DOCSLIB.ORG

Copyright by Yuanjing Du 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copyright by Yuanjing Du 2012 Copyright by Yuanjing Du 2012 The Thesis Committee for Yuanjing Du Certifies that this is the approved version of the following thesis: A HERITAGE TOURISM PRESERVATION PLAN FOR MOGAO GROTTOES, PR. CHINA APPROVED BY SUPERVISING COMMITTEE: Supervisor: Christopher Long Co-Supervisor: Michael Holleran A HERITAGE TOURISM PRESERVATION PLAN FOR MOGAO GROTTOES, PR. CHINA by Yuanjing Du, BA Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Science in Historic Preservation The University of Texas at Austin August 2012 Dedication This work is dedicated to my mom. Without your love and support, I’d never have this achievement. Acknowledgements I would like to thank the historic preservation program in the School of Architecture at The University of Texas at Austin. Special thanks to Professor Christopher Long and Professor Michael Holleran. Thank you, Professor Long, for your enthusiasm, patience, encouragement, and advising throughout the whole project. You are the most amazing and greatest professor I have ever had in my life. Thank you, Professor Holleran, for your support, mentoring, and encouragement during the past two years. I also want to thank the faculty and staff of the School of Architecture for the excellent education. I would also like to thank Jessica Anderson and Thomas Garcia for their support and help. And thanks to Ms. Elisabeth Murphy for providing a quiet and nice house in which I could complete my thesis. Thank you to my mother and brother for your love and support the past two years. v Abstract A Heritage Tourism Preservation Plan for Mogao Grottoes, PR China Yuanjing Du, M.S.H.P. The University of Texas at Austin, 2012 Supervisor: Christopher Long and Michael Holleran The Mogao Grottoes, also known as the Mogao Caves or the Thousand Buddhas Caves, is located at the southeast of Dunhuang, northwestern China. It is a very important cultural heritage site on the Silk Road and was designated a World Heritage Site by UNESCO in 1987. Mogao Grottoes is a Buddhist shrine with 45,000 square meters of wall paintings and 3,000 sculptures within 492 cave temples from the 4th to 14th centuries; it is also known as the world’s largest existing cave temple with the richest content of Buddhist art. In 1900, the Library Cave was discovered, in which more than 50,000 well-preserved manuscripts, silk paintings, and other relics of important academic research value were. With its long history and profound culture, Mogao Grottoes became a hot tourist destination in China. A growing numbers of visitors, vi especially in recent years, bring great challenges for heritage preservation and tourism at Mogao. Dunhuang Academy developed a preservation and utilization project in order to cope with this conflict between preservation and tourism, ensure the heritage is well, and develop sustainable tourism. This paper analyzes the current visitor management methods and the risks from visitors and evaluates the proposals for cave carrying capacity, visitor capacity management, visitor flow management, and a visitor center, including the good points of each and the potential problems associated with the caves preservation, site security, and visitors’ experiences. Finally, the paper discusses the overall project and proposes a recommendation for visitor management and developing sustainable tourism at Mogao Grottoes. vii Table of Contents List of tables………………………………………………………………………………………x List of figures……………………………………………………………………………………..xi Introduction………………………………………………………………………………………..1 Research Question and Methodology……………………………………………………..3 Chapter Overview……………………………………………………………………........4 Chapter One: Introduction, History, and Value …………………………………………………..5 Introduction………………………………………………………………………………..5 History ………………………………………………………………………………….....8 The Library Cave………………………………………………………………………...30 Discovery………………………………………………………………………...30 The Value………………………………………………………………………...32 The History……………………………………………………………………....33 The Loss………………………………………………………………………… 34 Chapter Two: Current Visitor Management at Mogao Grottoes……………………………….. 40 Current Tourism Pressure at Mogao……………………………………………………. 40 Visitors at Mogao Grottoes………………………………………………………41 Current Strategies on Visitor Management………………………………………………43 Peak-Season Tourism Period Strategies…………………………………………44 Two “Golden Week” Holidays…………………………………………………..51 Off Season Tourism Strategies…………………………………………………..53 Supplement Strategies……………………………………………………………54 Tour Reservation System………………………………………………...54 Cave Guide Management………………………………………………...55 Other Measures…………………………………………………………..57 The Risks Caused by Visitors at the Site………………………………………………...58 viii Improper Temperatures and Relative Humidity…………………………………58 Vandalism (Mechanical Damage)………………………………………………..60 Other Problems in Visitor Management…………………………………………63 Chapter Three: Evaluation on the Proposals of the Visitor Management Methods……………..66 The Proposed Preservation and Utilization Project……………………………………...67 Visitor Carrying Capacity………………………………………………………………..67 Evaluation………………………………………………………………………..69 Discussion………………………………………………………………………..72 The Visitor Capacity Management Tool…………………………………………………73 Evaluation………………………………………………………………………..74 Discussion………………………………………………………………………..76 The Visitor Flow Model………………………………………………………………….76 Evaluation………………………………………………………………………..77 Discussion………………………………………………………………………..79 The Visitor Center………………………………………………………………………..80 Background and Design………………………………………………………….80 Evaluation………………………………………………………………………..85 Discussion………………………………………………………………………..89 Chapter Four: Discussion and Recommendation………………………………………………...93 Discussion ……………………………………………………………………………….93 Recommendation………………………………………………………………………...96 Bibliography……………………………………………………………………………………103 Vita……………………………………………………………………………………………...104 ix List of Tables Table 2.1 The Responsibility of Each Department over the Entire Visitor’s Experience……..43 x List of Figures Figure 1.1 Geological Location of Mogao Grottoes in China…………………………………6 Figure 1.2 Geographical Location of Mogao Grottoes in Dunhuang City…………………….7 Figure 1.3 Mogao Grottoes Façade (Image source: Dunhuang Academy)……………………8 Figure 1.4 The Countries in Western Region Zhang Qian Visited…………………………….9 Figure 1.5 Zhang Qian in Wall Painting of Cave 323…..……………………………………10 Figure 1.6 Silk Road………………………………………………………………………….11 Figure 1.7 Cave 332…………………………………………………………………………..12 Figure 1.8 Cave 275…………………………………………………………………………..14 Figure 1.9 Cave 428…………………………………………………………………………..15 Figure 1.10 Sections of Cave 254……………………………………………………………...16 Figure 1.11 The Ancient Chinese Myths and Legends………………………………………...17 Figure 1.12 Cave 419…………………………………………………………………………..18 Figure 1.13 Cave 328…………………………………………………………………………..19 Figure 1.14 Buildings of Tang Dynasty in Wall Painting at Cave 172………………………..20 Figure 1.15 Giant Buddha……………………………………………………………………...21 Figure 1.16 Cave 130…………………………………………………………………………..22 Figure 1.17 Cave 159…………………………………………………………………………..23 Figure 1.18 Donor’s Portrait in Cave 61……………………………………………………….24 Figure 1.19 Ceiling of Cave 130……………………………………………………………….25 Figure 1.20 Mogao Grottoes in the early 1900s……………………………………………….26 Figure 1.21 Mogao Grottoes in early 1900s…………………………………………………...27 Figure 1.22 Nine Story Pagoda of Mogao Grottoes…………………………………………...28 Figure 1.23 Façade of Mogao Grottoes………………………………………………………..28 Figure 1.24 Façade of Mogao Grottoes………………………………………………………..29 Figure 1.25 Images of Library Cave…………………………………………………………...29 xi Figure 1.26 Cave 17…………………………………………………………………………….30 Figure 1.27 Manuscripts from Library Cave…………………………………………………...31 Figure 1.28 Manuscript from Library Cave…………………………………………………….31 Figure 1.29 Statue of Hong Bian……………………………………………………………….33 Figure 1.30 Paul Peliot in Library Cave………………………………………………………..35 Figure 1.31 Before and after Reinforcement…………………………………………………...36 Figure 1.32 Monument of Mogao Grottoes as a World Heritage Site………………………….37 Figure 1.33 Façade of Mogao Grottoes………………………………………………………...38 Figure 1.34 Dunhuang Academy……………………………………………………………….39 Figure 2.1 Visitors Survey…………………………………………………………………….42 Figure 2.2 Ticket for Visitation……………………………………………………………….45 Figure 2.3 Detailed tourist map of Mogao Grottoes………………………………………….46 Figure 2.4 The Opened Caves in Time Line………………………………………………….47 Figure 2.5 Visitor Groups at Mogao Grottoes………………………………………………..48 Figure 2.6 Visitors at the Entrance……………………………………………………………49 Figure 2.7 Visitors are looking at the Library Cave at Peak-Season………………………….50 Figure 2.8 Visitors at the Corridor of Cave 16………………………………………………..51 Figure 2.9 Visitors in Holiday Weeks…………………………………………………………52 Figure 2.10 Visitors are Buying Ticket at Off-season………………………………………….53 Figure 2.11 The Website of the Tour Reservation System……………………………………..54 Figure 2.12 Cave Guide Training at the Site…………………………………………………...56 Figure 2.13 A Guide is Narrating to Visitors in French………………………………………..56 Figure 2.14 Ongoing Deterioration of the Wall Paintings……………………………………..59 Figure 2.15 Overcrowding at the Peak Season in Cave 16……………………………………..61 Figure 2.16 Visitors in the Holiday Weeks………………………………………………….….62 Figure 2.17 Exhibition Center…………………………………………………………………..64 Figure 2.18 The replica of Cave 285, Exhibition Center…………………………………….…64 xii Figure 2.19 Library Cave Museum…………………………………………………………….65 Figure 2.20 Visitors at the Library Cave Museum……………………………………………..65 Figure 3.1 Visitor Center……………………………………………………………………...81
Load more

Recommended publications
  • How the Turtle Lost Its Shell: Sino-Tibetan Divination Manuals and Cultural Translation
    HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 38 Number 2 Article 5 December 2018 How the Turtle Lost its Shell: Sino-Tibetan Divination Manuals and Cultural Translation Duncan J. Poupard The Chinese University of Hong Kong, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation Poupard, Duncan J.. 2018. How the Turtle Lost its Shell: Sino-Tibetan Divination Manuals and Cultural Translation. HIMALAYA 38(2). Available at: https://digitalcommons.macalester.edu/himalaya/vol38/iss2/5 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Research Article is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. How the Turtle Lost its Shell: Sino-Tibetan Divination Manuals and Cultural Translation Duncan Poupard This article is a pan-Himalayan story about and transform when it enters different contexts; how the turtle, as a cultural symbol within or in other words, how a turtle can come to lose Sino-Tibetan divination iconography, came to its shell. more closely resemble a frog. It attempts a Keywords: divination, Naxi, Sino-Tibetan, cultural translation. comparative analysis of Sino-Tibetan divination manuals, from Tibetan Dunhuang and Sinitic turtle divination to frog divination among the Naxi people of southwest China. It is claimed that divination turtles, upon entering the Himalayan foothills, are not just turtles, but become something else: a hybrid symbol transformed via cultural diffusion, from Han China to Tibet, and on to the Naxi of Yunnan.
    [Show full text]
  • Conservation of Ancient Sites on the Silk Road
    PROCEEDINGS International Mogao Grottes Conference at Dunhuang on the Conservation of Conservation October of Grotto Sites 1993Mogao Grottes Ancient Sites at Dunhuang on the Silk Road October 1993 The Getty Conservation Institute Conservation of Ancient Sites on the Silk Road Proceedings of an International Conference on the Conservation of Grotto Sites Conference organized by the Getty Conservation Institute, the Dunhuang Academy, and the Chinese National Institute of Cultural Property Mogao Grottoes, Dunhuang The People’s Republic of China 3–8 October 1993 Edited by Neville Agnew THE GETTY CONSERVATION INSTITUTE LOS ANGELES Cover: Four bodhisattvas (late style), Cave 328, Mogao grottoes at Dunhuang. Courtesy of the Dunhuang Academy. Photograph by Lois Conner. Dinah Berland, Managing Editor Po-Ming Lin, Kwo-Ling Chyi, and Charles Ridley, Translators of Chinese Texts Anita Keys, Production Coordinator Jeffrey Cohen, Series Designer Hespenheide Design, Book Designer Arizona Lithographers, Printer Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 © 1997 The J. Paul Getty Trust All rights reserved The Getty Conservation Institute, an operating program of the J. Paul Getty Trust, works internation- ally to further the appreciation and preservation of the world’s cultural heritage for the enrichment and use of present and future generations. The listing of product names and suppliers in this book is provided for information purposes only and is not intended as an endorsement by the Getty Conservation Institute. Library of Congress Cataloging-in-Publication Data Conservation of ancient sites on the Silk Road : proceedings of an international conference on the conservation of grotto sites / edited by Neville Agnew p.
    [Show full text]
  • Anne N. Feng Boston University, History of Art and Architecture 725 Commonwealth Avenue, Boston, MA 02215 [email protected]
    Anne N. Feng Boston University, History of Art and Architecture 725 Commonwealth Avenue, Boston, MA 02215 [email protected] EMPLOYMENT 2019 Boston University Assistant Professor of Chinese Art, History of Art & Architecture 2018 Harvard University Post-doctoral Fellow, East Asian Languages and Civilizations EDUCATION 2018 Ph.D. University of Chicago (Chicago, IL): Department of Art History Dissertation: Water, Ice, Lapis Lazuli: The Metamorphosis of Pure Land Art in Tang China Committee: Wu Hung (Chair), Paul Copp, Wei-cheng Lin, Niall Atkinson Qualifying Exams (2013): Wu Hung (Chair), Paul Copp, and Foong Ping Visiting Researcher (2014–15): Dunhuang Academy, Gansu, China 2010 B.A. (Hons). New York University: Art History, Honors Thesis Looking into King Yama’s Mirror -Ten Kings of Hell and Salvation for Southern Song Elite PUBLICATIONS 2021 “The Imprisoned Queen: Landscape Representation and Pure Land Art in Tang China”, Archives of Asian Art, forthcoming, Spring 2021. “Introduction to Transformation Tableaux”, in Dunhuang tuxiang daolun 敦煌图像导论 [Introduction to Dunhuang Imagery], edited volume by Sha Wutian, Institute for Advanced Studies in Humanities and Social Sciences, Shaanxi Normal University, Lanzhou: Gansu wenhua chu banshe, forthcoming. 2020 Review of BuYun Chen, Empire of Style: Silk and Fashion in Tang China. Seattle: Washington University Press, 2019, Studies in Late Antiquity: A Journal, Summer (2020): 236-239. “Chongdu dunhuang mogaoku 209ku shanshui yu weishengyuan tuxiang 重讀敦煌莫高窟 209 窟山 水與未生怨圖像.” [Rethinking Landscape Imagery and the Ajātaśatru Narrative in Mogao Cave 209]. In Sichou zhilu yanjiu jikan 絲綢之路研究集刊 [Journal of Silk Road Studies], 2020, forthcoming. “Luminescent Visions: Transparency and Transformation in Medieval China”, Art and Materiality volume by Center for the Art of East Asia and the Smart Museum of Art, University of Chicago, forthcoming.
    [Show full text]
  • September 12–24, 2016, on an Exploration of Some of China’S Most Ample Opportunity to Discover Each Region's Culinary Specialty
    TOUR COST TRAVEL IN CHINA * Rates are per person and do not include international air: The schedule will be demanding with moderate Main Tour, Adult, Double Occupancy $6,390 physical activity. Travel in China requires good physical condition and health (special needs Single Supplement $1,990 must be arranged for in advance and may result ABULOUS INING in additional costs), a spirit of adventure, a flexi- F D ICTURESQUE HINA ble attitude, and a sense of humor. The itinerary Chengde Pre-Extension $1,390 Single Supplement $ 395 P C PAID Savor China’s Exquisite Regional Cuisines Experience the Delights of a Well-Crafted Tour is subject to change and modification. Every effort will be made to carry out the program as Postage U.S. Huangshan Post-Extension $2,100 Single Supplement $ 795 CA Oakland, planned, but alterations may still occur. Partici- 379 No. Permit Yangzi River Post-Extension $2,165 Single Supplement $ 895 pants should be aware that no refunds will be Standard Presorted China today produces some of the finest made as a result of unforeseen changes, modifica- tions, or delays. Roundtrip International Air is available through Airtreks. For pricing, please contact Airtreks directly cuisine in the world. Given the country’s TERMS & CONDITIONS RESERVATIONS: Bookings are subject to the terms at 415-977-7136 or at [email protected]. stratospheric economic rise and the and conditions mentioned in these sections. A contract has been entered into as soon as your Private Airport Transfers upon arrival in Beijing and departure in Shanghai are recommended and emergence of a fun-loving middle class, booking is received and accepted.
    [Show full text]
  • The “Lyrical” Expression of History: the Relationship Between History and Lyricism in the Yangzhou Play “Long Canal Willow”
    The “Lyrical” Expression of History: The Relationship between History and Lyricism in the Yangzhou Play “Long Canal Willow” Zijun LIU Yangzhou Institute of Quyi Abstract: The lyric expression of history, both ancient and modern Chinese and foreign literary works have dabble in, but there is no unified theory, the author tries to introduce this concept, to the creation, performance play a certain role of inspiration. If history cannot be expressed in a lyrical way, then the temperature of history cannot be felt by ordinary people. The dissemination of historical ideas is finally rooted in the people's minds from the perspective of ordinary people. It is also a clever combination of art and history. Youyou Yunyun Willow is a representative work of Yangzhou Tanchi, which expresses the canal culture of Yangzhou. This paper will try to analyze the success of Youyou Yunyun Willow from the lyric expression of history. Keywords: History; Lyric expression; Tanci DOI:10.47297/ wsprolaadWSP2634-786503.20200104 angzhou Tanci, formerly known as Xianci, is a kind of play lyric song system based Yon Yangzhou dialect. It is mainly based on speaking and supplemented by playing and singing. The representative books include “Double Golden Ingots”, “Pearl Tower”, “Falling Gold Fan”, “Diao Liu’s”, etc. The Yangzhou Tanci and Yangzhou commentary are sister arts, formed in the late Ming Dynasty and flourished in the early Qing Dynasty, with a history of more than 400 years. It originated in Yangzhou and spread in Zhenjiang, Nanjing and the area around the Lixia River in central Jiangsu. “Long Canal Willow” is a representative work of Yangzhou Tanci, which expresses the culture of Yangzhou canal.
    [Show full text]
  • 3D Modeling and Animation Design of Flying Apsaras in Dunhuang Frescoes
    3D Modeling and Animation Design of Flying Apsaras in Dunhuang Frescoes Yang Cao ( [email protected] ) Nanjing Normal University - Xianlin Campus https://orcid.org/0000-0001-7202-6697 Yuanzheng Li Nanjing Normal University Qinyou zhou Nanjing Normal University Research Keywords: Dunhuang frescoes, Flying Apsaras, 3D modeling, Animation Posted Date: August 23rd, 2021 DOI: https://doi.org/10.21203/rs.3.rs-779096/v1 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License A Springer Nature 2021 LTEX template 3D Modeling and Animation Design of Flying Apsaras in Dunhuang Frescoes Yang Cao*, Yuan Zhengli and Qin Youzhou *School of Fine Arts, Nanjing Normal University, 1st Wenyuan Road, Nanjing, 210023, China. Contributing authors: kent [email protected]; Abstract With rich content and long history, flying Apsaras in Dunhuang frescoes is precious material for studying the artistic style and artistic mod- eling of ancient Chinese murals. This article aims to explore the 3D modeling and video animation design of flying Apsaras in Dunhuang fres- coes, which not only provides Dunhuang Museum with digital cultural heritage content and popular science materials, but also helps develop cultural heritage protection methods and encourages further explo- ration of Chinese historic art. Keywords: Dunhuang frescoes, Flying Apsaras, 3D modeling, Animation 1 Introduction 3D animation image is a special medium used by museums to record and dis- seminate history, which has irreplaceable value and significance for the digital protection of material cultural heritage. This article carries out the research on the artistic image of Dunhuang flying Apsaras, and uses 3D technology to interpret flying Apsaras dance with musical accompaniment.
    [Show full text]
  • Mogao Caves Mògāokū ​莫高窟
    ◀ Mobile Communications Comprehensive index starts in volume 5, page 2667. Mogao Caves Mògāokū ​莫高窟 The Mogao Caves, dug in sandstone cliffs to the Yuan dynasty (1279–1368). Dunhuang, an oasis in a outside Dunhuang from 366 ce to the Yuan desert where travelers along the Silk Roads stopped to rest dynasty (1279– 1368), contain more than two and resupply, served as a workshop where for more than thousand statues and more than 45,000 square a thousand years Chinese and central Asian arts mixed. Some of the most impressive creations in Chinese art his- meters of murals. Texts discovered in 1900 pro- tory, such as the mural depicting the Flying Apsara 飞天 vide a rare source for the study of Chinese reli- Musicians, were born in the caves. Of the more than two gion, literature, art, history, and daily life. thousand statues and more than 45,000 square meters of murals, most depict Buddhist history, legends, and ways of life as China interacted via the Silk Roads with cen- he Mogao Caves, 492 of which are preserved, tral Asia and beyond. Today Dunhuang is an important were dug in the sandstone cliffs outside the city of center for the study of Buddhism, Buddhist arts, and the Dunhuang 敦煌 in Gansu Province, from 366 ce Silk Roads. Thousand Buddha Cliff outside of Nanjing, Ji- angsu Province. This sacred place dates back to the fifth century, although many additions have been made over the centuries. Photo by Joan Lebold Cohen. 1506 T © 2009 by Berkshire Publishing Group LLC Mogao Caves n Mògāokū n 莫高窟 1507 Section of the Diamond Sutra scroll, one of the many ancient texts found at the Mogao caves.
    [Show full text]
  • Sustainable Tourism Development---How Sustainable Are China’S Cultural Heritage Sites
    SUSTAINABLE TOURISM DEVELOPMENT---HOW SUSTAINABLE ARE CHINA’S CULTURAL HERITAGE SITES Dan Liao Tourism & Hospitality Department, Kent State University, OH, 44240 E-mail: [email protected] Dr. Philip Wang Kent State University Abstract In many countries around the world, the UNESCO World Heritage sites are major tourist attractions. The purpose of this study is to examine the level of sustainability of 28 cultural heritage sites in the People’s Republic of China. An analysis of the official websites of the –28 heritage sites was conducted using five sustainable development criteria: authenticity, tourists’ understanding of cultural value, commercial development, cooperation with the tourism industry and the quality of life in the community. Results showed most of the tourism destinations did well in authenticity preservation, commercial development and in obtaining economic revenue. For sustainable management of the sites, it was recommended that more attention should be paid to tourists’ understanding, tourism stakeholders’ collaboration and the environment of the community. As such, a triangular relationship is formed with management authorities, commercial enterprises and the community. 1.0 Introduction The United Nations Educational, Scientific and Cultural Organization (UNESCO) has considered World Heritage Sites in order to safeguard unique and outstanding properties for humankind in three categories: cultural, natural and mixed. Of the 911 sites around the world, 40 are located in People’s Republic of China, including 28 cultural, 8 natural and 4 mixed sites (Unesco.org). Cultural heritage tourism is defined as “visits by persons from outside the host community motivated wholly or in part by interest in historical, artistic, scientific or life style /heritage offerings of a community, region, group or institution” (Silberberg, 1995, p.361).
    [Show full text]
  • Staging Dunhuang Mogao Caves: Treasures from Along the Silk Road
    University of Central Florida STARS Faculty Scholarship and Creative Works 9-23-2016 Staging Dunhuang Mogao Caves: Treasures from along the Silk Road Lanlan Kuang University of Central Florida, [email protected] Part of the Asian History Commons, Digital Humanities Commons, Historic Preservation and Conservation Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/ucfscholar University of Central Florida Libraries http://library.ucf.edu This Conference Presentation is brought to you for free and open access by STARS. It has been accepted for inclusion in Faculty Scholarship and Creative Works by an authorized administrator of STARS. For more information, please contact [email protected]. Original Citation Kuang, Lanlan (2016). Staging Dunhuang Mogao Caves: Treasures from along the Silk Road. CALA Southeast Chapter 2016 Fall Program, Orlando, FL, Sept. 23, 2016. Staging Dunhuang Mogao Caves: Treasures from Along the Silk Road Lanlan Kuang, PhD 鄺藍嵐 Distinguished Fellow, CEFLA, Ministry of Culture, P.R. China Assistant Professor, Department of Philosophy, University of Central Florida Co-Director, China-US Ethnic Culture Exchange and Joint-Research Initiative I Introduction II Heritage III Performance IV Fieldwork V Stagings http://virtuallabs.stanford.edu/silkroad/SilkRoad.html http://whc.unesco.org/en/wallmap/ （Interactive） Dunhuang Mogao Grottoes No. 156; Lower southern wall extending to the east wall Governor Zhang Yichao's Parade, Late Tang Dynasty (848-907) Cover Illustration, Dunhuang Performing Arts: The Construction and Transmission of “China-scape” in the Global Context by Lanlan Kuang, (Social Science Academic Press, March 2016), Image copyright granted by Dunhuang Academy II Heritage Avalokitesva ( Guan-yin), south wall Mogao Cave 57 (Tang 618-705AD) III Performance Flying Deity ( Apsara), west wall Mogao Cave 39 (Tang 618-705AD) The Long-Silk Dance Performed by Mei Lanfang in the dance program “The Heavenly Maid Scattering Blossoms”.
    [Show full text]
  • Download Press Dossier
    «MOUNTAIN IS A BUDDHA. BUDDHA IS A MOUNTAIN!» GE BIZHOU THE FILM The Giant Buddhas Documentary, Switzerland 2005 by Christian Frei 35mm, 1:1,85, Dolby Digital, 95 Min. 11 Sec. With Nelofer Pazira Writer and Journalist Xuanzang Master 602 - 664 AD Sayyed Mirza Hussain Cave Dweller in Bamiyan Taysir Alony TV-journalist «Al Jazeera» Zémaryalaï Tarzi Archaeologist Synopsis In march 2001, two huge Buddha statues were blown up in the remote area of Bamiyantal in Afghanistan. The dramatic event surrounding the ancient stone colossi - unique proof of a high culture that bloomed until the 13th century along the Silk Road – is the starting point for a cinematic essay on fanaticism and faith, terror and tolerance, ignorance and identity. Oscar nominated director Christian Frei‘s thought-provoking film journeys along a perimeter that both divides and unites people and cultures. 02 «I REACHED THE CONCLUSION THAT THE STATUE OF BUDDHA WAS NOT DEMOLISHED BY ANYBODY. IT CRUMBLED OUT OF SHAME. OUT OF SHAME FOR THE WORLD‘S IGNORANCE TOWARDS AFGHANISTAN.» MOHSEN MAKHMALBAF, IRANIAN FILMMAKER CONTENT 1 The Film Synopsis ................................................................................................................................ 02 Synopsis by Sean Farnel ..................................................................................................... 05 Statement from Christian Frei .......................................................................................... 06 2 Main Location Bamiyan – The valley of the giant Buddhas .................................................................
    [Show full text]
  • The VR Museum for Dunhuang Cultural Heritage Digitization Research1
    The VR Museum for Dunhuang Cultural Heritage Digitization Research1 Lijun Ma, Tsinghua University, China ​ ​ Xiaobo Lu, Tsinghua University, China Keywords: VR Museum, Dunhuang Mogao Caves, Cultural Heritage Digitization ​ Introduction Dunhuang Mogao Caves are one of the most best known Buddhist heritage sites in China, it’s famous for the mural and sculpture of Buddhist art spanning a period of 1,000 years. Along with Longmen Grottoes, Yungang Grottoes and Dazu Rock Carvings, it is the remains of ancient Chinese Buddhist culture.2 For decades, at the initiative of the Dunhuang Research Academy, researchers and scholars from all over the world have conducted a variety of practical research of digitization, exploration, and experimentation. The Theories and methods of digital protection of cultural heritage research project was conducted ​ ​ with the National Basic Research Program of the People's Republic of China, it was an Interdisciplinary research project for Dunhuang Mogao Caves. During the research process, the project team launched the digital modeling work based on SLAM technology, the mural color inversion research based on chemistry experiment, etc. This VR museum is a practice of how to build a research project into a cultural consumer experience product for the general public. Design goals A museum is a place for humans to Conserve collections, communicate information, encourage people thinking and educating each other. “Today, the museum in modern society has acquired a significantly broader public role than its early predecessors.”3 However, for this Dunhuang VR Museum, there is no real-world museum corresponding to it. It’s a virtual museum contains the digital copies of cultural heritage objects, record and reproduce the process of scientific research of this resources in an interactive way, and expect to spread and share these virtual exhibits more broadly though VR App stores on the Internet.
    [Show full text]
  • Reflection of Femininity in Tang Furniture: Chairs and Tables
    International Journal of Art and Art History December 2019, Vol. 7, No. 2, pp. 53-60 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v7n2p5 URL: https://doi.org/10.15640/ijaah.v7n2p5 Reflection of Femininity in Tang Furniture: Chairs and Tables Ladan Abouali1, Jianlin Ni2 & Jake Kaner3 Abstract This research reviews the Tang dynasty chairs and tables (structure and design patterns) used by Tang court women that are depicted in contemporary visual art of that time. With the help of surviving extant paintings, this topic covers the wooden chairs and tables designed for women, and examine how the pieces were used in daily life of Tang women. This topic is essential, as the so called „Golden age of China‟ the Tang dynasty, was one of the most significant periods in defining the hierarchy of women‟s social status. As Tang women became bolder members of society, in addition to the mat and low-level furniture, new forms of high-level chairs and tables were introduced for women that became important pieces raising the status in the lives of high-ranking women. These pieces became inseparable part of Chinese women since Tang dynasty. During Tangdynasty, this new piece of furniture structure was also a part of China‟s growth under this dynasty and was influenced by the forms found in skeletal architectural structures. The paintings selected for study in this research show high-ranking Tang women using their traditional furniture and the new types of high-level seats and tables mostly in palace gatherings.
    [Show full text]