Julee Cruise the Voice of Love

Total Page：16

File Type：pdf, Size：1020Kb

Julee Cruise The Voice of Love track listing: 1 This Is Our Night (4:07) 2 The Space for Love (3:24) 3 Movin’ in on You (4:04) 4 Friends for Life (4:44) 5 Up in Flames (4:40) 6 Kool Kat Walk (6:23) 7 Until the End of the World (5:33) 8 She Would Die for Love (6:07) 9 In My Other World (4:47) 10 Questions in a World of Blue (4:47) 11 The Voice of Love (3:14) key information / selling Points: Hometown / Key Markets: • New York, Los Angeles, San Francisco, Chicago, Austin Selling Points / Key Press: • Retail-exclusive red vinyl limited to 1000 units worldwide • Julee Cruise’s second album with David Lynch and An- gelo Badalamenti, now on vinyl for the first time • The final collaborative album by Cruise, Lynch, and Badala- 25 years after its initial release, Julee Cruise’s sophomore album The Voice of Love menti, recorded after Twin Peaks: Fire Walk With Me will be issued for the first time on vinyl August 17 via Sacred Bones Records, and • Cruise’s first LP Floating into the Night was recently named on CD for the first time since its initial pressing in 1993. It would mark the final among the 10 greatest dreampop albums of all time by full-length collaboration between Cruise, David Lynch, and Angelo Badala- Pitchfork menti. Related Catalog: In 1994, after the release ofTwin Peaks: Fire Walk With Me, Lynch, Badala- • SBR-3027 Julee Cruise Three Demos 12" menti, and Cruise returned to the studio with new compositions as well as the intent to craft previously instrumental score-based material from Fire Walk With RiYL: Twin Peaks, David Lynch, Angelo Badalamenti, Me and Wild at Heart into Julee Cruise songs. The result was 1993’s final studio This Mortal Coil, Cocteau Twins album The Voice of Love. “In the studio, David would always say ‘[sing] like an angel, like an angel…” Cruise remembers. In many ways, this quest for “angelic” catalog #: sbr-3026 cD was the seed that grew an entire genre out of the inability to utilize This Mortal genre: Dreampop/Alternative Coil’s “Song to the Siren” for Blue Velvet. It’s eerie to ponder what might not release Date: 8-17-2018 have been had the song actually been within reach for that film. Fitting that available formats: lP, cD all these years later, Twin Peaks concluded on a similar question followed by UPc-cD: 843563102749 2xlP Cruise’s performance of “The World Spins”: What happens if Laura Palmer was UPc-lP: 843563102725 never murdered? UPc-lP-c1: 843563102732 exPort restrictions: na only vinyl is not retUrnable reD vinyl 2xlP box lot: lP 18 / cD 30 label contact: Sacred Bones Records 144 N. 7th Street #413 Brooklyn, NY 11211 [email protected] www.sacredbonesrecords.com.

Copy Link

Recommended publications

Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay
[Show full text]
Until the End of the World Music Credits
(Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
[Show full text]
Pnsert Name Here Little to Prove, a Lot to Gain Supa DJ Dmitry Has Come a Long Way from Deee-Lite by a N N a K a P
PAGE 16 April 3, 2001 Erica Smith's idle banter Michelle Jabes 27 blooms in spring 26 Jamie Peck tries Adam Craigmiles 23 to Get Over It survives a hangover 27 pnsert name here Little to Prove, a Lot to Gain Supa DJ Dmitry Has Come a Long Way From Deee-Lite by a n n a k a P. l a n ANNA KAPLAN elcome back, dear Sitting outside the Retriever Retriever Weekly Editorial Staff readers. Did you office one day toward the end W miss your favorite of the week before break with Last Saturday's ArtGazm column over the last two Jenn, the editor in chief, who event featured DJ talent both weeks? Of course you did. was supposed to be one of local and international. The head Were you scared when HAL [INH] 's traveling companions, lining act was Supa DJ Dmitry, an 9000 conducted a temporary the two discussed alternate electronic music artist whose coup of it? Of course you were. plans. First, they thought of fame stems from the success of Well, it's all better now. HAL going to New York because, the pioneering dance group Deee has been unplugged, its beady well, it's New York and it's Lite. Now a solo artist, Dmitry is red eye is dull and dusty. And always fun. And [INH] has traveling the world promoting his [INH] · is back to entertain you family living there, so money new mix CD, Scream of once more with its pathetic could be saved on hotel bills. Consciousness, which was pleas for contest entries.
[Show full text]
Kappale Artisti
14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T.
[Show full text]
ROGÉRIO FERRARAZ O Cinema Limítrofe De David Lynch Programa
ROGÉRIO FERRARAZ O cinema limítrofe de David Lynch Programa de Estudos Pós-Graduados em Comunicação e Semiótica Pontifícia Universidade Católica de São Paulo (PUC/SP) São Paulo 2003 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO – PUC/SP Programa de Estudos Pós-Graduados em Comunicação e Semiótica O cinema limítrofe de David Lynch ROGÉRIO FERRARAZ Tese apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Doutor em Comunicação e Semiótica – Intersemiose na Literatura e nas Artes, sob a orientação da Profa. Dra. Lúcia Nagib São Paulo 2003 Banca Examinadora Dedicatória Às minhas avós Maria (em memória) e Adibe. Agradecimentos - À minha orientadora Profª Drª Lúcia Nagib, pelos ensinamentos, paciência e amizade; - Aos professores, funcionários e colegas do COS (PUC), especialmente aos amigos do Centro de Estudos de Cinema (CEC); - À CAPES, pelas bolsas de doutorado e doutorado sanduíche; - À University of California, Los Angeles (UCLA), por me receber como pesquisador visitante, especialmente ao Prof. Dr. Randal Johnson, supervisor de meus trabalhos no exterior, e aos professores, funcionários e colegas do Department of Spanish and Portuguese, do Department of Film, Television and Digital Media e do UCLA Film and Television Archives; - A David Lynch, pela entrevista concedida e pela simpatia com que me recebeu em sua casa; - Ao American Film Institute (AFI), pela atenção dos funcionários e por disponibilizar os arquivos sobre Lynch; - Aos meus amigos de ontem, hoje e sempre, em especial ao Marcus Bastos e à Maite Conde, pelas incontáveis discussões sobre cinema e sobre a obra de Lynch; - E, claro, a toda minha família, principalmente aos meus pais, Claudio e Laila, pelo amor, carinho, união e suporte – em todos os sentidos.
[Show full text]
03 Man-Of-La-Mancha
2017 2018 IN THIS ISSUE DECEMBER 2017 Title Page . 2 Cast . 3 Musical Numbers . 4 Letter from Artistic Director David Ivers . 5 Letter from Managing Director Billy Russo . 6 Director’s Note . 7 The Cast . 8 The Creative Team . 14 Executive Leadership . 19 About Arizona Theatre Company . 21 ATC Board of Trustees . 22 Donors . 23 ATC Staff . 30 Theater Information . 32 The Herberger Theater Center, Arizona Theatre Company’s home in downtown Phoenix. Cover art by: ESSER DESIGN 1 2017 2018 David Ivers Billy Russo Artistic Director Managing Director MAN OF LA MANCHA BY DALE WASSERMAN MUSIC BY MITCH LEIGH LYRICS BY JOE DARION ORIGINAL PRODUCTION STAGED BY ALBERT MARRE ORIGINALLY PRODUCED BY ALBERT W. SELDEN AND HAL JAMES David Bennett ........................................................ Director Kathryn Van Meter .............................................. Choreographer Tim Symons ................................................... Music Supervisor Greg Fulton ...................................... Associate Music Director, Arranger William Bloodgood ............................................. Scenic Designer Melanie Burgess .............................................. Costume Designer Mary Louise Geiger ............................................ .Lighting Designer Abe Jacob .................................................... Sound Designer Brian Jerome Peterson .................................... Resident Sound Designer William Kirkham ...................................... Associate Lighting Designer Geoff Josselson, CSA ................................................
[Show full text]
Angelo Badalamenti Soundtrack from Twin Peaks Mp3, Flac, Wma
Angelo Badalamenti Soundtrack From Twin Peaks mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz / Stage & Screen Album: Soundtrack From Twin Peaks Country: Ukraine Released: 1995 Style: Lounge, Post-Modern, Future Jazz, Soundtrack, Score, Post Bop MP3 version RAR size: 1262 mb FLAC version RAR size: 1477 mb WMA version RAR size: 1524 mb Rating: 4.6 Votes: 370 Other Formats: MP4 APE MP3 ASF VOX ADX FLAC Tracklist Hide Credits A1 Twin Peaks Theme A2 Laura Palmer's Theme A3 Audrey's Dance The Nightingale A4 Lyrics By – David LynchMixed By – Jay HealyVocals – Julee Cruise A5 Freshly Squeezed A6 The Bookhouse Boys Into The Night B1 Lyrics By – David LynchMixed By – Jay HealyVocals – Julee Cruise B2 Night Life In Twin Peaks B3 Dance Of The Dream Man B4 Love Theme From Twin Peaks Falling B5 Lyrics By – David LynchMixed By – Jay HealyVocals – Julee Cruise Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Inc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – Warner Bros. Records Inc. Copyright (c) – WEA International Inc. Copyright (c) – Lynch/Frost Productions Inc. Credits A&R [Coordination] – Kevin Laffey Art Direction, Design – Tom Recchion Composed By – Angelo Badalamenti Coordinator [Soundtrack Album Coordination By Agm Management] – Tony Meilandt Drums – Grady Tate Electric Guitar [Electric Guitars] – Eddie Dixon, Vinnie Bell Flute, Clarinet – Eddie Daniels Mastered By – Howie Weinberg Mixed By – Art Pohlemus* (tracks: A1 to A3, A5, A6, B2 to B4) Orchestrated By, Arranged By – Angelo Badalamenti Photography By – Craig Sjodin, David Lynch, Fredrik Nilsen, Kimberly Wright, Marc Sirinsky, Paula K. Shimatsu-U Producer – Angelo Badalamenti, David Lynch Recorded By – Art Pohlemus* Synthesizer – Kinny Landrum Synthesizer, Piano – Angelo Badalamenti Tenor Saxophone, Clarinet, Flute – Al Regni* Notes Trade mark and recording licensed to P.T.
[Show full text]
Šablona -- Závěrečná Práce
Ohebnost zvuku ve filmové tvorbě Davida Lynche Ann Kuznetzova Bakalářská práce 2020 ABSTRAKT Tato práce se zaměřuje na analýzu zvukové tvorby Davida Lynche, především filmové, na příkladu jeho audiovizuálních děl Mazací hlava, Příběh Alvina Straighta, Inland Empire a jejich srovnání. Zabývá se způsobem ztvárnění idejí a určením charakteru zvukové tvorby Davida Lynche. Hlavním cílem je zjistit, do jaké míry je podstatná a v čem spočívá její určující dominantní vlastnost – ohebnost, a také prozkoumat vliv jiných druhů umění, osob, prostředí a událostí, které tvůrce dovedly k vlastnímu uměleckému sebevyjádření prostřednictvím zvuku. Obsahuje také rozhovor se zvukovým inženýrem Johnem Neffem, který se podělil o svoji zkušenost ze spolupráce s Lynchem. Klíčová slova: David Lynch, filmový zvuk, filmová hudba, Mazací hlava, Příběh Alvina Straighta, Inland Empire, Angelo Badalamenti, Alan Splet, Dean Hurley, John Neff ABSTRACT This Bachelor thesis focuses on the soundtrack in the cinematography of David Lynch with its primary goal of analyzing and comparing films of his authorship, in particular Eraserhead, The Straight Story, and Inland Empire. This thesis examines David Lynch’s creative process and establish the essence of his sound design. The aim is to determine wherein lies – and how major of a role plays – the dominant characteristic of David Lynch’s work, its versatility, as well as to explore how the environment, society, and different fields of art influenced the filmmaker in his own artistic expression through the language of sound. To further help answering those questions, an interview with a sound engineer, John Neff, was conducted, in which he talked about his experience of collaborating with David Lynch on several projects.
[Show full text]
100 Years: a Century of Song 1990S
100 Years: A Century of Song 1990s Page 174 | 100 Years: A Century of song 1990 A Little Time Fantasy I Can’t Stand It The Beautiful South Black Box Twenty4Seven featuring Captain Hollywood All I Wanna Do is Fascinating Rhythm Make Love To You Bass-O-Matic I Don’t Know Anybody Else Heart Black Box Fog On The Tyne (Revisited) All Together Now Gazza & Lindisfarne I Still Haven’t Found The Farm What I’m Looking For Four Bacharach The Chimes Better The Devil And David Songs (EP) You Know Deacon Blue I Wish It Would Rain Down Kylie Minogue Phil Collins Get A Life Birdhouse In Your Soul Soul II Soul I’ll Be Loving You (Forever) They Might Be Giants New Kids On The Block Get Up (Before Black Velvet The Night Is Over) I’ll Be Your Baby Tonight Alannah Myles Technotronic featuring Robert Palmer & UB40 Ya Kid K Blue Savannah I’m Free Erasure Ghetto Heaven Soup Dragons The Family Stand featuring Junior Reid Blue Velvet Bobby Vinton Got To Get I’m Your Baby Tonight Rob ‘N’ Raz featuring Leila K Whitney Houston Close To You Maxi Priest Got To Have Your Love I’ve Been Thinking Mantronix featuring About You Could Have Told You So Wondress Londonbeat Halo James Groove Is In The Heart / Ice Ice Baby Cover Girl What Is Love Vanilla Ice New Kids On The Block Deee-Lite Infinity (1990’s Time Dirty Cash Groovy Train For The Guru) The Adventures Of Stevie V The Farm Guru Josh Do They Know Hangin’ Tough It Must Have Been Love It’s Christmas? New Kids On The Block Roxette Band Aid II Hanky Panky Itsy Bitsy Teeny Doin’ The Do Madonna Weeny Yellow Polka Betty Boo
[Show full text]
IN DREAMS: DAVID LYNCH REVISITED Owen Pallett, Sarah Blasko, Camille O’Sullivan + More Added to Line-Up
MEDIA RELEASE Monday 19 January 2015 Sydney Opera House presents AUSTRALIAN PREMIERE IN DREAMS: DAVID LYNCH REVISITED Owen Pallett, Sarah Blasko, Camille O’Sullivan + more added to line-up SATURDAY 14 MARCH, 2015 CONCERT HALL, SYDNEY OPERA HOUSE ‘Sound is almost a drug. It’s so pure that when it goes in your ears, it instantly does something to you.’ DAVID LYNCH Following on from its critically acclaimed sell-out debut at the Barbican Centre in London, In Dreams: David Lynch Revisited makes its Australian Premiere at the Sydney Opera House this March. Delving deep into the musical mind behind Twin Peaks, Mulholland Drive, Blue Velvet and Eraserhead, a rotating cast of international and local musicians will deliver a live homage to the legendary filmmaker's iconic soundtracks and songs for film and television. In what will be his only Sydney performance, Polaris Prize-winning composer, violinist, keyboardist and vocalist Owen Pallett will make his welcome return to the Opera House stage, along with Australia’s own Sarah Blasko, Kirin J Callinan and renowned harpist Marshall McGuire. They join the existing line-up of Mick Harvey (ex Bad Seeds), Sophia Brous (Brous), New York City based Cibo Matto and Irish chanteuse Camille O’Sullivan. Accompanying each vocalist throughout the evening will be a full band featuring acclaimed In Dreams musical director and musician David Coulter. Ever since the dream-like synths of Angelo Baladamenti drew millions to tune in and wonder 'who killed Laura Palmer?', the Lynchian shorthand has seeped into pop culture ephemera as the filmmaker's iconic versions of chart classics (Roy Orbison, David Bowie, Chris Isaak) and the sublime tones of Julee Cruise have taken a life of their own.
[Show full text]
Biog Short for Website
Morgan Fisher - Short Biography Born in London, England, 1st. January 1950. 1968-72 Played Hammond organ with The Love Affair (#1 hit “Everlasting Love”). 1973-77 Created electronic music for London’s Institute of Contemporary Art. Played keyboards with Mott the Hoople, who were produced by David Bowie. 1978-80 Curated “Miniatures” (an album of 51 one-minute tracks by Robert Wyatt, Robert Fripp, Michael Nyman, members of The Pretenders, XTC, The Penguin Cafe Orchestra, The Damned, etc). Recorded ambient album “Slow Music” with sax supremo Lol Coxhill. Recorded two art-punk albums as Hybrid Kids. Recordings and gigs with with Wayne County, Neil Innes, John Otway, Mike Harrison, Slaughter & The Dogs, Hanoi Rocks. 1982 Played keyboards on Queen’s tour of Europe. 1983-84 Sabbatical: lived in India, Belgium, USA. 1985 to now: The Japanese Years Moved to Tokyo. Recorded ambient albums, including “Echoes of Lennon” with guest Yoko Ono, and “Relax” with guest Sizzle Ohtaka. Featured performer in the main pavilion at Expo 90 (Osaka). Played with Japanese bands Dip in the Pool, The Boom, Heat Wave and Okinawan singer Kina Shoukichi. Performed with Jane Siberry, Robyn Hitchcock, members of REM, Hans Roedelius (joint album with the latter). Performed music from “Twin Peaks” with Haruomi Hosono of YMO and Julee Cruise. Created sound tracks for anime films, and TV ad themes for Amex, Benz, BMW, Honda, JAL, JR, Kao, Microsoft, Nikon, Nissan, NTT, Parco, Sony, Shiseido, etc. Created music for the Matsuda/Nicole fashion companies. Produced “Moth Poet Hotel”, a Japanese Mott the Hoople tribute album which included The Yellow Monkey, Heat Wave, Miyazawa Kazufumi (The Boom), Brian May (Queen).
[Show full text]
City to Study Feasibility of Legal Safe Injection Facilities
VOL. 7 NO. 5 SOMERVILLE, MASS. WEDNESDAY, JANUARY 30, 2019 TWENTY-FIVE CENTS Inside: City to study feasibility of legal safe injection facilities By Jim Clark An order was put forward at the latest regular meeting of the Somerville Board of Aldermen requesting that that the Director of Health and Human Services report to the Board on the feasibility of situating a safe injection facility in Somerville. Safe injection facilities are legally sanctioned, medically supervised facilities designed to pro- Another term vide a hygienic and stress-free environment in for Ryan which individuals are able to consume illicit rec- page 5 reational drugs intravenously and reduce nui- sance from public drug use. They are part of a harm reduction approach towards drug problems. The facilities provide sterile injection equipment, information about drugs and basic health care, treatment referrals, and access to medical staff. Some offer coun- So-called safe injection facilities offer drug users the ability to take advantage of a clean, medically super- vised environment, thus eliminating many risks while additionally offering support for getting clean. seling, hygienic and other Continued on page 4 Chili Cook-off for a good cause By Jackson Ellison Chefs all over Massachusetts came together Air quality under on Thursday, January 24, at the Holiday Inn scrutiny Boston-Bunker Hill to compete in the Fifth page 9 Annual Chili Cook-off presented by Respond Inc. The goal of the cook-off was to help raise money for Respond’s mission of putting an end to domestic violence. The chili cook-off had four different awards: best classic, best vegetarian, most creative, and audience favorite.
[Show full text]