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Screendollars About Films, the Film Industry No
For Exhibitors October 26, 2020 Screendollars About Films, the Film Industry No. 140 Newsletter and Cinema Advertising In 1926, Warner Bros. Pictures, then a small, struggling studio, began a partnership with the Vitaphone Corporation to use its sound-on-disc technology to produce films with synchronized playback of sound with visual images. WB made a series of one-reel sound short films to demonstrate (Click to Play) the technology, playing them before other features. Audiences responded so enthusiastically that Warner Bros. was convinced to bet big on talking motion pictures as the next big thing in movies. Their first feature-length film to use the Vitaphone system was The Jazz Singer, which premiered at Warners’ Theatre in New York on October 6, 1928. It starred Al Jolson, a famous singer and Broadway star of the day. The film included two short scenes in which Jolson’s spoken word was synchronized to the picture, delivering life-like dialog in real-time that thrilled movie goers, comparable to the most immersive, multi-sensory special effects in today’s cinema. By 1929, only TWO “Wait a minute, wait a YEARS after The Jazz Singer, Hollywood studios produced 335 all-dialogue features, as silent films receded minute. You ain’t into the history of the rapidly changing industry. heard nothin’ yet.” (Click to Play) Weekend Box Office Results (10/23-25) With Comments by Paul Dergarabedian, Comscore Per Theatre Rank Title Week Theatres Wknd $ Total $ Average $ 1 Honest Thief (Open Road) 3 2,502 2,350,000 939 7,476,274 2 The War with Grandpa (101 Studios) 3 2,345 1,882,672 803 9,719,719 3 Tenet (Warner Bros.) 8 1,801 1,300,000 722 52,500,000 4 The Empty Man (20th Century) 1 2,027 1,265,000 624 1,265,000 5 The Nightmare Before Christmas (Disney) 2 1,614 577,000 357 1,900,000 6 Hocus Pocus (Disney) 4 1,277 530,000 415 4,372,000 7 Monsters, Inc. -
CE2018 Schedule of Events.Indd
SCHEDULE OF EVENTS OFFICIAL CORPORATE SPONSOR 11-14 JUNE 2018 • BARCELONA WELCOME TO CINEEUROPE This is your official schedule of events for CineEurope 2018. NOTE: The schedule of events no longer grants access to events. The Access Pass replaces the passport and must be shown to gain entry to CineEurope events. Lost or stolen Access Passes will not be replaced and are non-transferable. IMPORTANT NOTICE FOR TICKETED DELEGATES Security continues to be a major initiative at all CineEurope screenings. In order to maintain and protect the integrity of all films and product reels screened, we kindly advise that the use of mobile phones or any other kind of photo or video recording equipment is strictly prohibited in the Auditorium. To further protect product being shown we will also have security personnel at each event utilizing night-vision goggles. Anyone caught using any type of recording device will have their Access Pass confiscated and will be escorted out of the Auditorium. Due to increased security at all screenings, large bags are subject to search upon arrival at the theatre. We ask that none of the films screened or product featured are reviewed or commented on—regardless of good or bad. Please note, this includes speaking to members of the press, personal and professional blogs, social networking sites like Facebook, Snapchat, Instagram, LinkedIn, Twitter, or likewise. Also, please do not take photos of celebrities on the stage. We appreciate your cooperation and understanding of this matter. ENJOY THE SHOW! SCHEDULE OF EVENTS - 11-14 JUNE 2018 Official Corporate Sponsor *Grab a complimentary beverage in the Auditorium Foyer prior to each studio presentation. -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
Screendollars About Films, the Film Industry No
For Exhibitors September 21, 2020 Screendollars About Films, the Film Industry No. 135 Newsletter and Cinema Advertising We celebrate the remarkable career of actress Frances McDormand, who has delighted audiences for 35 years with her portrayals of strong-willed and colorful heroines. Her debut to feature film was in 1984 in Blood Simple, directed by brothers Joel and Ethan Coen. Joel and Frances met in 1983 during her audition for the film, became a couple and married the next year. McDormand also starred in the Coen Brothers’ comedies Raising Arizona (1987) and Fargo (1996), in which she played a very pregnant detective, Marge Gunderson, with an unforgettable Norwegian-American accent. McDormand has earned critical acclaim throughout her long and prolific career for her performances in film and television and on stage. In fact, she is one of only 24 actors to have won Academy, Emmy and Tony Blood Simple Awards, a feat known as the Triple Crown of Acting. Her most recent role is in Chole Zhao’s Nomadland, about a (1984) woman in her 60’s who sets off in a van to wander through the American West, a modern-day nomad. The film and McDormand’s performance have emerged as darlings of the 2020 International Film Festival circuit. Nomadland is being distributed by Searchlight Pictures and opens in theatres nationwide on 12/2. “I'm a character actress, plain and simple...Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.” – Frances McDormand Three Billboards -
But Not As We Know It
LOCKDOWN and LIFE but not as we know it It has long been argued that humans are intrinsically selfish, prone to be territorial and war-like and that these instincts are what helped us, along with our super-large brains to become the earth’s dominant species. However, over the last 50 years this theory has increasingly been questioned and the counter theory has gained ground that humans are actually distinguished from other species, not by their selfishness or intelligence but by their ability to cooperate and learn from and help each other. I heartily recommend ‘Humankind’ by Rutger Bregman if you are interested in this. This has come into focus for me recently because the capacity of people around the world to be selfless, to support others, especially the most vulnerable and to be self- sacrificing has shone through during the current Covid-19 crisis and even the BLM controversy. For every selfish or despicable act that is highlighted in the media we can all point to people who behave in exactly the opposite way. We can see this in the people working in care homes and hospitals; volunteers helping their local community; technology teachers making PPE or people like Marcus Rashford, using his platform as a famous footballer to speak out on behalf of the powerless. This is equally true of our school community. I am full of admiration for the way that we have pulled together, students, families and staff, to make the best of this situation. As we start to see more students in school it is increasingly clear how important human interaction is to our well-being and our capacity to learn. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
TENET", CON IL KOLOSSAL DI NOLAN IL TEMPO SEMBRA NON 13 PASSARE MAI (A.De Luca) 19 Avvenire 26/08/2020 MATT DILLON in GIURIA a VENEZIA CASO LOCANDINA 14
Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica 34/35 Vanity Fair 02/09/2020 FINCHE' CI SARA' UN SOLO SPETTATORE (R.Panizza) 3 50/53 Panorama 26/08/2020 IL BUIO OLTRE LA SALA (L.Della Pasqua) 5 Rubrica Anica Web Msn.com/it 25/08/2020 COVID, «ITALIA, BOOM DI CASI»: LA CONCORRENZA SLEALE DEI 9 PAESI PIU' IN CRISI Rubrica Cinema 42 Style Magazine (Corriere della Sera) 01/09/2020 FEMMINILITA' OPPORTUNISTA (V.Ravizza) 11 12 Avvenire 26/08/2020 FERITA IN UN AGGUATO LA PRIMA REGISTA NELLA STORIA DEL 12 PAESE 19 Avvenire 26/08/2020 "TENET", CON IL KOLOSSAL DI NOLAN IL TEMPO SEMBRA NON 13 PASSARE MAI (A.De Luca) 19 Avvenire 26/08/2020 MATT DILLON IN GIURIA A VENEZIA CASO LOCANDINA 14 35 Corriere della Sera 26/08/2020 PASSAGGI FESTIVAL VA SULLA LUNA ABBRACCIANDO LEOPARDI E 15 FELLINI (J.Chia) 10 Corriere della Sera - Ed. Milano 26/08/2020 GEMELLI RUGGERI PRESENTANO IL FILM "IL CONTE MAGICO" 16 23 Il Fatto Quotidiano 26/08/2020 CON "TENET" IL RISCHIO E' DI USCIRE PIU' FRASTORNATI CHE 17 AMMIRATI (F.Pontiggia) 1 Il Gazzettino - Ed. Venezia 26/08/2020 AL CINEMA IN BARCA ALLA GIUDECCA PER VIDEO D'AUTORE 18 SULL'ACQUA (R.Petito) 19 Il Mattino 26/08/2020 Int. a E.Iannaccone: "DUE ALIENI AL TRAMONTO" SECONDO FILM DI 20 IANNACCONE (D.Del Pozzo) 31 Il Mattino 26/08/2020 ADDIO A CAMINITO IL FASCINO DISCRETO DEL CINEMA TOTALE 22 1 Il Messaggero 26/08/2020 FINALMENTE TENET, L'ENIGMATICO THRILLER CHE DEVE 23 RILANCIARE IL CINEMA MONDIALE (F.Alo') 27 Il Messaggero 26/08/2020 220 MILIONI E IL GIRO DEL MONDO FORSE IL CINEMA RIPARTIRA' 25 -
Screendollars About Films, the Film Industry No
For Exhibitors October 12, 2020 Screendollars About Films, the Film Industry No. 138 Newsletter and Cinema Advertising Sparked by this year’s renewed interest in independent distributors and genre films, we celebrate the creativity of American International Pictures, the pioneer of mass-production, low-budget film making. AIP was founded in 1954 as American Releasing Corporation (ARC) by Samuel Arkoff, an entertainment lawyer, and James Nicholson, a former sales manager for Realart Pictures. They soon expanded into production so they could take full control of their product, both creatively and financially. AIP developed a checklist of creative elements to ensure a film’s appeal to their target youth audience, largely overlooked by studios of the day. Their ARKOFF formula, named after the founder, included these elements: Action, Revolution, Killing, Oratory, Fantasy and Fornication. AIP would frequently bundle multiple pictures to play as double features at the nearly 4000 drive-ins (Click to Play) operating in the US in the 50’s and 60’s. One of AIP’s famously prolific and successful directors, was Roger Corman, "The Pope of Pop Cinema", who established a cult following for himself and AIP through his adaptions of Edgar Allen Poe tales as horror films. Famously, AIP’s new project development began by creating the film’s title and movie poster, which was then market-tested to confirm interest before the screenwriter, director and cast were hired. Today’s independent producers have many lessons they can learn from the film entrepreneurs -
Cineeurope 2019 Schedule of Events Sunday, 16 June 08:00
CINEEUROPE 2019 SCHEDULE OF EVENTS SUNDAY, 16 JUNE 08:00-18:00 Trade Show Registration (Booth Exhibitors Only) (Entrance C Foyer, Level 0) 14:00-18:00 Convention Registration (Entrance B Foyer, Level 0) MONDAY, 17 JUNE 07:30-18:00 Convention Registration (Entrance B Foyer, Level 0) 07:30-18:00 Trade Show Registration (Booth Exhibitors Only) (Entrance C Foyer, Level 0) 08:15-08:45 Breakfast (Foyer 1, Level 1) Sponsor: DTS:X 09:00-12:00 CineEurope Business Sessions** (Room 116-117, Level 1) (**Simultaneous Translation Provided In French, German, Spanish And Russian) An Update on Europe and a Focus on Emerging Global Markets EMERGING GLOBAL MARKETS The shape of the global cinema industry continues to change, with new regions and territories growing in importance to match long-established markets in North America and much of Europe . This session will feature two dynamic presentations featuring prominent players from two key emerging markets: Serbia and South Africa. It will provide an in-depth look into the cinema landscape in both countries, from an exhibition, distribution and production point of view, with the aim of identifying key opportunities for growth and investment. Opening Remarks: Arturo Guillén, Vice President, EMEA & India, Comscore Movies 09:00 A FOCUS ON SOUTH AFRICA Film Distribution and Exhibition: A 2019 Perspective on South Africa / Africa as an Emerging Market Presenter: Aboobaker ‘AB’ Moosa, CEO, Avalon Group 09:20 A FOCUS ON SERBIA An Introduction and Overview of the Region Presenter: Christof Papousek, Chief Financial Officer, Cineplexx 09:30 The Importance of Local Production Presenter: Dragana Tešić, Executive Manager of Continental Film 09:40 Deal-Making 101: How Distribution Works in the Region 10:00 Executive Roundtable Almost a decade after conversion to digital cinema technology brought about huge changes to the industry landscape, it could be argued that we are now seeing a "second digital revolution" that will certainly have equal - if not greater - impact. -
Recent Australian Publications
Recent Australian Publications October 2020 – Dewey Re-use of these records by re-publication is not permitted. Go to Dewey Number • 000 - Computers, information, & general • 700 - Arts & recreation works o 750 - Painting • 100 - Philosophy & psychology o 780 - Music • 200 - Religion • • 300 - Social Sciences 800 - Literature A820 - Australian literature o 320 - Political science o A821 - Australian poetry o 330 - Economics o A822 - Australian drama o 340 - Law o A823 - Australian fiction o 370 - Education o • • 400 - Language 900 - History & Geography • 500 - Science o 910 - Geography and travel • 600 - Technology o 994 - History of Australia o 610 - Medicine & Health o 630 - Agriculture Dewey: 000 Computers, information, & general works 001.942 23 UFO secrets. Volume two.Collector's edition.3 DVD-videos (approximately 540 min.) : sound, colour ; 12 cm. AN: 68090233 AU@ eng rda AU@ contributed cataloguing Audience: Rated: PG. Extraterrestrial beings.Human-alien encounters.Unidentified flying objects. History (Television network), broadcaster. 002.075 23 Booksellers (Documentary film : 2019)The booksellers.1 DVD-video (99 minutes) : sound, colour ; 12 cm. AN: 68072622 NJB eng NJB rda contributed cataloguing trove.nla.gov.au Audience: Censorship classification : G. Book collecting New York (State)Book collectors New York (State)Booksellers and bookselling New York (State) Young, D. W., film director, film producer, editor of moving image work.Mizrachy, Judith, film producer.Wechsler, Dan, film producer.Posey, Parker, 1968-, film producer.Lebowitz, Fran, on-screen participant.Orlean, Susan, on-screen participant.Talese, Gay, on-screen participant. 002.075 23 The booksellers.1 DVD-video (approximately 99 minutes) : sound, colour ; 12 cm. AN: 68067972 TEFMT eng rda TEFMT TEF OCLCF X#4 GL4 MCT OCO JQM OCL IEB CLE INO contributed cataloguing Audience: Censorship classification : G. -
DISNEYLAND Grand Opening on 7/17/1955 the Happiest Place on Earth Wasn't Anything of the Sort for 13 Months of Pandemic Closure
Monday, July 19, 2021 | No. 177 Film Flashback…DISNEYLAND Grand Opening on 7/17/1955 The Happiest Place on Earth wasn't anything of the sort for 13 months of pandemic closure. But, happily, Disneyland began coming back to life in late April and by June 15 wasn't facing any capacity restrictions. Now it's celebrating the 66th anniversary of its Grand Opening July 17, 1955. To help finance Disneyland's construction in Anaheim, Calif., which began July 16, 1954, Walt Disney struck a deal with the then fledgling ABC-TV Network to produce the legendary DISNEYLAND series. For helping Walt raise the $17M he needed -- about $135M today -- ABC also got the right to broadcast the opening day events. Originally, July 17 was just an International Press Preview and July 18 was to be the official launch. But July 17's been remembered over the years as the Big Day thanks to ABC's live coverage -- despite things not having gone well with the show hosted by Walt's Hollywood pals Art Linkletter, Bob Cummings & Ronald Reagan. Live TV was in its infancy then and the miles of camera cables it used had people tripping all over the park. In Frontierland, a camera caught Cummings kissing a dancer. Walt was reading a plaque in Tomorrowland on camera when a technician started talking to him, causing Walt to stop and start again from the beginning. Over in Fantasyland, Linkletter sent the coverage back to Cummings on a pirate ship, but Bob wasn't ready, so he sent it right back to Art, who no longer had his microphone.