Power Profile: Time Powers
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Sample File Credits and Legal Stuff
Sample file Credits and Legal Stuff The ALGERNON Files 3.0: Carapace Writing and Design: Aaron Sullivan Printed in the USA Editing: Glenn Hall and Leon Chang Wordmonkey Studios Graphic Design: Eloy Lasanta 8703 Pitch Pine Way Art: Alex Williamson Louisville, KY 40228 Publisher: Wordmonkey Studios Email: [email protected] Web Site: www.wordmonkeystudios.com The ALGERNON Files 3.0: Carapace is ©2015 Wordmonkey Studios. All rights reserved. References to other copyrighted material in no way constitute a challenge to the respective copyright holders of that material. Mutants & Masterminds, Super-Powered by M&M, Green Ronin, and their associated logos are trademarks of Green Ronin Publishing, LLC. The following is designated as Product Identity, in accordance with Section 1(e) of the Open Game License, Version 1.0a: hero points, power points. All characters and their associated images, descriptions, backgrounds, and related information are declared Product Identity. The following text is Open Gaming Content: all game system rules and material not previously declared Product Identity. Earth-Prime, Emerald City, Freedom City, and all associated character names, place names, and descriptions are copyright and Product Identity of Green Ronin Publishing and are used with permission. OPEN GAME LICENSE Version 1.0a 4. Grant and Consideration: In consideration for agree- 14 Reformation: If any provision of this License is held to The following text is the property of Wizards of the ing to use this License, the Contributors grant You a perpet- be unenforceable, such provision shall be reformed only to Coast, Inc. and is Copyright 2000 Wizards of the Coast, Inc ual, worldwide, royalty-free, non-exclusive license with the the extent necessary to make it enforceable. -
HEROES and HERO WORSHIP.—Carlyle
z 2 J51 ^ 3 05 i 1 m Copyright, 1899, by Henry Altemus. Heroes and j ^ 'Hero Worship i CARLYLE ii i i]i8ijitimMin'iiwMM» i i jw [.TfciBBST,inrawn ^^ TttO/nAS Carlylc MERGES AND riERO WORSHIP #1^ ON HEROES, HERO-WORSHIP, AND THE HEROIC IN HISTORY. LECTURE I. THE HERO AS DIVINITY. ODIN. PAGANISM : SCAN^ DINAVIAN MYTHOLOGY. We have undertaken to discourse here for a little on Great Men, their manner of appearance in our world's business, how they have shaped themselves in the world's history, what ideas, men formed of them, what work they did ; —on Heroes, namely, and on their reception- and per- formance ; what I call Hero-worship and the Heroic in human affairs. Too evidently this is a large topic ; deserving quite other treatment than we can expect to give it at present. A large topic ; indeed, an illimitable one ; wide as Universal History itself. For, as I take it. Uni- versal History, the history of what man has- accomplished in this world, is at bottom the His- ! 6 Xecturcs on Ibcroes, tory of the Great Men who have worked here. They were the leaders of men, these great ones ; the modellers, patterns, and in a wide sense creators, of whatsoever the general mass of men contrived to do or to attain •, all things that we see standing accomplished in the world are properly the outer material result, the practical realization and embodiment, of Thoughts that dwelt in the Great Men sent into the world : the soul of the whole world's history, it may justly be considered, were the history of these. -
SILVER AGE SENTINELS (D20)
Talking Up Our Products With the weekly influx of new roleplaying titles, it’s almost impossible to keep track of every product in every RPG line in the adventure games industry. To help you organize our titles and to aid customers in finding information about their favorite products, we’ve designed a set of point-of-purchase dividers. These hard-plastic cards are much like the category dividers often used in music stores, but they’re specially designed as a marketing tool for hobby stores. Each card features the name of one of our RPG lines printed prominently at the top, and goes on to give basic information on the mechanics and setting of the game, special features that distinguish it from other RPGs, and the most popular and useful supplements available. The dividers promote the sale of backlist items as well as new products, since they help customers identify the titles they need most and remind buyers to keep them in stock. Our dividers can be placed in many ways. These are just a few of the ideas we’ve come up with: •A divider can be placed inside the front cover or behind the newest release in a line if the book is displayed full-face on a tilted backboard or book prop. Since the cards 1 are 11 /2 inches tall, the line’s title will be visible within or in back of the book. When a customer picks the RPG up to page through it, the informational text is uncovered. The card also works as a restocking reminder when the book sells. -
Threat Report: Doc Otaku
DOC OTAKU Originally perceived as a “wayward youth,” Doc Otaku REAL NAME: Solo Takashi has long since passed the point of adolescent pranks and OCCUPATION: Inventor, criminal youthful rebellion. Life as a young criminal has hardened BASE: Tokyo, Japan his anti-social tendencies and sharpened his eye for a Solo Takashi was a genius almost from the time he was deal. To Doc Otaku, life is a game, with him as the rogue born. He spoke several languages by the time he was hero, proving he can outwit the authorities and anyone seven years old and earned his first doctorate at the age who thinks they can stop him. of 12. Unfortunately, Takashi was bored. He lacked chal- Takashi is obsessed with manga and anime culture, a true lenges and he wanted to have peers, intellectual equals. otaku in that regard. He spends considerable time reading He also wanted to have some fun. and watching his favorite subjects, and is even the creator He jumped at the opportunity to study with Daedalus, of several hit “underground” publications and produc- one of the greatest scientific minds in the world. But he tions. In spite of the best efforts of the Japanese authori- quickly decided Daedalus was a scared old man unwilling ties, Doc Otaku has a considerable underground cult of to take risks or let anyone else take them, either. He didn’t personality in Japan, one that is spreading via the Internet encourage Takashi’s potential, he only tried to limit and to other parts of the world. control it. -
Table Talk Transcript June 17, 2021
School Lunch Tray Table Talk Transcript: June 17, 2021 Presenters: Speaker 1 – Shannon Yearwood, Speaker 2 – Susan Alston, Speaker 3 – Susan Fiore, Speaker 4 – Fionnuala Brown, Speaker 5 – Monica Pacheco Speaker 6 – Andy Paul, Speaker 7 – Teri Dandeneau, Sean Fogarty, Hostess – Michelle Rosado 0:03 Speaker 1 - Hi, and welcome to our last School Lunch Tray Table Talk for the School Year 2021. I’m Shannon Yearwood, the Education Manager with the Child Nutrition Programs at the Connecticut State Department of Education. 0:17 Joining me today is who I like to refer to as “Team Awesome,” because you have probably the best state administrators that any State could ask for, and they are right here as a resource for you to tap into. You know these are very strange times and just because this is the end of the Table Talk for this school year does not mean we are going anywhere. So certainly keep reaching out to us with your questions. 0:40 Um you guys know who your contacts are out there, who's on our team, so thank you so much for joining us. 0:45 Uh keep in mind, these at this will act as an open office hours, so certainly ask us your questions, type those into the box. We might run out of time, we have a packed agenda today, um and so that will help us be able to follow up with you. Or potentially develop some more resources that we know that that's some information that is good for the entire state, so thank you again for joining us, um and keep in mind these are recorded. -
Mutants & Masterminds
SOURCEBOOK GRR2011e LUCIEN SOULBAN · GREEN RONIN PUBLISHING SOURCEBOOK A refitted VTOL Carnival Air-freighter lumbers through the air like an overfed bumblebee, sluggish and heavy on the noise. You sit onboard, waiting to land. Not since the Atlanta Boys Convoy of 1934, when the government loaded 52 hardened criminals into a train and shipped them out to “inaugurate” Alcatraz Island, has secrecy and security been this heavy. For Super-Con Air, however, this is business as usual. The Carnival is the workhorse of convict transports; she can normally carry 23 passengers along with 22 tons of cargo, but following the refit, she’s hefting two additional power plants and space for 10 powered felons… eight awake and two asleep. Awake, you sit in reinforced cage called “The Egg,” because that’s what it looks like. The Egg suppresses active power fields and locks you down in sensory deprivation for the trip. It’s a blackout of your senses, designed to keep you off- balance when they finally transfer you out. Asleep, the Department of Justice deems you too powerful to risk handling. You’re probably a Type IV or V, and that makes folks nervous enough to crank you out in a hotsleep coffin. You won’t wake up until you’re imbedded 200 meters deep inside “the Mountain.” You feel like you’ve been in the dark for years before someone nudges your Egg. That’s just the VTOL setting down on the landing pad. A few minutes later, there’s motion again. They’ve disconnected your Egg from its suspension struts aboard the Carnival, and they’re wheeling you down the jet’s back ramp. -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
True20 Adventure Roleplaying Trademark License FAQ
True20 Adventure Roleplaying Trademark License FAQ Q: Do I have to submit my products for approval? A: No, you do not. We've tried to make the license easy to use. If you just follow the terms, you shouldn't have any problems. Q: Can I use this license for electronic products other than PDFs, like character generators? A: No, this license is only for the publication of printed books and PDF products. Any other sort of products must be licensed from Green Ronin on an individual basis. Q: Why can't I put True20 or True in the title? A: Green Ronin has established a naming pattern in its previous True20 books and we'd like that pattern to remain unique to official releases. Q: When can I start publishing using this license? A: Any time after May 12, 2008. Q: Can I use this license to do product in other languages? A: Yes, you can. The only additional limitation is that you must follow the terminology used in the appropriate True20 corebook if it exists in the language you're going to use. For example, Wyrd Edizione publishes True20 in Italy. If you want to do Italian language True20 material, you must follow the translation standards of Wyrd's version of the core rulebook. This is to ensure that terminology remains consistent in each language. Q: What should the Section 15 of the Open Game License in my product include? A: For starters it must include the entirety of the Section 15 from the Revised Edition of True20 Adventure Roleplaying. -
Queer Orientation in Twentieth-Century American Literature
QUEER ORIENTATION IN TWENTIETH-CENTURY AMERICAN LITERATURE By MICHAEL G. PARKER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English CASE WESTERN RESERVE UNIVERSITY August 2016 ii CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Michael Parker candidate for the degree of Doctorate Committee Chair T. Kenny Fountain Committee Member Michael Clune Committee Member Mary Grimm Committee Member Laura Hengehold Date of Defense 12 May 2016 *We also certify that written approval has been obtained for any proprietary material contained therein. iii Acknowledgements This dissertation is the culmination of seven years of idea generation and refinement regarding queer orientation. The project began during my first semester of graduate school when I wrote a seminar paper on the orientation of characters in Toni Morrison’s The Bluest Eye and Jazz toward their Southern homes after The Great Migration. Additional threads of this project can be found in papers I wrote about Hedwig and the Angry Inch, Moby Dick, and Alain Locke’s “The New Negro.” I am deeply grateful for those teachers who fostered my approach to literature by looking to orientation, including Thrity Umrigar and Marilyn Mobley. I consider myself lucky to have worked with and under a series of mentors who shaped this dissertation project directly. I want to thank Mary Grimm for her spirited discussions of the works of literature I selected and for directing me to include one work in particular. I am grateful for the experience and teaching of Michael Clune whose perspective on literature inspired much of my critical approach, specifically his emphasis on literature as doing something and as being worthy of close inspection. -
Sugarman Done Fly Away’: Kindred Threads of Female Madness and Male Flight in the Novels of Toni Morrison and Classical Greek Myth
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English Summer 8-7-2010 ‘Sugarman Done Fly Away’: Kindred Threads of Female Madness and Male Flight in the Novels of Toni Morrison and Classical Greek Myth Ebony O. McNeal Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation McNeal, Ebony O., "‘Sugarman Done Fly Away’: Kindred Threads of Female Madness and Male Flight in the Novels of Toni Morrison and Classical Greek Myth." Thesis, Georgia State University, 2010. https://scholarworks.gsu.edu/english_theses/92 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ‘SUGARMAN DONE FLY AWAY’: KINDRED THREADS OF FEMALE MADNESS AND MALE FLIGHT IN THE NOVELS OF TONI MORRISON AND CLASSICAL GREEK MYTH by EBONY OLIVIA MCNEAL Under the Direction of Kameelah Martin Samuel ABSTRACT Madness in women exists as a trope within the literature from the earliest of civilizations. This theme is evident and appears to possess a link with male dysfunction in several of Toni Morrison’s texts. Lack of maternal accountability has long served as a symptom of female mental instability as imposed by patriarchal thought. Mothers who have neglected or harmed their young across cultures and time periods have been forcibly branded with the mark of madness. Female characters in five of Morrison’s novels bear a striking resemblance to the female archetypes of ancient Greece. -
“THERE WILL BE TIME”: HEROISM, TEMPORALITY, and the SEARCH for OPPORTUNITY in MODERN LITERATURE by JOSEPH RUSSELL LEASE (Und
“THERE WILL BE TIME”: HEROISM, TEMPORALITY, AND THE SEARCH FOR OPPORTUNITY IN MODERN LITERATURE by JOSEPH RUSSELL LEASE (Under the Direction of Jed Rasula) ABSTRACT This dissertation focuses on the convergence of heroism and temporality in Modernist literature. Its purpose is to illuminate both the ways in which changes in the perception of time transformed the portrayal of potential hero figures and, more importantly, how a viable alternative to the frequently assumed “death” of the hero within that period went largely unnoticed. The hero figure (who does the “right” thing, for the “right” reason, at the “right” time) is largely missing from literature of the time period because one or more of the elements of the formula is not met, and there are particular challenges during the decades in question to finding the “right” time to act due to an imbalance in Western cultural perceptions of temporality that favored an exclusively quantitative model over one that balanced both quantitative and qualitative aspects, such as that favored by the Greeks and demonstrated through the concepts of chronos and kairos. I highlight the consequences of the Modernist, chronocentric temporal model by examining different works that illustrate the difficulties of creating and presenting heroes in a world in which the timing of heroic action is nearly impossible to get right. Moreover, the selected authors’ disparate backgrounds and literary interests underscore that the question of heroic viability was of enough concern to appear frequently and across a broad spectrum of Western literature during the period in question. Specific examples include an analysis of four novels by Joseph Conrad that tracks his portrayals of the nature of heroism in the modern world; an examination of two specific forms of kairic failure—akairic desire and akairic environment, both of which permeate Modernism—found within works by T. -
Time and the Vanities of Existence in Antun Šoljan's Fiction
Slovo. Journal of Slavic Languages, Literatures and Cultures ISSN 2001–7395 No. 55, 2014, pp. 60–76 Time and the Vanities of Existence in Antun Šoljan’s Fiction Denis Crnković Russian & Eastern European Studies, Gustavus Adolphus College [email protected] Abstract This paper explores the theme of hope and hopelessness in a selection of Antun Šoljan’s stories and novels and how the author creates in his heroes an interior atmosphere of inquiry that is paradoxically laden with uncertainty and the human instinct to move forward. A “parabolic moralist” (as Davor Kapetanić has called him), Šoljan depicts the world as more than a simple continuity of events, political, personal, private or public. His major concern is to make sense of man’s existence in a universe that confronts him with both linear time and a repetitive or circular series of events. Examining the apparent contradictions of linear vs. circular existence, the author often places his characters “out of time” and analyzes any given life by finding its important events, actions and desires. While Šoljan’s heroes often conclude that temporal things are of little lasting value, he leaves his philosophically and psychologically battered heroes with at least a small possibility of hope. Antun Šoljan, the undisputed voice of conscience in Yugoslav and Croatian literature for four decades after World War II, was a tireless writer of essays, plays, translations, novels and short stories. Because of its preoccupation with human existence in the midst of an oppressive political and social regime, his fiction is most often associated with that of the great existentialist writers of the mid-twentieth century.