Media Trends in the Nordic Countries 2018
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Gender Equality Policy in the Arts, Culture and Media Comparative Perspectives
Gender Equality Policy in the Arts, Culture and Media Comparative Perspectives Principal Investigator: Prof. Helmut K. Anheier, PhD SUPPORTED BY Project team: Charlotte Koyro Alexis Heede Malte Berneaud-Kötz Alina Wandelt Janna Rheinbay Cover image: Klaus Lefebvre, 2009 La Traviata (Giuseppe Verdi) @Dutch National Opera Season 2008/09 Contents Contents ...................................................................................................................................... 3 List of Figures .............................................................................................................................. 5 List of Tables ............................................................................................................................... 7 Acknowledgments .................................................................................................................... 8 Comparative Summary ............................................................................................................ 9 Introduction to Country Reports ......................................................................................... 23 Research Questions ......................................................................................................... 23 Method ............................................................................................................................... 24 Indicators .......................................................................................................................... -
Broadcasting & Convergence
1 Namnlöst-2 1 2007-09-24, 09:15 Nordicom Provides Information about Media and Communication Research Nordicom’s overriding goal and purpose is to make the media and communication research undertaken in the Nordic countries – Denmark, Finland, Iceland, Norway and Sweden – known, both throughout and far beyond our part of the world. Toward this end we use a variety of channels to reach researchers, students, decision-makers, media practitioners, journalists, information officers, teachers, and interested members of the general public. Nordicom works to establish and strengthen links between the Nordic research community and colleagues in all parts of the world, both through information and by linking individual researchers, research groups and institutions. Nordicom documents media trends in the Nordic countries. Our joint Nordic information service addresses users throughout our region, in Europe and further afield. The production of comparative media statistics forms the core of this service. Nordicom has been commissioned by UNESCO and the Swedish Government to operate The Unesco International Clearinghouse on Children, Youth and Media, whose aim it is to keep users around the world abreast of current research findings and insights in this area. An institution of the Nordic Council of Ministers, Nordicom operates at both national and regional levels. National Nordicom documentation centres are attached to the universities in Aarhus, Denmark; Tampere, Finland; Reykjavik, Iceland; Bergen, Norway; and Göteborg, Sweden. NORDICOM Göteborg -
Power, Communication, and Politics in the Nordic Countries
POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES POWER, COMMUNICATION, POWER, COMMUNICATION, AND POLITICS IN THE NORDIC COUNTRIES The Nordic countries are stable democracies with solid infrastructures for political dia- logue and negotiations. However, both the “Nordic model” and Nordic media systems are under pressure as the conditions for political communication change – not least due to weakened political parties and the widespread use of digital communication media. In this anthology, the similarities and differences in political communication across the Nordic countries are studied. Traditional corporatist mechanisms in the Nordic countries are increasingly challenged by professionals, such as lobbyists, a development that has consequences for the processes and forms of political communication. Populist polit- ical parties have increased their media presence and political influence, whereas the news media have lost readers, viewers, listeners, and advertisers. These developments influence societal power relations and restructure the ways in which political actors • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, & Lars Nord • Edited by: Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard communicate about political issues. This book is a key reference for all who are interested in current trends and develop- ments in the Nordic countries. The editors, Eli Skogerbø, Øyvind Ihlen, Nete Nørgaard Kristensen, and Lars Nord, have published extensively on political communication, and the authors are all scholars based in the Nordic countries with specialist knowledge in their fields. Power, Communication, and Politics in the Nordic Nordicom is a centre for Nordic media research at the University of Gothenburg, Nordicomsupported is a bycentre the Nordic for CouncilNordic of mediaMinisters. research at the University of Gothenburg, supported by the Nordic Council of Ministers. -
Faroe Islands and Greenland 2008
N O R D I C M E D I A T R E N D S 10 Media and Communication Statistics Faroe Islands and Greenland 2008 Compiled by Ragnar Karlsson NORDICOM UNIVERSITY OF GOTHENBURG 2008 NORDICOM’s activities are based on broad and extensive network of contacts and collaboration with members of the research community, media companies, politicians, regulators, teachers, librarians, and so forth, around the world. The activities at Nordicom are characterized by three main working areas. Media and Communication Research Findings in the Nordic Countries Nordicom publishes a Nordic journal, Nordicom Information, and an English language journal, Nordicom Review (refereed), as well as anthologies and other reports in both Nordic and English langu- ages. Different research databases concerning, among other things, scientific literature and ongoing research are updated continuously and are available on the Internet. Nordicom has the character of a hub of Nordic cooperation in media research. Making Nordic research in the field of mass communication and media studies known to colleagues and others outside the region, and weaving and supporting networks of collaboration between the Nordic research communities and colleagues abroad are two prime facets of the Nordicom work. The documentation services are based on work performed in national documentation centres at- tached to the universities in Aarhus, Denmark; Tampere, Finland; Reykjavik, Iceland; Bergen, Norway; and Göteborg, Sweden. Trends and Developments in the Media Sectors in the Nordic Countries Nordicom compiles and collates media statistics for the whole of the Nordic region. The statistics, to- gether with qualified analyses, are published in the series, Nordic Media Trends, and on the homepage. -
The Shift from High to Liquid Ideals Making Sense of Journalism and Its Change Through a Multidimensional Model
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Göteborgs universitets publikationer - e-publicering och e-arkiv Nordicom Review 34 (2013) Special Issue, pp.141-154 The Shift from High to Liquid Ideals Making Sense of Journalism and Its Change through a Multidimensional Model Kari Koljonen Abstract By reading qualitative studies, surveys, organisational histories, and textbooks, one can claim that the ethos of journalists has undergone fundamental changes in recent decades. The “high modern” journalistic ethos of the 1970s and 1980s was committed to the core values of the journalistic profession: objectivity, public service, consensus maintenance, gate-keeping, and recording of the recent past. After the millennium, these central ideals have become more ambivalent and “liquid”: subjectivity, consumer service, the watchdog role, agenda-setting, and forecasting the future seem to be more tempting alternatives than before. This article develops an analytic framework that elaborates the simple narrative from “high modern” to “liquid modern” journalism. Five key elements, namely, (1) knowledge, (2) audience, (3) power, (4) time, and (5) ethics, are discussed and problematized to suggest a more nuanced view of the changing professional ethos of journalism. Keywords: journalistic profession, core elements of journalism, professional ethos, high/ liquid modern ideals, multidimensional model, analysis of change Introduction One of the most common ways of crafting normative, evaluative discourses is to con- struct a narrative of change. This has also been true in journalism research recently (e.g. McChesney & Nichols 2010, McChesney & Pickard 2011). However, because journalism is a multifaceted institution with many interfaces to its social, political, and economic contexts, many alternative narratives are possible. -
Annual Report 2016 - 2017 English Edition
ANNUAL REPORT 2016 - 2017 ENGLISH EDITION NORD VISION Nordvision 2016 - 2017 Published by Nordvision Design Lars Schmidt Hansen Editorial team: Henrik Hartmann (editor in chief) Kristian Martikainen Øystein Espeseth-Andresen The annual report can be found at nordvision.org Cover photo front: DELHIS VACKRASTE HÄNDER / SVT and Anagram Photo: Janne Danielsson BEDRAG / DR Photo: Christian Geisnæs SKAM / NRK Cover photo back: PRISONERS / RUV and Mystery Productions BLIND DONNA / Yle Photo: Joonas Pulkkanen FRÖKEN FRIMANS KRIG / SVT Photo: Peter Cederling Foreword 2016 saw a breakthrough in two cooperative areas for Nordvision: We launched a major digital cooperation around Euro 2016, and we also established an important technological cooperation between NRK and DR for a radio app. The general media-technological development is both a challenge and a great opportunity for us. On the whole, it is positive to see new and excit- ing digital and publishing cooperation projects based around technology, which, by their very nature keeps us moving forward. Overall, 2016 was the best year ever based on the number of programmes and hours generated by collaboration within the Nordvision partnership. For co-productions, the cooperation rose by 13%, an impressive figure considering how challenged the public service has been in recent years financially, politically and from global players. Strategies and promising visions for the future are all well and good, but it is the specific programme collaboration we need to measure Nordic cooperation with. Once again, we can enjoy the fact that the many programme groups and people working on programme sharing have succeeded in achieving excellent results. There are numerous notable projects from 2016, and many new projects on the horizon. -
Faroe Islands and Greenland 2008
N O R D I C M E D I A T R E N D S 10 Media and Communication Statistics Faroe Islands and Greenland 2008 Compiled by Ragnar Karlsson NORDICOM UNIVERSITY OF GOTHENBURG 2008 NORDICOM’s activities are based on broad and extensive network of contacts and collaboration with members of the research community, media companies, politicians, regulators, teachers, librarians, and so forth, around the world. The activities at Nordicom are characterized by three main working areas. Media and Communication Research Findings in the Nordic Countries Nordicom publishes a Nordic journal, Nordicom Information, and an English language journal, Nordicom Review (refereed), as well as anthologies and other reports in both Nordic and English langu- ages. Different research databases concerning, among other things, scientific literature and ongoing research are updated continuously and are available on the Internet. Nordicom has the character of a hub of Nordic cooperation in media research. Making Nordic research in the field of mass communication and media studies known to colleagues and others outside the region, and weaving and supporting networks of collaboration between the Nordic research communities and colleagues abroad are two prime facets of the Nordicom work. The documentation services are based on work performed in national documentation centres at- tached to the universities in Aarhus, Denmark; Tampere, Finland; Reykjavik, Iceland; Bergen, Norway; and Göteborg, Sweden. Trends and Developments in the Media Sectors in the Nordic Countries Nordicom compiles and collates media statistics for the whole of the Nordic region. The statistics, to- gether with qualified analyses, are published in the series, Nordic Media Trends, and on the homepage. -
2010 Twitter: #PE10 #TVD01
TV DOCUMENTARY 01 Leuven Hulp At the beginning of 2009 a number of prisoners from the Leuven Help auxiliary prison in Leuven took part in a theatre workshop. The improvisations and rehearsals within the prison walls were filmed over a period of three months, culminating in a performance in front Belgium of an audience. For three months prisoners were filmed, often day and night - including in the cells, in which they were locked up 22 hours a day. The viewers are thus privileged witnesses of the day-to-day life of Entering organisation: Nico, Bogdan, Dilges, Christos, Peter, Antonio and Ali. They see Vlaamse Radio- en Televisieomroep - VRT them as they walk round the prison courtyard, as they go about the Contact: Franky Audenaerde tasks they are given to do and in their cells. They see them during Email: [email protected] the day, but also during the long nights. They observe their troubled relationship with the outside world, their often hopeless situations Author/s: and their survival strategies. Joeri Weyn, Yoohan Leyssens, Luc Haekens As a viewer you are constantly subjected to a conflict of feelings: on Directors: Joeri Weyn, Yoohan Leyssens, Luc Haekens the one hand you empathise with the person, on the other hand you Camera: Joeri Weyn & Yoohan Leyssens cannot avoid the reprehensible, often violent deeds of the criminal. Commissioning editor: Michel Vanhove Nico says to theatre-maker Thomas, ‘You often say ‘experienced’ but Email: [email protected] you should see it as ‘committed’. Dilges raps in his cell, ‘You know, Production company: Woestijnvis but you do it anyway, yo’. -
Eurovision Song Contest Is Not Just a Pop Song Competition: Often, It Is a Musical Manifestation of Political and Social Issues of Great Significance
60TH ANNIVERSARY CONFERENCE 24 APRIL 2015 #Eurovision60 The Eurovision Song Contest is not just a pop song competition: often, it is a musical manifestation of political and social issues of great significance. Melissa Scott ,, “New Europe, Center Stage - Orientalism and Nationalism in the Eurovision Song Contest”, Midway Review 2011 2 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest will be held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality live news, sport, entertainment, cultural and music content. -
New Publications from NORDICOM
10.1515/nor-2017-0407 Nordicom Review 38 (2017) 1, pp. 137 New Publications from NORDICOM The Assault on Gendering War and Journalism Peace Reporting Building knowledge to protect Some insights – some missing freedcom of expression links Ulla Carlsson & Reeta Pö- Berit von der Lippe & Rune yhteri (eds.) Nordicom 2017, Ottosen (eds.) Nordicom 2016, 378 p. 278 p. In connection with World Press War reporting has tradition- Freedom Day 2016 in Helsinki ally been a male activity. Elite an international conference, sources like politicians, high entitled Safety of Journalists. ranking military officers and state officials are collec- Knowledge is the Key, was arranged by UNESCO and tively still dominated by men, and it will take more than the UNESCO Chair on Freedom of Expression at the the presence of an increased number of female journal- University of Gothenburg in collaboration with IAM- ists to change this male hegemony. CR), and a range of other partners. There is, though, no deterministic link between The aim of the publication is to highlight and fuel sex/gender and more peaceful news or a more peaceful journalist safety as a field of research, as well as to in- world. spire further dialogues and new research initiatives. The This book offers analytic approaches to how traditio- contributions represent diverse perspectives on both em- nal war journalism is gendered. Through different case pirical and theoretical research and offer many quantita- studies, the book reveals how the framing of different tively and qualitatively informed insights. femininities and masculinities affects the reporting and our understanding of war and conflicts. -
Nordic Young Adult Drama Y12
NORDIC YOUNG ADULT DRAMA Y12 Young adult drama The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. The Nordic partners also co-produce many youth / young adult drama series a year. You will find them in this catalog. Most series have 12-month rights in the Nordic region. Co-producing or sales is handled via the main producer, the respective production company or a sales unit. You are welcome to contact the Nordvision Secretary in Copenhagen for more information see www.nordvision.org 4 Y12 2018 8 DOGGYSTYLE / DR 10 17 / NRK 12 DILAN & MOA (FORMAT) / SVT Y12 2019 14 DOGGYSTYLE 2 / DR 16 NOIA / DR 18 18 / NRK 20 NUDES / NRK 22 THE CHOSEN ONES / SVT 24 EAGLES / SVT 26 THE PARTY / SVT 28 IN THE BATHROOM / SVENSKA YLE 30 VACUUM / SVENSKA YLE 6 7 Y12 2018 DOGGYSTYLE DR The series tackles questions about growing up. You grow apart from your family, in and out of relationships. You try to be something and to become somebody, and suddenly you realized, that you forgot to be someone. Original title: Doggystyle Broadcast company DR Co-production partners NRK, Svenska Yle Production company DR Distribution DR Sales / [email protected] Launch Year 2018 Episodes and duration 10 x 15 min. 9 Y12 2018 17 NRK 17-year-old Abdi, a Norwegian-Somali guy, gets a message that in 17 days, he will be traveling to his father’s home country – without a return ticket. -
Guide – Applying for Nordvision Funding Updated 11.10.2018
Guide – applying for Nordvision funding Updated 11.10.2018 The application process for Nordvision funds takes place on nordvision.org. Check the website for information on current application rounds and deadlines. Before filling out the form, please read this short guide to avoid problems during the application process. For questions about and help with the application process, please contact Henrik Hartmann ([email protected], +45 24 24 83 05) or Øystein Espeseth-Andresen ([email protected], +45 28 54 40 05) at the Nordvision Secretariat. Tracking your application After you’ve submitted your application form, you can find all the information about your application and check the status of your application under Nordvisionsfonden on nordvision.org. Your project will be marked as submitted when you’ve filled out and submitted the application form. The project will be marked as completed, when the co‐producers have confirmed their commitment to the project, and finally approved, if the Nordvision Fund committee grants the application. You should note that the approved sum can differ from the sum that was applied. If the Nordvision Fund committee decides to put your project on hold until the next application round, its status will remain as completed until the next application round will take place. Then it will automatically be entered for that application process. If the Nordvision Fund committee denies support for your project, it will be deleted from the database. How to apply for funding Before you apply for Nordvision funds …you need to work for one of the Nordvision partnership companies (DR, NRK, RUV, SVT, Yle, UR, SR, KNR or KVF).