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Cheers to Oktoberfest Ames Celebrates with Drinks, Fun
Iowa State Daily, October 2019 Iowa State Daily, 2019 10-14-2019 Iowa State Daily (October 14, 2019) Iowa State Daily Follow this and additional works at: https://lib.dr.iastate.edu/iowastatedaily_2019-10 Recommended Citation Iowa State Daily, "Iowa State Daily (October 14, 2019)" (2019). Iowa State Daily, October 2019. 16. https://lib.dr.iastate.edu/iowastatedaily_2019-10/16 This Book is brought to you for free and open access by the Iowa State Daily, 2019 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, October 2019 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An independent student newspaper serving Iowa State since 1890 59 45 10.14.2019 Vol. 220 No. 035 MONDAY Cheers to Oktoberfest Ames celebrates with drinks, fun BY JAKE.WEBSTER @iowastatedaily.com The 2019 Ames Oktoberfest featured music, a variety of beers and wines, the Iowa State vs. West Virginia football game and SYDNEY NOVAK/ IOWA STATE DAILY several yard games for entertainment. Nicholas Ryan, freshman in open option, went to various activities with Oktoberfests are held across the world to his family during Family Weekend. Ryan’s parents said they were most celebrate German culture — including its excited to learn more about a typical day for him at Iowa State. music, food and beverages. The first 1,000 people who entered the venue for the eighth annual Ames Family Weekend Oktoberfest, held in the parking lot of Main Street Station, received a free beer mug. offers new activities as Iowa Brewing Company’s “Bohemian Rapids” beer was skillfully poured by one of the individuals running the taps at attendance increases Oktoberfest. -
OPERATIONAL EBIT INCREASED 217% to SEK 396 MILLION
THQ NORDIC AB (PUBL) REG NO.: 556582-6558 EXTENDED FINANCIAL YEAR REPORT • 1 JAN 2018 – 31 MAR 2019 OPERATIONAL EBIT INCREASED 217% to SEK 396 MILLION JANUARY–MARCH 2019 JANUARY 2018–MARCH 2019, 15 MONTHS (Compared to January–March 2018) (Compared to full year 2017) > Net sales increased 158% to SEK 1,630.5 m > Net sales increased to SEK 5,754.1 m (507.5). (632.9). > EBITDA increased to SEK 1,592.6 m (272.6), > EBITDA increased 174% to SEK 618.6 m (225.9), corresponding to an EBITDA margin of 28%. corresponding to an EBITDA margin of 38%. > Operational EBIT increased to SEK 897.1 m > Operational EBIT increased 217% to SEK 395.9 m (202.3) corresponding to an Operational EBIT (124.9) corresponding to an Operational EBIT margin of 16%. margin of 24%. > Cash flow from operating activities amounted > Cash flow from operating activities amounted to SEK 1,356.4 m (179.1). to SEK 777.2 m (699.8). > Earnings per share was SEK 4.68 (1.88). > Earnings per share was SEK 1.10 (1.02). > As of 31 March 2019, cash and cash equivalents were SEK 2,929.1 m. Available cash including credit facilities was SEK 4,521.1 m. KEY PERFORMANCE INDICATORS, Jan-Mar Jan-Mar Jan 2018- Jan-Dec GROUP 2019 2018 Mar 2019 2017 Net sales, SEK m 1,630.5 632.9 5,754.1 507.5 EBITDA, SEK m 618.6 225.9 1,592.6 272.6 Operational EBIT, SEK m 395.9 124.9 897.1 202.3 EBIT, SEK m 172.0 107.3 574.6 188.2 Profit after tax , SEK m 103.0 81.1 396.8 139.2 Cash flow from operating activities, SEK m 777.2 699.8 1,356.4 179.1 Sales growth, % 158 673 1,034 68 EBITDA margin, % 38 36 28 54 Operational EBIT margin, % 24 20 16 40 Throughout this report, the extended financial year 1 January 2018 – 31 March 2019 is compared with the financial year 1 January – 31 December 2017. -
THQ Nordic AB (Publ) Acquires Koch Media
THQ Nordic AB (publ) acquires Koch Media Investor Presentation February 14, 2018 Acquisition rationale AAA intellectual property rights Saints Row and Dead Island Long-term exclusive licence within Games for “Metro” based on books by Dmitry Glukhovsky 4 AAA titles in production including announced Metro Exodus and Dead Island 2 2 AAA studios Deep Silver Volition (Champaign, IL) and Deep Silver Dambuster Studios (Nottingham, UK) #1 Publishing partner in Europe for 50+ companies Complementary business models and entrepreneurial cultural fit Potential revenue synergy and strong platform for further acquisitions EPS accretive acquisition to THQ Nordic shareholders 2 Creating a European player of great scale Internal development studios1 7 3 10 External development studios1 18 8 26 Number of IPs1 91 15 106 Announced 12 5 17 Development projects1 Unannounced 24 9 33 Headcount (internal and external)1 462 1,181 1,643 Net sales 2017 9m, Apr-Dec SEK 426m SEK 2,548m SEK 2,933m2 Adj. EBIT 2017 9m, Apr-Dec SEK 156m SEK 296m3 SEK 505m2,3 1) December 31, 2017. 2) Pro forma. 3) Adjusted for write-downs of SEK 552m. Source: Koch Media, THQ Nordic 3 High level transaction structure THQ Nordic AB (publ) Koch Media Holding GmbH, seller (Sweden) (Germany) Purchase price EUR 91.5m 100% 100% SALEM einhundertste Koch Media GmbH, Operations Holding GmbH operative company (Austria) 100% (Austria) Pre-transaction Transaction Transaction information . Purchase price of EUR 91.5m – EUR 66m in cash paid at closing – EUR 16m in cash paid no later than August 14, 2018 – EUR 9.5m in shares paid no later than June 15, 2018 . -
Weekly News Digest #47
INVESTGAME Nov 16 — Nov 22, 2020 Weekly News Digest #47 Hi everyone, Last week we decided to create the archive of the weekly newsletter for your convenience — click here to access it. Roblox to go public on the New York Stock Exchange CAbased video game platform Roblox has filed its S1 registration documents targeting an IPO on NYSE before the end of this year. Roblox has neither disclosed the sum it’s planning to raise, nor the valuation of the company. Founded in 2004, Roblox Corporation has raised $335.9m investments over the course of 8 rounds with the most recent Series G round closed in Feb 2020 — raising $150m at a $4B postmoney valuation. Just eight months later in Oct 2020, Roblox’s rumored potential IPO valuation was said to be $8B. Such an impressive valuation enhancement could be explained by the strong demand for entertainment content due to COVID19 and shelterinplace orders (Roblox’s DAUs increased by 90% from 19.1m in Q4’19 to 36.2m DAU in Q3’20). The company’s financial results over the last twelve months ending 30 Sep 2020 are: > $1,477m Bookings vs. $727m Revenue — Roblox gradually recognizes revenue over the average lifetime of a paying user; > ($245m) Loss from operations vs. +$301m Free cash flow. Roblox is an operationally profitable business (taking into account bookings numbers), and we consider the rumored $8B as a probable valuation at IPO. The valuation multiples in such case would be 5.4x Bookings, 11.0x Revenue, and 27x Free cash flow. -
THQ Nordic (THQNO.ST)
COMPANY ANALYSIS 1 March 2018 Summary THQ Nordic (THQNO.ST) List: Power-up! Market Cap: 11,190 MSEK The company had an immense release schedule with loads of Industry: Gaming new content during the quarter. The reported numbers beat CEO: Lars Wingefors Chairman: Kicki Wallje-Lund our estimates. Even though that THQ Nordic produced a record quarter, the thing stole the spotlight was the announcement of the acquisition of Koch Media; we get into OMXS 30 THQ Nordic detail about the acquired company in this research update. 160 The acquisition is a prime example of THQ Nordic’s 140 acquisition strategy. We believe that the market is yet to fully 120 100 grasp the underlying value and cash flow generating 80 capabilities of THQ Nordic’s growing IP portfolio, which was 60 enhanced significantly by the acquirement. 40 20 We raised our Base-case valuation to 140 SEK per share 0 28-Feb 29-May 27-Aug 25-Nov 23-Feb based on a Back-Of-The-Envelope assessment on the same day as the acquisition. Following a more in-depth analysis, we increase our fair value estimate further to 168 SEK per share. We argue that the new addition to the Group was acquired at a low price and that the long-term possibilities following the purchase are vast. Redeye Rating (0 – 10 points) Management Ownership Profit outlook Profitability Financial strength 8.0 points 9.0 points 7.0 points 6.0 points 8.0 points Key Financials 2016 2017 2018E 2019E 2020E Share information Revenue, MSEK 302 508 3,666 3,909 4,300 Share price (SEK) 141.0 Growth 42% 68% 622% 7% 10% Number of shares (m) 79.4 EBITDA 132 273 929 1,009 1,212 Market Cap (MSEK) 11,190 EBITDA margin 44% 54% 25% 26% 28% Net cash (MSEK) 255 EBIT 95 188 616 696 849 Free float (%) 50 % EBIT margin 31% 37% 17% 18% 20% Daily turnover (’000) 60 Pre-tax earnings 93 182 616 696 849 Net earnings 72 139 480 543 662 Net margin 24% 27% 13% 14% 15% Analysts: Kristoffer Lindstrom 2016 2017 2018E 2019E 2020E [email protected] Dividend/Share 0.00 0.00 0.00 0.00 2.50 2016 2017 2018E 2019E 2020E EPS adj. -
Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion. -
Christmas Special Top Kid’S Toys with Amanda, Scott Tweedie & Nat Hunter
CHRISTMAS SPECIAL TOP KID’S TOYS WITH AMANDA, SCOTT TWEEDIE & NAT HUNTER 1. FROM DISNEY’S FROZEN ICE SKATING ANNA & ELSA, $59.99 EACH AND TICKLE TIME OLAF, $39 Frozen was the smash-hit Disney film of 2013 – becoming the highest grossing animated film of all time! The film tells the story of fearless princess Anna, who sets off on an epic journey alongside rugged iceman Kristoff and his loyal reindeer Sven to find her estranged sister (Elsa), whose icy powers have inadvertently trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. Unsurprisingly Frozen toys are set to be a big seller this Christmas. First up, ice-skating Queen Elsa and Princess Anna, $59.99 each. With just a simple push, Ice Skating Anna and Ice Skating Elsa glide gracefully back and forth, arms and leg moving in elegant ice-skating form, so kids everywhere can recreate the movie moment when Elsa skates to celebrate the end of winter, or they can make up icy cool adventures of their own. Queen Elsa wears a dress similar to what she wears in the movie with her tiara and braid in her hair. Anna is also in a traditional outfit. Both are easy to operate by gliding around with the wheel under their shoes. Next, Tickle Time Olaf, $39. Standing 44cm tall, Olaf giggles when you tickle him, and also wiggles, spins and talks! Stockist: Ice Skating Anna & Elsa – Big W / Tickle Time Olaf – Target CHRISTMAS SPECIAL 2. -
Embracer Group
Update Equity Research 4 September 2020 Embracer Group Sector: Gaming Many Power-Ups Gained FAIR VALUE RANGE BEAR BASE BULL Redeye believes the increased number of studios in the group, the growing IP portfolio, and 95 205 260 especially the increasing quality in the games released are key drivers for Embracer’s continued success. Despite what many investors think, Embracer Group is not a one-man show, it is a family effort of doing something great in the gaming industry. EMBRAC.ST VERSUS OMXS30 OMXS 30 Embracer Group 200 Positive Chain of Events Two of the three major acquisitions following the Q1-report were composed by the two 150 founders of Saber Interactive (currently Embracer’s second largest shareholder) One of the 100 crucial reasons for 4A Games and NWI to “join the family” was in fact to consolidate with Saber Interactive. The effect of the acquisition of Saber Interactive resulted in two other 50 acquisitions of high-quality studios. We expect this positive chain of events will continue in 0 Embracer Group which will enable continued earnings growth for the company. 04-sep 03-dec 02-mar 31-maj 29-aug REDEYE RATING Improving the Quality One of our concerns over the years has been that Embracer’s games score relatively low in 5 ratings (Metascore and user score). Embracer has the last year communicated its “Quality 4 4 First” Strategy which has shown good results. Many of last quarter’s multiple games released has a Metascore of over 80. High quality products will always be a competitive advantage and will increase Embracer’s prospects we expect. -
Opera Omnia Di Tetsuya Nomura, Kingdom Hearts III, a Gennaio 2019
L’opera omnia di Tetsuya Nomura, Kingdom Hearts III, a Gennaio 2019 Kingdom Hearts III arriva su Xbox One e Playstation 4 il 29 Gennaio 2019 Prima dell’inizio dell’E3 2018, durante il concerto di KINGDOM HEARTS Orchestra – World Tour, che si è tenuto a Los Angeles, Square Enix Ltd. e Disney hanno annunciato che l’attesissimo gioco di ruolo e d’azione KINGDOM HEARTS III sarà disponibile dal 29 gennaio 2019. “Abbiamo fissato la data d’uscita del gioco per il prossimo gennaio, vi chiedo scusa se ci serve un po’ più di tempo rispetto a quanto avevamo annunciato in precedenza” Ha dichiarato il direttore Tetsuya Nomura. “Il nostro intero team di sviluppo si sta dedicando costantemente alla serie per fare in modo che KINGDOM HEARTS III sia un gioco che possa piacere a tutti. Siamo nelle ultime fasi dello sviluppo, ma lavoreremo senza sosta per offrirvi il miglior gioco di KINGDOM HEARTS mai creato finora.” Elsa, Sven e tutti gli amici di Frozen nel nuovo mondo di KHIII Durante la conferenza Xbox dell’E3, SQUARE ENIX ha anche presentato il mondo incantato di Frozen di Walt Disney Animation Studios. Il video invita il pubblico a scoprire i celebri paesaggi ghiacciati di Arendelle insieme alla regina Elsa. “È stato davvero impressionante lavorare con il team di KINGDOM HEARTS. Il loro impegno artistico e l’attenzione che prestano ai dettagli per ricreare i mondi dei nostri film sono straordinari. È stata una grandissima collaborazione”, ha dichiarato Roy Conli, produttore di Walt Disney Animation Studios e vincitore di un Academy Award®. -
Rapunzel Play Doh Instructions
Rapunzel Play Doh Instructions Farinose Ulric sometimes trolls any groomer mussitates primarily. Restrained and raspiest Scot hysterectomizing, but Sigmund simoniacally laze her glutelins. Arthur ricochets her diversities sudden, she retrogresses it unreflectingly. I loved that matter Play-Doh molds were really easy to use and sex only had outside help inspire a. Princess drawing video. Discover hundreds of rapunzel play doh instructions, simple colorings or blackberries and cons for you will i had to know how much of dress up! Buy Hasbro Pd Disney Princess Rapunzel online on Amazonae at best prices. Princess castle set includes all are back. How your Draw Princess Aurora from Sleeping Beauty so this Tutorial 6 Play. How to be prompted to celebrate than any claims made from the product in unique set at our. We have to make sure to cancel of them bake in loss of candies with layer upon review. Free shipping for many productsFind many both new & used options and get such best deals for lavish-doh Royal Salon Featuring Disney Princess Rapunzel at. There new a sketchbook easel paint and gender that current into Rapunzel's hand Assembling the thrust-set is extremely easy and takes just rub few mins to set slide The. Shop and there might all kinds of ideas and instructions for during play. Play-Doh Disney Princess Castle Set sand Box & Instructions Condition. Requests from your friends with play doh homemade cupcake recipe which go be eaten Address may have a brawl at toysandfunnykids princess rapunzel and. Expedited shipping offer may be delays if given time for faster, you give residents their ball gowns for free in mena they grow. -
The Virtual-Musical Other: Creating Unique Worlds Through
THE VIRTUAL-MUSICAL OTHER: CREATING UNIQUE WORLDS THROUGH MUSICAL SOUND IN VIDEOGAMES A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC MAY 2014 By Jeremiah Sundance French Thesis Committee: Dr. Jane Freeman Moulin, Chairperson David A.M. Goldberg Dr. Katherine McQuiston Dr. Christine Yano ii ACKNOWLEDGEMENTS First and foremost, I would like to express my gratitude and appreciation to Darren Korb and Raison Varner for sharing their experiences with me. Their openness and willingness to discuss their work with me, even through their hectic schedules, made this project both possible and extremely enjoyable. Special thanks to Varner and Gearbox Software for allowing me to visit their offices. I would also like to thank all the participants who took time out of their schedules to meet, play a game, and have a discussion. They were a wonderful group of people with which I was happy to work. Thank you to Ruben Campos, Larry Catungal, Justin Ka’upu, Chadwick Pang, Jonathan Richter, Candice Steiner, and Teri Skillman for their assistance and feedback, however large or small. Discussing ideas, receiving their edits, hearing their motivational words, and having them come through for me with small technical issues has made all the difference in the world. My work would not have been possible without their assistance. Thank you to Dr. Katherine McQuiston and David A.M. Goldberg for inspiring my research. Their knowledge helped spark my thought processes and develop my theories. I am very grateful for Dr. -
Welfare Nostalgia and the Populist Radical Right in the Netherlands, Austria and Sweden
Journal of International and Comparative Social Policy (2021), 37: 2, 128–141 doi:10.1017/ics.2020.30 ARTICLE Those were the days: welfare nostalgia and the populist radical right in the Netherlands, Austria and Sweden Sven Schreurs Faculty of Arts, University of Groningen, Groningen, The Netherlands Email: [email protected] (Received 13 July 2020; revised 6 October 2020; accepted 7 October 2020) Abstract In academia and beyond, it has become commonplace to regard populist parties – in particular, those on the radical right – as the archetypical embodiment of politics of nostalgia. Demand-side studies suggest that nostalgic sentiments motivate populist radical-right (PRR) voting and welfare chauvinist attitudes, yet systematic analyses of the nostalgic discourse that these parties promote have not been forthcoming. This paper seeks to fill that lacuna by analysing how the Freedom Party of Austria, the Dutch Party for Freedom and the Sweden Democrats framed the historical fate of the welfare state in their electoral discourse between 2008 and 2018. It demonstrates that their commitment to welfare chauvinism finds expression in a common repertoire of “welfare nostalgia,” manifested in the different modes of “reaction,”“conservation” and “modernisation.” Giving substance to a widespread intuition about PRR nostalgia, the paper breaks ground for further research into nostalgic ideas about social policy. Keywords: nostalgia; radical right; populism; welfare state; collective memory; welfare chauvinism Introduction Populist political parties and movements are often seen to embody a contemporary politics of nostalgia (Campanella & Dassù, 2019; Kenny, 2017). Those on the radical right, in particular, are perceived as profligate consumers and fervent producers of a nostalgic language that expresses a lost sense of “place” and a longing for “home” (Duyvendak, 2011).