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Ex-Spouse Reveals Cracks in Military's Response to Domestic Abuse
OLYMPICS: Big debut on deck for skateboarding Page 48 MOVIES Summer preview: GAMES: Biomutant has After a year at home, combat flaws Page 27 the big screen is back Pages 15-19 MUSIC: Olivia Rodrigo’s Gen Z pop perfection Page 30 stripes.com Volume 80 Edition 30 ©SS 2021 FRIDAY,MAY 28, 2021 $1.00 Tough battle ahead Afghan forces hurt by low morale, corruption BY KATHY GANNON Associated Press KABUL, Afghanistan — Abdullah Mo- hammadi lost his two legs and an arm below the elbow in a ferocious battle with the Tali- ban. As a young Afghan soldier, he had been eager to fight for his country, but now he’s furious at a government he says ignores him and hasn’t paid his veteran’s pension for nearly a year. Afghanistan’s National Defense and Se- curity Forces, meant to be the bulwark against advancing Taliban insurgents, are rife with corruption, demoralized and struggling to keep territory. The govern- ment says the army can hold its own, but SEE BATTLE ON PAGE 4 RELATED Taliban warn US against RAHMAT GUL/AP setting up bases in region Afghan army veteran Abdullah Mohammadi gives an interview to The Associated Press at his home on the outskirts of Kabul, Afghanistan, on May 5. Once eager to fight for his country, Mohammadi is now furious at his government. Page 5 Ex-spouse reveals cracks in military’s response to domestic abuse incidents BY SARAH CAMMARATA are isolated and unaware of resources cuss how her husband spoke down to ing on domestic violence in the military Stars and Stripes available to them. -
Screendollars About Films, the Film Industry No
For Exhibitors September 21, 2020 Screendollars About Films, the Film Industry No. 135 Newsletter and Cinema Advertising We celebrate the remarkable career of actress Frances McDormand, who has delighted audiences for 35 years with her portrayals of strong-willed and colorful heroines. Her debut to feature film was in 1984 in Blood Simple, directed by brothers Joel and Ethan Coen. Joel and Frances met in 1983 during her audition for the film, became a couple and married the next year. McDormand also starred in the Coen Brothers’ comedies Raising Arizona (1987) and Fargo (1996), in which she played a very pregnant detective, Marge Gunderson, with an unforgettable Norwegian-American accent. McDormand has earned critical acclaim throughout her long and prolific career for her performances in film and television and on stage. In fact, she is one of only 24 actors to have won Academy, Emmy and Tony Blood Simple Awards, a feat known as the Triple Crown of Acting. Her most recent role is in Chole Zhao’s Nomadland, about a (1984) woman in her 60’s who sets off in a van to wander through the American West, a modern-day nomad. The film and McDormand’s performance have emerged as darlings of the 2020 International Film Festival circuit. Nomadland is being distributed by Searchlight Pictures and opens in theatres nationwide on 12/2. “I'm a character actress, plain and simple...Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.” – Frances McDormand Three Billboards -
Recent Australian Publications
Recent Australian Publications October 2020 – Dewey Re-use of these records by re-publication is not permitted. Go to Dewey Number • 000 - Computers, information, & general • 700 - Arts & recreation works o 750 - Painting • 100 - Philosophy & psychology o 780 - Music • 200 - Religion • • 300 - Social Sciences 800 - Literature A820 - Australian literature o 320 - Political science o A821 - Australian poetry o 330 - Economics o A822 - Australian drama o 340 - Law o A823 - Australian fiction o 370 - Education o • • 400 - Language 900 - History & Geography • 500 - Science o 910 - Geography and travel • 600 - Technology o 994 - History of Australia o 610 - Medicine & Health o 630 - Agriculture Dewey: 000 Computers, information, & general works 001.942 23 UFO secrets. Volume two.Collector's edition.3 DVD-videos (approximately 540 min.) : sound, colour ; 12 cm. AN: 68090233 AU@ eng rda AU@ contributed cataloguing Audience: Rated: PG. Extraterrestrial beings.Human-alien encounters.Unidentified flying objects. History (Television network), broadcaster. 002.075 23 Booksellers (Documentary film : 2019)The booksellers.1 DVD-video (99 minutes) : sound, colour ; 12 cm. AN: 68072622 NJB eng NJB rda contributed cataloguing trove.nla.gov.au Audience: Censorship classification : G. Book collecting New York (State)Book collectors New York (State)Booksellers and bookselling New York (State) Young, D. W., film director, film producer, editor of moving image work.Mizrachy, Judith, film producer.Wechsler, Dan, film producer.Posey, Parker, 1968-, film producer.Lebowitz, Fran, on-screen participant.Orlean, Susan, on-screen participant.Talese, Gay, on-screen participant. 002.075 23 The booksellers.1 DVD-video (approximately 99 minutes) : sound, colour ; 12 cm. AN: 68067972 TEFMT eng rda TEFMT TEF OCLCF X#4 GL4 MCT OCO JQM OCL IEB CLE INO contributed cataloguing Audience: Censorship classification : G. -
Frankenstein: 1818, the Classic by Mary W
Frankenstein: 1818, The Classic By Mary W. Shelley PDF : Frankenstein: 1818, The Classic By Mary W. Shelley Doc : Frankenstein: 1818, The Classic By Mary W. Shelley ePub : Frankenstein: 1818, The Classic By Mary W. Shelley If you are searching for a book by Mary W. Shelley Frankenstein: 1818, The Classic in pdf format, in that case you come on to the right website. We presented the full variation of this ebook in txt, PDF, doc, ePub, DjVu forms. You may reading by Mary W. Shelley online Frankenstein: 1818, The Classic or downloading. Withal, on our site you may reading instructions and diverse artistic eBooks online, either downloading them. We like draw on your consideration what our site does not store the eBook itself, but we grant url to the website whereat you may download or reading online. If have must to downloading Frankenstein: 1818, The Classic pdf by Mary W. Shelley , in that case you come on to the right site. We have Frankenstein: 1818, The Classic PDF, doc, ePub, DjVu, txt forms. We will be happy if you go back to us afresh. Frankenstein: 1818, The Classic: Mary W. Shelley: 9781484011775 Frankenstein: 1818, The Classic [Mary W. Shelley] on Amazon.com. *FREE* shipping on qualifying offers. Frankenstein, Or The Modern Prometheus Victor [PDF]Book Frankenstein The 1818 Classic The Trilogy PDF We have made it easy for you to download Frankenstein The 1818 Classic The Trilogy PDF Ebooks without any digging. And by having access The 100 best novels: No 8 – Frankenstein by Mary Shelley (1818 The 100 best novels: No 8 – Frankenstein by Mary Shelley (1818) for the creation of the gothic and romantic classic called Frankenstein, the Frankenstein (Collins Classics) - Mary Shelley - E-book In the most famous gothic horror story ever told, Shelley confronts the limitations of science, the nature of human cruelty and the pathway to forgiveness.'The Oxford World's Classics: Frankenstein : 1818 Text by Mary Shelley Find great deals for Oxford World's Classics: Frankenstein : 1818 Text by Mary Shelley (2009, Paperback). -
DISNEYLAND Grand Opening on 7/17/1955 the Happiest Place on Earth Wasn't Anything of the Sort for 13 Months of Pandemic Closure
Monday, July 19, 2021 | No. 177 Film Flashback…DISNEYLAND Grand Opening on 7/17/1955 The Happiest Place on Earth wasn't anything of the sort for 13 months of pandemic closure. But, happily, Disneyland began coming back to life in late April and by June 15 wasn't facing any capacity restrictions. Now it's celebrating the 66th anniversary of its Grand Opening July 17, 1955. To help finance Disneyland's construction in Anaheim, Calif., which began July 16, 1954, Walt Disney struck a deal with the then fledgling ABC-TV Network to produce the legendary DISNEYLAND series. For helping Walt raise the $17M he needed -- about $135M today -- ABC also got the right to broadcast the opening day events. Originally, July 17 was just an International Press Preview and July 18 was to be the official launch. But July 17's been remembered over the years as the Big Day thanks to ABC's live coverage -- despite things not having gone well with the show hosted by Walt's Hollywood pals Art Linkletter, Bob Cummings & Ronald Reagan. Live TV was in its infancy then and the miles of camera cables it used had people tripping all over the park. In Frontierland, a camera caught Cummings kissing a dancer. Walt was reading a plaque in Tomorrowland on camera when a technician started talking to him, causing Walt to stop and start again from the beginning. Over in Fantasyland, Linkletter sent the coverage back to Cummings on a pirate ship, but Bob wasn't ready, so he sent it right back to Art, who no longer had his microphone. -
Jacobs Foundation Handbook African Educational Theories and Practices
A. Bame Nsamenang and Therese M.S. Tchombe Handbook of African Educational Theories and Practices A Generative Teacher Education Curriculum HUMAN DEVELOPMENT RESSOURCE CENTRE (H.D.R.C.) RESEARCH - SERVICE - CONSULTANCY Recognized under Law NO. 90/053 of December 19, 1990 by Prefectorial Decision NO. E29/1111/Vol.6/386/67/APP of July 12 1995 Presses universitaires d’Afrique HANDBOOK OF AFRICAN EDUCATIONAL THEORIES AND PRACTICES: A GENERATIVE TEACHER EDUCATION CURRICULUM A. Bame Nsamenang AND Therese M.S. Tchombe © 2011 by Human Development Resource Centre (HDRC) P.O. Box 270, Bamenda, North West Region (Cameroon) Tel : 00 (237) 70 87 94 94 Web : www.thehdrc.org A. Bame Nsamenang and Therese M. S. Tchombe ISBN : 978-9956-444-64-2 Editors A. Bame Nsamenang and Therese M.S. Tchombe HANDBOOK OF AFRICAN EDUCATIONAL THEORIES AND PRACTICES: A GENERATIVE TEACHER EDUCATION CURRICULUM To the African Teacher Educator and her/his Students, especially to Joseph M. Kasayira, a co-author whose death was announced as we went to press. «Politicians build edifices; teachers mould minds» Bernard N. Fonlon CONTENTS Dedication ................................................................................................... v Contents ..................................................................................................... ix About the Editors ..................................................................................... xiii Contributors ............................................................................................. xix Foreword -
Público Externo
ARTÍCULOS EL SILENCIO DEL MONSTRUO. IMÁGENES ESPECTRALES EN EL CINE DE TERROR AMERICANO DE COMIENZOS DEL SONORO Silence of the Monster. Ghostly Images in American Horror Film at the Beginning of Sound ROBERTO CUETOa Universidad Carlos III de Madrid RESUMEN Drácula y El doctor Frankenstein inauguraron en 1931 la producción de cine de terror en el cine sonoro al presentar a dos de los iconos por excelencia del género. Sin embargo, al ser películas producidas en el período de transición del cine mudo al sonoro, hacen gala de una característica especial que las diferencia notablemente de la posterior producción terrorífica de Hollywood: la presentación de la monstruosidad sin el recurso de la música extradiegética, lo que genera en la narración un efecto de «agujero» de silencio. En posteriores producciones de cine de terror se intentará paliar estos lapsos de silencio con el empleo de la música extradiegética o ciertos efec- tos de sonido, lo que parece indicar que, para la norma del cine clásico americano, eran defectos que debían ser corregidos. El siguiente ensayo tiene como objeto subrayar cómo esa llamativa presencia del silencio confiere a la representación de la monstruosidad cierta cualidad de «imá- genes espectrales» o «cuerpos siniestros» que el cine de Hollywood prefirió evitar. Por otra parte, se analizará también por qué fue tan importante para el cine clásico americano el empleo de la música extradiegética, ya que cumplía una serie de funciones necesarias para sus estrate- gias narrativas: una mayor implicación del espectador, una adscripción a los códigos del género terrorífico y un efecto de «tridimensionalidad» aplicado a las imágenes bidimensionales. -
Sommario Rassegna Stampa
Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica Web Goldworld.it 18/05/2021 EFFETTO VR 3 Rubrica Cinema 1 Corriere della Sera 19/05/2021 E A VENEZIA SI LITIGA SUI PALAZZI STORICI (G.Stella) 5 39 Corriere della Sera 19/05/2021 LA CORSA DI AMAZON, ADESSO VUOLE MGM IL LEONE DI 8 HOLLYWOOD (C.De Cesare) 49 Corriere della Sera 19/05/2021 IL DECLINO DI D'ANNUNZIO (V.Cappelli) 9 21 Il Messaggero 19/05/2021 CASTELLITTO, "D'ANNUNZIO, UN GENIO DA RIABILITARE" (G.Satta) 11 27 Il Sole 24 Ore 19/05/2021 AMAZON, 9 MILIARDI PER GLI STUDIOS MGM (M.Valsania) 13 23 La Repubblica 19/05/2021 AMAZON TRATTA PER COMPRARE I FILM DELLA MGM 14 33 La Repubblica 19/05/2021 Int. a S.Castellitto: SERGIO CASTELLITTO "IL VATE COME PASOLINI 15 RESE IL SUO CORPO POESIA" (A.Finos) 25 La Stampa 19/05/2021 IL CINEMA ADDOSSO DENTRO UN FILM IN REALTA' VIRTUALE 17 UN'AVVENTURA SATURA DI FISICITA' (E.Loewenthal) 1 La Stampa 19/05/2021 UN ESSERE SPECIALE (M.Venegoni) 19 74/77 Panorama 19/05/2021 NON CI SONO PIU' LE PRINCIPESSE (M.Baroli) 23 25 QN- Giorno/Carlino/Nazione 19/05/2021 DOC SU ZANARDI ARRIVA AL CINEMA 27 25 QN- Giorno/Carlino/Nazione 19/05/2021 EMMA STONE VERSIONE CRUDELIA SCARLETT E ANGELINA 28 SUPEREROINE Rubrica Audiovisivo & Multimedia 19 Avvenire 19/05/2021 CON IL 2% EX FININVEST IN MEDIOBANCA UNICREDIT AVVIA LA 29 "FASE TRE" DEL RISIKO (A.Giacobino) 25 Il Messaggero 19/05/2021 ASCOLTI 30 8 Il Sole 24 Ore 19/05/2021 INNOVAZIONE E SOSTENIBILITA', UN MADE IN ITALY POCO NOTO 31 (N.Picchio) 10 Il Sole 24 Ore 19/05/2021 RAI: 8 GIUGNO L'ASSEMBLEA -
Our Coalition
Our Coalition CreativeFuture is a coalition made up of more than 490 companies and organizations – encompassing film, television, music, and book publishing – that promotes the value of creativity, expanded digital access to legitimate content, and the fundamental right of creators to determine how their works are distributed. 1 .Film 34 Association of Talent Agents 2 1812 Productions 35 Atlantic Picture Company Ltd. 3 1821 Media 36 Atlas Entertainment 4 21st Century Fox 37 Atlas Independent 5 3 Legged Dog 38 Avary 6 3ality Technica 39 Avenue Pictures 7 3ants Development and Strategies 40 Barnstorm Films 8 Acting Out Management 41 Base FX 9 Alamo Drafthouse Cinema 42 Beautimus LLC 10 Alchemy 43 Belga Films 11 Alcon Entertainment 44 Bender/Spink 12 Aldamisa International 45 Beverly Nero Productions, LLC 13 Alfa Films s.a. 46 Big Door 14 Alfred Haber Inc. 47 Big Time PR & Marketing 15 Amarte 48 Biometric Technology International Inc. 16 AMBI Distribution 49 Black Label Media 17 Ambramorama 50 Blue Galaxy Films 18 AMC Networks 51 Blue Jay Way Productions 19 AMC Theatres 52 Bluegrass Films 20 American Cinematheque 53 Bluewater Ranch Entertainment 21 American Collegiate Adventures 54 Blumhouse 22 American Film Institute 55 Bohemia Group 23 American Photographic Artists (APA) 56 Bold Films American Society of Media 24 57 Bona Fide Productions Photographers (ASMP) 58 Bragtag Child Care Foundation 25 Anchor Bay 59 Brainstorm Media 26 Annapurna Pictures 60 Brandium LLC 27 Arclight Films International British Academy of Film and 61 28 Arise Pictures Television Arts Los Angeles 29 Arrow Entertainment International 62 Broken Road Productions 30 Art House Convergence 63 Brooks Institute 31 Artist View Entertainment 64 Bruce Cohen Productions 32 Arts and Letters Entertainment 65 Buddha Jones 33 Aspire Talent Management 66 C2M 2.15.17 1 67 California Pictures 106 Crystal Sky 68 Campus MovieFest 107 Crystalis Entertainment UG Canadian Media Production 69 108 Cultural Weekly Association 109 Curtis Brown, Ltd. -
Video 108 Media Corp 9 Story A&E Networks A24 All Channel Films
Video 108 Media Corp 9 Story A&E Networks A24 All Channel Films Alliance Entertainment American Cinema Inspires American Public Television Ammo Content Astrolab Motion Bayview Entertainment BBC Bell Marker Bennett-Watt Entertainment BidSlate Bleecker Street Media Blue Fox Entertainment Blue Ridge Holdings Blue Socks Media BluEvo Bold and the Beautiful Brain Power Studio Breaking Glass BroadGreen Caracol CBC Cheng Cheng Films Christiano Film Group Cinedigm Cinedigm Canada Cinema Libre Studio CJ Entertainment Collective Eye Films Comedy Dynamics Content Media Corp Culver Digital Distribution DBM Films Deep C Digital DHX Media (Cookie Jar) Digital Media Rights Dino Lingo Disney Studios Distrib Films US Dreamscape Media Echelon Studios Eco Dox Education 2000 Electric Entertainment Engine 15 eOne Films Canada Epic Pictures Epoch Entertainment Equator Creative Media Everyday ASL Productions Fashion News World Inc Film Buff Film Chest Film Ideas Film Movement Film UA Group FilmRise Filmworks Entertainment First Run Features Fit for Life Freestyle Digital Media Gaiam Giant Interactive Global Genesis Group Global Media Globe Edutainment GoDigital Inc. Good Deed Entertainment GPC Films Grasshopper Films Gravitas Ventures Green Apple Green Planet Films Growing Minds Gunpowder & Sky Distribution HG Distribution Icarus Films IMUSTI INC Inception Media Group Indie Rights Indigenius Intelecom Janson Media Juice International KDMG Kew Media Group KimStim Kino Lorber Kinonation Koan Inc. Language Tree Legend Films Lego Leomark Studios Level 33 Entertainment -
Nosferatu. Revista De Cine (Donostia Kultura)
Nosferatu. Revista de cine (Donostia Kultura) Título: LA CIENCIA-FICCIÓN EN ESPAÑA: EL SER QUE (CASI) NUNCA EXISTIÓ Autor/es: Ramón Freixas, Joan Bassa Citar como: Ramón Freixas, JB. (2001). LA CIENCIA-FICCIÓN EN ESPAÑA: EL SER QUE (CASI) NUNCA EXISTIÓ. Nosferatu. Revista de cine. (34). Documento descargado de: http://hdl.handle.net/10251/41204 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: . , El caballero del dragón a CIHDCII·... ICCIOD en s ana El ser que (cru~ nunca existió E.spuiniako :::,[nemuk ez c/u geltiegi jormtu :::Jmt :ifik:úoore/1 ;éneroa. Yahi::. I'ÜI Segundo de Cfwnu)n oit;:.indoriak z:enboit smó egin zitue11. fspuimún bumtakojeneroarenJiLnwk. gehiago ::or ::.ai:::,kio zenhuit :uzendaárm saio pl!rtsouulun' ::ient::Jfik:::.ioruk.o hcz:::.tegi cgokiu enúitzeari boino. Ramón !remas / Joan Bassa NOSFERATU 34-3SIB····· l. También los enanos empeza fermedades "incurables" como el otros géneros, del horror al poli ron de pequeños cáncer, países cuya infraestructu ciaco, sin salir, por desgracia en ra industrial, perfectamente lubri demasiadas (y ametrallables) oca cada, se transmite hasta al mundo siones, del contorno infantil (a los cinematográfico, admitan el privi niños se les suele considerar adul mpecemos por el princi legio de soñar con más avances, tos con coeficiente mental inferior pio. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright There’s a Problem with the Connection: American Eccentricity and Existential Anxiety Kim Wilkins 305165062 A thesis submitted in fulfilment of the degree of Doctor of Philosophy. University of Sydney. 1 I hereby declare that, except where indicated in the notes, this thesis contains only my own original work. As I have stated throughout this work, some sections of this thesis have been published previously. A version of Chapter Two features in Peter Kunze’s collection The Films of Wes Anderson: Critical Essays on an Indiewood Icon, published by Palgrave Macmillan in 2014, and Chapter Three was published under the title ‘The sounds of silence: hyper-dialogue and American Eccentricity’ as an article in New Review of Film and Television Studies no.