady, Be Good!,” Fred and Adele Astaire, made a recording of “Fascinating Rhythm,” a song that seemed boldly to proclaim its modernity and its Americanness. Nearly a century after its composition we can still hear the very things playwright S.N. Behrman experienced the moment Gershwin sat down at a party to play the piano: “the newness, the humor, above all the rush of the great heady surf of vitality.” What is also discernible in the 1926 recording--in Gershwin’s opening flourish on the piano and in the 16-bar verse sung by the Astaires--is the gathering momentum of a steam locomotive, a hypnotic, hurtling movement into the future. Born in 1898 and 1899 respectively, George Gershwin and Fred Astaire were manifestly children of the Machine Age. Astaire was born deep in the Midwest, in Omaha, Nebraska, where his earliest memory was “the rumbling of the locomotives in the distance as engines switched freight cars in the evening when we sat on the front porch and also after I went to bed. That and the railway whistles in the night, going someplace. -
Stronger-Than-Glass
LIQ Fusion 7000 FBE™ . A Stronger System Than Glass! LIQ Fusion 7000 FBE™ technology is here! In bolted storage tanks, Tank Connection offers the next generation of unmatched coating performance. LIQ Fusion 7000 FBE™ is designed as the replacement for glass/porcelain enamel coatings. Once you compare the facts on each system, you will find that Tank Connection’s LIQ Fusion 7000 FBE™ coating system is a stronger system than glass: LIQ Fusion 7000 FBE™ – Lab Testing* Glass/Vitreous Enamel – Lab Testing* Bolted sidewall panel Excellent (with exception of panel edges Excellent protection and bolt holes) Poor, as shipped from the factory Edge protection Excellent, coated LIQ Fusion FBE™ (covered with mastic sealant in the field) Poor, as shipped from the factory Bolt holes Excellent, coated LIQ Fusion FBE™ (covered with mastic sealant in the field) 8-13 mils (must be verified due to high Coating Thickness 7-11 mils shop defect rate) 3-14 (depending on product 3-11 (depending on product pH and temperature) and temperature) Corrosion Resistance Excellent Excellent (ASTM B-117) Temperature 200º F water, Dry 300º F 140º F water, Dry N/A Tolerance LIQ Fusion FBE™ (advanced fusion Coating to substrate Glass /vitreous enamel technology bond technology) Flexibility Passes 1/8” mandrel test None (cannot be field repaired) Impact 160 in/lbs 4 in/lbs History New technology with 5-7 years testing Old technology with history of spalling Salt Spray Passes 7500 hours Passes 7500 hours Submerged structural components are Submerged structural components are Liquids coated with LIQ Fusion FBE™ galvanized Holiday Free Yes No Coating Required (due to uncoated edges and Cathodic protection Not required bolt holes) Sealant Mastic Mastic Panel Size ~ 5’ tall x 10’ long ~ 4.5’ tall x 9’ long Construction Type Horizontal RTP (rolled, tapered panel) Horizontal RTP (rolled, tapered panel) *Note: Production panels (not lab panels) were utilized for testing. -
San Francisco Architecture Guide 2020
WHAT Architect WHERE Notes Zone 1: Fisherman’s Warf and the Piers + North Beach Pier 39 is a shopping center and popular tourist attraction built in 1978. The marina is also home to the floating Forbes Island restaurant. The sea lions at Pier 39 have become a tourist attraction in their own right. Although the reason for their migration to the pier *** Pier 39 Warren Simmons Pier 39 is unclear, the refurbishing of the docks in September 1989 required the removal of all boats from that area, leaving large open spaces for the sea lions to move into. Once the project was completed, boat owners returned, but did their best to navigate around the sea lions; no efforts were made to encourage the new guests to leave. Aquarium of the Bay was built in 1996 as an aquarium. It added additional attractions to the original building and has 273 species and more than 60,000 fish. Sharks circle overhead, manta rays sweep by and seaweed sways all around at the Aquarium of the Bay, where you * Aquarium of the Bay ? Pier 39 wander through glass tubes surrounded by sea life from San Francisco Bay. It's not for the claustrophobic, perhaps, but the thrilling fish- eye view, leaves kids and parents enthralled. General admission $27.95. Mon-Sun (10am-6pm) A few California sea lions began “hauling out” on PIER 39’s K-Dock shortly after the Loma Prieta earthquake hit San Francisco in October 1989. By January 1990, the boisterous barking pinnipeds started to *** Sea Lion Colony - Pier 39 arrive in droves and completely took over K-Dock, much to the exasperation of PIER 39’s Marina tenants. -
1100 Park Place Suite 200 San Mateo California 94403 Telephone 650 655 7800
APARTMENT COMMUNITIES Real Estate Information as of April 27, 2021 Year Year Property Age of Property Name Address City/State Units Acquired Built Ownership Property NORTHERN CALIFORNIA Santa Clara County The Commons 275 Union Avenue Campbell, CA 264 2010 1973 EPLP 48 Pointe at Cupertino 19920 Olivewood Street Cupertino, CA 116 1998 1963 EPLP 58 Apex 1102 South Abel Street Milpitas, CA 367 2014 2014 EPLP 7 Regency at Mountain View 333 Escuela Avenue Mountain View, CA 142 2013 1970 Wesco III 51 101 San Fernando 99 South Fourth Street San Jose, CA 323 2010 2001 EPLP 20 360 Residences 360 South Market Street San Jose, CA 213 2017 2010 Wesco V11 Bella Villagio 383 Vista Roma Way San Jose, CA 231 2010 2004 EPLP 17 The Carlyle 2909 Nieman Boulevard San Jose, CA 132 2000 2000 BEX II 21 Century Towers 1731 & 1733 North First Street San Jose, CA 376 2017 2017 JV ‐ 50% 4 Enso 175 Baypointe Parkway San Jose, CA 183 2015 2014 EPLP 7 Epic 545 River Oaks Parkway San Jose, CA 769 2013 2013 EPLP 8 Esplanade 350 East Taylor Street San Jose, CA 278 2004 2002 EPLP 19 Fountains at River Oaks 373 River Oaks Circle San Jose, CA 226 2014 1990 EPLP 31 Marquis 817 North 10th Street San Jose, CA 166 2016 2015 EPLP 6 Meridian at Midtown 1432 West San Carlos Street San Jose, CA 218 2018 2015 Wesco V6 Mio 688 North 7th Street San Jose, CA 103 2016 2015 EPLP 6 Patina at Midtown 355 Sunol Street San Jose, CA 269 JV ‐ 50% Palm Valley 150 Palm Valley Road San Jose, CA 1,100 2014 2008 EPLP 13 Sage at Cupertino 175 Calvert Drive San Jose, CA 230 2017 1971 DownREIT 50 The -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Wm. T. Coleman & Co.'s Map of the State of California [and] Wm. T Coleman& Co's. Skeleton Map of Columbia River Canneries, Showing Their Location. Stock#: 69974 Map Maker: Coleman Date: 1885 Place: n.p. Color: Color Condition: VG+ Size: 9 x 12.5 inches Price: SOLD Description: Exceptional Chromolithographic Promotional Maps Rare promotional maps of California the Columbia River Basin one verso, promoting the shipping business of pioneer California Businessman William Tell Coleman. The California map locates several domestic industries, including Borax, Salmon, Orange, Fruit & Raisin, and Wine & Brandy Districts. On the verso, the map shows a list of 24 Canneries operating on the Columbia River near Astoria, with about another 10 also located on the map. Each side is embellished with a striking graphic, Yosemite on the California side, and Mount Hood on the Columbia River side. Drawer Ref: Small Maps Stock#: 69974 Page 1 of 2 Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Wm. T. Coleman & Co.'s Map of the State of California [and] Wm. T Coleman& Co's. Skeleton Map of Columbia River Canneries, Showing Their Location. William Tell Coleman William Tell Coleman (1824–1893) was an American pioneer in California. Coleman came to California in 1849 and settled in San Francisco, where he engaged in the shipping and commission business. Coleman was a leading figure in both the 1851 and 1856 Committees of Vigilance, which usurped civic power to drive out the Democratic Party machine and ostensibly establish law and order.