DOCSLIB.ORG

Children and Child * Supplied by BUS Are the Best That

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Children and Child * Supplied by BUS Are the Best That DOCUMENT RESUME ED 1?"/ 217 SO 009 270 AUTHOR Faxon, Pookie, Comp.; 1olint, Mary, Comp. TETIE Films by and/or about Women,' 1972: Directory of Filmmakers, Films, and Distributors; Internationally; Past agd Present.- . INSTITUTION ' Wdmen's BiStory Research Center, Inc., Berkeley, Calif. , PUB .DATE' Oct 72 NOTE 77p. if AVAILABLE FROM Women's Histoiy Research Center, 2325 OakStreet, Berkeley, California 94708 ($5.00, $3.00 for .individual women) - a EDRS-PRICE MF-$0.83 Plus Postage. BC Not kiailable frok EDRS. DESCRIPTORS Biographies; Birth Rate; Child Care; *Directories; Documentaries;,*FeMales; *Films; Fine Arts; Marriage; *Resource Guides`; Hex Disctiminatj.on; Sex ,Stereotypes; Sexuality; Single Concept Films; Social Problems; *Womens Studieg; Working Women v IDENTIFIERS *Filmmakers ABSTRACT s . This dire&tory listp & variety of films. about women. Reflective of the content, the directory is divided into categories: animated; anthropoldgy, ethnology, sociology, and science,; birth and control of birth; careers and jobAiscrimination;.children andchild care; documentaries;16xperiiental, avant-garde, and classics; male-female,relations and marriage; feMale portraits and biographies; performing art's; sensuality- and sexuality; social protest; and Third World. Filmmakers included both women and men. In addition to other' "films, slide showsrand videotapes are presented. Each entry provifts title, time length, film type, color or black/white, price, date, producer, source and a ,short annotation written by the filmmaker. Also included are an indei of the films by'female filmmakers and, lists of film distributors and their addresses, films in progress, films without complete information, ind last minute additions. (ND) f. , ,*********************************************************************** * Documents acquired by ERIC include many informalunpublished, * materials not available -'from other sources.ERIC.,pakes every effort * * to obtain the best copy available. Nevertheless, items ofmarginal * * 'reproducibility are often encountered and this affectsthe quality * * of the microfiche and hardcopyreproductioni ERIC makes available .*. * via the ERIC Document Reprod ction Strvice (EDRS) . EDRSis not * responsible for the quality oI the original document. Reproductions * * supplied by BUS are the best that can be made from theorigin'al. ,* , ************************4*****%***********4**************************4* - 4 ) FILMS BY AND/OR ABOUT U S DEPARTMTV OFHEALTH EDUCATION MINELFARE NATIONAL INSTITUTE OF PERMISSION TO RE PRODUCE THIS EDUCATION' COPYRIGHTED MATERIAL BY MICRO THIS DOCUMENT HASPEEN REAR° FICm ONLY HAS PTL N GRANT OuCE0 ExAcTL y ASRECEIVED, FROM WOMEN ORGAN,24/TION'OR,GIN THE PERSON OR OR CrP,NQNS AT1NG IT RO,NTS.OF EVY REPRE A TIONS OPERA/ STATED DO NOT NECESSARILY TO ERIC AND OPG ,NST,T,J,E OF I NC, UNDER AGREEMEN TS WITH T.HE NA SENT OFF C,AL NATIONAL EDUCATION POSITION OPPOI.Av TIONAL T (LICE OF EDUCATION uR INEW°REPRODUC TION OUTSIDE Alf F RIC SYSTEM REQUIRES PERM'S 1972 SION OF THE COPYRIGHT OWNER Directory of Filmitakers, Films, and Distributors nternation411y, Paq and,Present Copyright 1972 Women'a History ResearCh Center,Inc. 2325 Oak Street, Beesley,CA. 94708 DEDICATED TO ALL WOMEN LAUGHED AT FOR DREAMING 1T-TECHNICOLOR About This Fild Directory: s'\ This is the second in a series of film directories fofwhich we need your-sideas, time, material. office supplies and any fund'srou can spare. These donations in the ave helped -4 us to read about firms. track them down, talk totheitilmmakersand sometimes een the films. They also l'ave helped and will helpinthe organization of matemfallsent to us,. as' 0 weld as. the printing, publicity and distribution costs. We are especially griteful fOr the devci- 1. tioh of the FRIENDS Of THE WOMEN'S HISTORY LIBRARY in seeing us through this-p-ro4ect. Our leads to these films came,frpm many differe'nt soucces- letters from individual people, film buffs' patient anoRers to questioes4 film distributors' cataltgs, and film magazines; Out mostly the tireless efforts of the Women'i Periodical Department of the Women's History y I -1 ',ibra'ry: oho clipped every mehtion of, a film anyone wasthinkingof doing, 'ad in progress, I or was ,s-howing for their group in the past four years, The next stp was the arduous task of tracking down the omplete Informati6n, something notalways positble..The funds 'k for the Periodical and other departments. and the periodicals themselves, are donated . , .. hy the thousands of members of the Library internationally. wr . We hope any readers*new to the Library will write us what t4k, think about fills and what' they know about films in progress. We don't charge anyone we are listing herein for the Publicity of their films, because we are providIng a service to both the people who want to she. films for their classes or groups, and also to the people who care about the recording of our history. "bur history has been stolen from us".. asa Poster on our r say ;, so we want to document it.as completely as possible 6 4. a; About the Women's History Library: To be as complete as posstble means we need Your continued support for this and other' directories that the,Library produced, such as those of- tapes, research projects, women's periodicals, female artists and bibliographies ind'course outlines.Those projects seeking funds are on children, Black women, rape, lbOrtion, and music (listings of poetry, books,, clippings, periodicals, tape etc). The Women's periodicals are availab 11 3 1 bn microfilm from 841 S Howell, and the Library has also produced a newsletter (1969), a Synopy1s of Women in World History, "and the Women's Songbook. Send a donation and a'\ ./ busi/fess-sized,stamped, self - addressed envelope, for our latest price list .and micro- filMipg sews. l/. We believve that Herstory,- OURS - is especially important t be captured visually an , 4 . / films as well as on the tapes we did for the Songbook, Acause U ESCO says that over 70Z of the world's ncin-literatd people are women. We need to communicat to each other as raptilly, accurately and fully as possible in order to.change the conditions of our lives. We are proud Old delAghted_ to find, in lookipg over the'contents of these films, that their enormo/us variety proves what we knew all along: there is nothing that women aren't involved in, historically or cross - culturally. This isovisible both,in.the Ulms about , . women by Womiii, men and organizations, and also in the myriad interests of the female ,filmmakers themselves. 4 The Women's History Research Center is particulary grateful to those of its Library , staff wofking directly in .the film projectr Anne Bishop, Chrkistine Cunningham, Hope Friedman, Janet Kahn, Labra King, Carolyn Pang; and4so Kelley Camp, Sharon HileMan: and Carol Rank of the Women's Periodicals Deparqment, who clipped the leads which Helen Dutton, Esther Gabriel, ;fee Sen Lee and Laura X organized and distributed. The Centex is indebted to Dan Bickley and the staff of the University of California 0 Extension Media Center in Berkeley for endless research and production aid. Laura S Berkeley, California Director, . October 1, 1972 Women's History Library 0 Also dedicated to Julie and Terry who live movies; to Linda and Ken who are too overworked to go to movies anymore: and tq Laura Murra who writes"filmically" about women land ***0 Second Printing, May 1973 "" Organized by Pooki ;!axon and Mary Bolint. Pilo Sources Many Mks rpvailble from seoondarY distributors nationwlde. You might check with'local media resources first (universitios,librariss, filmalistrkbutors in the phone book) before you write to the source listed here. Me hope you will milkean effort to pationize pro rowan resources. Imerican Documentary Films is now defunct. Most of n their films can be orderid,trom Impact or New Day (seeIndex, p.49). Those films indicated m by (vi are currintlm available from the Extension Media Center, Berkeley. Comments, criti cism, and additional informationwauld be appreciated by the Library. 111 TABLE OF CONTEli HOW TO u51 "Acifc,oRf . .The Frms ,11. sources. 1) Films by women on any.subject , am . , 2) Films by.-en or orga';1'zati.:..s which 10:strace something a women's group h.as wanted.tot communicile about wo-en, 3) Films ,by.men about' .3, 4.irticular woman or-women's event. The Films are listedi topically becaUse th.dtis the way people have been asking us for the information over the past four years. Films by women are indexed by filmmaken.becauce of their herstorical iinortance. Slide shows or video tapes -dare included in the directory and its addendas. The descript)ons of the,films are written by the filmmaker-or diste4uter, with,some exceptions. .. DIRECTORY OF FILMS -BY CATEGORY (COMPLETE INFORMATION ON FILMS)' . Animated Antnropology, Ethnology, So/foloqi.;, 5.clence pp 3 5 Birth and Control oC Birth - -a ,0/ pp.6 - 7 Careers and Job Discrimination pp 7 - 8 Children and Child Care pp 9,"- 10 Documemtaries' , pp 10- 12 Experimental, Avant Garde, Classics pp 13 - 21 Male Female, Marriage pp ,22 .. 24 c.,..4 Female.Portraits - Biographies pp 24 - 31. Female Liberation Movement . ph 32 - 35. 0 Mile Portraits - Biographies pp 36 - 37 Performing Arts . pp 37 - 39 Sensuality - Sexuality .- .. pp 39 - 40 Social Protest it"41 / Third World pp 41- 44 0 INDEX OF FILMS BY FEMALE FILMMAKERS pp 45- 48 INDEX bF FILMS BY DISTRIBUTORS pp49- 52 FOR FURTHER INTEREST p 53 Films in Progress . Films Without Complete.Information. pp 53 - 57, Filmmakers Without Complete'Information pp 58 - A8 Last MinOte Additions -this includes films. pp 69 - 71 filmmakers, periodicals, and all other chance information that came up at Ihe last minute. J - . s. Animated ff's1 featie.rkts A(9 ird). If It Is 1 ird Title The AmrritColossal an 114:m , ,Sgund 1'1'617,11 c.r.'1, minutes ---Imm.' c-O-1-or 14entel $8 14964 Fil raker! raticlla Par.s10g Filmmaker: Yvonne Andersen Industrial rent-r Source.
Load more

Recommended publications
  • The Films of John Korty, Feb 24—26
    MEDIA ALERT BAMcinématek presents Fog City Maverick: The Films of John Korty, Feb 24—26 Korty in person! Co-presented by Cinema Conservancy “A man of taste, intelligence, and high aspirations who refuses to make conventional films.”—The New York Times The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Jan 21, 2015—From Tuesday, February 24 through Thursday, February 26, BAMcinématek presents Fog City Maverick: The Films of John Korty, a three-day tribute to one of American independent cinema’s most distinctive, unsung voices. The Oscar- and Emmy-winning San Francisco director/animator has quietly carved out a one-of-a-kind career over the past five decades. Praised by Pauline Kael as one of the most “gifted, intelligent men outside the industry… attempting to make inexpensive feature-films as honestly and independently as they can,” Korty has forgone mainstream Hollywood ambitions despite his early Bay Area associations with George Lucas and Francis Ford Coppola. Instead he chose to pursue uncompromisingly original, refreshingly offbeat indie projects across narrative, documentary, animation, and television that reflect his boundless visual imagination and humanistic outlook. Opening the series on Tuesday, February 24 is an exceedingly rare 35mm screening of the eye- popping cult animation masterpiece Twice Upon A Time (1983), barely seen on the big screen in New York since its tragically limited original release. Other highlights include Funnyman (1967— Feb 25), a stop-motion animation/live-action hybrid featuring legendary San Francisco comedy troupe the Committee; Korty’s feature debut The Crazy-Quilt (1966—Feb 25), part of the 1979 New York Film Festival’s seminal American Independents survey alongside classics The Cool World, Badlands, Sweet Sweetback’s Badasssss Song, and Northern Lights; and Korty’s Academy Award-winning documentary, Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977—Feb 26).
    [Show full text]
  • New Yarns and Funny Jokes
    f IMfWtMTYLIBRARY^)Of AUKJUNIA h SAMMMO ^^F -J) NEW YARNS AND COMPRISING ORIGINAL AND SELECTED MERIGAN * HUMOR WITH MANY LAUGHABLE ILLUSTRATIONS. Copyright, 1890, by EXCELSIOR PUBLISHING HOUSE. NEW YORK* EXCELSIOR PUBLISHING HOUSB, 29 & 3 1 Beekman Street EXCELSIOR PUBLISHING HOUSE, 29 &. 31 Beekman Street, New York, N. Y. PAYNE'S BUSINESS EDUCATOR AN- ED cyclopedia of the Knowl* edge necessary to the Conduct of Business, AMONG THE CONTENTS ARE: An Epitome of the Laws of the various States of the Union, alphabet- ically arranged for ready reference ; Model Business Letters and Answers ; in Lessons Penmanship ; Interest Tables ; Rules of Order for Deliberative As- semblies and Debating Societies Tables of Weights and Measures, Stand- ard and the Metric System ; lessons in Typewriting; Legal Forms for all Instruments used in Ordinary Business, such as Leases, Assignments, Contracts, etc., etc.; Dictionary of Mercantile Terms; Interest Laws of the United States; Official, Military, Scholastic, Naval, and Professional Titles used in U. S.; How to Measure Land ; in Yalue of Foreign Gold and Silver Coins the United states ; Educational Statistics of the World ; List of Abbreviations ; and Italian and Phrases Latin, French, Spanish, Words -, Rules of Punctuation ; Marks of Accent; Dictionary of Synonyms; Copyright Law of the United States, etc., etc., MAKING IN ALL THE MOST COMPLETE SELF-EDUCATOR PUBLISHED, CONTAINING 600 PAGES, BOUND IN EXTRA CLOTH. PRICE $2.00. N.B.- LIBERAL TERMS TO AGENTS ON THIS WORK. The above Book sent postpaid on receipt of price. Yar]Qs Jokes. ' ' A Natural Mistake. Well, Jim was champion quoit-thrower in them days, He's dead now, poor fellow, but Jim was a boss on throwing quoits.
    [Show full text]
  • Mommie Dearest
    lopsided shape of the picture. It's so bulky Film and ravenous that it may have elbowed charcters out of the script and shouldered a dozen scenes out of the final cut. It's the kind of performance to which an actress's Mommie ego is obviously committed, where she puts everything she has on the line and dares the critics to hate her. The least you can say of Dearest Dunaway is that she totally inhabits the character. Her eyes appear unfocused and psychotic even in the rare moments when the character is in repose. As for "doing" Crawford, I found her expressions and mannerisms more arresting than the "un- canny" physical resemblance I was led to expect. Both actresses were endowed with Hal Crowther great cheekbones, but that's the extent of it. Drawing hr Gregory Vigrass Miss Dunaway is a beautiful woman and Beaten black and blue by her mother for dropping, no glamorous walk-ons, no Miss Crawford was a beautiful woman, but storing an expensive dress on a wire hanger, gratuitous Filmland lore. With the necessary when you put Crawford's makeup on the nine-year-old blond moppet surveys the exception of Louis B. Mayer—done to a Dunaway you've combined two beauties to wreckage of her beautiful room left in turn by Howard Da Silva—there's no create one hag. Dunaway has seldom looked Mommie's wake and voices the only possible attempt to cash in on any film legend besides less attractive. reaction: "Jesus Christ!" Miss Crawford's. For all the acting, the energy, and the The line was a calculated (and success- What he gives us is such a tight, narrow internal integrity of Dunaway's big scenes— ful) audience-pleaser, but it just about sums focus on Crawford and her daughter that the and "big" has an extended, Gotter- up my critical response to Mommie Dearest.
    [Show full text]
  • Yun Mi Hwang Phd Thesis
    SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • British & Irish Film Season
    08-09 City Open Air Cinema with Orange Abécédaire des couples et duos au cinéma Votez Cinéma ! British & Irish Film Season Août-Septembre 2017 Informations pratiques 3 Sommaire Tableau synoptique 4 Cinéma 17, place du Théâtre Abonnement gratuit L-2613 Luxembourg au programme mensuel City Open Air Cinema with Orange 8 Tél. : 4796 2644 Abécédaire des couples et duos 18 Tickets online [email protected] Votez Cinéma ! 46 sur www.cinematheque.lu www.luxembourg-ticket.lu British & Irish Film Season 2017 52 Korean Film Festival Brussels 54 Plant, Pick & Eat It 56 L’affiche du mois 59 Bd. Royal R. Willy Goergen R. des Bains Côte d’Eich R. Beaumont Baeckerei R. du Fossé R. Aldringen R. R. des Capucins des R. Av. de la Porte-Neuve la de Av. Grand-Rue Bd. Royal Bd. Salle de la Cinémathèque Accès par bus : Glossaire P Parking Place du Théâtre Lignes 9, 10, 11, 12, 14, 19, 20 vo version originale non sous-titrée vostf version originale sous-titrée en français Arrêt : Badanstalt (rue des Bains) vostang version originale sous-titrée en anglais Place d’Arme R. du Curé vostf+all version originale sous-titrée Caisse Vente des billets ½ heure Administration / en français et en allemand vf version française avant les séances Archives / Bibliothèque vl version luxembourgeoise 10, rue Eugène Ruppert La Cinémathèque de la Ville de Luxembourg est un € musée du cinéma ayant pour mission la préservation vofr version originale française Plein Tarif Billet : 3,70 vall version allemande L-2453 Luxembourg et valorisation du patrimoine cinématographique inter- Carnet 10 billets : 25,00 € vostall version originale sous-titrée en allemand R.
    [Show full text]
  • D2492609215cd311123628ab69
    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
    [Show full text]
  • Writers Professional Materials
    Writers Professional Working Materials INTRODUCTION Writers professional working materials and the tools of the trade – they are considered the sales tools for a writer’s work. These will be the most utilised materials when trying to establish yourself as a scriptwriter as either writer-for-hire work or when pitching your own original idea. No Producer or Production Company (locally or internationally) will ever read a script, treatment, logline or synopsis – unless a pre-existing relationship is in place – unsolicited. This means writers first need to be invited to send through materials in the manner that best suits that Producer or Production Companies. This helps to protect copyright or a copyright claim for both parties. It is also important to note that in international territories only Agents are able to introduce writers to Producers and Production Companies. Below each header you will find links to helpful sites and further information. As a screenwriter your job is to write, research, write, learn, write, and adapt. Google is your friend and before you ask Facebook for the answer, ask Google! Or check out the NZWG website for information on knowing your rights, contracting, useful facts and upcoming events. Before going any further, the below link is a must read for newcomers and is aimed at people applying for early development funding. It’s put together by Screen Australia, and is a very basic ‘How To Guide’ for feature filmmakers on application materials included in their application process – logline, synopsis & treatment. https://www.screenaustralia.gov.au/getmedia/ae5708a4-05d9-4db0-b5fb-4f999fdfed57/What-is-a- synopsis.pdf Below are all the materials broken into parts, starting with how to format your works.
    [Show full text]
  • Die Flexible Welt Der Simpsons
    BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ...................................................................................................
    [Show full text]
  • Christopher Plummer
    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • Track 1 Juke Box Jury
    CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper
    [Show full text]