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Bamcinématek Presents a Brand New 40Th Anniversary Restoration of Robert Clouse’S Enter the Dragon, Starring Bruce Lee, in a Week-Long Run, Aug 30—Sep 5
BAMcinématek presents a brand new 40th anniversary restoration of Robert Clouse’s Enter the Dragon, starring Bruce Lee, in a week-long run, Aug 30—Sep 5 Series sidebar features five wing chun classics including Sammo Hung’s The Prodigal Son, Chang Cheh’s Invincible Shaolin, and Bruce Lee’s The Way of the Dragon, beginning Aug 29 “Bruce Lee was the Fred Astaire of martial arts.”—Pauline Kael, The New Yorker The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Aug 7, 2013—From Friday, August 30 through Thursday, September 5, BAMcinématek presents a week-long run of Robert Clouse’s Enter the Dragon, screening in a new DCP restoration for its 40th anniversary. In conjunction with the release of Wong Kar-wai’s Ip Man biopic The Grandmaster, this series revels in the lightning-fast moves of the revered kung fu tradition known as wing chun, featuring a five-film sidebar of martial arts rarities. Passed on through generations of martial artists, wing chun was popularized by icons like Sammo Hung and Ip’s movie-star disciple Bruce Lee—and has become an action movie mainstay. The first Chinese martial arts movie to be produced by a major Hollywood studio, Clouse’s Enter the Dragon features Bruce Lee in his final role before his untimely death (just six days before the film’s theatrical release). Shaolin master Mr. Lee (Lee) is recruited to infiltrate the island of sinister crime lord Mr. Han by going undercover as a competitor in a kung fu tournament. -
Nowoczesny Kampus W Trzebnicy Miejsca Pracy
NR 18 (61)/2014 data wydania 17.10.2014 Będą nowe Nowoczesny kampus w Trzebnicy miejsca pracy Wiosną ruszy budowa fabryki FM GROUP w Trzebnicy. Str. 4. Uroczyste otwarcia W Ujeźdźcu Wielkim, Masłowie, Świątnikach i Przedszkolu nr 2 w Trzebnicy. Str. 8,9 i 11 a ostatnim spotkaniu Sto- stowarzyszenie chce wybudować czeniem głównie na zgrupowania budowany prze ul. 3-go Maja – warzyszenia Gmin i Po- w kilku miejscach Dolnego Ślą- i obozy treningowe. Znajdzie się przy niecce, w której przed wojną N wiatów Aglomeracji Wro- ska. Jedna z lokalizacji przypa- w nich także wydzielone miej- znajdował się staw. Jest to loka- BUdUj cławskiej, którego członkiem jest da w naszym mieście. Czym są sce dla kierowców, opiekunów lizacja w bezpośrednim sąsiedz- z nami również Gmina Trzebnica, zapa- wspomniane kampusy? To no- oraz osobne moduły dla rodzin, twie orlika i planowanej obok dła decyzja o lokalizacji kampu- woczesne i komfortowe internaty a także miejsca parkingowe dla Szkoły Podstawowej nr 2 hali sów dla dzieci i młodzieży, które dla dzieci i młodzieży, z przezna- autobusów. Kampus zostanie wy- widowiskowo-sportowej. Str. 7. Str. 9 expertom nie ufaj pseudo proline zaufaj profesjonalistom w 2 SUBIEKTYWNYM Trzy kroki do przodu... okiem gospodarza Tak właśnie by się stało, gdy- cje przeznaczano maksymalnie jomych, ale dla mieszkańców, by kilka lat temu nie pojawił się 10 procent. Dziś jest to nie do dla mojej Ojczyzny, w której się wej, ale z pomysł budowy nowej szkoły. pomyślenia. urodziłem, wychowałem, w któ- perspekty- Wówczas był mocno krytykowa- Dziś trudno sobie wyobrazić rej dorastałem. Chciałbym, by Blisko 210 milionów zło- wy wyglądu ny, głównie ze strony opozycji i Trzebnicę bez deptaka, basenu, było tu coraz piękniej, by żyło się tych przeznaczono na różnego Trzebnicy i okolicznych sołectw, osób z nimi związanych. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
Written & Directed by and Starring Stephen Chow
CJ7 Written & Directed by and Starring Stephen Chow East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Judy Chang Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax 1 Short Synopsis: From Stephen Chow, the director and star of Kung Fu Hustle, comes CJ7, a new comedy featuring Chow’s trademark slapstick antics. Ti (Stephen Chow) is a poor father who works all day, everyday at a construction site to make sure his son Dicky Chow (Xu Jian) can attend an elite private school. Despite his father’s good intentions to give his son the opportunities he never had, Dicky, with his dirty and tattered clothes and none of the “cool” toys stands out from his schoolmates like a sore thumb. Ti can’t afford to buy Dicky any expensive toys and goes to the best place he knows to get new stuff for Dicky – the junk yard! While out “shopping” for a new toy for his son, Ti finds a mysterious orb and brings it home for Dicky to play with. To his surprise and disbelief, the orb reveals itself to Dicky as a bizarre “pet” with extraordinary powers. Armed with his “CJ7” Dicky seizes this chance to overcome his poor background and shabby clothes and impress his fellow schoolmates for the first time in his life. -
Recommended Reading
RECOMMENDED READING The following books are highly recommended as supplements to this manual. They have been selected on the basis of content, and the ability to convey some of the color and drama of the Chinese martial arts heritage. THE ART OF WAR by Sun Tzu, translated by Thomas Cleary. A classical manual of Chinese military strategy, expounding principles that are often as applicable to individual martial artists as they are to armies. You may also enjoy Thomas Cleary's "Mastering The Art Of War," a companion volume featuring the works of Zhuge Liang, a brilliant strategist of the Three Kingdoms Period (see above). CHINA. 9th Edition. Lonely Planet Publications. Comprehensive guide. ISBN 1740596870 CHINA, A CULTURAL HISTORY by Arthur Cotterell. A highly readable history of China, in a single volume. THE CHINA STUDY by T. Colin Campbell,PhD. The most comprehensive study of nutrition ever conducted. ISBN 1-932100-38-5 CHINESE BOXING: MASTERS AND METHODS by Robert W. Smith. A collection of colorful anecdotes about Chinese martial artists in Taiwan. Kodansha International Ltd., Publisher. ISBN 0-87011-212-0 CHINESE MARTIAL ARTS TRAINING MANUALS (A Historical Survey) by Brian Kennedy and Elizabeth Guo CHRONICLES OF TAO, THE SECRET LIFE OF A TAOIST MASTER by Deng Ming-Dao. Harper San Francisco, Publisher ISBN 0-06-250219-0 (Note: This is an abridged version of a three- volume set: THE WANDERING TAOIST (Book I), SEVEN BAMBOO TABLETS OF THE CLOUDY SATCHEL (Book II), and GATEWAY TO A VAST WORLD (Book III)) CLASSICAL PA KUA CHANG FIGHTING SYSTEMS AND WEAPONS by Jerry Alan Johnson and Joseph Crandall. -
Hong Kong Filmmakers Search: Eric TSANG
Eric TSANG 曾志偉（b. 1953.4.14） Actor, Director, Producer A native of Wuhua, Guangdong, Tsang was born in Hong Kong. He had a short stint as a professional soccer player before working as a martial arts stuntman at Shaw Brothers Studio along with Sammo Hung. In 1974, he followed Lau Kar-leung’s team to join Chang Cheh’s film company in Taiwan, and returned to Hong Kong in 1976. Tsang then worked as screenwriter and assistant director for Lau Kar-leung, Sammo Hung and Jackie Chan in companies such as Shaw Brothers and Golden Harvest. Introduced to Karl Maka by Lau, Tsang and Maka co-wrote the action comedy Dirty Tiger, Crazy Frog! in 1978. Tsang made his directorial debut next year with The Challenger (1979). In 1980, Tsang was invited by Maka to join Cinema City. He became a member of the ‘Team of Seven’, participating in story creation. He soon directed the record shattering Aces Go Places (1982) and Aces Go Places II (1983), while he also produced a number of movies that explored different filmmaking approaches, including the thriller He Lives by Night (1982), Till Death Do We Scare (1982), which applied western style make-up and special effects, and the fresh comedy My Little Sentimental Friend (1984). Tsang left Cinema City in 1985 and became a pivotal figure in Hung’s Bo Ho Films. He was the associate producer for such films as Mr. Vampire (1985) and My Lucky Stars (1985). In 1987, Tsang co-founded Alan & Eric Films Co. Ltd. with Alan Tam and Teddy Robin. -
Episode 289 – Talking Sammo Hung | Whistlekickmartialartsradio.Com
Episode 289 – Talking Sammo Hung | whistlekickMartialArtsRadio.com Jeremy Lesniak: Hey there, thanks for tuning in. Welcome, this is whistlekick martial arts radio and today were going to talk all about the man that I believe is the most underrated martial arts actor of today, possibly of all time, Sammo Hung. If you're new to the show you may not know my voice I'm Jeremy Lesniak, I'm the founder of whistlekick we make apparel and sparring gear and training aids and we produce things like this show. I wanna thank you for stopping by, if you want to check out the show notes for this or any of the other episodes we've done, you can find those over at whistlekickmartialartsradio.com. You find our products at whistlekick.com or on Amazon or maybe if you're one of the lucky ones, at your martial arts school because we do offer wholesale accounts. Thank you to everyone who has supported us through purchases and even if you aren’t wearing a whistlekick shirt or something like that right now, thank you for taking the time out of your day to listen to this episode. As I said, here on today's episode, were talking about one of the most respected martial arts actor still working today, a man who has been active in the film industry for almost 60 years. None other the Sammo Hung. Also known as Hung Kam Bow i'll admit my pronunciation is not always the best I'm doing what I can. Hung originates from Hong Kong where he is known not only as an actor but also as an action choreographer, producer, and director. -
Hong Kong Filmmakers Search: Sammo Hung
Sammo HUNG 洪金寶（b. 1952.1.7） Director, Actor, Martial Arts Choreographer, Executive Producer A native of Ningbo, Zhejiang, Hung was born in Hong Kong. His grandfather, Hung Chung-ho was a director in the 1930s and 40s. Hung enrolled in Yu Zhanyuan’s Hong Kong-China Opera Institute to study Peking opera before he was ten. He was the captain of the school’s performing troupe ‘Seven Little Fortunes’. Under the screen name Chu Yuen-lung, Hung appeared in Education of Love (1961) and The Seven Little Valiant Fighters (1962). He began working as a stuntman in the late 1960s, and served as the martial arts choreographer for Shaw Brothers (Hong Kong) Ltd’s The Golden Sword (1969). After Golden Harvest (HK) Limited was established, Hung took part in Lo Wei, Huang Feng and Chung Chang-hwa’s features as both a martial arts choreographer and actor. He was also the martial arts choreographer of King Hu’s The Valiant Ones (1975). In 1977, he made his directorial debut The Iron-Fisted Monk for Golden Harvest. Its box-office catapulted Hung to stardom. In addition to his comedic genius, he won over audiences with his remarkable, fluid action despite his bulk size. The box-office success was followed by a series of action comedies, including Warriors Two (1978), Knockabout (1979) and The Prodigal Son (1981), all directed and played by Hung himself. In 1978, Hung set up Gar Bo Films with Karl Maka and Lau Kar-wing and produced features such as Dirty Tiger, Crazy Frog! (1978). In 1979, he founded Bo Ho Films Company Limited, a satellite company of Golden Harvest. -
NO RETREAT NO SURRENDER 3 (1990): Producer: Ng See Yuen
NO RETREAT NO SURRENDER 3 (1990): Producer: Ng See Yuen Director: Lucas Lowe Co-Producer/Writer: Keith W. Strandberg Cast: Keith Vitali, Loren Avedon Locations: Tampa Bay Area, Florida Original Title: Blood Brothers Review courtesy of www.kungfucinema.com “Producer Ng See-Yuen reunites with screenwriter Keith W. Strandberg and tae kwon do expert Loren Avedon in this tale that takes a page from Ng's first film with Seasonal Film Corporation, THE SECRET RIVALS.” To complete his U.S.-Hong Kong crossover trilogy, launching Jean-Claude Van Damme in 1985 and Loren Avedon in 1987, producer Ng See-Yuen reunites with screenwriter Keith W. Strandberg and tae kwon do expert Loren Avedon in this tale that takes a page from Ng's first film with Seasonal Film Corporation, THE SECRET RIVALS. Only instead of North and South styles as the "rivals", we have two brothers whose political views gets the best of them until the death of their father brings them together. C.I.A. agent Casey Alexander (Keith Vitali) has a reputation as being one of the most respected agents in the company. Martial arts instructor Will Alexander (Loren Avedon), Casey's brother, doesn't believe in the entire federal agent shtick and as a result, the two brothers have a serious falling out that starts out at a hunting trip and culminates at the 65th birthday party of their retired agent father John (Joseph Campanella). When John becomes the target of Colombian terrorist Antonio "Franco" Franconi (Rion Hunter), the result of a job in which Franco's son was killed, John is brutally beaten and then ultimately killed by Franco. -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
FILM DI ARTI MARZIALI - Superlista " Più Di 500 Film Ordinati Dalla a Alla Z "
FILM DI ARTI MARZIALI - SuperLista " Più di 500 Film ordinati dalla A alla Z " ------------------------------------------------------- ACCIDENTAL SPY - SPIA PER CASO (J.Chan 2001) A COLPI DI KARATE' (1972) ALLEY CAT (1984) ALOHA SUMMER (1988) AMERICAN SAMURAI (1992) AMERICAN YAKUZA (1993) AMICI PER LA MORTE (Jet Li 2003) A PUGNI NUDI: LA RIVINCITA (1990) AQUILA NERA - BLACK EAGLE (Van Damme 1988) ARAHAN - POTERE ASSOLUTO (2004) ARMA LETALE 4 (Jet Li 1998) ART OF REVENGE (2007) ARMA PERFETTA (1991) ARMOUR OF GOD (J.Chan aja Armatura D'oro 1986) ARMOUR OF GOD II: OPERATION CONDOR (J.Chan aka Mission Adler 1990) ARRIVO' CHEN E INTORNO A LUI FU MORTE (1975) BANGKOK DANGEROUS (1999) BERSAGLIO UMANO (1993) BILLY CHANG (1975) BILLY JACK (1971) BLACK BELT JONES (Jim Kelly aka La Cintura Nera 1974) BLACK BELT JONES 2: THE TATTOO CONNECTION (Jim Kelli 1977) BLADE (Wesley Snipes 1998) BLADE II (W.Snipes 2002) BLADE III - BLADE TRINITY (W.Snipes 2004) BLADE OF FURY (aka Yat Do King Sing, 1993) BLADE OF FURY 2 (aka Tow Great Cavaliers The, 1973) BLACK MASK (1998) BLACK MASK 2 - CITY OF MASK (2002) BLOOD AND BONE (2009) BLOODMATCH - L'ULTIMA SFIDA (1995) BLOODSPORT - SENZA ESCLUSIONE DI COLPI (V.Damme 1989) BOOK OF SWORDS . LA SPADA E LA VENDETTA (2002) BRUCE AND SHAO-LIN KUNG FU 2 (Bruce Le aka Huo shao shao lin men 1978) BRUCE LEE: CHEN L'IMMORTALE (1972) BRUCE LEE CONTRO I SUPERMEN (1976) BRUCE LEE CONTRO LA SETTA DEL SERPENTE (1977) BRUCE LEE, IL COLPO CHE FRANTUMA (1979) BRUCE LEE IL DOMINATORE (1977) BRUCE LEE, IL LEGGENDARIO (1981) BRUCE LEE,