Tarzan and the Jewels of Opar Pdf, Epub, Ebook
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Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Farmerfan Volume 1 | Issue 1 |July 2018
FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family. -
Tarzan in the Early-20Th Century French Fantasy Landscape By
Wesleyan University The Honors College The Missing Link: Tarzan in the Early-20th Century French Fantasy Landscape by Medha Swaminathan Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in French Studies Middletown, Connecticut April, 2019 Table of Contents Introduction ................................................................................................................... 1 Embracing the Invented in the “Benevolent” Colonial ................................................ 9 Imagining “Africa” ..................................................................................................... 19 Le Tour du Monde en Un Jour: Tarzan and the 1930s Paris Colonial Exhibitions .... 36 “Civilization” vs. “Civilized” vs. “Savage” ................................................................ 49 Homme Idéal or Missing Link? Fetish, Fascination, and Fear in French Eugenics ... 57 Sex, Youth, Beauty, Valor, and the Légionnaire ........................................................ 70 Saturnin Farandoul: Tarzan’s French Foil? ................................................................ 81 “Comment dit-on sites de rêve en anglais ?” .............................................................. 96 References ................................................................................................................. 100 Acknowledgements This project would not have been possible without an incredible amount -
Tarzan's Quest
Tarzan's Quest By Edgar Rice Burroughs Tarzan's Quest 1. THE PRINCESS SBOROV "My dear Jane, you know everyone." "Not quite, Hazel; but one sees everyone in the Savoy." "Who is that woman at the second table to our right?—the one who spoke so cordially. There is something very familiar about her—I'm sure I've seen her before." "You probably have. Don't you remember Kitty Krause?" "O-oh, yes; now I recall her. But she went with an older crowd." "Yes, she's a full generation ahead of us; but Kitty'd like to forget that and have everyone else forget it." "Let's see—she married Peters, the cotton king, didn't she?" "Yes, and when he died he left her so many millions she didn't have enough fingers to count 'em on; so the poor woman will never know how rich she is." "Is that her son with her?" "Son, my dear! That's her new husband." "Husband? Why, she's old enough to—" "Yes, of course; but you see he's a prince, and Kitty always was— er—well, ambitious." "Yes, I recall now—something of a climber; but she climbed pretty high, even in aristocratic old Baltimore, with those Peters millions." "But she's an awfully good soul, Hazel. I'm really very fond of her. There isn't anything she wouldn't do for a friend, and underneath that one silly complex of hers is a heart of gold." "And kind to her mother! If anyone ever says I'm good-hearted, I'll —" "S-sh, Hazel; she's coming over." The older woman, followed by her husband, swooped down upon them. -
Back to the Stone Age
BACK TO THE STONE AGE But Jason Gridley shook his head. “The rest of you go on,” he said. “I will remain in Pellucidar until I have solved the mystery.” Von Horst, von Horst— where are you now, Bill? Can you see that endless sun on high— can you sing those jazz- tune songs you loved and hear me calling? Or are your BACK TO THE STONE AGE dusty bones in some killer-cat’s lair and a ghost voice your only answer? PROLOGUE HE tale of the pioneer flight of the giant Zeppe - Tlin O-220 has already been told. In the Log Book of Great Adventures, written deep in red, have been inscribed the perils and privations, the victories and defeats, of those gallant companions from this land of ours who braved the mysteries of Pellucidar. Pellucidar — mocked by smug scientists who blind themselves to the proofs that our Earth is a hollow sphere, containing a habitable world within its interior! Pellucidar — scorned and derided by timid savants who fear to see beyond their own knotted brows, scoffing that here is no great opening at the frozen poles, that only two plus two makes four! But there were men of broader vision, of deeper un - derstanding, in that prize crew of the Zeppelin O-220; One was a tall man with mighty shoulders who walked with a cat’s soft tread; as Lord Greystoke he was known in London, though the creatures of the tropic wild called him Tarzan of the Apes. A second was Jason Gridley, the American explorer who financed the expedition. -
Enderlin, North Dakota, in 1919
ENDERLIN, ON THE SOO LINE, THE LARGEST CITY IN RANSOM COUNTY, N. D. TilE CITY OF PUBLIC SPIRITED PEOPLE---A RAILROAD DIVISION A SHllltOOIl WA1FR At'otll ...... \\t-I{\,; .. Y'" M \\ "I' 10 H\I~ OF THE 5OO---II"S SPLENDIDLY EQUlI'PED SC IIOO LS, BOTII IIIGII TELEPIIONF ,Y,I Hl \, (IOHOIIII' '''II\lfllllI1'' III A D GRADED--- FIVE CHURCIIES OF VARIOUS DENOMINATlUN:; PAIlTMENT "1919" "Enderlin" 18 Dorry!)§ DiRry: edited by Alpha B. Shaw Do"y was born Llewellyn Dorrington Shaw at Enderlin, North Dakota, 20 September 1904, the second 0/ three brothers. He died at age 69, as did his father and grandfather before him, and his ashes repose at Arlington National Cemetery with those 0/ others who devoted their lives to the service 0/ our country. His mother's parents, Peter and Ingre Hoisen Austad, came separately from Norway to meet and wed in Iowa. Their homestead was Center Farm near Enderlin. His father's parents, John 3nd Jane Brighton Shaw were wed in Scotland and came to Fergus, Ontario, via New York City. Do"y 's parents, Will and Beata Shaw met and wed in Enderlin. A/ter he grew up and le/t home, he returned to Enderlin for the hunting season as often as possible. The Enderlin Diamond Jubilee Celebration in July, 1966, was a source 0/ much saJis/action to him, for it was there that he met and visited with many friends from former years. Enderlin was a railroad town with roundhouse and shops, a mujor division point on the main line of the 500. -
Zanzibar: Its History and Its People
Zanzibar: its history and its people http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.PUHC025 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Zanzibar: its history and its people Author/Creator Ingrams, W.H. Publisher Frank Cass & Co., Ltd. Date 1967 Resource type Books Language English Subject Coverage (spatial) Northern Swahili Coast, Tanzania, United Republic of, Zanzibar Stone Town, Tanzania Source Princeton University Library 1855.991.49 Rights By kind permission of Leila Ingrams. Description Contents: Preface; Introductory; Zanzibar; The People; Historical; Early History and External Influences; Visitors from the Far East; The Rise and Fall of the Portuguese; Later History of the Native Tribes; History of Modern Zanzibar. -
Tarzán, Y El Imperio Perdido
Edgar Rice Burroughs Tarzán, y el imperio perdido I Nkima danzaba excitadamente sobre el hombro moreno y desnudo de su amo. Parloteaba y chillaba mirando alternativamente a Tarzán a la cara, como interrogándole, y después hacia la jungla. -Algo se acerca, bwana -dijo Muviro, subjefe de los waziri-. Nkima lo ha oído. -Y Tarzán -declaró el hombre mono. -El oído del gran bwana es tan fino como el de Bara, el antílope prosiguió Muviro. -Si no lo hubiera sido, Tarzán hoy no estaría aquí dijo el hombre mono con una sonrisa-. No habría llegado a la edad adulta si Kala, su madre, no le hubiera enseñado a emplear todos los sentidos que Mulungu le dio. -¿Qué es lo que se acerca? -preguntó Muviro. -Un grupo de hombres -respondió Tarzán. -Tal vez no son amistosos -sugirió el africano-. ¿Aviso a los guerreros? Tarzán miró alrededor del pequeño campamento donde una veintena de hombres luchadores estaban preparando su colación nocturna y vio que, como era costumbre entre los waziri, tenían sus armas preparadas y a mano. -No -dijo-. Creo que será innecesario, ya que esta gente que se acerca no viene con sigilo como lo haría un enemigo, ni su número es tan grande como para que les temamos. Pero Nkima, pesimista nato, esperaba lo peor, y a medida que el grupo se acercaba su nerviosismo iba en aumento. Bajó de un salto del hombro de Tarzán al suelo y dio varios brincos; luego, volvió junto a Tarzán, le cogió el brazo y trató de hacerle poner en pie. -¡Corre, corre! -gritó en el lenguaje de los monos-. -
Availability of Small Arms and Perceptions of Security in Kenya
Ripoti Maalum Upatikanaji wa Silaha Ndogo ndogo na Hisia za Usalama nchini Kenya: Ukadiriaji Manasseh Wepundi, Eliud Nthiga, Eliud Kabuu, Ryan Murray, na Anna Alvazzi del Frate Ripoti Maalum Juni 2012 Upatikanaji wa Silaha Ndogo Ndogo na Hisia za Usalama nchini Kenya: Ukadiriaji Manasseh Wepundi, Eliud Nthiga, Eliud Kabuu, Ryan Murray, na Anna Alvazzi del Frate Uchunguzi uliofanywa na Shirika la Uchunguzi wa Silaha Ndogo Ndogo, Small Arms Survey, na Shirika la Kitaifa la Kushughulikia silaha Ndogo Ndogo na Silaha Nyepesi, Kenya National Focus Point on Small Arms and Light Weapons, kwa usaidizi kutoka kwa Wizara ya Mashauri ya Kigeni ya Denmark Haki Miliki Kimechapishwa nchini Switzerland na shirika la Small Arms Survey © Shirika la Small Arms Survey, Taasisi ya Masomo ya Juu ya Kimataifa na Maendeleo, Geneva 2012 Chapisho la kwanza Juni 2012 Haki zote zimehifadhiwa. Kitabu hiki au visehemu vyake vyovyote havi paswi kutolewa kwa namna yoyote ile, au kuhifadhiwa kwa mtambo wowote ule utakaovitoa, au kurushwa hewani kwa namna au njia yoyote ile bila ya kuwa na idhini iliyoandikwa kutoka kwa shirika la Small Arms Survey, au ilivyobainishwa kisheria, au chini ya masharti yaliyokubaliwa na shirika linalohusika na haki za utoleshaji. Maswali yanayohusu utoaji ulio nje ya upeo ulioshughulikiwa hapo juu yanapaswa kutumwa kwa Meneja wa Uchapishaji, Small Arms Survey, katika anwani iliyopo hapo chini. Small Arms Survey Graduate Institute of International and Development Studies 47 Avenue Blanc, 1202 Geneva, Switzerland Kimetafsiriwa na Joan Simba Kimehaririwa na Esther Munguti Usanifu wa ramani umefanywa na Jillian Luff, MAPgrafix Utayarishaji chapa umefanywa na Frank Benno Junghanns Kimepigwa chapa na GPS mjini France ISBN 9782970077183 ISSN 16614453 2 Small Arms Survey Ripoti Maalum Wepundi et al. -
The Beasts of Tarzan 3
1 Kidnapped “The entire affair is mysterious,” said D’Arnot. “Neither the police nor the military investigators have the faintest idea how it happened. All that anyone knows is that Nikolai Rokoff has escaped.” John Clayton, Lord Greystoke—who had been “Tarzan of the Apes”—sat in silence in the apartment of his friend, Lieutenant Paul D’Arnot, in Paris. The escape brought back many memories, for the ape-man’s testimony had sent his archene- my to a French prison for life. Rokoff had gone to great lengths to try to kill Tarzan before, and hav- ing escaped, would likely now try twice as hard. Tarzan had recently brought his wife and infant son to London to get away from the rainy season on their vast estates in Uziri—the land of the fierce Waziri warriors whose broad African domains the ape-man had once ruled. He had just arrived to visit D’Arnot, but the news about Rokoff made him want to return immediately to London. “I do not fear for myself, Paul,” he said at last. 1 2 EDGAR RICE BURROUGHS “Rokoff has tried and failed many times to kill me. But he knows that he could hurt me most through my son or my wife. I must return to guard them until Rokoff is recaptured—or dead.” As these two talked in Paris, two dark, sinister- looking men were talking in a little cottage on the outskirts of London. One was bearded; the other had only a few days’ growth, and his face was pale from long confinement indoors. -
Robert K. Abbett
Robert K. Abbett Biography[edit] Abbett was born in 1926 in Hammond, Indiana. During the late-1950s, 1960s and 1970s, Robert Abbett, also credited as Bob Abbett, illustrated book covers for war novels, detective novels, thrillers, historical fiction and science fiction. Today, Abbett is best known for his paintings of wildlife(in particular, dogs), wilderness, sporting, and fishing. His illustrations have been featured in a large number of books, magazines, and advertising. He has also authored or been featured in several art-related books, including A Season for Painting: The Outdoor Paintings of Robert K. Abbett and Wings from Cover: The Upland Images of Robert Abbett and Ed Gray. Abbett is a graduate of both the University of Missouri and Purdue University. In 1953, Abbett moved to rural Connecticutwhere he built a house on an old farm (namely, Oakdale Farm[1]). There, Abbett was inspired by the untouched wilderness and forests, and began painting what he has become famous for today: animals and countrylife. He died on June 20, 2015 at the age of 89 in Bridgewater, Connecticut.[2] Book covers illustrations[edit] was an illustrator for Ballantine Books,[3] Pyramid Books and Ace Books, as well as Gold Medal, Avon,Permabook, and Pocket Books. He illustrated Edgar Rice Burroughs' books,[4] including the Tarzan series,[5] Barsoomseries,[6][7] and Pellucidar [8][9] series. Books[edit] The Quiet American by Graham Greene, Bantam Books, 1957 The Devil to Pay by Ellery Queen (pseudonym), Pocket Books, 1958 Spearhead by Franklin M. Davis, Jr., Permabooks, 1958 Justice, My Brother by James Keene (author) (pseudonym of William Everett Cook), Dell Books, 1959 Turn on the Heat by A.A.