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Robocop – Pb ITA
METRO-GOLDWYN-MAYER PICTURES e COLUMBIA PICTURES presentano una produzione STRIKE ENTERTAINMENT ROBOCOP JOEL KINNAMAN GARY OLDMAN MICHAEL KEATON ABBIE CORNISH e SAMUEL L. JACKSON Musiche di PEDRO BROMFMAN Costumi di APRIL FERRY Montaggio di DANIEL REZENDE, PETER McNULTY Scenografie di MARTIN WHIST Direttore della fotografia LUCA CARVALHO Executive Producers BILL CARRARO, ROGER BIRNBAUM Prodotto da MARC ABRAHAM, ERIC NEWMAN Sceneggiatura di JOSHUA ZETUMER Regia di JOSÉ PADILHA Durata: 2 ore Sito: http://www.robocopfilm.it/ Facebook: https://www.facebook.com/RobocopITA Twitter: https://twitter.com/SonyPicturesIT Distibuito da WARNER BROS. ENTERTAINMENT ITALIA nelle sala dal 6 Febbraio 2014 ROBOCOP La produzione Siamo nel 2028. La Omnicorp, una società leader a livello globale nel campo della tecnologia robotica, trova un'occasione d'oro per guadagnare miliardi di dollari. Quando Alex Murphy (Joel Kinnaman), marito e padre premuroso che si adopera in tutti modi per combattere la dilagante ondata criminale di Detroit, viene ferito gravemente, la Omnicorp ne approfitta per costruire un agente di polizia formato in parte da un robot e in parte da un uomo in carne ed ossa. La società immagina un RoboCop in ogni città e non si fermerà davanti a nulla per far funzionare il suo piano, neanche davanti allo stesso Alex. Ma non ha considerato un fattore importante: dentro alla macchina c'è pur sempre un uomo. Metro-Goldwyn-Mayer Pictures e Columbia Pictures presentano RoboCop, una produzione Strike Entertainment, con Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Jackie Earle Haley, Michael K. Williams, Jennifer Ehle, Jay Baruchel, Marianne Jean-Baptiste e Samuel L. -
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK. -
The Fate of the Hostages Rode with a C-130 Descending out of the Night Sky with Its Lights Off
The fate of the hostages rode with a C-130 descending out of the night sky with its lights off. Entebbe By John T. Correll ir France flight 139 woman and two Palestinian men—had Loss of radio contact and the change in originated in Tel Aviv no difficulty boarding with concealed course alerted Israel that the flight, with on Sunday morning, handguns and hand grenades. The aircraft, a large number of Israeli and Jewish pas- June 27, 1976, bound an Airbus 300, left Athens at 12:20 p.m. sengers, had been hijacked. The aircraft for Paris with an intermediate stop in Seven minutes out of Athens, the diverted to Benghazi, Libya, where it Athens. Airport security in Athens was German man forced his way onto refueled and took off again at 9:50 p.m. notoriouslyA lax. No one was on duty the flight deck while his companions One of the passengers, a woman, faked a at the metal detector, and the official took over the passenger cabins. They medical emergency and managed to talk checking carry-on luggage at the X-ray declared the hijacking to be on behalf her way off the airplane in Benghazi and machine was not watching the screen. of the Popular Front for the Liberation escape the hijackers. Four passengers from a connecting of Palestine and forced the pilot, Capt. The Airbus landed at Entebbe airport flight from Bahrain—a German man and Michel Bacos, to turn southward. in Uganda at 3:15 a.m. on Monday. On 62 AIR FORCE Magazine / December 2010 Entebbe board, in addition to the four hijack- new terminal and runway were built demands, broadcast over Ugandan ers, were 243 passengers and the Air in the early 1970s. -
Kristen Connolly Helps Move 'Zoo' Far Ahead
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad We’ve got you covered! June 23 - 29, 2017 waxahachietx.com U J A M J W C Q U W E V V A H 2 x 3" ad N A B W E A U R E U N I T E D Your Key E P R I D I C Z J Z A Z X C O To Buying Z J A T V E Z K A J O D W O K W K H Z P E S I S P I J A N X and Selling! 2 x 3.5" ad A C A U K U D T Y O W U P N Y W P M R L W O O R P N A K O J F O U Q J A S P J U C L U L A Co-star Kristen Connolly L B L A E D D O Z L C W P L T returns as the third L Y C K I O J A W A H T O Y I season of “Zoo” starts J A S R K T R B R T E P I Z O Thursday on CBS. O N B M I T C H P I G Y N O W A Y P W L A M J M O E S T P N H A N O Z I E A H N W L Y U J I Z U P U Y J K Z T L J A N E “Zoo” on CBS (Words in parentheses not in puzzle) Jackson (Oz) (James) Wolk Hybrids Place your classified Solution on page 13 Jamie (Campbell) (Kristen) Connolly (Human) Population ad in the Waxahachie Daily 2 x 3" ad Mitch (Morgan) (Billy) Burke Reunited Light, Midlothian1 xMirror 4" ad and Abraham (Kenyatta) (Nonso) Anozie Destruction Ellis County Trading Post! Word Search Dariela (Marzan) (Alyssa) Diaz (Tipping) Point Kristen Connolly helps Call (972) 937-3310 © Zap2it move ‘Zoo’ far ahead 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light Cardinals. -
Atonement (2007) Compiled by Jay Seller
Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright. -
Ak Büyü / Sh'chur Geç Evlilik / Late Marriage Or (Hazinem) / Or (My Treasure)
Pera Film, toplumun sınırlarına karşı özgürlüğü için mücadele eden çarpıcı kadın karakterleri canlandırmış Ronit Elkabetz’e saygı duruşu niteliğinde bir seçki sunuyor. Ak Büyü / Sınırların Ötesi, Elkabetz’in aile, gelenekler, evlilik ve devletin kurumsal dayatmaları Sh’Chur karşısında özgürlükleri için mücadele eden ve bu nedenle toplumda sıradışı kabul edilen kadınlarla ilgili olarak yarattığı bir dizi unutulmaz karakter sayesinde, hem İsrail Yönetmen / Director: Shmuel Hasfari hem de Avrupa sinemasında bir dönüşüme imza attığı çalışmalarını izleyiciyle Oyuncular / Cast: Gila Almagor, Ronit Elkabetz, 7 – 28 Kasım | November 2018 Eti Adar, Hanna Azoulay Hasfari buluşturuyor. İsrail / Israel, 1994, 98’, renkli / color İbranice; Türkçe altyazılı / Sınırların Ötesi programı, Elkabetz’in kimi zaman oyuncu kimi zaman da yönetmen Hebrew with Turkish subtitles olarak yer aldığı, kariyerinde büyük bir öneme sahip dokuz filme yer veriyor. İsrail’de yaşayan Fas topluluğunun renkli ve tutku dolu kültürünü betimleyen Ak Büyü, aile ve Ak Büyü, İsrail’de yaşayan Fas topluluğunun renkli ve tutku dolu kültürüne evlilik kavramlarını genç bir adamın yaşadıkları üzerinden trajikomik bir anlatıyla odaklanıyor. Film, tamamen Batılılaşmış genç bir Sabra kızı olan 13 yaşındaki gösteren Geç Evlilik, hayatı üzerindeki tüm kontrolünü yitirmiş Ruthie’yle, ona başka Rachel’in aile üyelerinin düzenli olarak yaptıkları ak büyüyü (Sh’Chur) anlamaya ve bir iş bulmaya çalışan kızının hikayesini anlatan Or (Hazinem), hem eşi hem de onunla uzlaşmaya çalışmasını anlatıyor. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
College of Jewish Studies Program Fall 2017
September 22-28, 2017 Published by the Jewish Federation of Greater Binghamton Volume XLVI, Number 38 BINGHAMTON, NEW YORK College of Jewish Studies Program fall 2017: “Divided by Victory: The Legacy of the Six-Day War” The Six-Day War has been called “one The fall 2017 program of the College of on Jewish history and contemporary Jewish and the Significance of 1948.” Libman is of the most significant events in modern Jewish Studies will focus on aspects of the life. He has been widely cited in the media a literary scholar and cultural historian Israeli history.” As a result of the Israeli legacy of the Six-Day War 50 years later. and on three occasions has been named to specializing in the literature and cultural victory, Jews were in control of Jerusalem The first lecture in the College of Jewish the Forward’s list of the 50 most influential history of the kibbutz and Socialist-Zi- for the first time in 2,000 years and Israel Studies Fall program, “Divided by Victory: Jews in the United States. onism. She was recently a recipient of took control over more land than most peo- The Legacy of the Six-Day War” will be On Thursday, November 2, Lior Lib- the Frankel Institute of Advanced Judaic ple thought possible. However, the initial held on Thursday, October 26, when Steven man, assistant professor and associate Studies faculty fellowship to work on her euphoria of the victory ultimately led to Bayme, director of the William Petschek director of the Center for Israel Studies project “Jews in Harness: The Socialist-Zi- basic divisions that have fragmented Israeli Contemporary Jewish Life Department of at Binghamton University will speak on onist Labor Movement and Hasidism.” society and Diaspora Jews over a host of the American Jewish Committee will speak “Between the Seventh Day and ‘The Move- The final lecture in the program will be on concerns, including issues of land and/or on “The Six-Day War Remembered 50 ment for Greater Israel’: The Aftermath of Thursday, November 9, when Assaf Harel peace, and occupation and/or democracy. -
Hijacking of Air France Airbus by Followers of Popular Front for The
Keesing's Record of World Events (formerly Keesing's Contemporary Archives), Volume 22, August, 1976 France, Israeli, Ugandan, Britain, Kenya, Uganda, Page 27888 © 1931-2006 Keesing's Worldwide, LLC - All Rights Reserved. Hijacking of Air France Airbus by Followers of Popular Front for the Liberation of Palestine - Israeli Action to liberate Hostages held at Entebbe Airport - Inconclusive Debate at UN security Council - Ugandan Recriminations against Britain and Kenya - Severance of Diplomatic Relations with Uganda by Britain An Air France A300-B airbus, under way from Tel Aviv to Paris and carrying a crew of 12 and 247 passengers, was hijacked shortly after it had taken off from Athens at 11.55 a.m. on June 27, 1976, by an armed group of three men and a woman calling itself the Che Guevara cell of the Haifa section of the Popular Front for the Liberation of Palestine (PFLP). A spokesman for the PFLP in Damascus telephoned the Reuter office in Kuwait on the same day to announce his organization's responsibility for the hijacking, but a Beirut spokesman for the PFLP denied on June 28 that it had anything to do with the action. The PFLP led by Dr George Habash, is part of the "rejection front" whwich opposes any "partal" settlement which would guuarantee the existence of a Jewish state on the territory of Plestine—see 26961.] The leader of the hijackers was Herr Wilfried Bose (27), a West German lawyer who had been part of the PFLP network, for whose terrorist activities in Europe Sr Ilich Ramirez Sánchez (alias Carlos Martínez or "The Jackal") had been responsible [see 27587]. -
Late Marriage Walk on Water Dough
FILM SERIES Place: The 519 Community Centre, Room 301 (room subject to change, please check monitor at 519 when arriving for the film screening) Time: 1:30 p.m. – 4:00 p.m. Admission is free and light snacks may be brought to the venue. LATE MARRIAGE Date: Sunday, October 21, 2018 Hatuna Meuheret) is a 2001 Israeli film directed by , מאוחרת חתונה :Hebrew) Dover Kosashvili. The film centers on Zaza (Lior Ashkenazi, in his breakthrough role), the 31-year-old child of tradition-minded Georgian Jewish immigrants who are anxiously trying to arrange a marriage for him. Unbeknownst to them, he is secretly dating a 34-year-old divorcée, Judith (Ronit Elkabetz). When his parents discover the relationship and violently intervene, Zaza must choose between his family traditions and his love. Most of the main characters are Georgian-Israeli and the dialogue is partly in the Judaeo-Georgian language and partly in Hebrew. The film was positively reviewed and was Israel’s submission for Best Foreign Language Film at the 74th Academy Awards. WALK ON WATER Date: Sunday, November 18, 2018 Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country during which, Axel challenges Eyal's values. DOUGH Date: Sunday, December 16, 2018 Curmudgeonly widower Nat Dayan (Tony award-winning actor Jonathan Pryce, currently in HBO's "Game of Thrones") clings to his way of life as a Kosher bakery shop owner in London's East End. -
La Justicia En La Pantalla
Otras publicaciones del Fondo Editorial PUCP ¿Cómo aparece retratada la justicia en el cine y la televisión que vemos? LUIS PÁSARA (Lima, 1944) se doctoró en Derecho ¿Qué aparece en la pantalla como «la realidad» de tribunales, jueces, en la Pontifi cia Universidad Católica del Perú, Introducción al Sistema Interamericano fi scales y abogados? Para abordar estas preguntas se propuso a los donde ejerció la docencia entre 1967 y 1976. de Derechos Humanos autores de este libro que escogieran una película, un director o un tema, Fundó el Centro de Estudios de Derecho y Elizabeth Salmón , editor para examinar aquello que la producción cinematográfi ca o televisiva LA JUSTICIA Sociedad (CEDYS), en Lima, del que fue director Problemas actuales de política criminal nos dicen acerca de la justicia que tenemos. e investigador durante diez años. Como sociólogo Anuario de Derecho Penal 2015-2016 EN LA PANTALLA del derecho, su carrera académica se desarrolló en Dieciocho autores, residentes en siete países, escogieron producciones el Centro de Investigación y Docencia Económicas José Hurtado Pozo Pásara Luis de origen estadounidense —con extensa difusión en América Latina— UN REFLEJO DE JUECES Y TRIBUNALES EN CINE Y TV (CIDE), en Ciudad de México; el Woodrow Justicia profana o latinoamericano: Argentina, Brasil, Colombia, Chile, México y Wilson International Center for Scholars, en El jurado de imprenta en el Perú Perú. Aunque la mayoría de los textos se ocupan de películas, varios Washington D.C.; el Helen Kellogg Institute de Carlos Ramos Núñez otros abordan producciones de televisión. En el conjunto hay algunos Luis Pásara la Universidad de Notre Dame; y la Universidad trabajos basados en casos reales. -
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities
Mapping the British Biopic: Evolution, Conventions, Reception and Masculinities Matthew Robinson A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol June 2016 90,792 words Contents Abstract 2 Chapter One: Introduction 3 Chapter Two: Critical Review 24 Chapter Three: Producing the British Biopic 1900-2014 63 Chapter Four: The Reception of the British Biopic 121 Chapter Five: Conventions and Themes of the British 154 Biopic Chapter Six: This is His Story: ‘Wounded’ Men and 200 Homosocial Bonds Chapter Seven: The Contemporary British Biopic 1: 219 Wounded Men Chapter Eight: The Contemporary British Biopic 2: 263 Homosocial Recoveries Chapter Nine: Conclusion 310 Bibliography 323 General Filmography 355 Appendix One: Timeline of the British Biopic 1900-2014 360 Appendix Two: Distribution of Gender and Professional 390 Field in the British Biopic 1900-2014 Appendix Three: Column and Pie Charts of Gender and 391 Profession Distribution in British Biopics Appendix Four: Biopic Production as Proportion of Total 394 UK Film Production Previously Published Material 395 1 Abstract This thesis offers a revaluation of the British biopic, which has often been subsumed into the broader ‘historical film’ category, identifying a critical neglect despite its successful presence throughout the history of the British film industry. It argues that the biopic is a necessary category because producers, reviewers and cinemagoers have significant investments in biographical subjects, and because biopics construct a ‘public history’ for a broad audience.