Europacorp Joins ANEW, Nippon Television and Depth of Field to Finance and Produce ‘Shield of Straw’
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Annual Results FY 2019/2020
Annual results FY 2019/2020 Operating margin rate at 31%, increasing significantly compared with previous fiscal years Continued decrease in overheads : new drop of €14 M compared with 2018/2019 overheads, which were already €7 M lower than the previous fiscal year Net result of €(95) M, mainly due to non-recurring items linked to the restructuring : exceptional result of €(64) M including €(60) M with no cash impact Finalization of the financial restructuring with the completion after closing of the share capital increases reserved for the Vine and Falcon funds for €193 M Saint-Denis, 29 July 2020 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, reports its annual consolidated income, which ended on 31 March 2020, as approved by the Board of Directors at its meeting on 28 July 2020. Presentation IFRS 5* Profit & Loss – € million 31 March 2019 31 March 2020 Var. 31 March 2019 31 March 2020 Var. Revenue 150,0 69,8 -80,2 148,7 69,8 -78,9 Cost of sales -121,6 -48,3 73,3 -121,4 -48,3 73,1 Operating margin 28,4 21,4 -6,9 27,3 21,4 -5,8 % of revenue 19% 31% 18% 31% Operating income -79,0 -59,1 19,9 -71,2 -59,1 12,1 % of revenue -53% -85% -48% -85% 0 Net Income -109,9 -95,1 14,8 -109,9 -95,1 14,8 % of revenue -73% -136% -74% -136% * To be compliant with IFRS 5, the activity related to the exploitation of the catalog Roissy Films, sold in March 2019, has been restated within the consolidated FY 2018/19 for a better comparison. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
IMMORTEL by Franz‐Olivier GIESBERT (75%) Published by Editions FLAMMARION ©2007 (37.5%)
Europacorp presents JEAN RENO KAD MERAD MARINA FOÏS JEAN‐PIERRE DARROUSSIN 22 BULLETS A FILM BY RICHARD BERRY Based on the novel L’IMMORTEL by Franz‐Olivier GIESBERT (75%) Published by Editions FLAMMARION ©2007 (37.5%) FRENCH NATIONAL RELEASE MARCH 24, 2010 Runtime: 115' DISTRIBUTION: PRESS: Europacorp Distribution AS COMMUNICATION 137, rue du Faubourg St‐Honoré Alexandra Schamis/Sandra 75008 Paris Naomi Kato Tel: +33 (0)1 53 83 03 03 11 bis rue Magellan – 75008 Paris Fax: +33 (0)1 53 83 02 04 Tel: +33 (0)1 47 23 00 02 www.europacorp.com [email protected] SYNOPSIS Charly Matteï has turned his back on his life as an outlaw. For the last three years, he's led a peaceful life devoting himself to his wife and two children. Then, one winter morning, he's left for dead in the parking garage in Marseille's Old Port, with 22 bullets in his body. Against all the odds, he doesn't die... This film is a work of fiction inspired by real‐life events in the world of the Marseille mafia. INTERVIEW WITH RICHARD BERRY What made you want to adapt Franz‐Olivier Giesbert's book? In the same way that comedy is an incredible vehicle for certain ideas, thrillers can also give you pause to reflect on certain issues. In the story of a guy, who was allegedly a mafia godfather in Marseille, who was left for dead in 1977 in a parking lot in Cassis, but who survived the shooting earning himself the nickname "The Immortal", I saw an incredibly strong subject and an amazing adventure. -
Thomas Vinterberg Film
LUC BESSON PRESENTS MATTHIAS LÉA COLIN SCHOENAERTS SEYDOUX FIRTH A THOMAS VINTERBERG FILM COMING SOON SYNOPSIS Kursk is inspired by the unforgettable true story of the K-141 Kursk, a Russian flagship nuclear-powered submarine that sank to the bottom of the Barents Sea in August 2000. As 23 sailors fought for survival aboard the disabled sub, their families desperately battled bureaucratic obstacles and impossible odds to find answers and save them. 2 THE KURSK TRAGEDY On August 10, 2000, Kursk — a submarine twice the size of a jumbo jet and longer than two football fields, the “unsinkable” pride of the Russian Navy’s Northern Fleet — embarked upon a naval exercise. It was their first exercise in a decade and the maneuvers entailed 30 ships and three submarines. Two days later, two internal explosions, powerful enough to register on seismographs as far away as Alaska, sent the ship to the bottom of the Arctic waters of the Barents Sea. At least 23 of the 118 sailors aboard survived the explosions. Over the next nine days, the entire world was on tenterhooks, as rescue operations faltered and foreign assistance was refused. The fate of the men aboard hung in the balance. Journalist Robert Moore’s book A Time to Die: The Untold Story of the Kursk Tragedy scrupulously dissects all the forensic evidence and every agonizing moment on the final hours in the lives of those doomed sailors. 3 PRODUCTION NOTES FROM BOOK TO SCREEN recalls. “But one thing that stayed with me, from the what happened. They all died. So we surrounded news coverage, was the tapping. -
Transporter 5 Refuled Download Torrent
transporter 5 refuled download torrent The Transporter The Series Ita Torrent ##HOT## The Transporter The Series Ita Torrent transporter series, transporter series movie, transporter series movie list, transporter series cast, transporter series download, transporter series season 1, transporter series season 2, transporter series season 3, transporter series imdb, transporter series download in hindi, transporter series list, transporter series netflix. DOWNLOAD. Действия. Mar 23, 2016 — The Transporter Refueled 2015 Hindi Dubbed Full Movie. Download . Mar 12, 2015 Torrent Download The Transporter III [(2008) Ita Eng . Download . Transporter: The Series tv series with direct download links for free on.. The Italian Job: Directed by F. Gary Gray. With Mark Wahlberg, Charlize Theron, Donald Sutherland, Jason Statham. After being betrayed and left for dead in . The Enterprise is ordered to undergo a series of tests that will propel the ship at unfathomable speed. Watch Lonely Among Us. Episode 6 of Season 1.. Download Transporter The Series Season COMPLETE p x PAHE torrent for . Transporter Refueled. test . ru Eng test . ru Ita. size 55 kb | SRT subtitles size kb . Dec 27, 2017 — Download the Transporter 1-3 2002-2008 DVDRip Torrent or choose other Transporter 1-3 . Seeds:1 Leech:1 707.62 Mb Transporter 3 (2008) iTALiAN LD DVDRip XviD . Psig transporter the series s01e01 brrip xvid avi.. Kara must baby-sit Cat's son on the same day National City is rocked by a series of bombings needing Supergirl's attention. James's ex comes to town. Transporter Frank Martin, surfaces in Miami, Florida and is implicated in the . SERIES TRADEMARK: When discovered at Frank's place, Tarconi uses the same . -
Patrick Durand Production Designer
PATRICK DURAND PRODUCTION DESIGNER FEATURES: COURTED Albertine Productions Prod: Sidse Babett Knudsen, Fabrice Luchini Dir: Christian Vincent ANGÉLIQUE AJOZ Films Prod: Nora Arzeneder, Gérard Lanvin Dir: Ariel Zeitoun Tomer Sisley LOVE PUNCH Radar Films, SMD Prod: Celia Imrie, Louise Bourgoin, Dir: Joël Hopkins Laurent Laffite HAUTE CUISINE Vendôme Productions Prod: Etienne Comar, Philippe Rousselet Dir: Christian Vincent COLOMBIANA Europacorp Prod: Luc Besson, Ariel Zeitoun Dir: Olivier Mégaton MENSCH ARP Sélection Prod: Steve Suissa Dir: Steve Suissa INCOGNITO Same Player Prod: François Cornuau, Vincent Roget Dir: Eric Lavaine TRANSPORTER 3 EuropaCorp Prod: Luc Besson. Steven Chasman Dir: Olivier Mégatron WITH A LITTLE HELP ARP Sélection Prod: Laurent Pétin, Michèle Pétin Dir: Eric Lavaine FROM MYSELF CE SOIR JE DORS CHEZ TOI Alter Films Prod: Cyril Colbeau-Justin, Dir: Oliver Baroux Jean-Baptiste Dupont POLTERGAY Same Player Prod: Fabio Conversi, François Cornuau Dir: Eric Lavaine Vincent Roget FOUR STARS Fidélité Films Prod: Oliver Delbosc, Marc Missonnier Dir: Christian Vincent I SAW BEN BARKER Maïa Films Prod: Gilles Sandoz Dir: Serge Le Peron GET KILLED LE PASSENGER Diaphana Productions Prod: Michel Saint-Jean Dir: Eric Caravaca INGUÉLÉZY Les Films en Hiver Prod: Sébastien Labadie, Franck Landron Dir: François Dupeyron LOVELY RITA Ouille Productions Prod: Christian Clavier Dir: Stéphane Clavier MONSIEUR N Loma Nascha Prod: Pierre Kubelm, Marie-Castille Mention Dir: Antoine de Caunes THE OFFICER'S WARD ARP Sélection Prod: Laurent -
The Lady DP Complet VA Sept 20
EuropaCorp presents MICHELLE YEOH DAVID THEWLIS THE LADY DIRECTED BY LUC BESSON Runtime: 127 minutes Release date France: 30 november 2011 DISTRIBUTION PRESS (International) EuropaCorp Distribution Michèle Abitbol-Lasry 137, rue du Fbg Saint Honoré - 75008 Paris Séverine Lajarrige Tel.: +33 (0)1 53 83 03 03 184, Bd. Haussmann – 75008 Paris www.europacorp.com Tel.: +33 (0)1 45 62 45 62 [email protected] [email protected] © EuropaCorp - Left Bank Pictures - France 2 Cinéma “Suu Kyi's struggle is one of the most extraordinary examples of civil courage in Asia in recent decades.” The Norwegian Nobel Committee (1991) “In physical stature she is petite and elegant, but in moral stature she is a giant. Big men are scared of her. Armed to the teeth and they still run scared.” - Desmond Tutu “She is a hero of mine and a source of inspiration.” Barack Obama “Aung San Suu Kyi is an inspiration for all of us who believe in freedom of speech, democracy and human rights.”- David Cameron “Your determination and courage continue to inspire friends of freedom around the world” - Bill Clinton “She’s my hero” - Bono Synopsis THE LADY is the extraordinary story of Aung San Suu Kyi and her husband, Michael Aris. It is also the epic story of the peaceful quest of the woman who is at the core of Burma’s democracy movement. Despite distance, long separations, and a dangerously hostile regime, their love endures until the very end. A story of devotion and human understanding set against a backdrop of political turmoil that continues today. -
Charity and Compassion in Luc Besson's Space Operas The
religions Article Love Thy Extra-Terrestrial Neighbour: Charity and Compassion in Luc Besson’s Space Operas The Fifth Element (1997) and Valerian and the City of a Thousand Planets (2017) Sylvie Magerstädt School of Humanities, University of Hertfordshire, Hatfield, Herts AL10 9EU, UK; [email protected] Received: 13 August 2018; Accepted: 20 September 2018; Published: 27 September 2018 Abstract: The role of romantic love in cinema–and its redeeming aspects–has been extensively explored in film studies and beyond. However, non-romantic aspects of love, especially love for the neighbour, have not yet received as much attention. This is particularly true when looking at mainstream science fiction cinema. This is surprising as the interstellar outlook of many of these films and consequently the interaction with a whole range of new ‘neighbours’ raises an entirely new set of challenges. In this article, the author explores these issues with regard to Luc Besson’s science fiction spectacles The Fifth Element (1997) and Valerian and the City of a Thousand Planets (2017). Both films have divided fans and critics and it is indeed easy to dismiss them as mere spectacle with little depth or message, as many reviewers have done. Yet, as this article demonstrates, beneath their shiny, colourful surface, both films make a distinct contribution to the theme of neighbourly love. What is more, Besson’s films often seem to develop a close link between more common notions of romantic love and agapic forms of love and thus offer a perspective of exploring our relationship to the alien as our neighbour. -
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Ground Breaking with Luc Besson at Europa-Park
Ground Breaking with Luc Besson at Europa-Park The secret has finally been revealed! Just as the most successful summer season in its history draws to a close, Europa-Park has announced the launch of a new major project: “Arthur and the Invisibles” will be moving into Germany’s largest theme park! Europa-Park is breaking new ground! The construction site for the largest and most elaborate indoor attraction in the theme park’s history was recently opened with a symbolic ground-breaking ceremony. The French star director Luc Besson, known for his movie projects such as “The Big Blue”, “Léon: The Professional”, and “The Fifth Element”, traveled from Paris especially to begin the construction work with the Mack family. The French film production company EuropaCorp began working with Europa-Park as early as March last year. EuropaCorp and Luc Besson are both delighted about the joint project, which will open in 2014. With this concept, Europa-Park is following an international trend for large theme parks to enter into long-term partnerships with companies from the film industry. For instance, in 2010, Universal Orlando Resort enjoyed phenomenal success with the opening of its themed area “The Wizarding World of Harry Potter”, and the hype surrounding Harry Potter helped Universal achieve a record year. Renowned trade publications consider this kind of partnership to be the recipe for success in the future. This partnership is not least with regards to the rapidly growing French market. During the 2012 season, the greatest growth within one visitor group was experienced among visitors from France. -
Nathaniel Méchaly
NATHANIEL MÉCHALY AWARDS ASIAN FILM AWARDS 2014 THE GRANDMASTER Best Composer *shared ASIA-PACIFIC FILM FESTIVAL THE GRANDMASTER NOMINATION 2013 Best Music *shared BMI FILM & TV AWARD 2013 TAKEN 2 Film Music BMI FILM & TV AWARD 2009 TAKEN Film Music FEATURE FILM TAKEN 3 Luc Besson, prod. Canal+ / 20 th Century Fox Olivier Megaton, dir. Composer LA VIE PURE Jeremy Banster, Olicier Compere, prods. Cantina Studio Jeremy Banster, dir. Composer GET WELL SOON Louis Becker, prod. Canal+ Jean Becker, dir. Composer ANGELIQUE Ariel Zeitoun, dir. Europa Corp. Composer THE GRANDMASTER Jacky Pang Yee Wah, Kar Wai Wong, prods. Block 2 Pictures / Annapurna Pictures Kar Wai Wong, dir. Composer / Cello / Orchestrator LE NOIR VOUS VA SI BIEN Jacques Bral, dir. Thunder Films International Composer / Music Editor TAKEN 2 Luc Besson, prod. EuropaCorp / 20 th Century Fox Olivier Megaton, dir. Composer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NATHANIEL MÉCHALY LES PAPAS DU DIMANCHE Louis Becker, dir. Canal+ Composer COLOMBIANA Luc Besson, Pierre-Ange Le Pogam, prods. EuropaCorp / Tri Star Pictures Olivier Megaton, dir. Composer FINAL BALANCE Alain Benguigui, Jean-Jacques Neira, Hubert Sombrero Films Toint, prods. Composer Pierre Lacan, dir. JOSEPH ET LA FILLE Pierre Forette, Christine Gozlan, Thierry Thelma Films Wong, prods. Composer / Orchestrator Xavier De Choudens, dir. LE MAC Thomas Langmann, prod. Canal+ Pascal Bourdinaux, dir. Composer A SPOT OF BOTHER Yves Marmion, prod. UGC Alfred Lot, dir. Composer THE ASSASSIN NEXT DOOR Ehud Bleiberg, Edouard Douek, prods. Bleiberg Entertainment Danny Lerner, dir. Composer EYES WIDE OPEN Isabelle Attal, David C. Barrot, Michael Israel Film Fund Eckelt, Rafael Katz, prods.