Electric Keys User Guide
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Ancho Manual V69 1 Full Page for PDF.Pub
Ancho Owner’s Manual Manual #980021 Application Version - V69 • Internal Source - Preloaded Music • CD Drive • CompactFlash Card Reader • MP3 Music File Playback - Auto Detects Audio or Pianomation • Complete Control From the Front Panel’s Rotary Dial • Recording Capabilities - Optional Record Strip Required • Internal Soundcard • 20 Character Display • NetPiano Playback Capability - Subscription Service Required MPE files are no longer supported. Ancho will still recognize MP3 files and now automatically detect any left channel QRS AMI signal and direct it to Pianomation to trigger the keys. QRS Music Technologies, Inc. Warnings FCC INFORMATION 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the Installation Manual, meets FCC requirements. Modifications not expressly approved by QRS Music Technologies, Inc. may void your authority, granted by the FCC, to use this product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cables supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the United States of America. 3. NOTE: This product has been tested and found to comply with the requirements listed in the FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the Installation Manual, may cause interference harmful to the operation of other electronic devices. -
What's It Like to Be Black and Irish?
“What’s it like to be black and Irish?” “Like a pint of Guinness.” The above quote is taken from an interview with Phil Lynott, the charismatic lead singer of the Celtic rock band Thin Lizzy, on Gay Byrne’s ‘The Late Late Show’. Lynott’s often playful and bold responses to such questions about his identity served to mask his overwhelming feelings of insecurity and ambivalent sense of belonging. As an illegitimate black child brought up in the 1950s in a strict Catholic family in Crumlin, a working-class district of Dublin, Lynott was seen to have a “paradoxical personality” (Bridgeman, qtd. in Thomson 4): his upbringing imbued him “with an acute sense of national and gender identity” (Smyth 39), yet his skin color and illegitimacy made him the target of racial and social abuse in a predominantly white and conservative Ireland. For Lynott, becoming a rockstar offered an opportunity to reinvent himself and be whoever he wanted to be. While he played up to the rock and roll lifestyle in which he was embedded, Lynott is often considered to have been a man trapped inside a caricature (Thomson 301). Geldof (qtd. in Putterford 182) believes that this rocker persona was Lynott’s ultimate downfall and led to his untimely death at just 36 years of age in 1986. For all his swagger and bravado, behind the mask, Lynott was a troubled, young man searching for a place to belong. While many books have been written about the life of Phil Lynott (e.g. Putterford; Lynott; Thomson), few have drawn attention to the notion of identity and the way in which music provided Lynott with an outlet to explore his self. -
Midge Ure (Ultravox)
MUSIC He took us to Vienna, fed the world and now Ultravox frontman Midge Ure is back, writes Sally Browne SPARK t had never really been done before. ‘‘Synthpop’’ and ‘‘ballad’’ were two BURNS words that just didn’t go together. I But in 1981 UK band Ultravox released a single that would become a worldwide hit. It was called Vienna and it combined the grandeur of grand piano and strings with haunting, spare synthesiser beats. The song captured a generation, stayed for a month at No. 2 on the UK charts and was awarded Single of the Year at the Brit Awards for 1981. The video, filmed in its namesake Vienna, also set the trend for music videos to come. It was shot by noted Australian director Russell Mulcahy, who also made classic videos for acts including Duran Duran, Elton John, Culture Club, Bonnie Tyler and Queen. Dramatic and cinematic, the film clip for Vienna was reminiscent of noir film The Third Man, set in spy-filled post-war Austria and starring Orson Welles. The young Scotsman who had penned the lyrics to the unusual song had never been to Vienna until that time. ‘‘It wasn’t until we actually went to the city, I realised that what I’d imagined in my head was kind of real, this decaying Still playing: Ultravox elegance, this beautiful city,’’ Midge Ure frontman Midge Ure has a new says today. album after all these years. The band had taken a big risk to shoot the video there. They took out a loan of 7000 pounds to fund it. -
Midge Ure OBE
Midge Ure OBE Musician and Co-organiser of Band Aid, Live Aid and Live 8 "An arst who has received Ivor Novello, Grammy, BASCAP awards along with a flolla of gold and planum records, needs very lile introducon" 1984 was an historic year for Midge Ure and all of pop music, as 36 arsts by the collecve name Band Aid gathered at SARM Studios under Midge's producon. They recorded Do They Know It's Christmas?, a song he wrote with Bob Geldof. The project led to Live Aid, which all exaggeraon aside, spoke for a generaon. TOPICS: IN DETAIL: Achieving the Impossible Midge organised the Live 8 concerts with Bob Geldof, with the aim of pressuring Re-inventing Yourself G8 leaders into following his recipe for ending world poverty. In 2005 he was Self-motivation made an Officer of the Order of the Brish Empire (OBE) for services to music Making a Difference and charity. Implementing Change Leadership and Teamwork WHAT HE OFFERS YOU: What Live 8 Means to the World The Band Aid/Live Aid Experience Midge shares his invaluable experiences of working with top creave minds in oen pressurised condions to achieve astoundingly innovave results. He offers LANGUAGES: first hand insights into the creave process and how to get the best from talented individuals and how to stay at the top. Midge presents in English. HOW HE PRESENTS: PUBLICATIONS: A charismac and affable personality, Midge speaks emoonally and openly in his 2004 If I Was-My Autobiography moving presentaons. He is also a fantasc storyteller, leaving audiences well and truly inspired and entertained. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Gardner Beats Rival in Mayoral Election
Today's A four-star weather: All-American Mostly sunny. newspaper Highs in the low 60s. Vol. 115 No. 23 Student Center, University of Delaware, Newark, Delaware 19716 Friday,Apri114, 1989 Gardner beats rival ·Plus/ • in mayoral election ffilllUS by Wendy Pickering paign finished. "I'll be a long time forgetting Staff Reporter "Quite frankly, I'm not as it," he added. "The loss was slated happy tonight as I could be deserved." City Councilman Ron because I'm still a little miffed But Miller said Tuesday Gardner (District 5) swept the and disgusted over what has night that he does not harbor Newark mayoral elections happened in the last week," bl;ld feelings about the cam for '90 Tuesday with 2,024 votes, Gardner said. paign. Harold F. Godwin easily defeating rival Councilman Ed Miller had recently accused "It was a hard-fought race defeated university math pro Miller (District 3) by a margin Gardner of paying transfer and I look forward to working fessor David L. Colton with by Kathy Hartman of more than 2-to-1. taxes only on the land where he with Mr. Gardner on the 800 votes to 3 10. · Staff Reporter University student Scott built his house and taking a Council,~' Miller said. Godwin said he has an A tentative date of fall 1990 Feller (AS 90) grabbed only 55 consultant job with the builder, The race for City Council, in aggressive agenda facing him has been set for the implementa votes. causing a "conflict of interest." District 1 was uneventful in and is anxious to begin work. -
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University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts. -
Petine Manual V69 1 Full Page for PDF.Pub
Petine Owner’s Manual Manual #990021 Application Version 69 • Internal Source - Preloaded Music • CD Drive • CompactFlash Card Reader • MP3 Music File Playback - Auto Detects Audio or Pianomation • Complete Control From the Front Panel’s Rotary Dial • Recording Capabilities - Optional Record System Required • NetPiano Playback Capability - Subscription Service Required • Internal Soundcard - Optional MPE files are no longer supported. Petine will still recognize MP3 files and now automatically detect any left channel QRS AMI signal and direct it to Pianomation to trigger the keys. QRS Music Technologies, Inc. Warnings FCC INFORMATION 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the Installation Manual, meets FCC requirements. Modifications not expressly approved by QRS Music Technologies, Inc. may void your authority, granted by the FCC, to use this product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cables supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the United States of America. 3. NOTE: This product has been tested and found to comply with the requirements listed in the FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the Installation Manual, may cause interference harmful to the operation of other electronic devices. -
Dear Lt. Governor
Vol. 9 FEBRUARY 2017 — issue 2 iNSIDE: the first 11 days - IS IT LOVE OR JUST SICK IN THE HEAD - dear lt. governor - trumps America - first loves - MARTIAN POTATOES - hydro- gen jukebox - the whole 30 - creep in chief - MIDGE URE - SEVEN MINUTES - JASON DIVIDED - record reviews - concert calendar The first 11 days It has been a very interesting first eleven days in the presidency of Donald J. Trump. His executive orders have set the stage for removing insurance from 20 million Americans and making it impossible for the 979Represent is a local magazine uninsured with pre-existing conditions to obtain insur- for the discerning dirtbag. ance; the border wall between Mexico and the United States will be built but instead of Mexico paying for it, Americans will pay for it with a 20% tax on Mexican Editorial bored goods; America will no longer accept refugees from Syria, Libya, Iraq, Iran, Somalia, Sudan, and Yemen; he Kelly Minnis - Kevin Still has removed career military and intelligence officers from the National Security Council in favor of his non- veteran non-spook fake news cronies; any new federal Art Splendidness regulation must come with the abolishment of two Katie Killer - Wonko The Sane others; the Keystone XL and Dakota Access pipelines will proceed as planned through native and national park land; America will withdraw from the Trans-Pacific Folks That Did the Other Shit For Us Partnership Deal and renegotiate NAFTA; the so-called “Mexico City Policy” for enforcing bans on federal funds Creepy horse - BILL DANIELS - MIKE L. DOWNEY - Jorge to foreign groups that perform, lobby for, or even know goyco - TODD HANSEN - JESSICA LITTLE - rented mule - how to spell the word “abortion”; and the hits will keep Joshua siegel - STARKNESS coming. -
CP70II User Guide
6/6/10 Page 1 INTRODUCTION Thank you for purchasing the Hollow Sun Definitive CP70II. It features samples from possibly the ultimate electric piano with bonus sounds from other classic EPs. ABOUT THE PIANOS The Yamaha CP70 electric grand piano was a miniature grand piano. It used fewer and shorter strings thus allowing a smaller frame to be used. Yamaha claimed it was ‘portable’ but at 313lbs, you needed at least two fairly burly blokes to transport it! It made a great sound and has been played by a host of eminent keyboard players. It was a signature sound of Tony Banks in the later years of Genesis and the band Keane revived the sound as a prominent feature in their music in their early days but other players include Peter Gabriel, Phil Collins, Abba, U2, Simple Minds, George Duke, Bruce Hornsby, Jeff Lorber and many, many others. In its time, the Wurlitzer EP200 was the only serious alternative to the Rhodes electric piano and found fame with bands such as the Small Faces, Supertramp and many, many others. Generally, it tended to be more popular in the UK than elsewhere where the Rhodes was favoured (especially in ‘jazzier’ circles). Like the Rhodes, the sound was created by a hammer hitting small flat ‘reeds’. The vibration of these reeds was turned into an electrical signal using an electrostatic pickup going to a mono output. The sound is not dissimilar to a Rhodes but has a brighter, more aggressive quality to it (exaggerated in Supertramp's hit ‘Dreamer’). The Hohner Pianet came from the same stable as the renowned Clavinet. -
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb. -
Smash Hits Volume 8
1 ia^C^—... i ,<M March22-April419. 50 albums 25p to be won ,t|Vf. ^A Heart Thin Lizz akeYour *i ' 1 AND -< ' ... ! I Skids m 3' & Sira PLUS -f IN Chic J*SNAVY Rob Wake 9in Tom *o om yoor d,m. AND Bee Gee; in colon — ^~ ~ T* r u. Imperial Wizard By David Essex on Mercury Records Free the people don't make 'em wait Pity the people don't make a mistake Let go your press JJjen undo your press gangs Hold up your headTMgh make one honest stand Chorus , "^ 'Cos you know what they want And you're here for the grace of God. You send your generals to the front Any uprising will succumb to your guns. You took free speech from the people that spoke Hungary* is hungry and the people are broke Impjnlf fwizard salt mine king What ffntl of state of mind must your state be in Chorus mice Too many people don't feel like they're free Your high ideals look the lowest to me' Open your window let the sun shine on in There's more to living than killing, killing, killing . Chorus repeat to fade Words and music by David Essex. Reproduced by kind permission Imperial Songs. 2 SMASH HITS 4Way frefL '.fW tfo»L yOU e |5 a eoY ^ AP ri lViess 9 n s&s?*^2 BUZ*' Oeov^ pa9eS ^s d** » t Nee MK'\9] 0/2\ >aQeS 2 - '&$" '<< ' > C ? crt\99 sit,'- < Ceovo CW\C ao?StteW IX \ i V O ; iStffe V«S doSF ,s*> to" a* rr>a eet ,viet ^»fC S St* ^<?^s^^&tt#ess oeV EjtiW ntec i;^ffi#8Sis ,??&: ^%;^'s-'"?iS&" Use P^^ SMASH HITS 3 FRANKIE MILLER ^FALLING IN LOVE** Latest Album Available Now CHR1220 IncludesThe Singles 'GOODTO SEE YOU' D4RJN' and WHEN I'M AWAYFROMTCXJ also available on cassette **0.