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Australia 2017 Contents
DIGITAL NEWS REPORT: AUSTRALIA 2017 CONTENTS FOREWORD Jerry Watkins 2 ABOUT: METHODOLOGY 3 RESEARCH TEAM 4 1 KEY FINDINGS Sora Park 6 COMMENTARY: A BRITISH VIEW OF THE AUSTRALIAN LANDSCAPE David Levy 16 2 AUSTRALIA BY COMPARISON Jerry Watkins 18 COMMENTARY: “YOU ARE FAKE NEWS!” Natasha Eves 25 COMMENTARY: FOCUS: EAST ASIA MARKETS Francis Lee 26 3 NEWS ACCESS & CONSUMPTION R. Warwick Blood and Jee Young Lee 28 COMMENTARY: GOING WHERE THE AUDIENCE GOES Dan Andrew 34 4 SOCIAL DISCOVERY OF NEWS Glen Fuller 36 5 FOLLOWING POLITICIANS ON SOCIAL MEDIA Caroline Fisher 42 COMMENTARY: BEYOND THE ECHO CHAMBER Andrew Leigh MP 48 6 PAYING FOR ONLINE NEWS Franco Papandrea 50 COMMENTARY: PAYING FOR NEWS IN A WORLD OF CHOICE Richard Bean 57 7 TRUST IN NEWS: AUSTRALIA Caroline Fisher and Glen Fuller 58 COMMENTARY: A BROKEN RELATIONSHIP Karen Barlow 68 SPECIAL SECTION: GENDER AND NEWS 70 COMMENTARY: A VESSEL FOR FRUIT Jacqueline Maley 72 8 GENDERED SPACES OF NEWS CONSUMPTION Michael Jensen and Virginia Haussegger 74 9 ESSAY: ‘WHAT’S GENDER GOT TO DO WITH IT?’ Virginia Haussegger 80 COMMENTARY: GENDER AND NEWS: MYTHS AND REALITY Pia Rowe 83 DIGITAL NEWS REPORT: AUSTRALIA 2017 by Jerry Watkins, Sora Park, Caroline Fisher, R. Warwick Blood, Glen Fuller, Virginia Haussegger, Michael Jensen, Jee Young Lee and Franco Papandrea. NEWS & MEDIA RESEARCH CENTRE UNIVERSITY OF CANBERRA NEWS & MEDIA RESEARCH CENTRE FOREWORD Jerry Watkins Director, News & Media Research Centre, University of Canberra Lead author, Digital News Report: Australia 2017 At time of writing, the Australian terrestrial TV player So both broadcast and print players are under TEN Network faces financial insolvency. -
Bwf.Org.Au Brisbane Writers Festival 2019 This Way
Thursday, 5 September–Sunday, 8 September 5 September–Sunday, Thursday, BOOK NOW bwf.org.au Brisbane Writers Festival 2019 this way Join the Conversation humanity #bwf19 Contents 1 2 3 4 Thank you to A message from A message Ticket our partners the Minister for from the information the Arts Artistic Director 6 7 8 9 Special Angel's Tirra Lirra Meet the Events Palace by the River Author 10 26 27 28 Program Love YA Free Events BWF in for Families Your Suburb 30 32 34 35 Events for Writers Timetable Getting to BWF Team the Festival and Board Brisbane Writers Festival Thanks its Supporters Government Partners Proudly supported by Major Partner Home of Brisbane Writers Festival Cultural Partner Supporting Partners Media Partners Marketing Partners Hospitality Partners Program Partners Consulate of Canada, Kindred: 12 Queer #LoveOzYA Stories, Queensland Writers Centre, Griffith Review, A Spectrum Connected and Inala Wangarra Providing Partners Grassroots IT and PKF Hacketts BWF acknowledges the generous support of our donors, with special thanks to the Taylor Family. We are a not-for-profit organisation and rely on the generosity of donors and partners to support our aim of bringing stories to life in Queensland communities. Brisbane Writers Festival is supported by the Queensland Government through Arts Queensland. Brisbane Writers Festival is assisted by the Australian Government through the Australia Council, its arts funding and advisory body. 1 Brisbane Writers Festival 2019 Welcome to Brisbane Writers Festival Welcome to Brisbane Writers The genuine sharing and receiving Festival 2019, one of Australia’s of our unique stories give us the leading literary events, celebrating tools to unpack information and the power of words through make sense of our ever-changing exceptional experiences that inspire, world. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
Social Service Administration 2019-2020
Table of Contents 2 SSA Announcements 3 Officers and Administration 6 The Field and the School 12 Educational Programs 26 Admission Requirements 30 Tuition, Fees, and Financial Aid 33 Resources and Services 38 University Resources and Services 42 Courses of Instruction 63 Faculty Publications 80 Associates 83 Field Agencies 89 SSA Calendar 91 Index 2 SSA Announcements SSA Announcements Please use the left-hand navigation bar to access the individual pages for the SSA Announcements. In keeping with its long-standing traditions and policies, the University of Chicago considers students, employees, applicants for admission or employment, and those seeking access to University programs on the basis of individual merit. The University does not discriminate on the basis of race, color, religion, sex, sexual orientation, gender identity, national or ethnic origin, age, status as an individual with a disability, protected veteran status, genetic information, or other protected classes under the law (including Title IX of the Education Amendments of 1972). For additional information regarding the University of Chicago’s Policy on Harassment, Discrimination, and Sexual Misconduct, please see: http://harassmentpolicy.uchicago.edu/page/policy. The University official responsible for coordinating compliance with this Notice of Nondiscrimination is Bridget Collier, Associate Provost and Director of the Office for Equal Opportunity Programs. Ms. Collier also serves as the University’s Title IX Coordinator, Affirmative Action Officer, and Section 504/ADA Coordinator. You may contact Ms. Collier by emailing [email protected], by calling 773.702.5671, or by writing to Bridget Collier, Office of the Provost, The University of Chicago, 5801 S. Ellis Ave., Suite 427, Chicago, IL 60637. -
Novel, Suburb, Cosmos
The View from Above from Below: Novel, Suburb, Cosmos Brigid Rooney HROUGH CONVERGENT TECHNOLOGIES OF CAMERA AND FLIGHT, THE VIEW FROM ABOVE directs the opening chapter of The Australian Ugliness (1960), Melbourne- T based Robin Boyd’s famous critique of urban and suburban aesthetic forms. By 1960, such aerial vision was nothing new, but the arrival in 1956 of the Boeing jet meant air-travel was about to eclipse the sea voyage, conquering what Australian historian Geoffrey Blainey famously termed ‘the tyranny of distance’, and ushering in the era of mass tourism. This development naturalised and popularised an aesthetics of panorama that also organises the representation of suburbia. Boyd re-stages the aerial view successively. The visitor’s first approach to Australia is from the north. Moving from Darwin to Bourke, the visitor crosses over country ‘burnt brown and patchy, like a tender sunburnt skin, with sections of darker brown and blood red and blisters of lighter ochre’; his camera-eye view takes in the ‘red backland of Australia’ which ‘looks from the air satisfyingly like its own maps’ (Boyd 18). The arrival of Boyd’s hypothetical visitor, as noted, is staged twice, in the second instance tracking the plane’s approach ‘from across the Pacific’ over 1950s pre- Opera-House Sydney. From the long high view, urban Australia presents a vision of ‘continuity, unity and the promise of comfort in the mushroom roofs and the bright background of tended green’. Momentarily, suburban sprawl figures the ‘love of home’, with ‘great speckled carpets spread wide around every © Australian Humanities Review 60 (November 2016). -
Senate Submission
Committee Secretary Senate Legal and Constitutional Affairs Committee Jacinda Woodhead Editor, Overland magazine VU – Footscray Park Campus PO Box 14428 Melbourne VIC 8001 17 July 2015 Dear Committee Secretary and Members, I edit one of Australia’s oldest literary magazines, Overland, founded in 1954 by Stephen Murray-Smith. Overland has a long and distinguished history, and it’s list of published authors reads like a catalogue of influential Australian writers, from Patrick White, Frank Hardy and Dorothy Hewett to Peter Carey, Alexis Wright and Christos Tsiolkas. Overland’s mission is to foster new, original and progressive work exploring the relationship between politics and culture, especially literature, and to bring that work to as many people as possible. In its sixty-first year of publication, Overland continues to be artistically vibrant, making significant contributions to Australian cultural life on a daily basis. Much of Overland’s current success has been enabled by the infrastructure the organisation has been able to build over the years through subscriber, philanthropic and government support, including the critical funding the Australia Council has offered the magazine at the various stages of its existence. Overland publishes four print issues of 96 pages a year, each edition consisting of original fiction, poetry, nonfiction and artwork of the highest standard. Recent editions have included work by Germaine Greer, Cate Kennedy, Rodney Hall, Alexis Wright, Christos Tsiolkas and Alison Croggon. Overland is also committed to finding new talent: writers whose early work featured in the journal include Nam Le, Jennifer Mills, Stephen Amsterdam, Ali Alizadeh, Maxine Beneba Clarke, Anwen Crawford (who has started recently writing for the New Yorker) and artist Megan Cope. -
Sharon Van Etten Presents Video for New Song, “Jupiter 4,” Directed by Katherine Dieckmann
November 27, 2018 For Immediate Release Sharon Van Etten Presents Video For New Song, “Jupiter 4,” Directed by Katherine Dieckmann https://www.youtube.com/watch?v=W4etGF2PJcA New Album, Remind Me Tomorrow, Out January 18th via Jagjaguwar; World Tour Kicks Off February 6th Sharon Van Etten will release Remind Me Tomorrow, her first album in almost five years, on January 18th via Jagjaguwar. Following the release oF lead single “Comeback Kid,” Van Etten now shares “Jupiter 4,” and its accompanying video. “Jupiter 4” is one oF the First songs recorded For the album, which helped Van Etten and producer John Congleton align ideas about a potential sonic landscape to explore. His eerie mix oF drones, synths and theremin complement Van Etten's evocative lyrics oF Finding love, as she sings, "Baby, baby, baby // I’ve been waiting, waiting waiting // my whole life for someone like you. // It’s true that everyone would like to have met // A love so real." The video, directed by Katherine Dieckmann, elevates the song’s haunting emotion. The two First met when Van Etten scored Dieckmann’s Film Strange Weather. “I had been looking forward to collaborating with Katherine again since finishing our work together on her film in 2016. Since wrapping the film, she has not only been a guiding force in my work, but a light and guiding force in my life as well, sharing with me stories of how she and her husband made it work with two kids as artists living in New York and encouraging me to return to my music after my son was born,” describes Van Etten. -
2016-2017 University of Chicago 3
T he U niversity o f C hicago School of Social Service Administration Announcements 2016-2017 Table of Contents 2 SSA Announcements 3 Officers and Administration 7 The Field and the School 17 Educational Programs 42 Admission Requirements 49 Tuition, Fees, and Financial Aid 54 Resources and Services 62 University Resources and Services 70 Courses of Instruction 112 Faculty Publications 158 Associates 161 Field Agencies 168 SSA Calendar 170 Index 2 SSA Announcements SSA Announcements Please use the left-hand navigation bar to access the individual pages for the SSA Announcements. In keeping with its long-standing traditions and policies, the University of Chicago considers students, employees, applicants for admission or employment, and those seeking access to University programs on the basis of individual merit. The University does not discriminate on the basis of race, color, religion, sex, sexual orientation, gender identity, national or ethnic origin, age, status as an individual with a disability, protected veteran status, genetic information, or other protected classes as required by law (including Title IX of the Education Amendments of 1972). For additional information regarding the University of Chicago’s Policy on Harassment, Discrimination, and Sexual Misconduct, please see: http://harassmentpolicy.uchicago.edu/page/policy. The University official responsible for coordinating compliance with this Notice of Nondiscrimination is Sarah Wake, Associate Provost and Director of the Office for Equal Opportunity Programs. Ms. Wake also serves as the University’s Title IX Coordinator, Affirmative Action Officer, and Section 504/ADA Coordinator. You may contact Ms. Wake by emailing [email protected], by calling 773.702.5671, or by writing to Sarah Wake, Office of the Provost, The University of Chicago, 5801 S. -
Publications for Brigid Rooney 2020 2019 2018 2017 2016 2015 2014
Publications for Brigid Rooney 2020 Australian Print Cultures and Modernity' by David Carter. Rooney, B. (2020). Stream System, Salient Image and Feeling: Southerly, 27(1), 174-181. Between Barley Patch and Inland. In Anthony Uhlmann (Eds.), Rooney, B., Olubas, B. (2015). Australian Literature / World Gerald Murnane: Another World in This One, (pp. 63-84). Literature: Borders, Skins, Mappings. JASAL, 15(3), 1-5. <a Sydney: Sydney University Press. <a href="http://www.nla.gov.au/openpublish/index.php/jasal/article href="http://dx.doi.org/10.2307/j.ctvx5w926.11">[More /view/4116/4753">[More Information]</a> Information]</a> Rooney, B. (2015). Serial Cities: Australian Literary Cities and 2019 the Rhetoric of Scale. Cultural Studies Review, 21(1), 262-282. <a href="http://dx.doi.org/10.5130/csr.v21i1.4345">[More Rooney, B. (2019). Interior History, Tempered Selves: David Information]</a> Malouf, Modernism, and Imaginative Possession. In Richard Begam,Michael Valdez Moses (Eds.), Modernism, Rooney, B. (2015). Time and Its Fellow Conspirator Space: Postcolonialism, and Globalism: Anglophone Literature, 1950 Patrick White's 'A Fringe of Leaves'. In Ian Henderson, to the Present, (pp. 258-276). New York: Oxford University Anouk Lang (Eds.), Patrick White Beyond the Grave: New Press. <a Critical Perspectives, (pp. 163-177). London: Anthem Press. <a href="http://dx.doi.org/10.1093/oso/9780199980963.003.0013" href="http://www.anthempress.com/patrick-white-beyond-the- >[More Information]</a> grave">[More Information]</a> 2018 2014 Rooney, B. (2018). Suburban Space, the Novel and Australian Rooney, B. (2014). "No-one Had Thought of Looking Close to Modernity. -
Colonising Time, Recollecting Place: Steven Carroll's Reinvention Of
Colonising time, recollecting place: Steven Carroll’s reinvention of suburbia BRIGID ROONEY University of Sydney Australian suburbs—like suburbs elsewhere1—are attracting renewed scholarly attention during the latest phase of urban transformation. As work by Fiona Allon (2008), Amanda Wise (2010) and others shows, the lived experience, spatial contours and cultural demographics of contemporary suburbia are in flux. It is no coincidence that representations of suburbia are also changing in character and detail, as seen in recent literary fiction. Christos Tsiolkas’s The Slap (2008), for instance, reinvents suburban terrain precisely through its engagement with Australia’s diversifying demography and changing urban/suburban modes, in turn conditioned by global capitalism’s fluid and precarious present, in what Zygmunt Bauman influentially terms ‘liquid modernity’ (Bauman 1-15). Yet literary critics and scholars of Australian literature are yet to move far from what has been, since the 1990s, a governing focus on an anti-suburban literary tradition. Critics have used ‘pro- or anti-suburbia’ as the key—if not sole—rubric for reading fictions of suburbia. Conditioned by the fiction itself, this approach was influentially introduced by Robin Gerster (1990), theoretically honed by Andrew McCann and others (1997; 1998), and continues into the present, albeit with modification and updating (Burns; O’Reilly). Fictions of postwar suburbia depicting the entrapment or flight of their protagonists are routinely read as anti- suburban, as a function of cosmopolitan habitus or artistic elitism. Even such an elusive work as David Malouf’s Johnno (1975) has been positioned as anti-suburban:2 there has been no escaping the dominance of this paradigm. -
Recording Artist Recording Title Price 2Pac Thug Life
Recording Artist Recording Title Price 2pac Thug Life - Vol 1 12" 25th Anniverary 20.99 2pac Me Against The World 12" - 2020 Reissue 24.99 3108 3108 12" 9.99 65daysofstatic Replicr 2019 12" 20.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 12" 20.99 A Tribe Called Quest People's Instinctive Travels And The Paths Of Rhythm 12" Reissue 26.99 Abba Live At Wembley Arena 12" - Half Speed Master 3 Lp 32.99 Abba Gold 12" 22.99 Abba Abba - The Album 12" 12.99 AC/DC Highway To Hell 12" 20.99 Ace Frehley Spaceman - 12" 29.99 Acid Mothers Temple Minstrel In The Galaxy 12" 21.99 Adele 25 12" 16.99 Adele 21 12" 16.99 Adele 19- 12" 16.99 Agnes Obel Myopia 12" 21.99 Ags Connolly How About Now 12" 9.99 Air Moon Safari 12" 15.99 Alan Marks Erik Satie - Vexations 12" 19.99 Aldous Harding Party 12" 16.99 Alec Cheer Night Kaleidoscope Ost 12" 14.99 Alex Banks Beneath The Surface 12" 19.99 Alex Lahey The Best Of Luck Club 12" White Vinyl 19.99 Algiers There Is No Year 12" Dinked Edition 26.99 Ali Farka Toure With Ry Cooder Talking Timbuktu 12" 24.99 Alice Coltrane The Ecstatic Music Of... 12" 28.99 Alice Cooper Greatest Hits 12" 16.99 Allah Las Lahs 12" Dinked Edition 19.99 Allah Las Lahs 12" 18.99 Alloy Orchestra Man With A Movie Camera- Live At Third Man Records 12" 12.99 Alt-j An Awesome Wave 12" 16.99 Amazones D'afrique Amazones Power 12" 24.99 American Aquarium Lamentations 12" Colour Vinyl 16.99 Amy Winehouse Frank 12" 19.99 Amy Winehouse Back To Black - 12" 12.99 Anchorsong Cohesion 12" 12.99 Anderson Paak Malibu 12" 21.99 Andrew Bird My Finest Work 12" 22.99 Andrew Combs Worried Man 12" White Vinyl 16.99 Andrew Combs Ideal Man 12" Colour Vinyl 16.99 Andrew W.k I Get Wet 12" 38.99 Angel Olsen All Mirrors 12" Clear Vinyl 22.99 Angelo Badalamenti Twin Peaks - Ost 12" - Ltd Green 20.99 Ann Peebles Greatest Hits 12" 15.99 Anna Calvi Hunted 12" - Ltd Red 24.99 Anna St. -
Jessica Rowe's Biography
Jessica Rowe Journalist, broadcaster, bestselling author, mental health awareness advocate and proud Crap Housewife. Biography Jessica Rowe is an accomplished journalist, television presenter and three-time Follow bestselling author. Jessica’s credits include co-hosting Studio 10 (Ten) and The Jessica Today Show (Nine). She was also the news presenter for Weekend Sunrise (Seven), and for a decade Jessica co-hosted Network Ten’s First at Five News. Instagram Facebook As a published author, Jessica has written a collection of memoirs centred Twitter around her experiences with post natal depression, motherhood and parenting. O"icial Website Her titles include The Best of Times, The Worst of Times, Love. Wisdom. Motherhood., Is This My Beautiful Life? and most recently Diary of a Crap Housewife. Further Jess is a self confessed Crap Housewife. She has gathered a strong and loyal Information following with her online Crap Housewife movement, one that unites and Jessica Rowe is celebrates other mothers who, like Jess, sometimes feel like they are not the exclusively managed perfect mother, wife or cook. With humour and honesty, Jess shares her amusing by Watercooler Talent. misadventures at Crap Housewife and her Instagram channel. For all enquires please As a podcaster, Jess has produced and hosted the comedy and lifestyle series get in touch. One Fat Lady and One Thin Lady with her best friend, Denise Drysdale. The series debuted as the No. 1 podcast (All Categories) on Apple Podcast AU in March 2018. Jess also hosted Kidspot’s Mummy Mentors podcast series (2020). In addition to her anchor and journalist TV roles, Jess has been able to show her fun-loving nature in light entertainment TV roles.