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(Re)Belles for PARIS VISITORS PARIS for &Conquérantes Bold and Beautiful Montage Couv XPP 0213_Mise en page 1 30/01/13 16:07 Page2 (Re)Belles FOR PARIS VISITORS PARIS FOR &conquérantes Bold and beautiful MODE FASHION JOAILLERIE JEWELLERY GASTRONOMIE GASTRONOMY CULTURE SHOPPING www.cotemagazine.com FÉVRIER-MARS-AVRIL 2013 - N°32 FÉVRIER-MARS-AVRIL edito N01-2012 MHOK_Mise en page 1 29/01/13 14:55 Page1 ÉDITO [ Editorial ] Par Alexandre Benoist harrywinston.com ©2012 Harry©2012 Winston, Inc. GIRL P WER a femme 2013 s’impose et ne compte plus -/ 2013 woman is making enemy eyes, 20-year-old se laisser marcher sur les pieds ! L’année 2012 a her presence felt, Egyptian Aliaa Elmahdy lancé le mouvement. Des Pussy Riot au Femen, and she won't tolerate poses stark naked on the Lle sexe que certains aimeraient continuer à voir faible se anyone treading on her web to denounce the rise fait de plus en plus entendre et s’impose dans l’espace toes! The movement took of Islamism in her country. public pour dire « fuck » aux sexistes de tout poil. Plus off in 2012 – think Pussy 2013 women are deter - récemment, en Inde, les manifestations conduites par les Riot, Femen – and now mined to fight tooth and femmes prouvent que le mouvement n’hésite plus à the sex that some still nail, in the public arena, to s’attaquer à toutes les citadelles du machisme aussi persist in thinking of as defend their rights and culturellement inégalitaire soit-il. Mais ces soldates du girl weaker is increasingly freedom. The end has power ont-elles perdu pour autant leur féminité ? Non, making its voice heard and come for pin-ups dolled car, là, elle devient bien au contraire une arme de shouting a loud and very up like Fifties bimbos, the séduction massive. Quand les Femen, encore elles, public "fuck off" to sexists militants ready for a fight offrent leur poitrine découverte aux regards ennemis, of every persuasion. The are on the march. Fashion HARRY WINSTON THEHARRY PREMIER COLLECTION™ d’autres, comme cette Égyptienne de 20 ans, Aliaa recent women-led pro - designers have dusted off Elmahdy, s’affiche sur Internet dans le plus simple tests in India prove chain mail, military jackets, appareil pour dénoncer la montée de l’islamisme dans beyond doubt that the amazon capes, warrioress son pays. La femme 2013 est donc bien décidée à jouer movement has no qualms masks and big shoulders; des coudes pour défendre ses droits et ses libertés, bec about attacking every famous brands are using et ongles. Fini donc la pin-up lookée comme une potiche bastion of machismo and rebel punkettes like Alice fifties et place à la militante prête à en découdre. Les its cultural inequalities. So Dellal (Chanel) to perso nify créateurs de mode relance cotte de mailles, veste have these girl-power their image; websites such d’officier à brandebourg, cape d’ama zone, masque de soldiers ditched as AdopteUnMec.com are guerrière et épaules larges. Les égéries des grandes femininity? turning men into maisons sont incarnées par des punkettes rebelles No, on the contrary consumer goods; and comme Alice Dellal pour Chanel, les sites Internet, tel they're using femininity as mummy porn is selling like TM AdopteUnMec.com, transforment l’homme en objet de a weapon of mass hot cakes. In short, the consommation et le mommy porn fait un tabac. Bref, seduction: Femen activists offensive is well l’assaut est lancé ! bare their breasts to underway! Paris - 50, rue Pierre Charron, Tel: +33 (0)1 47 20 72 40 Saint-Jean-Cap-Ferrat - Grand-Hôtel du Cap-Ferrat, Tel: +33 (0)4 93 76 50 24 London - 165 Sloane Street, Tel: +44 (0)20 7752 0246 www.arije.com www.cotemagazine.com - FÉVRIER-MARS-AVRIL 2013 | 3 HW_PREMIER_LADY_240x300_BEREG.indd 1 12.11.12 13:49 01 4001 73 w.dior.com – ww FR_COTE PARIS & NICE 480X300_SS13_1D_FEV_MARS_GUTTER 2X5MM.indd 1 28/01/13 17:56 FR_COTE PARIS & NICE 480X300_SS13_1D_FEV_MARS_GUTTER 2X5MM.indd 2 28/01/13 17:56 xpp_Akris_0213_Mise en page 1 31/01/13 17:47 Page1 xpp_Akris_0213_Mise en page 1 31/01/13 17:47 Page2 Paris 49, Avenue Montaigne 01 47 20 47 49 Monte Carlo Avenue des Beaux Arts +377 93 25 34 04 Boutique Akris en ligne www.akris.ch XPP rencontre 03_13 MSMH_Mise en page 1 31/01/13 09:42 Page1 XPP rencontre 03_13 MSMH_Mise en page 1 29/01/13 12:18 Page2 RENCONTRE [ Meet ] Par Gérard Martin - Photos : Szu-wei Wu CLÉMENTINE DELUY UNE GRANDE DANSEUSE A tall tale lle est brune, fine et grande, très grande : 1,80 mètre ! Un beau visage Il est des -/ She’s a tall, slender brunette. In fact very tall: E méditerranéen, les yeux noirs et un sourire craquant. En un mot, une passions 1.80m! She has a lovely Mediterranean face with splendide jeune femme. Clémentine Deluy, Marseillaise d’origine, huit heures pour lesquelles dark eyes and an irresistible smile. A splendid de danse quotidienne et de nombreuses répétions, nous accorde, entre deux un profil de young woman. Despite eight hours of dance daily avions, une longue interview alors qu’elle est de passage dans sa ville natale top-modèle and numerous rehearsals, Clémentine Deluy pour les fêtes de Noël. Rebelle la belle Clémentine ? Elle a su surmonter avec est un véritable found time to give us a long interview between obstination de nombreux obstacles avant de vivre sa passion, danser, et, qui handicap. Pas flights when she went back to her home town of plus est, dans la compagnie légendaire de Pina Bausch. Sa vocation pour Clémentine Marseille for Christmas. Is the lovely Clémentine a commence, elle a alors 2 ans, en tutu blanc. Elle n’en finit pas de pirouetter Deluy, danseuse rebel? Stubborn, anyway. She had many obstacles dans le salon de ses parents, avant de suivre les cours de danse de Titus et dans la to overcome before she could live her passion for Elena Pomsar. Puis, c’est l’Opéra de Marseille jusqu’en 1993, où elle travaille prestigieuse dance, and live it, moreover, in Pina Bausch’s sous la direction de Roland Petit, et tout naturellement rejoint l’École compagnie de legendary troupe. She found her vocation at the nationale de danse de Marseille, dès son ouverture. Mais déjà, par sa taille Pina Bausch. age of two, pirouetting around her parents’ sitting inhabituelle, Clémentine dépasse d’une tête ses petites camarades et fait room in a white tutu even before she started « tache » dans le corps de ballet. Son défaut majeur – 1,72 mètre alors qu’elle classes with Titus and Elena Pomsar. Next came -/ In ballet, est encore enfant – se fait lourdement sentir. On veut l’exclure de la création the Marseille Opéra ballet school, where she a top-model que Roland Petit produit sur le Vieux Port, mais son professeur lui permet worked under Roland Petit. In 1993 she joined physique is a malgré tout d’intégrer le spectacle. Un parcours difficile. On lui répète qu’elle the new École Nationale de Danse in Marseille, distinct handicap. ne sera jamais une danseuse. Et pour le classique, c’est raté… also under Petit. But Clémentine was already a But not for head taller than her classmates, as was all too Clémentine Le vilain « grand » canard devient cygne visible in the corps de ballet. Already a lofty 1.72m, Deluy, dancer Larrio Ekson, acteur danseur de l’avant-garde new-yorkaise et partenaire she suffered badly for her height. She was almost with the de danse de Carolyn Carlson, lui conseille alors de se tourner vers le excluded from Roland Petit’s piece performed on prestigious contemporain. Clémentine se présente au Conservatoire national supérieur the Vieux Port, though in the end her teacher let Pina Bausch de musique et danse de Lyon et y découvre notamment les répertoires et la her stay. She was forever being told she would company. technique Merce Cunningham. Une immersion qui durera deux ans. Une fois never be a dancer. That classical ballet was out of encore, Clémentine est confrontée au refus d’un de ses professeurs. Pleine the question. de doutes, elle songe abandonner, mais le soutien de ses parents lui permet de résister. Elle passe son bac et, à 19 ans, après ses nombreux échecs en From oversized France, part en Allemagne se présenter à la Folkwang Hochschule, à Essen. duckling to beautiful swan Clémentine devient élève de Dominique Mercy, dont chacun connaît le Carolyn Carlson’s dance partner Larrio Ekson, travail avec Pina Bausch au Tanztheater Wuppertal. Ses complexes actor and dancer of the New York avant-garde s’évaporent, Clémentine apprend la décontraction et prend un important scene, advised her to try contemporary dance. recul par rapport à ses expériences douloureuses. Durant trois années, cette Clémentine applied to the Conservatoire in Lyon école la nourrit d’un travail inspiré de Pina. Elle danse, danse, et participe au and there discovered the Merce Cunningham légendaire Sacre du Printemps. Après ses études, elle rencontre Juan Kruz repertory and technique. She spent two years Diaz de Garaio Esnaola et Luc Dunberry. Juan la présente à la chorégraphe immersed in that. But once again she was faced Sasha Waltz. À la suite de sa première création, Nobody, Sasha l’engage dans with a refusal by one of her teachers. She thought sa compagnie, Sasha Waltz and Guests. La jeune femme découvre le travail of giving up, but her parents’ support helped her des portés, de duo et, surtout, l’improvisation sur scène. Elle interprète Dido to persevere. She passed her baccalauréat and at dans le magnifique Dido e Enæ… Un splendide début de carrière.
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