DOCSLIB.ORG

EZ-200 Owner's Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EZ-200 Owner's Manual Owner’s Manual EN SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply This product may also use “household” type batteries. (adapter). DO NOT connect this product to any power sup- Some of these may be rechargeable. Make sure that the ply or adapter other than one described in the manual, on battery being charged is a rechargeable type and that the the name plate, or specifically recommended by Yamaha. charger is intended for the battery being charged. This product should be used only with the components When installing batteries, do not mix batteries with new, or supplied or; a cart, rack, or stand that is recommended by with batteries of a different type. Batteries MUST be Yamaha. If a cart, etc., is used, please observe all safety installed correctly. Mismatches or incorrect installation markings and instructions that accompany the accessory may result in overheating and battery case rupture. product. Warning: SPECIFICATIONS SUBJECT TO Do not attempt to disassemble, or incinerate any battery. CHANGE: Keep all batteries away from children. Dispose of used The information contained in this manual is believed to be batteries promptly and as regulated by the laws in your correct at the time of printing. However, Yamaha reserves area. Note: Check with any retailer of household type bat- the right to change or modify any of the specifications teries in your area for battery disposal information. without notice or obligation to update existing units. Disposal Notice: This product, either alone or in combination with an ampli- Should this product become damaged beyond repair, or fier and headphones or speaker/s, may be capable of pro- for some reason its useful life is considered to be at an ducing sound levels that could cause permanent hearing end, please observe all local, state, and federal regula- loss. DO NOT operate for long periods of time at a high tions that relate to the disposal of products that contain volume level or at a level that is uncomfortable. If you lead, batteries, plastics, etc. If your dealer is unable to experience any hearing loss or ringing in the ears, you assist you, please contact Yamaha directly. should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time NAME PLATE LOCATION: period before damage occurs. The name plate is located on the bottom of the product. The model number, serial number, power requirements, NOTICE: etc., are located on this plate. You should record the model Service charges incurred due to a lack of knowledge relat- number, serial number, and the date of purchase in the ing to how a function or effect works (when the unit is spaces provided below and retain this manual as a perma- operating as designed) are not covered by the manufac- nent record of your purchase. turer’s warranty, and are therefore the owners responsibil- ity. Please study this manual carefully and consult your dealer before requesting service. Model ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe Serial No. that our products and the production methods used to pro- duce them, meet these goals. In keeping with both the let- ter and the spirit of the law, we want you to be aware of the Purchase Date following: Battery Notice: This product MAY contain a small non-rechargeable bat- tery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a quali- fied service representative to perform the replacement. PLEASE KEEP THIS MANUAL 92-BP (bottom) OBSERVERA! Entsorgung leerer Batterien Apparaten kopplas inte ur växelströmskällan (nätet) så (nur innerhalb Deutschlands) länge som den ar ansluten till vägguttaget, även om själva Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte apparaten har stängts av. Batterien oder Akkumulatoren dürfen nicht in den ADVARSEL: Netspæendingen til dette apparat er IKKE Hausmüll. Sie können bei einer Sammelstelle für Altbatte- afbrudt, sålæenge netledningen siddr i en stikkontakt, som rien bzw. Sondermüll abgegeben werden. Informieren Sie er t endt — også selvom der or slukket på apparatets sich bei Ihrer Kommune. afbryder. (battery) VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko laitetta verkosta. (standby) 2 EZ-200 Owner’s Manual FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY other electronic devices. Compliance with FCC regula- THIS UNIT! tions does not guarantee that interference will not This product, when installed as indicated in the instruc- occur in all installations. If this product is found to be tions contained in this manual, meets FCC require- the source of interference, which can be determined by ments. Modifications not expressly approved by turning the unit “OFF” and “ON”, please try to eliminate Yamaha may void your authority, granted by the FCC, the problem by using one of the following measures: to use the product. Relocate either this product or the device that is being 2. IMPORTANT: When connecting this product to affected by the interference. accessories and/or another product use only high qual- Utilize power outlets that are on different branch (circuit ity shielded cables. Cable/s supplied with this product breaker or fuse) circuits or install AC line filter/s. MUST be used. Follow all installation instructions. Fail- In the case of radio or TV interference, relocate/reori- ure to follow instructions could void your FCC authori- ent the antenna. If the antenna lead-in is 300 ohm rib- zation to use this product in the USA. bon lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to If these corrective measures do not produce satisfac- comply with the requirements listed in FCC Regula- tory results, please contact the local retailer authorized tions, Part 15 for Class “B” digital devices. Compliance to distribute this type of product. If you can not locate with these requirements provides a reasonable level of the appropriate retailer, please contact Yamaha Corpo- assurance that your use of this product in a residential ration of America, Electronic Service Division, 6600 environment will not result in harmful interference with Orangethorpe Ave, Buena Park, CA90620 other electronic devices. This equipment generates/ The above statements apply ONLY to those products uses radio frequencies and, if not installed and used distributed by Yamaha Corporation of America or its according to the instructions found in the users man- subsidiaries. ual, may cause interference harmful to the operation of * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) ● COPYRIGHT NOTICE q Nine of the demo-songs (or compositions) included in this key- Since U Been Gone board are as follows: •Words and Music by Martin Sandberg and Lukasz Gottwald Bad Day • Copyright © 2004 by Miratone AB and Kasz Money Publishing •Words and Music by Daniel Powter • All Rights for Miratone AB in the world Administered by Zomba • Copyright © 2006 by Song 6 Music Music Publishers Ltd. • All Rights Administered by Ensign Music LLC • All Rights for Zomba Music Publishers Ltd. in the U.S. Adminis- • International Copyright Secured All Rights Reserved tered by Zomba Enterprises, Inc. • International Copyright Secured All Rights Reserved Dancing Queen • from MAMMA MIA! You’re Beautiful •Words and Music by Benny Andersson, Bjorn Ulvaeus and Stig •Words and Music by James Blunt, Sacha Skarbek and Amanda Anderson Ghost • Copyright © 1977 UNION SONGS MUSIKFORLAG AB •© 2005 EMI MUSIC PUBLISHING LTD., UNIVERSAL • Copyright Renewed MUSIC PUBLISHING LTD. and BUCKS MUSIC LTD. • All Rights in the United States and Canada Controlled and • All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Administered by UNIVERSAL — SONGS OF POLYGRAM Canada Controlled and Administered by EMI BLACKWOOD INTERNATIONAL, INC. and EMI GROVE PARK MUSIC, INC. MUSIC INC. • All Rights Reserved Used by Permission • All Rights for UNIVERSAL MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by UNIVERSAL Daughters — SONGS OF POLYGRAM INTERNATIONAL, INC. •Words and Music by John Mayer • All Rights for BUCKS MUSIC LTD. in the U.S. Administered by • Copyright © 2003 Specific Harm Music (ASCAP) DAVID PLATZ MUSIC (USA) INC. • International Copyright Secured All Rights Reserved • All Rights Reserved International Copyright Secured Used by Fallin’ Permission •Words and Music by Alicia Keys Your Song •© 2001 EMI APRIL MUSIC INC. and LELLOW PRODUC- •Words and Music by Elton John and Bernie Taupin TIONS • Copyright © 1969 UNIVERSAL/DICK JAMES MUSIC LTD. •All Rights Controlled and Administered by EMI APRIL MUSIC INC. • Copyright Renewed • All Rights Reserved International Copyright Secured Used by • All Rights in the United States and Canada Controlled and Permission Administered by UNIVERSAL — SONGS OF POLYGRAM Hey Jude INTERNATIONAL, INC. •Words and Music by John Lennon and Paul McCartney • All Rights Reserved Used by Permission • Copyright © 1968 Sony/ATV Songs LLC • Copyright Renewed w One of the demo-songs (or compositions) included in this key- • All Rights Administered by Sony/ATV Music Publishing, board is as follows: 8 Music Square West, Nashville, TN 37203 Composition Title : Just The Way You Are • International Copyright Secured All Rights Reserved Composer’s Name : Joel 0273671 Linus And Lucy Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD • By Vince Guaraldi •Copyright © 1965 LEE MENDELSON FILM PRODUCTIONS, INC. CAUTION: All Rights Reserved, Unauthorized copying, public per- • Copyright Renewed formance and broadcasting are strictly prohibited regarding the above • International Copyright Secured All Rights Reserved ten demo-songs. EZ-200 Owner’s Manual 3 PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep this manual in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injur y or even death from electrical shock, short-circuiting, damages, fire or other hazards.
Load more

Recommended publications
  • Ancho Manual V69 1 Full Page for PDF.Pub
    Ancho Owner’s Manual Manual #980021 Application Version - V69 • Internal Source - Preloaded Music • CD Drive • CompactFlash Card Reader • MP3 Music File Playback - Auto Detects Audio or Pianomation • Complete Control From the Front Panel’s Rotary Dial • Recording Capabilities - Optional Record Strip Required • Internal Soundcard • 20 Character Display • NetPiano Playback Capability - Subscription Service Required MPE files are no longer supported. Ancho will still recognize MP3 files and now automatically detect any left channel QRS AMI signal and direct it to Pianomation to trigger the keys. QRS Music Technologies, Inc. Warnings FCC INFORMATION 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the Installation Manual, meets FCC requirements. Modifications not expressly approved by QRS Music Technologies, Inc. may void your authority, granted by the FCC, to use this product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cables supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the United States of America. 3. NOTE: This product has been tested and found to comply with the requirements listed in the FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the Installation Manual, may cause interference harmful to the operation of other electronic devices.
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • Petine Manual V69 1 Full Page for PDF.Pub
    Petine Owner’s Manual Manual #990021 Application Version 69 • Internal Source - Preloaded Music • CD Drive • CompactFlash Card Reader • MP3 Music File Playback - Auto Detects Audio or Pianomation • Complete Control From the Front Panel’s Rotary Dial • Recording Capabilities - Optional Record System Required • NetPiano Playback Capability - Subscription Service Required • Internal Soundcard - Optional MPE files are no longer supported. Petine will still recognize MP3 files and now automatically detect any left channel QRS AMI signal and direct it to Pianomation to trigger the keys. QRS Music Technologies, Inc. Warnings FCC INFORMATION 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the Installation Manual, meets FCC requirements. Modifications not expressly approved by QRS Music Technologies, Inc. may void your authority, granted by the FCC, to use this product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cables supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the United States of America. 3. NOTE: This product has been tested and found to comply with the requirements listed in the FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the Installation Manual, may cause interference harmful to the operation of other electronic devices.
    [Show full text]
  • CP70II User Guide
    6/6/10 Page 1 INTRODUCTION Thank you for purchasing the Hollow Sun Definitive CP70II. It features samples from possibly the ultimate electric piano with bonus sounds from other classic EPs. ABOUT THE PIANOS The Yamaha CP70 electric grand piano was a miniature grand piano. It used fewer and shorter strings thus allowing a smaller frame to be used. Yamaha claimed it was ‘portable’ but at 313lbs, you needed at least two fairly burly blokes to transport it! It made a great sound and has been played by a host of eminent keyboard players. It was a signature sound of Tony Banks in the later years of Genesis and the band Keane revived the sound as a prominent feature in their music in their early days but other players include Peter Gabriel, Phil Collins, Abba, U2, Simple Minds, George Duke, Bruce Hornsby, Jeff Lorber and many, many others. In its time, the Wurlitzer EP200 was the only serious alternative to the Rhodes electric piano and found fame with bands such as the Small Faces, Supertramp and many, many others. Generally, it tended to be more popular in the UK than elsewhere where the Rhodes was favoured (especially in ‘jazzier’ circles). Like the Rhodes, the sound was created by a hammer hitting small flat ‘reeds’. The vibration of these reeds was turned into an electrical signal using an electrostatic pickup going to a mono output. The sound is not dissimilar to a Rhodes but has a brighter, more aggressive quality to it (exaggerated in Supertramp's hit ‘Dreamer’). The Hohner Pianet came from the same stable as the renowned Clavinet.
    [Show full text]
  • Augsome Karaoke Song List Page 1
    AUGSome Karaoke Song List 44 - When Your Heart Stops Beating 112 - Come See Me 112 - Cupid 112 - Dance With Me 112 - It's Over Now 112 - Only You 112 - Peaches And Cream 112 - U Already Know 311 - All Mixed Up 311 - Amber 311 - Beyond The Gray Sky 311 - Creatures (For A While) 311 - Don't Tread On Me 311 - Down 311 - First Straw 311 - Hey You 311 - I'll Be Here Awhile 311 - Love Song 311 - You Wouldn't Believe 411 - Dumb 411 - On My Knees 411 - Teardrops 702 - Get It Together 702 - I Still Love You 702 - Steelo 702 - Where My Girls At 911 - All I Want Is You 911 - How Do You Want Me To Love You 911 - Little Bit More, A 911 - More Than A Woman 911 - Party People (Friday Night) 911 - Private Number 1927 - That's When I Think Of You 1975 - Chocolate 1975 - City 1975 - Love Me 1975 - Robbers 1975 - Sex 1975 - Sound 1975 - Ugh 1 Giant Leap And Jazz Maxi - My Culture 10 Years - Beautiful 10 Years - Through The Iris 10 Years - Wasteland 10,000 Maniacs - Because The Night 10,000 Maniacs - Candy Everybody Wants 10,000 Maniacs - Like The Weather 10,000 Maniacs - More Than This 10,000 Maniacs - These Are The Days 10,000 Maniacs - Trouble Me 100 Proof Aged In Soul - Somebody's Been Sleeping Page 1 AUGSome Karaoke Song List 101 Dalmations - Cruella de Vil 10Cc - Donna 10Cc - Dreadlock Holiday 10Cc - I'm Mandy 10Cc - I'm Not In Love 10Cc - Rubber Bullets 10Cc - Things We Do For Love, The 10Cc - Wall Street Shuffle 112 And Ludacris - Hot And Wet 12 Gauge - Dunkie Butt 12 Stones - Crash 12 Stones - We Are One 1910 Fruitgum Co.
    [Show full text]
  • PC2 Classic Keys User's Guide
    PC2 Classic Keys User’s Guide The Classic Keys ROM option equips your PC2 with authentic reproductions of “vintage” keyboard sounds, which over the years have become essential to the modern keyboardist. The PC2 Classic Keys ROM contains samples of the following instruments: Hohner Clavinet (Treble Pickup Setting and Release Thump), Mellotron (Strings, Choir and Flute) ARP Solina String Ensemble, Hohner Pianet, Yamaha CP-80 Electric Grand Piano (Soft and Hard Strikes), and RMI Electra-Piano (Piano, Harpsi and Accenter). Classic Keys also makes use of the PC2 base ROM samples, and includes new “vintage” Rhodes, Wurlitzer and KB3 programs. Each program in this set was created using high-quality audio samples as a starting point. The PC2’s synthesis engine allowed us to apply a variety of powerful sound-sculpting tools, which included velocity layers and cross- fades, envelopes, FUNs and LFOs. The finishing touches were added with the PC2’s effects engine, which utilizes the same technology as our acclaimed KDFX (for the K2500/K2600 keyboards) and our award-winning KSP8 pro- cessor. Effects pedals, speaker cabinets and recording techniques have all been faithfully replicated, giving the Classic Keys programs a level of detail and realism never before achieved in any “vintage” keyboard emulation. We were able to precisely recreate the timbres from many live and studio recordings, which have helped define the “vintage” sound. Therefore, a number of the program names in Classic Keys have been derived from song titles and not keyboard model numbers. We have included a detailed chart, which lists the controller assignments for each program and setup.
    [Show full text]
  • 4Th Street Bowl Songbook
    4th Street Bowl Songbook 10 Years - Wasteland (4:12) 3 Doors Down & Bob Seger wvocal - Landing In London 10 Years - Wasteland (4:03) (4:32) 10 Years - Through The Iris (3:31) 3 Doors Down (Vocal) - Landing In London (4:36) 10 Years (Vocal) - Wasteland (4:03) 3 Doors Down (Vocal) - Live For Today (3:53) 10 Years (Vocal) - Through The Iris (3:31) 3 Doors Down (Vocals) - When I'm Gone (4:29) 10 Years Wvocal - Wasteland (4:12) 3 Doors Down (Vocals) - Here Without You (4:08) 10,000 Maniacs - Like The Weather (4:06) 3 Doors Down Wvocal - It's Not My Time (4:08) 10,000 Maniacs - Candy Everybody Wants (3:13) 3 Doors Down Wvocal - Let Me Be Myself (3:57) 10,000 Maniacs - Because The Night (3:39) 3 Doors Down Wvocal - Citizen Soldier (4:01) 10CC - I'm Not In Love (4:40) 3 Doors Down Wvocal - Behind Those Eyes (4:23) 10CC - Dreadlock Holiday (5:05) 3 S L - Take It Easy (3:32) 10CC - The Things We Do For Love (3:19) 30 Seconds To Mars - Kings And Queens (5:59) 10Cc - I'm Not In Love (5:11) 30 Seconds To Mars - Kill (4:03) 10Cc - Dreadlock Holiday (4:35) 30 Seconds To Mars (Vocal) - Kill (4:03) 10Cc - Rubber Bullets (5:05) 311 - Lovesong (3:32) 10Cc - I'm Mandy (5:08) 311 - Hey You (3:55) 112 - U Already Know (3:35) 311 - Beyond The Gray Sky (3:57) 112 - U Already Know with vocals (3:35) 311 - Amber (3:05) 112 - Peaches and Cream (2:43) 311 Wvocal - Hey You (3:55) 112 - Cupid (4:33) 3Oh!3 - Don't Trust Me (3:34) 12 Stones - We Are One (3:31) 3Oh!3 - Starstrukk (3:13) 12 Stones - Far Away (3:24) 3Oh!3 - Dont Trust Me (3:33) 12 Stones Wvocal - We Are
    [Show full text]
  • HUCK & the Xander Band
    [email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 224 March Oxford’s Music Magazine 2014 DesertGet in the Stormback of the van! Oxford’s mightiest rock warriors talk tour vans and toilet etiquette Also in this issue OXFORD DUPLICATION CENTRE [email protected] Festival line-ups announced: Office: 01865 457000 Mobile: 07917 775477 SIMPLE MINDS and GEORGIE FAME for Supporting Oxfordshire Bands with CORNBURY Affordable Professional CD Duplication CRIBS and WHITE LIES for TRUCK FANTASTIC BAND RATES BURT BACHARACH and METRONOMY for ON ALL SERVICES Professional Thermal Printed CDs WILDERNESS Full Colour/Black & White plus Silver or White Discs Design Work Support Introducing BETA BLOCKER & THE BODY Digital Printing Packaging Options CLOCK Fulfilment and all your local music news, reviews, Recommended by Matchbox Recordings Ltd, Poplar Jake, Undersmile, Desert Storm, Turan Audio Ltd, Nick Cope, Prospeckt, Paul Jeffries, Alvin previews and gig guide. Roy, Pete The Temp, Evolution, Coozes, Blue Moon and many more... NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 photo:Giulia Biasibetti was to provide Oxford with a fantastic storyteller Richard Digance plays annual jazz festival, and throughout Tiddy Hall on April 26th. For more our five years, we managed to bring details on the club, visit some fabulous names to Oxford to www.wychwoodfolkclub.com perform in some of the city’s finest NEWS spaces. Our stated aim – to provide LOCAL MUSIC BLOG ONE Nightshift: PO Box 312, Kidlington, OX5 1ZU inspiring jazz performances within NOTE FOREVER has signed Phone: 01865 372255 email: [email protected] the less-seen spaces of Oxford – was Birmingham-based shoegazers accomplished, with performances Mutes to its fledgling record label, Online: nightshift.oxfordmusic.net from as varied a cast from Soweto following on from the label’s debut Kinch to Norma Winstone, within release by ToLiesel last year.
    [Show full text]
  • Thestorybehindthene2 Helvetica
    The Story behind the Nord Electro Fender, Rhodes, Wurlitzer, Hohner, Clavinet, Hammond, Leslie and Yamaha are trademarks of their respective owners and are not affiliated or associated with Clavia. These trademarks are mentioned only to describe the types of sounds reproduced in the Nord Electro. What is an ”electromechanical” instrument? 6 How does an electromechanical pick-up work? 6 The Electro organ section 7 The Electro piano section 17 Rhodes electric pianos 17 The Wurlitzer EP 26 The Hohner Clavinet 31 The Yamaha CP-70/80 35 Clavia Electric Grand 37 The Nord Electro 39 Book suggestions 43 Web suggestions 43 index Music suggestions 43 The Story The story behind the Electro instruments The Nord Electro is a stage keyboard focused on vintage instrument sounds – specifically, sounds from popular electromechanical keyboards produced from the ’50s to the ’70s. These instruments are no longer in production, but they continue to play a remarkably important role in music today. In this book, we will focus on these instruments. For those of you who aren’t familiar with these instruments, we will give you a description of the principals of each instrument and its basic design theory, as well as short histories of the instruments. For all of you interested in digging even deeper into these instruments, we will recommend some nice literature to read further about them (see the end of this book). page 5 The Rhodes pick-up system What is an ’electromechanical’ instrument? One in which some sort of electric pick-up system, either electromagnetic or electrostatic, detects and amplifies certain mechanical movements.
    [Show full text]
  • Kurzweil PCR-2 Classic Keys Expansion Board for the PC1 User’S Guide
    Kurzweil PCR-2 Classic Keys Expansion board for the PC1 User’s Guide November 7,2005 TM ©2005 All rights reserved. Kurzweil is a product line of Kurzweil Co., Ltd; Kurzweil, PC1 and KDFX are trademarks of Kurzweil Co., Ltd. All other products and brand names are trademarks or registered trademarks of their respective companies. Product features and specifications are subject to change without notice. Part Number: 910411 Rev. C Kurzweil International Contacts Contact the nearest Kurzweil office listed below to locate your local Kurzweil representative. Kurzweil Co., Ltd. 178-353 Gajwa-dong Seo-gu, Incheon, Korea Tel: 82-32-580-1500 Fax: 82-32-584-4863 A N D Music Corp. 10107 S. Tacoma Way, A3 Lakewood, WA 98499, USA Tel: (253) 589-3580 Fax: (253) 589-3585 Young Chang Canada Corp. 250 Victoria Park Ave. Suite # 105 Toronto, Ontario Canada M2H 3P7 Tel: (905) 948-8052 Official distributors in other countries are listed on our website. World Wide Web Home Page: http://www.kurzweilmusicsystems.com This User’s Guide is valid for both the 88-key PC1x and the 61-key PC161 models. For statements that apply equally to both models, the generic name, PC1, will be used. Otherwise the specific model name, either PC1x or PC161, will be used. PC1 Classic Keys User’s Guide PC1 Classic Keys User’s Guide The Classic Keys ROM option equips your PC1 with authentic reproductions of “vintage” keyboard sounds, which over the years have become essential to the modern keyboardist. The PC1 Classic Keys ROM contains samples of the following instruments: Hohner Clavinet (Treble Pickup Setting and Release Thump), Mellotron (Strings, Choir and Flute) ARP Solina String Ensemble, Hohner Pianet, Yamaha CP-80 Electric Grand Piano (Soft and Hard Strikes), and RMI Electra-Piano (Piano, Harpsi and Accenter).
    [Show full text]
  • Songs by Artist
    Nice N Easy Karaoke Songs by Artist Bookings - Arie 0401 097 959 10 Years 50 Cent A1 Through The Iris 21 Questions Everytime 10Cc Candy Shop Like A Rose Im Not In Love In Da Club Make It Good Things We Do For Love In Da' Club No More 112 Just A Lil Bit Nothing Dance With Me Pimp Remix Ready Or Not Peaches Cream Window Shopper Same Old Brand New You 12 Stones 50 Cent & Olivia Take On Me Far Away Best Friend A3 1927 50 Cents Woke Up This Morning Compulsory Hero Just A Lil Bit Aaliyah Compulsory Hero 2 50 Cents Ft Eminem & Adam Levine Come Over If I Could My Life (Clean) I Don't Wanna 2 Pac 50 Cents Ft Snoop Dogg & Young Miss You California Love Major Distribution (Clean) More Than A Woman Dear Mama 5Th Dimension Rock The Boat Until The End Of Time One Less Bell To Answer Aaliyah & Timbaland 2 Unlimited 5Th Dimension The We Need A Resolution No Limit Aquarius Let The Sun Shine In Aaliyah Feat Timbaland 20 Fingers Stoned Soul Picnic We Need A Resolution Short Dick Man Up Up And Away Aaron Carter 3 Doors Down Wedding Bell Blues Aaron's Party (Come And Get It) Away From The Sun 702 Bounce Be Like That I Still Love You How I Beat Shaq Here Without You 98 Degrees I Want Candy Kryptonite Hardest Thing The Aaron Carter & Nick Landing In London I Do Cherish You Not Too Young, Not Too Old Road Im On The Way You Want Me To Aaron Carter & No Secrets When Im Gone A B C Oh, Aaron 3 Of Hearts Look Of Love Aaron Lewis & Fred Durst Arizona Rain A Brooks & Dunn Outside Love Is Enough Proud Of The House We Built Aaron Lines 3 Oh 3 A Girl Called Jane Love Changes
    [Show full text]
  • K2600 Vintage Electric Pianos User's Guide
    K2600 Vintage Electric Pianos User’s Guide The Vintage Electric Pianos ROM option equips your K2600 with the classic electric piano sounds that are vital to any modern key- board player. While some electric piano sounds have remained obscure vintage gems, others have attained a level of importance to the keyboardist comparable to that which the Fender Stratocaster or Gibson Les Paul has for the modern guitarist. Program slots have been assigned and organized for optimum usefulness. The instruments represented in this set are: Fender Rhodes Electric Piano, Wurlitzer Electric Piano, Hohner Pianet, Yamaha CP-80 Electric Grand Piano, and the RMI Electra-Piano. Each program was created using high-quality audio samples of electric pianos as a starting point. The sounds were then processed using Kurzweil’s V.A.S.T. synthesis engine. This allowed us to apply powerful filters, velocity layers and cross-fades, envelopes and a host of other sound-sculpting tools. In some cases, samples from the K2600’s base-ROM were also used in combination with the Vintage EPs samples in order to add a certain flavor or to enhance the harmonic content of the sound. The final stage of sound-shaping was done in KDFX, our massive effects processing engine. KDFX played a crucial role in making this a truly ground-breaking project, providing on-board effects unprecedented in both quantity and quality. Effects pedals, speaker cabi- nets, and recording techniques have all been faithfully replicated, giving the Vintage EPs programs a level of detail and realism never before achieved in any electric piano emulation.
    [Show full text]