Whatever Happened to John Drake? Patrick Mcgoohan, Secret Agent, the Prisoner, and World Civilization As the Village
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Whatever Happened to John Drake? Patrick Mcgoohan, Secret Agent, the Prisoner, and World Civilization As the Village
WHATEVER HAPPENED TO JOHN DRAKE? PATRICK MCGOOHAN, SECRET AGENT, THE PRISONER, AND WORLD CIVILIZATION AS THE VILLAGE. PDF, EPUB, EBOOK David Lemmo | 84 pages | 02 Oct 2019 | Blurb | 9780368818448 | English | none Whatever Happened to John Drake? Patrick McGoohan, Secret Agent, the Prisoner, and World Civilization as the Village. PDF Book Es wendet sich an alle Ärzte, die beatmete neurologische Patienten betreuen, wie Neurologen, Anästhesisten, Internisten, Pneumologen, Intensivmediziner, Schlafmediziner und Palliativmediziner. In: Weltspiegel. In dieser Phase, wo der Absatzmarkt keinen Engpaßfaktor darstellte, war die Bundesrepublik Deutschland im internationalen Vergleich ein großer und preisgünstiger "Selbstbedienungsladen", der gern genutzt wurde. Erst der Berliner Student Ben Hoppe, Schlüsselfigur und Bindeglied zwischen historischer Vergangenheit und Gegenwart, findet 1985 einen Hinweis auf dieses Versteck. Sie benötigen eine Prickelnadel und eine Filzunterlage, und das Basteln kann beginnen. Das Buch stellt diese Techniken für herkömmliche Parallelrechner und für neuartige Plattformen umfassend dar. Die Traume von heute die Realitat von morgen sein. Das gemeinsame Schicksal schweißt die drei Jugendlichen zusammen, doch Misstrauen und Eifersucht drohen ihre Freundschaft zu zerstören. Der Vorstellung der wesentlichen Konzepte folgt eine systematische Darstellung der vorhandenen Modellierungstechniken. differenziert dargestellt. Der Kampf zwischen Leon und Lexon endete in einem Unentschieden. "Dein Vater hatte keine Jugend. Im zweiten -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Feature Film Credits______
PAUL D. PATTISON : MAKE UP ARTIST / WIG MAKER MAIN FEATURES PTY LTD cell: 0417 367 103 / email: [email protected] UK.PASSPORT HOLDER ACADEMY AWARD WINNER “BRAVEHEART’ B.A.F.T.A. NOMINEE “BRAVEHEART” EMMY NOMINEE “IKE THUNDER IN JUNE” Member of the ACADEMY OF TELEVISION ARTS & SCIENCES PAUL HAS PERSONALLY ATTENDED TO Angelina Jolie, Russell Crowe, Kelly Mcgilles, Nick Nolte, Sir Anthony Hopkins, Jason Scott Lee, Radha Mitchell, Sean Bean Mathew Modine, Judy Davis, Cole Hauser, Clive Owen, Freddie Prince Junior, Pete Postlethwaite, Rowan Atkinson, Tom Selleck, Dougray Scott, Poppy Montgomery, Kirstie Alley, Patrick Dempsey, Anne Margaret, Patrick Stewart, Miranda Otto, Mary Steenburgen, Olivier Martinez, Chris Odonnell, Jackie Chan, Guy Pearce, Jon Voight, Alfred Molina, Sigrid Thornton, Richard Roxborough, Micheal York, Sarah Michelle Gellar, Gregory Peck To Name A Few. FEATURE FILMS Solomon Kane Monkeys Mask Mission Top Secret Dying Breed Mission Impossible II The Nostradamus Kid Blood & Chocolate Nice Guy Wind Silent Hill Dear Walter, Dear Claudia Spotswood Eucalyptus Praise Farewell to the King The Cave The Well The Man from Snowy River 2 Anacondas Doing Time for Patsy Cline The Lighthorseman Red Head- Lucy Ball Story Dead Heart Slate Wynn and Me Loves Brother Braveheart / OSCAR WINNER Ground Zero Beyond Borders Rapa Nui Kangaroo Extreme Team Body Melt Scooby Doo Silver Brumby MINI SERIES Chicane Man from Snowy River (Series 2 & 3) Come Midnight Monday The Company / EMMY nom. Flying Doctors All the Green Year IKE - Eisenhower Story / EMMY nom. Mission Impossible (Series 2) Words Fail Me Blonde - Marilyn Monroe Story All the Way I Can Jump Puddles Farscape Series 2 The Far Country Outbreak of Love Noahs Ark A Thousand Skies Lucinda Brayford Moby Dick Keepers Beverly Hills Family Robinson Home Paul D. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
En Garde 3 50 Cents
EN GARDE 3 50 CENTS ®Z7\ ER ED THREE T-o^yneny "R/cc-er <dc-e R h a magazine of personal opinions, natter and comment - especially about Diana Rigg, Patrick MacNee and THE AVENGERS CONTENTS: TACKING ..........................an editorial .... ,pg.U by ye editor HIOFILE ON DIANA RIGG pg,? by warner bros. IROFIIE ON PATRICK MACNEE •pg.11by warner bros. THE AVENGERS ....... .a review • .......................... pg«l£ by gary crowdus TWO SEASONS - AND A HAIF ... a listing pg ,22 by ye ed TO HONOR HONOR ... .a section for honor, , pg,33 compiled by ed YOU HAVE JUST BEEN MURDERED , ,a review ........................... pg.U8 by rob firebaugh NEWS AND NOTES , , . « • .various tidbits. , • • • • pg .50 by ye editor Front Cover shows a scene from Art Credits; "The Master Minds" , 1966 show. Bacover shows sequence cut out "Walt" • , pages 11 and lb for Yankee audience. R. Schultz . , . pages 3, U, 7, 15, 18, 19,22, 35, E2, and $0 This magazine is irregularly published by: Mr, Richard Schultz, 19159 Helen, Detroit, Michigan, E823E, and: Mr. Gary Crowdus, 27 West 11th street New York City, N.Y., 10011 WELKCMMEN First off, let me apologize for the unfortunate delay in bringing out this third issue* I had already planned to bring this fount of Rigg-oriented enthusiasm out immediately after the production of #2. Like, I got delayed. Some things were added to #3, some were unfortunately dropped, some never arrived, and then I quickly came down with a cold and broke a fingernail* Have you ever tried typing stencils with a broken fingernail? Combined with the usual lethargy, this was, of course, very nearly disastrous* But, here it is* ' I hope you like it. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Celebrating 50Years of the Prisoner
THE MAGAZINE BEYOND YOUR IMAGINATION www.infinitymagazine.co.uk THE MAGAZINE BEYOND YOUR IMAGINATION 6 DOUBLE-SIDED POSTER INSIDE! “I AM NOT A NUMBER!” CELEBRATING 50 YEARS PLUS: OF THE PRISONER • CHRISTY MARIE - COSPLAY QUEEN • SPACECRAFT KITS • IAIN M. BANKS • THE VALLEY OF GWANGI • NEWS • SATURDAY MORNING SUPERHEROES • CHILDREN’S FILM FOUNDATION AND MUCH, MUCH MORE… FUTURE SHOCK! THE HISTORY OF 2000 AD AN ARRESTING CONCEPT - TAKE A TRIP IN ROBOCOP THE TIME TUNNEL WRITER INFINITY ISSUE 6 - £3.99 06 THE MAGAZINE BEYOND YOUR IMAGINATION www.infinitymagazine.co.uk 6 THE MAGAZINE BEYOND YOUR IMAGINATION DOUBLE-SIDED POSTER INSIDE! 8 14 “I AM NOT A 38 NUMBER!”50 YEARS CELEBRATING OF THE PRISONER • SPACECRAFT KITS PLUS: • NEWS • CHRISTY MARIE• THE - COSPLAY VALLEY QUEEN OF GWANGI• CHILDREN’S • IAIN M. BANKS • SATURDAY MORNING SUPERHEROES FILM FOUNDATION AND MUCH, MUCH MORE… FUTURE SHOCK! AN ARRESTING THE HISTORY OF CONCEPT - 2000 AD ROBOCOP WRITER TAKE A TRIP IN THE TIME TUNNEL INFINITY ISSUE 6 - £3.99 Prisoner cover art by Mark Maddox (www.maddoxplanet.com) 19 44 08: CONFESSIONS OF A CONVENTION QUEEN Pat Jankiewicz discovers how Star Wars FanGirl Christy Marie became a media phenomenon! 14: SATURDAY MORNING SUPER-HEROES Jon Abbott looks at Hanna-Barbera’s Super TV Heroes line of animated adventurers. 19: UNLOCKING THE PRISONER Don’t miss this amazing 11-page special feature on Patrick McGoohan’s cult favourite from the 1960s. 38: MODEL BEHAVIOUR Sci-fi & Fantasy Modeller’s Andy Pearson indulges his weakness for spacecraft kits… 40 40: FUTURE SHOCK! John Martin talks to Paul Goodwin, director of an acclaimed documentary on the history of 2000 AD. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast: -
Johnny Loves Nobody Atrick Mcgoohan Was a Tough Man to Know
The Rank Villainy of PATRICK McGOOHAN Ray Banks Johnny Loves Nobody atrick McGoohan was a tough man to know. Famously guarded and often opaque, his longest interviews often feature a moment of exasperation on the reporter’s part, typically manifested as an admission of failure. Two pages into a lengthy pro- file for Cosmopolitan in 1969, Jeannie Sakol sets Pout the impossibility of her task: “To even begin to understand the complexities of a man like Patrick McGoohan could mean a lifetime study of James Joyce, Irish Catholicism, the history of Ireland from Brian Boru to Brendan Behan, the heroes and scoundrels, and the woven threads of poetry, idealism, mother love and thwarted sexuality.” The real truth is that McGoohan’s chosen career was dictated not by ancestral history but by a bucket of coal. At sixteen, McGoohan was academically averse and painfully shy, the kind of boy who would watch the youth club dance from the street, safely swaddled in his favorite Mackintosh, “one of those universal, mass-produced, putty- coloured garments that make the average Englishman about as distinguishable as a grain of sand in the Sahara.” But when McGoohan was forced into a bit-part in the youth club play, carting a bucket of coal from one side of the stage to the other, he discovered that “being on stage, sheltered by the bright glare of the footlights, was a much better cloak of anonymity than a mere Mackintosh. On stage I found I didn’t mind what I had to do, or who I had to pretend to be. -
Film Club Sky 328 Freesat 306 JULY 2019 Newsletter Virgin 445
Freeview 81 Film Club Sky 328 Freesat 306 JULY 2019 newsletter Virgin 445 Dear Supporters of Talking Pictures TV & Renown Pictures, Talking Pictures TV turned 4 a few weeks ago, so a jolly happy birth- day to us! Here’s to many more years of preserving film history and making sure films and series don’t get left on dusty shelves where no– one can see them! I hate to think how old Renown Pictures is now…. We had trip to Devon this month to meet the wonderful Joss Ack- land at his home. We filmed with Joss for four hours as he delighted us with childhood memories and snippets of the strange sequence of events in his life and career, I can’t say too much – so watch out for the interview that will be airing on the channel later this year. We also filmed with the wonderful Tom Owen this month, what a lovely chap, fond memories of fishing on Brighton pier with his dear dad Bill Owen and some great insights into both his and his father’s career. We have received a number of complaints from people staying in hotels around the country recently that TPTV was not available on their hotel TV set. We should be available in all hotels but sadly the management of the hotels can be very lax at completing the tuning process on their TVs. If you stay somewhere and TPTV is not available please demand they re-tune so we will be there next time – it’s amaz- ing how many people have found us while on holiday and continue to watch us when they get home! This month we bring you the wonderful Mr Pastry Collection, fully restored from the original elements WITH SUBTITLES and some exclusive snippets from Richard Hearne’s private film collection as bonus extra features.